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Akinerdem, Zeyneb Feyza (2015). Marriage safe and sound: subjectivity, embodiment and movement in the production space of television in Turkey. (Unpublished Doctoral thesis, City University London)

Al-Daragi, A. (2016). Tensions between didacticism, entertainment and translatorial practices: deletion and omission in the Arabic translations of Harry Potter. (Unpublished Doctoral thesis, City, University of London)

Aran, A. (2012). Israel and the Arab Uprisings: A Provisional Analsysis. RUSI Journal, 157(5), pp. 56-61. doi: 10.1080/03071847.2012.733113

Bereson, R. (1997). Opera considered as state ceremony. (Unpublished Doctoral thesis, City University London)

Bird, H., Boykoff, M., Goodman, M. K., Monbiot, G. & Littler, J. (2009). The media and climate change. Soundings: A Journal of Politics and Culture, 43, pp. 47-64. doi: 10.3898/136266209790424595

Boylan, P. The Grand Leicester Musical Festival of 1827. Leicestershire Historian, 50, pp. 46-54.

Brienza, C. (2014). Rev. of Digital Humanities Summer Institute. University of Victoria, British Columbia, June 2-6, 2014. SHARP News, 23(4), pp. 21-22.

Brienza, C. (2014). Review of Comics Unmasked: Art and Anarchy in the UK. British Library, London. SHARP News, 23(3), .19.

Bucar, M. (2015). Aesthetic negativity and choreographic practice. (Unpublished Doctoral thesis, City, University of London)

Chao, Y. (2000). Dance, Culture and Nationalism: the Socio-cultural Significance of Cloud Gate Dance Theatre in Taiwanese Society. (Unpublished Doctoral thesis, City University London)

Chappell, K. (2005). Creativity within late primary age dance education: unlocking expert specialist dance teachers' conceptions and approaches. (Unpublished Doctoral thesis, City University London)

Coe, N. M. & Jones, A. (2011). A new geography of the UK economy? Commentary on the publication of "The economic geography of the UK". The Geographical Journal, 177(2), pp. 149-154. doi: 10.1111/j.1475-4959.2010.00387.x

Dean, C., Donnellan, C. & Pratt, A.C. (2010). Tate Modern: pushing the limits of regeneration. City, Culture and Society, 1(2), pp. 79-87. doi: 10.1016/j.ccs.2010.08.003

Devine, K. (2013). Imperfect Sound Forever: Loudness Wars, Listening Formations and the History of Sound Reproduction. Popular Music, 32(2), pp. 159-176. doi: 10.1017/S0261143013000032

Dinardi, C. (2015). Unsettling the role of culture as panacea: The politics of culture-led urban regeneration in Buenos Aires. City, Culture and Society, 6(2), pp. 9-18. doi: 10.1016/j.ccs.2015.03.003

Freeman, E. D., Fassnidge, C., Kazaz, Z. & Knudsen, S. (2015). Hearing through your eyes: modulation of the visually-evoked auditory response by transcranial electrical stimulation *

Frengel, Mike (2005). Process and form: perspectives on the application of predetermined systems to sectional forms in music composition. (Unpublished Doctoral thesis, City University, London)

Fuchs, C. & Sandoval, M. (2008). Positivism, postmodernism, or critical theory? A case study of communications students’ understandings of criticism. Journal for Critical Education Policy Studies, 6(2), pp. 112-141.

Fuchs, C. & Sandoval, M. (2015). The political economy of capitalist and alternative social media. In: The Routledge Companion to Alternative and Community Media. (pp. 165-175). Abingdon, UK: Routledge. ISBN 9780415644044

Gaio, A. (2015). Policy formation in the European Community – the case of culture. (Unpublished Doctoral thesis, City University London)

Gill, R. & Donaghue, N. (2016). Resilience, apps and reluctant individualism: Technologies of self in the neoliberal academy. Women's Studies International Forum, 54, pp. 91-99. doi: 10.1016/j.wsif.2015.06.016

Goodman, M. K. & Littler, J. (2013). Celebrity Ecologies: Introduction. Celebrity Studies, 4(3), pp. 269-275. doi: 10.1080/19392397.2013.831623

