Lachenmann’s Serynade—Issues for Performer and Listener

Pace, I. (2005). Lachenmann’s Serynade—Issues for Performer and Listener. Contemporary Music Review, 24(1), pp. 101-112. doi: 10.1080/0749446042000293646

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Abstract

In this article, I explore Lachenmann's largest piano work, his Serynade, and investigate its intricate notation. I discuss its relationship to the music of the past and also place it within a more contemporary context. In addition, I offer my thoughts as a performer about its impact on both listeners and performers.

Item Type: Article
Additional Information: This is an Accepted Manuscript of an article published by Taylor & Francis in CONTEMPORARY MUSIC REVIEW on 15th September 2010, available online: http://wwww.tandfonline.com/10.1080/0749446042000293646
Uncontrolled Keywords: Analysis, Listening, Pedals, Performance, Piano, Resonance
Subjects: M Music and Books on Music > M Music
Divisions: School of Arts > Department of Creative Practice & Enterprise - Centre for Music Studies
URI: http://openaccess.city.ac.uk/id/eprint/4735

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