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Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 8(1), 18.. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2015). Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920). The Journal of Commonwealth Literature, 50(1), pp. 45-58. doi: 10.1177/0021989414555209

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

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Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), p. 23.

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Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. and Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata.. ISBN 9788896687079

Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9

Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0

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Seago, K. (2005). Aspects of gender in translations of "Sleeping Beauty". Comparative Critical Studies, 2(1), pp. 23-43.

Seago, K. (2002). Constructing the Witch. In: Blayer, I. M. and Sánchez, M. (Eds.), Storytelling: Interdisciplinary and Intercultural Perspectives. (pp. 72-85). Peter Lang Publishing. ISBN 9780820451251

Seago, K. (1999). Let Sleeping Beauties Lie? On the difficulties of revisioning the tale. New Comparison, 27/28, pp. 98-117.

Seago, K. (1999). New Wine in Old Bottles?: Angela Carter’s Bloody Chamber of Revisioned Fairy Tales. Métaphore, 26, pp. 7-98.

Seago, K. (2001). Shifting Meanings: Translating Grimms’ Fairy Tales as Children’s Literature. In: Desblache, L. (Ed.), Aspects of specialised translation. (pp. 171-180). La Maison Du Dictionnaire. ISBN 2856081657

Seago, K. (2003). What's in a title? A bibliographical study of the marketing of Grimms' fairy tales in English translation in the nineteenth century. New Comparison, A Journal of General and Comparative Literary Studies, 35/36, pp. 100-120.

Seago, K. ORCID: 0000-0002-0010-5836 and Rizzo, A. (2018). The aesthetics of migration: Reversals of marginality and the socio-political turn. InVerbis, 8(1), pp. 7-34. doi: 10.7368/91217

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Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), 66.. doi: 10.3390/h7030066