Harper, A. (2014). Composition, Change and Musical Objects in Infinite Music. In: Darmstädter Beiträge zur Neuen Musik. (pp. 15-28). Mainz: Schott Music. ISBN 978-3-7957-0866-5

Harper, A. (2017). How Internet Music is Frying Your Brain. Popular Music, 36(1), pp. 86-97. doi: 10.1017/S0261143016000696

Hirst, A. (2014). Derrida and Political Resistance: The Radical Potential of Deconstruction. Globalizations, 12(1), pp. 6-24. doi: 10.1080/14747731.2014.971538

Hirst, A. (2012). Leo Strauss and International Relations: The politics of modernity's abyss. International Politics, 49(6), pp. 645-670. doi: 10.1057/ip.2012.23

Hirst, A. (2013). Violence, Self-authorship and the 'Death of God': The 'Traps' of the Messianic and the Tragic. MILLENNIUM-JOURNAL OF INTERNATIONAL STUDIES, 42(1), pp. 135-154. doi: 10.1177/0305829813497822

Hirst, A.. & Michelsen, N. (2013). Introduction: International Relations and the 'Death of God'. MILLENNIUM-JOURNAL OF INTERNATIONAL STUDIES, 42(1), pp. 103-113. doi: 10.1177/0305829813500371

Indergaard, M., Pratt, A.C. & Hutton, T. A. (2013). Creative cities after the fall of finance. Cities, 33, pp. 1-4. doi: 10.1016/j.cities.2012.09.007

Iosifidis, P. Media Ownership and Concentration in the United Kingdom. In: E. Noam (Ed.), International Media Concentration. . OUP.

Iosifidis, P. & Boucas, D. (2015). Media Policy and Independent Journalism in Greece. Open Society Foundations.

James, A.J. (2010). “From Thanatos to Eros” A Phenomenological Case Study of Post-Graduate Drama Students. (Unpublished Doctoral thesis, City University London)

Jeffcutt, P. & Pratt, A.C. (2002). Managing creativity in the cultural industries. Creativity and Innovation Management, 11(4), pp. 225-233. doi: 10.1111/1467-8691.00254

Jones, A. (2005). Assessing international youth service programmes in two low-income countries. Voluntary Action, 7(2), pp. 87-99.

Jones, A. (2008). Beyond embeddedness: economic practices and the invisible dimensions of transnational business activity. Progress in Human Geography, 32(1), pp. 71-88. doi: 10.1177/0309132507084817

Jones, A. The Corporation in Geography. In: A. Spicer & G. Baars (Eds.), A Critical, Multidisciplinary Handbook. . UK: Cambridge University Press.

Jones, A. (1999). Dialectics and difference: against Harvey's dialectical ‘post-Marxism’. Progress in Human Geography: an international review of geographical work in the social sciences and humanities, 23(4), pp. 529-555. doi: 10.1191/030913299676750977

Jones, A. (2013). Geographies of Production I: Relationality revisited and the ‘practice shift’ in economic geography. Progress in Human Geography: an international review of geographical work in the social sciences and humanities, 38(4), pp. 605-615. doi: 10.1177/0309132513502151

Jones, A. (2016). Geographies of Production III: Economic Geographies of Management and International Business. Progress in Human Geography: an international review of geographical work in the social sciences and humanities,

Jones, A. (2007). More than 'managing across borders? The complex role of face-to-face interaction in globalizing law firms. Journal of Economic Geography, 7(3), pp. 223-246. doi: 10.1093/jeg/lbm003

Jones, A. (2009). Proximity and Power within Investment Relationships: the case of the UK Private Equity industry. Geoforum, 40(5), pp. 809-819. doi: 10.1016/j.geoforum.2009.09.002

Jones, A. (2013). (Re)Conceptualising the space of markets: The case of the 2007–9 global financial crisis. Geoforum, 50, pp. 31-42. doi: 10.1016/j.geoforum.2013.07.010

Jones, A. (2009). Theorising Global Business Spaces. Geografiska Annaler B: Human Geography, 91(3), pp. 203-218. doi: 10.1111/j.1468-0467.2009.00315.x

Jones, A. (2011). Theorising international youth volunteering: training for global (corporate) work?. Transactions Of The Institute Of British Geographers, 36(4), pp. 530-544. doi: 10.1111/j.1475-5661.2011.00433.x

