Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 190.

A

Alvarez, J. (1993). Compositional strategies in music for solo instruments and electroacoustic sounds. (Unpublished Doctoral thesis, City University London)

Anderson, E.L. (2011). Materials, meaning and metaphor: Unveiling spatiotemporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Anglade, A., Benetos, E., Mauch, M. & Dixon, S. (2010). Improving music genre classification using automatically induced harmony rules. Journal of New Music Research, 39(4), pp. 349-361. doi: 10.1080/09298215.2010.525654

Ansdell, G. (1999). Music therapy as discourse and discipline : a study of 'music therapist's dilemma'. (Unpublished Doctoral thesis, City University London)

Antonopoulos, Spyridon (2014). The Life and Works of Manuel Chrysaphes the Lampadarios, and the Figure of Composer in Late Byzantium. (Unpublished Doctoral thesis, City, University of London)

Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/S0040298213001393

Armstrong, N. (2015). Modes of forgetting *

Armstrong, N. (2013). Nature pieces *

Armstrong, N. (2011). Too slow, for Milton Perspectives of New Music. *

Armstrong, N. (2012). making one leaf transparent and then another *

Armstrong, N. (2010). unsaying *

Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London)

B

Barrett, N.L. (1997). Structuring processes in electroacoustic composition. (Unpublished Doctoral thesis, City University London)

Bell, Jonathan (2016). Audio-scores, a resource for composition and computer-aided performance. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Benetos, E., Cherla, S. & Weyde, T. (2013). An efficient shift-invariant model for polyphonic music transcription. Paper presented at the MML 2013: 6th International Workshop on Machine Learning and Music, 23 Sep 2013, Prague, Czech Republic.

Benetos, E. & Dixon, S. (2011). Joint Multi-Pitch Detection Using Harmonic Envelope Estimation for Polyphonic Music Transcription. IEEE Journal of Selected Topics in Signal Processing, 5(6), pp. 1111-1123. doi: 10.1109/JSTSP.2011.2162394

Benetos, E. & Dixon, S. (2010). Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution. Paper presented at the ISCA Tutorial and Research Workshop on Statistical and Perceptual Audition, 25 Sep 2010, Makuhari, Japan.

Benetos, E. & Dixon, S. (2011). Multiple-instrument polyphonic music transcription using a convolutive probabilistic model. Paper presented at the 8th Sound and Music Computing Conference, 6 - 9 Jul 2011, Padova, Italy.

Benetos, E. & Dixon, S. (2013). Multiple-instrument polyphonic music transcription using a temporally constrained shift-invariant model. The Journal of the Acoustical Society of America (JASA), 133(3), pp. 1727-1741. doi: 10.1121/1.4790351

Benetos, E. & Dixon, S. (2011). Polyphonic music transcription using note onset and offset detection. Paper presented at the 2011 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 22 - 27 May 2011, Prague, Czech Republic.

Benetos, E. & Dixon, S. (2012). A Shift-Invariant Latent Variable Model for Automatic Music Transcription. Computer Music Journal, 36(4), pp. 81-94. doi: 10.1162/COMJ_a_00146

Benetos, E. & Dixon, S. (2011). A temporally-constrained convolutive probabilistic model for pitch detection. Paper presented at the Applications of Signal Processing to Audio and Acoustics (WASPAA), 2011 IEEE Workshop on, 16 - 19 Oct 2011, New Paltz, NY, US.

Benetos, E., Dixon, S., Giannoulis, D., Kirchhoff, H. & Klapuri, A. (2012). Automatic Music Transcription: Breaking the Glass Ceiling. Paper presented at the 13th International Society for Music Information Retrieval Conference (ISMIR 2012), 8 - 12 Oct 2012, Porto, Portugal.

Benetos, E., Dixon, S., Giannoulis, D., Kirchhoff, H. & Klapuri, A. (2013). Automatic music transcription: challenges and future directions. Journal of Intelligent Information Systems, pp. 1-28. doi: 10.1007/s10844-013-0258-3

Benetos, E., Ewert, S. & Weyde, T. (2014). Automatic transcription of pitched and unpitched sounds from polyphonic music. Paper presented at the IEEE International Conference on Acoustics, Speech, and Signal Processing, 4 - 9 May 2014, Florence, Italy.

Benetos, E. & Holzapfel, A. (2013). Automatic transcription of Turkish makam music. Paper presented at the 14th International Society for Music Information Retrieval Conference, 4 - 8 Nov 2013, Curitiba, PR, Brazil.

Benetos, E., Holzapfel, A. & Stylianou, Y. (2009). Pitched Instrument Onset Detection based on Auditory Spectra. Paper presented at the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, 26 - 30 Oct 2009, Kobe, Japan.