Jones, A. (2005). Truly global corporations? Theorizing 'organizational globalization' in advanced business-services. Journal of Economic Geography, 5(2), pp. 177-200. doi: 10.1093/jnlecg/lbh039

Jones, A. (2002). The "global city" misconceived: the myth of "global management" in transnational service firms. Geoforum, 33(3), pp. 335-350. doi: 10.1016/S0016-7185(02)00010-6

Jones, A. (2008). The rise of global work. Transactions Of The Institute Of British Geographers, 33(1), pp. 12-26. doi: 10.1111/j.1475-5661.2007.00284.x

Jones, A. & Murphy, J. T. (2010). Practice and Economic Geography. Geography Compass, 4, pp. 303-319. doi: 10.1111/j.1749-8198.2009.00315.x

Jones, A. & Murphy, J. T. (2011). Theorizing practice in economic geography: Foundations, challenges, and possibilities. Progress in Human Geography, 35(3), pp. 366-392. doi: 10.1177/0309132510375585

Kernan, M.A. The Arden Shakespeare, 1890 to 2014: A cultural, historical, commercial and technological case study. Paper presented at the By the Book: The book and the study of its digital transformation, 23-05-2014 - 24-05-2014, Florence, Italy.

Kernan, M.A. (2014). Research into Arts-based Interventions in Organisations and Management Education: Theoretical foundations and methodological implications. IFKAD 2014 Knowledge and Management Models for Sustainable Growth, 9, ISSN 2280-787X

Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: D. Carlucci & J.C. Spender (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.

Liao, P. (2006). An Inquiry into the Creative Process of Butoh: With Reference to the Implications of Eastern and Western Significances. (Unpublished Doctoral thesis, City University London)

Lingas, A. (2015). Music in the Balkans. Ethnomusicology Forum, 24(1), pp. 134-136. doi: 10.1080/17411912.2014.980200

Lingas, A. (2013). The Past is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos. Ethnomusicology Forum, 22(1), pp. 121-124. doi: 10.1080/17411912.2012.753815

Littler, J. (2005). British heritage and the legacies of ‘race'. In: R. Naidoo & J. Littler (Eds.), The Politics of Heritage: the legacies of ‘race’. (pp. 1-20). London: Routledge. ISBN 9780415322119

Littler, J. (2014). Celebrity. In: The Routledge Companion to Global Popular Culture. Routledge Companions. (pp. 119-127). Abingdon: Routledge. ISBN 0415641470

Littler, J. (2006). Celebrity CEOs and the cultural economy of tabloid intimacy. In: S. Holmes & S. Redmond (Eds.), Stardom and Celebrity: A Reader. (pp. 230-243). Sage. ISBN 9781412923217

Littler, J. (2004). Celebrity and “meritocracy”. Soundings: A Journal of Politics and Culture, 26, pp. 118-130.

Littler, J. (2016). ‘Consumer culture and cultural studies’. In: D. Shaw, M. Carrington & A. Chatzidakis (Eds.), Ethics and Morality in Consumption: Interdisciplinary Perspectives. (pp. 233-247). New York, USA: Routledge. ISBN 9781138790230

Littler, J. (2000). Creative Accounting: Consumer culture, the ‘creative economy’ and the cultural policies of New Labour’. In: J. Gilbert & T. Bewes (Eds.), Cultural Capitalism: Politics after New Labour. (pp. 203-222). London: Lawrence & Wishart. ISBN 9780853159179

Littler, J. (2006). Festering Britain”: The 1951 Festival of Britain, national identity and the representation of the Commonwealth. In: A. Ramamurthy & S. Faulkner (Eds.), Visual Culture and Decolonisation In Britain. (pp. 21-42). Ashgate. ISBN 9780754640028

Littler, J. (2008). Heritage and ‘Race’. In: B. Graham (Ed.), Ashgate Research Companion to Heritage and Identity. (pp. 89-104). Ashgate. ISBN 978-0-7546-4922-9

Littler, J. (2008). I feel your pain: Celebrity do-gooding, cosmopolitan caring and the globalised soul. Social Semiotics, 18(2), pp. 237-251. doi: 10.1080/10350330802002416

Littler, J. (2004). Making fame ordinary: intimacy, reflexivity and ‘keeping it real’. In: J. Rutherford (Ed.), Mediactive. (pp. 8-25). Lawrence & Wishart.