Benetos, E., Jansson, A. & Weyde, T. (2014). Improving automatic music transcription through key detection. Paper presented at the AES 53rd International Conference on Semantic Audio, 27 - 29 Jan 2014, London, UK.

Benetos, E., Klapuri, A. & Dixon, S. (2012). Score-informed transcription for automatic piano tutoring. European Signal Processing Conference, ISSN 2219-5491

Benetos, E. & Kotropoulos, C. (2010). Non-Negative Tensor Factorization Applied to Music Genre Classification. IEEE Transactions on Audio, Speech & Language Processing, 18(8), pp. 1955-1967. doi: 10.1109/TASL.2010.2040784

Benetos, E. & Kotropoulos, C. (2008). A tensor-based approach for automatic music genre classification. Paper presented at the EUSIPCO 2008: 16th European Signal Processing Conference, 25 - 29 Aug 2008, Lausanne, Switzerland.

Benetos, E., Kotropoulos, C., Lidy, T. & Rauber, A. (2006). Testing supervised classifiers based on non-negative matrix factorization to musical instrument classification. Paper presented at the EUSIPCO 2006: 14th European Signal Processing Conference, 4 - 8 Sep 2006, Florence, Italy.

Benetos, E., Kotti, M. & Kotropoulos, C. (2006). Applying supervised classifiers based on non-negative matrix factorization to musical instrument classification. Paper presented at the IEEE International Conference on Multimedia and Expo (ICME 2006), 9 - 12 July 2006, Toronto, Canada.

Benetos, E., Kotti, M. & Kotropoulos, C. (2007). Large scale musical instrument identification. Paper presented at the 4th Sound and Music Computing Conference, 11 - 13 Jul 2007, Lefkada, Greece.

Benetos, E., Kotti, M. & Kotropoulos, C. (2006). Musical instrument classification using non-negative matrix factorization algorithms and subset feature selection. ICASSP, IEEE International Conference on Acoustics, Speech and Signal Processing - Proceedings, 5, pp. 221-224. ISSN 1520-6149

Benetos, E., Kotti, M., Kotropoulos, C., Burred, J. J., Eisenberg, G., Haller, M. & Sikora, T. (2005). Comparison of subspace analysis-based and statistical model-based algorithms for musical instrument classification. Paper presented at the 2nd Workshop On Immersive Communication And Broadcast Systems (ICOB 2005), 27 - 28 Oct 2005, Berlin, Germany.

Benetos, E., Lagrange, M. & Dixon, S. (2012). Characterisation of acoustic scenes using a temporally-constrained shift-invariant model. Paper presented at the 15th International Conference on Digital Audio Effects Conference (DAFx-12), 17 - 21 Sept 2012, University of York, York, UK.

Benetos, E. & Stylianou, Y. (2010). Auditory Spectrum-Based Pitched Instrument Onset Detection. IEEE Transactions on Audio, Speech & Language Processing, 18(8), pp. 1968-1977. doi: 10.1109/TASL.2010.2040785

Benetos, E. & Weyde, T. (2013). Explicit duration hidden Markov models for multiple-instrument polyphonic music transcription. Paper presented at the 14th International Society for Music Information Retrieval Conference, 4 - 8 Nov 2013, Curitiba, Brazil.

Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London)

Billing, S. (2006). Bacewicz : the violin concertos. (Unpublished Doctoral thesis, City University London)

Bohrer, J.C.S. (2002). Intonational strategies in ensemble singing. (Unpublished Doctoral thesis, City University London)

Brownell, A. (2010). The English piano in the Classical Period: Its Music, Performers, and Influences. (Unpublished Doctoral thesis, City University London)

Bucar, M. (2015). Aesthetic negativity and choreographic practice. (Unpublished Doctoral thesis, City, University of London)

C

Cherla, S., Weyde, T., Garcez, A. & Pearce, M. (2013). Learning Distributed Representations for Multiple-Viewpoint Melodic Prediction. Paper presented at the 14th International Society for Music Information Retrieval Conference, 4 - 8 Nov 2013, Curtiba, PR, Brazil.

Cherla, Sikranth (2016). Neural ProbabilisticModels for Melody Prediction, Sequence Labelling and Classification. (Unpublished Doctoral thesis, City, University of London)

Cottrell, S.J. (2006). The Clarinet and its Players in Eastern Europe and Greece. In: R. Heaton (Ed.), The versatile clarinet. (pp. 40-55). Routledge. ISBN 0415973171

Cottrell, S.J. (2010). Ethnomusicology and the Music Industries: an overview. Ethnomusicology Forum, 19(1), pp. 3-25.