Littler, J. (2013). Meritocracy as plutocracy: the marketising of ‘equality’ within neoliberalism. New Formations: a journal of culture/theory/politics, 80-81, pp. 52-72. doi: 10.3898/NewF.80/81.03.2013

Littler, J. (2016). On not being at CCCS. In: M. Hilton & K. Connell (Eds.), Cultural Studies 50 Years On: History, Practice and Politics. . Rowman & Littlefield International. ISBN 9781783483921

Littler, J. (2004). ‘White past, multicultural present: heritage and national stories'. In: H. Brocklehurst & R. Phillips (Eds.), History, Identity and the Question of Britain. (pp. 330-341). Palgrave. ISBN 9781403912961

Littler, J. (2015). The new Victorians? Celebrity charity and the demise of the welfare state. Celebrity Studies, 6(4), pp. 471-485. doi: 10.1080/19392397.2015.1087213

Littler, J. (2013). The rise of the ‘yummy mummy’: popular conservatism and the neoliberal maternal in contemporary British culture. Communication, Culture and Critique, 6(2), pp. 227-243. doi: 10.1111/cccr.12010

Littler, J. & Binkley, S. (2008). Cultural Studies and Anti-Consumerism: A Critical Encounter. Cultural Studies, 22(5), pp. 519-530. doi: 10.1080/09502380802245795

Littler, J. & Couldry, N. (2011). Work, Power and Performance: Analysing the 'reality' game of The Apprentice. Cultural Sociology, 5(2), pp. 263-279. doi: 10.1177/1749975510378191

Littler, J. & Couldry, N. (2008). The work of work: Reality TV and the negotiation of neoliberal labour in The Apprentice’. In: T. Austin & W. de Jong (Eds.), Rethinking documentary: new perspectives and practices. (pp. 258-267). Open University Press. ISBN 9780335221912

Littler, J. & Cross, S. (2010). Celebrity and Schadenfreude: The cultural economy of fame in freefall. Cultural Studies, 24(3), pp. 395-417. doi: 10.1080/09502381003750344

Littler, J. & Gilbert, J. (2009). Beyond Gesture, Beyond Pragmatism. In: J. Pugh (Ed.), What is Radical Politics Today? (pp. 127-135). Basingstoke, UK: Palgrave Macmillan. ISBN 9780230236257

Littler, J. & Moor, L. (2008). Fourth worlds and neo-Fordism: American Apparel and the cultural economy of consumer anxiety. Cultural Studies, 22(5), pp. 700-723. doi: 10.1080/09502380802245977

Littler, J. & Rustin, S. (2013). Green Shoots? Interview with Natalie Bennett. Soundings: A Journal of Politics and Culture, 53, pp. 33-43. doi: 10.3898/136266213806045692

Littler, J. & Schor, J. (2006). Tackling turbo consumption: An interview with Juliet Schor. Soundings: A Journal of Politics and Culture, 34, p. 45.

Littler, J., Soper, K. & Barnett, C. (2005). A republic of consumers: Jo Littler in discussion with Clive Barnett and Kate Soper. Soundings: A Journal of Politics and Culture, 31, pp. 147-160.

Longstaff, J.S. (1996). Cognitive Structures of Kinesthetic Space Reevaluating Rudolf Laban's Choreutics In the Context of Spatial Cognition and Motor Control. (Unpublished Doctoral thesis, City University London)

Mbaye, J. F. (2010). AURA ou de la production politique de la musique hip hop. Cahiers de recherche sociologique, 49, pp. 147-160. doi: 10.7202/1001415ar

Mbaye, J. F. (2015). Géographies de l'économie de la musique hip hop au Sénégal. In: M. Roy-Valex & G. Bellavance (Eds.), Arts et territoires à l'ère du développement durable : vers une nouvelle économie culturelle? (pp. 231-258). Presses de l'Université Laval. ISBN 978-2-7637-2619-9

Mbaye, J. F. (2016). Rouge Flânerie: Cultural Takhawalu in Urban Extremes: Cape Town & Dakar. In: M. Umunna & O. Disu (Eds.), Open City Lagos. (pp. 50-57). Heinrich Böll Foundation (Nigeria), Nsibidi Institute (Nigeria) & Fabulous Urban (Switzerland).

Mbaye, J. F. & Deme, A. (2015). Formidable comme Karim Wade. In: T. Beyer, T. Burkhalter & H. Liechti (Eds.), Seismographic Sounds: Visions of a New World. (pp. 42-44). Bern, Switzerland: Norient Books. ISBN 9783952449608

Merkel, J. (2015). Coworking in the city. Ephemera, 15(2), pp. 121-139.

Merkel, J. (2014). Gärtner der urbanen Arbeitswelt. Wie Coworking Spaces kuratiert werden. WZB Mitteilungen, 145, pp. 2-4.

Miller, S. H. (2015). Are Jews more polarised in their social attitudes than non-Jews? Empirical evidence from the 1995 JPR study. The Jewish Journal of Sociology, 57(1/2), pp. 70-76.

Myerson, J. (2015). Born In The DDR BBC. *

Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4. *

Myerson, J. (2016). The Price of Oil BBC Radio 4. *

Myerson, J. (2016). Reykjavik BBC Radio 4. *

Nathan, M., Kemeny, T., Pratt, A.C. & Spenser, G. (2016). Creative economy employment in the US, Canada and the UK: a comparative analysis. London, UK: NESTA.

Nooshin, L. (2014). Re-Imagining Difference: Musical Analysis, Alterity and the Creative Process. Paper presented at the Analysis, Cognition and Ethnomusicology’ Third International Conference on Analytical Approaches to World Music (AAWM 2014)/Annual Conference of the British Forum for Ethnomusicology (BFE 2014), 01-07-2014 - 04-07-2014, London.

Nooshin, L. (2005). Underground, Overground: Rock Music and Youth Discourses in Iran. Iranian Studies (Special Issue: Music and Society in Iran), 38(3), pp. 463-494. doi: 10.1080/00210860500300820

Nooshin, L. & Widdess, R. (2006). Improvisation in Iranian and Indian Music. Journal of the Indian Musicological Society, 36/37, pp. 104-119.

O'Neill, Mark (2011). Museums and social justice: A theory of pratice. (Unpublished Doctoral thesis, City University London)

Oakley, K., Sperry, B. & Pratt, A.C. (2008). The art of innovation: How fine arts graduates contribute to innovation. London: NESTA.

Pakes, A. (2001). Dance interpretation and the cultural institution: exploring the condition(s) of british and french contemporary dance in the 1990s. (Unpublished Doctoral thesis, City University London)

Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London)

Pratt, A.C. (2006). Advertising and creativity, a governance approach: a case study of creative agencies in London. Environment and Planning A, 38(10), pp. 1883-1899. doi: 10.1068/a38261

Pratt, A.C. (2004). Creative Clusters: Towards the governance of the creative industries production system?. Media International Australia(112), pp. 50-66.

Pratt, A.C. (2015). Creative Industries and Development: culture in development, or the cultures of development? In: C. Jones, M. Lorenzen & J. Sapsed (Eds.), The Oxford Handbook of Creative Industries. (pp. 503-515). Oxford: Oxford University Press. ISBN 9780199603510

Pratt, A.C. (2010). Creative cities: Tensions within and between social, cultural and economic development. A critical reading of the UK experience. City, Culture and Society, 1(1), pp. 13-20. doi: 10.1016/j.ccs.2010.04.001

Pratt, A.C. (2008). Creative cities: The cultural industries and the creative class. Geografiska Annaler Series B-Human Geography, 90(2), pp. 107-117. doi: 10.1111/j.1468-0467.2008.00281.x

Pratt, A.C. (2008). Creative cities?. Urban Design Journal, 105,

Pratt, A.C. (2008). Cultural commodity chains, cultural clusters, or cultural production chains?. Growth and Change, 39(1), pp. 95-103. doi: 10.1111/j.1468-2257.2007.00406.x

Pratt, A.C. (2015). Do Economists Make Innovation; Do Artists Make Creativity? The Case for an Alternative Perspective on Innovation and Creativity. Journal of Business Anthropology, 4(2), pp. 235-244.