Cottrell, S.J. (2003). The Future of the Orchestra. In: C. Lawson (Ed.), The Cambridge companion to the orchestra. . Cambridge. ISBN 0521001323

Cottrell, S.J. (2007). ‘Local Bimusicality among London’s freelance musicians’. Ethnomusicology, 51(1), pp. 85-105.

Cottrell, S.J. (2002). Music as Capital: Deputising Among London’s Freelance Musicians. British Journal of Ethnomusicology, 11(2), pp. 61-80.

Cottrell, S.J. (2007). Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. Twentieth-century Music, 3(1), pp. 73-96.

Cottrell, S.J. (2012). Musical Performance in the Twentieth Century: an overview. In: C. Lawson & R. Stowell (Eds.), The Cambridge History of Musical Performance. . Cambridge. ISBN 0521896118

Cottrell, S.J. (2011). The impact of Ethnomusicology. Ethnomusicology Forum, 20(2), pp. 229-232.

Cottrell, S.J. (2010). The rise and rise of phonomusicology. In: A. Bayley (Ed.), Recorded Music: Performance, Culture and Technology. . Cambridge. ISBN 9780521863094

Cross, I. (1989). The cognitive organisation of musical pitch. (Unpublished Doctoral thesis, City University London)

Crowdus, Miranda (2016). Hip hop in South Tel Aviv: third space, convergent dispossession(s), and intercultural communication in urban borderlands. (Unpublished Doctoral thesis, City, University of London)

D

Davidson, J.W. (1991). The perception of expressive movement in music performance. (Unpublished Doctoral thesis, City University London)

Dean-Lewis, T. (2001). Playing outside : excursions from the tonality in jazz improvisation. (Unpublished Doctoral thesis, City University London)

Dixon, S., Tidhar, D. & Benetos, E. (2011). The Temperament Police: The Truth, the Ground Truth, and Nothing but the Truth. Paper presented at the 12th International Society for Music Information Retrieval Conference, 24 - 28 Oct 2011, Miami, Florida, US.

d'Escrivan Rincon, J.C. (1991). Creative Intuition as a Compositional Strategy in Electroacoustic Music. (Unpublished Doctoral thesis, City University London)

de Valk, R. (2015). Structuring lute tablature and MIDI data: Machine learning models for voice separation in symbolic music representations. (Unpublished Doctoral thesis, City, University of London)

de Valk, R. & Weyde, T. (2015). Bringing 'Musicque into the tableture': machine-learning models for polyphonic transcription of 16th-century lute tablature. Early Music, 43(4), pp. 563-576. doi: 10.1093/em/cau102

de Valk, R., Weyde, T. & Benetos, E. (2013). A machine learning approach to voice separation in lute tablature. Paper presented at the 14th International Society for Music Information Retrieval Conference, 4 - 8 Nov 2013, Curitiba, Brazil.

E

Einbond, A. (2016). Musique instrumentale concrète: Timbral transcription in What the Blind See and Without Words. In: J. Bresson, C. Agon & G. Assayag (Eds.), The OM Composer's Book. (pp. 155-171). France: Editions Delatour/Ircam-Centre Pompidou. ISBN 978-2-7521-0283-6

Einbond, A. & Schwarz, D. (2010). Spatializing Timbre With Corpus-Based Concatenative Synthesis. Paper presented at the International Computer Music Conference, ICMC 2010, June 1–5, 2010, New York, USA.

Einbond, A., Schwarz, D. & Bresson, J. (2009). Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. Paper presented at the International Computer Music Conference, ICMC 2009, August 15-21, 2009, Montreal, Quebec, Canada.

Einbond, A., Trapani, C., Agostini, A., Ghisi, D. & Schwarz, D. (2014). Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. Paper presented at the International Computer Music Conference, ICMC 2014, 14-20 September, 2014, Athens, Greece.

Einbond, A., Trapani, C. & Schwarz, D. (2012). Precise pitch control in Real Time Corpus-Based concatenative synthesis. Paper presented at the ICMC 2012: Non-Cochlear Sound, 9 September - 14 September 2012, Ljubljana, Slovenia.

Elmsley (né Lambert), A., Weyde, T. & Armstrong, N. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2), doi: 10.5920/JCMS.2017.04

Evans, F.M. (1996). Aural image and the language of electroacoustic music. (Unpublished Doctoral thesis, City University London)

F

Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London)

Field, A. E. (1999). Electroacoustic Composition. (Unpublished Doctoral thesis, City University London)

G

Gato, Gonçalo (2016). Algorithm and Decision in Musical Composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Giannoulis, D., Benetos, E., Stowell, D., Rossignol, M., Lagrange, M. & Plumbley, M. D. (2013). Detection and classification of acoustic scenes and events: an IEEE AASP challenge. Paper presented at the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, 20 - 23 Oct 2013, New Paltz, NY, USA.