Pratt, A.C. (2012). Factory, Studio, Loft: there goes the neighbourhood? In: M. Baum & K. Christiaanse (Eds.), City as Loft: Adaptive Reuse as a Resource for Sustainable Urban Development. (pp. 25-31). Zurich: gta Verlag. ISBN 9783856763022

Pratt, A.C. (2013). Local capacity building for the creative economy. Paris, France: United Nations Development Programme (UNDP).

Pratt, A.C. (2017). New horizons for culture, creativity and cities. City, Culture and Society, doi: 10.1016/j.ccs.2017.01.002

Pratt, A.C. (2013). Promoting sustainable development through culture: current status, challenges and prospects. In: Korean national commission for UNESCO (Ed.), 2013 International Forum on Culture and Development: Unveiling New Prospects for Development through Culture. . Korean national commission for UNESCO.

Pratt, A.C. (2015). Resilience, locality and the cultural economy. City, Culture and Society, 6(3), pp. 61-67. doi: 10.1016/j.ccs.2014.11.001

Pratt, A.C. (2010). Review essay: Simon Frith, Sound effects: youth, leisure and the politics of rock‘n’roll. International Journal of Cultural Policy, 16(1), pp. 66-67. doi: 10.1080/10286630902946738

Pratt, A.C. (2009). Social and economic drivers of land use change in the British space economy. Land Use Policy, 26(S1), S109-S114. doi: 10.1016/j.landusepol.2009.09.006

Pratt, A.C. (2009). Urban regeneration: from the arts ‘feel good’ factor to the cultural economy. A case study of Hoxton, London. Urban Studies, 46(5-8), pp. 1041-1061. doi: 10.1177/0042098009103854

Pratt, A.C. (2008). What are the factors that could influence the future of work with regard to energy systems and the built environment?. Energy Policy, 36(12), pp. 4646-4651. doi: 10.1016/j.enpol.2008.09.068

Pratt, A.C. (2009). The creative and cultural economy and the recession. Geoforum, 40(4), pp. 495-496. doi: 10.1016/j.geoforum.2009.05.002

Pratt, A.C. (2012). The cultural and creative industries: organisational and spatial challenges to their governance. Die Erde, 143(4), pp. 317-334.

Pratt, A.C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), pp. 123-130. doi: 10.1016/j.ccs.2011.08.002

Pratt, A.C. (2012). The cultural economy and the global city. In: P. Taylor, B. Derudder, M. Hoyler & F. Witlox (Eds.), International Handbook of Globalization and World Cities. (pp. 265-274). Cheltenham: Edward Elgar. ISBN 9781848446472

Pratt, A.C. (2013). “…the point is to change it”: Critical realism and human geography. Dialogues in Human Geography, 3(1), pp. 26-29. doi: 10.1177/2043820613485048

Pratt, A.C. (2012). A world turned upside down: the creative economy, cities and the new austerity. In: A. Beauclair & E. Mitchell (Eds.), Smart, Creative, Sustainable, Inclusive: Territorial Development Strategies in the Age of Austerity. (pp. 13-19). UK: Regional Studies Association. ISBN 9781897721438

Pratt, A.C., Borrione, P., Lavanga, M. & D’Ovidio, M. (2012). International Change and technological evolution in the Fashion Industry. In: M. Agnoletti, A. Carandini & W. Santagata (Eds.), Essays and Research: International Biennial of Culture and Environmental Heritage. (pp. 359-376). Florence: Badecchi & Vivaldi.

Pratt, A.C. & Hutton, T. A. (2013). Reconceptualising the relationship between the creative economy and the city: Learning from the financial crisis. Cities, 33, pp. 86-95. doi: 10.1016/j.cities.2012.05.008

Pratt, A.C., Nathan, M. & Rincon-Aznar, A. (2015). Creative economy employment in the EU and the UK: a comparative analysis. London, UK: NESTA.

Puschmann, C. & Bastos, M. T. (2015). How Digital Are the Digital Humanities? An Analysis of Two Scholarly Blogging Platforms. PLoS One, 10(2), e0115035. doi: 10.1371/journal.pone.0115035

Rosas Cobian, Michael (1997). Electroacoustic music composition: myth, symbol and image. (Unpublished Doctoral thesis, City University, London)

Samman, A. (2015). Crisis theory and the historical imagination. Review of International Political Economy, 22(5), pp. 966-995. doi: 10.1080/09692290.2015.1011682

Sandoval, M. (2016). Fighting Precarity with Co-operation? Worker Co-operatives in the Cultural Sector. New Formations: a journal of culture/theory/politics, 88, pp. 51-68. doi: 10.3898/NEWF.88.04.2016

Sandoval, M. (2014). Social media? The Unsocial Character of Capitalist Media. In: C. Fuchs & M. Sandoval (Eds.), Critique, Social Media and the Information Society. (pp. 144-164). New York, USA: Routledge. ISBN 9780415721080

Sandoval, M. (2016). What would Rosa do? Co-operatives and radical politics. Soundings: A Journal of Politics and Culture, 63,

Sandoval, M. (2009). A critical contribution to the foundations of alternative media studies. Kurgu: Online International Journal of Communication Studies, 1,

Sandoval, M. (2015). The hands and brains of digital culture. Arguments for an inclusive approach to cultural labour. In: C. Fuchs & E. Fisher (Eds.), Reconsidering Value and Labour in the Digital Age. (pp. 42-59). Basingstoke, UK: Palgrave Macmillan UK. ISBN 9781137478566

Schoeman, Ben (2016). The Piano Works of Stefans Grové (1922-2014): A Study of Stylistic Influences, Technical Elements and Canon Formation in South African Art Music. (Unpublished Doctoral thesis, City, University of London)

Seago, K. (2014). Introduction and overview: crime (fiction) in translation. The Journal of Specialised Translation, 22, pp. 2-14.

Seago, K. (2013). Transcultural Translation: Let’s Engage. In: J. Steyn & N. Stamselberg (Eds.), Breaching Borders: Art, Migrants and the Metaphor of Waste. (pp. 123-139). London: IB Tauris. ISBN 9781780762593

Seago, K. (2014). The ninth art: A review of Comics in French. The European Bande Dessinée in Context. The Comics Grid: Journal of Comics Scholarship, 4(1), pp. 1-2. doi: 10.5334/cg.al

Seago, K. & Lei, V. (2014). ‘Looking East and Looking West’: Crime Genre Conventions and Tropes. Comparative Critical Studies, 11(2),

Strom, P., Alvstam, K. & Jones, A. (2016). Multilatinas and the growing service economy in Latin America: A Challenge for EU-Latin American business relations. European Review of Service Economics and Management, 1(1),

Thurman, N., Schifferes, S., Fletcher, R., Newman, N., Hunt, S. & Schapals, A. K. (2016). Giving computers a nose for news: exploring the limits of story detection and verification. Digital Journalism, 4(7), pp. 838-848. doi: 10.1080/21670811.2016.1149436

Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London)

Wheelwright, J. (2014). Beyond the spooks: The problem of the narrator in literary history. Journalism, 15(5), pp. 561-572. doi: 10.1177/1464884914523237

Wheelwright, J. (2009). Disappeared Review. The Independent,

Wheelwright, J. (2008). Flight review. The Independent,

Wheelwright, J. (2008). Galgut review. The Independent,

Wheelwright, J. (2012). Gopnik Review. The Independent,

Wheelwright, J. The Language of Espionage: Mata Hari and the Creation of the Spy-Courtesan. In: C. Declercq & J. Walker (Eds.), Languages and the First World War: Representation and Memory. . Palgrave Macmillan. ISBN 113755035X

Wheelwright, J. (2012). Livesey review. The Independent,

Wheelwright, J. (2013). Paxman/Adie reviews. The Independent,

Wheelwright, J. (2008). Roma Tearne profile. The Independent,

Wheelwright, J. (2012). Ru Review. The Independent,

Wheelwright, J. (2008). Wally Lamb Review. The Independent,

Wheelwright, J. (2013). Withering Review. The Independent,

Winch, A., Littler, J. & Keller, J. (2016). Why “intergenerational feminist media studies”?. Feminist Media Studies, 16(4), pp. 557-572. doi: 10.1080/14680777.2016.1193285

This list was generated on Mon Sep 25 06:10:43 2017 UTC.