Giannoulis, D., Stowell, D., Benetos, E., Rossignol, M., Lagrange, M. & Plumbley, M. D. (2013). A database and challenge for acoustic scene classification and event detection. Paper presented at the The 21st European Signal Processing Conference, 9 - 13 Sep 2013, Marrakech, Morocco.

Goldberg, Tatjana (2015). Maud Powell, Marie Hall and Alma Moodie: A gendered re-evaluation of three violinists. (Unpublished Doctoral thesis, City University London)

Grant, P. (2017). The First World War in Popular Music since 1958. In: A. Einhaus & I. Baxter (Eds.), of The Edinburgh Companion to the First World War and the Arts. (pp. 216-229). Edinburgh University Press. ISBN 9781474401630

Green, Owen (2013). User serviceable parts: Practice, technology, sociality and method in live electronic musicking. (Unpublished Doctoral thesis, City University London)

Guitry, Amy Beth (2010). The Baroque flute as a modern voice : Extended techniques and their practical integration through performance and improvisation. (Unpublished Doctoral thesis, City University London)

H

Hammond, C. (2012). To Conceal or Reveal: left-hand pianism with particular reference to Ravel's Concerto pour la main gauche and Britten's Diversions. (Unpublished Doctoral thesis, City University London)

Harper, A. (2014). Composition, Change and Musical Objects in Infinite Music. In: Darmstädter Beiträge zur Neuen Musik. (pp. 15-28). Mainz: Schott Music. ISBN 978-3-7957-0866-5

Harper, A. (2017). How Internet Music is Frying Your Brain. Popular Music, 36(1), pp. 86-97. doi: 10.1017/S0261143016000696

Harries, Guy (2011). The Electroacoustic and its Double: Duality and Dramaturgy in Live Performance. (Unpublished Doctoral thesis, City University London)

Hasikou, Anastasia (2017). The social history of music development in the Greek Cypriot population during 1878-1945. (Unpublished Doctoral thesis, City, University of London)

Hassiotis, K. (2010). A critical edition of the 48 studies for oboe, op. 31 by Franz Wilhelm Ferling (1796-1874), based on original historical evidence and viewed within the context of the evolution of didactic material for oboe, with particular reference to nineteenth-century performing practices.. (Unpublished Doctoral thesis, City University London)

Hauge, P. (1997). English music theory c.1590-c.1690 : the modal systems, changing concepts, and the development of new classification systems. (Unpublished Doctoral thesis, City University London)

Henriksen, F.E. (2002). Space in electroacoustic music: composition, performance and perception of musical space. (Unpublished Doctoral thesis, City University London)

Holmes, P.A. (2011). The performer’s experience: psychological, philosophical and educational perspectives. (Unpublished Doctoral thesis, City University London)

Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London)

I

Inoguchi, Ikuko (2016). Concepts of time in the works of John Cage, George Crumb, and Toru Takemitsu and implications for performance. (Unpublished Doctoral thesis, City University London)

Inskip, C. (2010). Upbeat and Quirky, With a Bit of a Build: Communicating Meaning and Meeting Information Needs in the Music Industry. (Unpublished Doctoral thesis, City University London)

Inskip, C., MacFarlane, A. & Rafferty, P. (2010). Creative professional users musical relevance criteria. Journal of Information Science, 36(4), pp. 517-529. doi: 10.1177/0165551510374006

Ishii, H. (2006). Composing electroacoustic music relating to traditional Japanese music. (Unpublished Doctoral thesis, City University London)

J

Jones, K. (1980). Computer assisted application of stochastic structuring techniques in musical composition and control of digital sound synthesis systems. (Unpublished Doctoral thesis, City University London)

K

Kang, Ja Yeon (2011). Robert Schumann's notion of the cycle in Lieder Und Gesange Aus Goethes Wilhelm Meister, Op. 98a And Waldszenen, Op.82. (Unpublished Doctoral thesis, City University London)

Karydis, D. (2006). Beethoven's annotations to Cramer's twenty-one piano studies : context and analysis of performance. (Unpublished Doctoral thesis, City University London)

Khosravi, Peiman (2012). Spectral spatiality in the acousmatic listening context. (Unpublished Doctoral thesis, City University London)

Kotti, M., Benetos, E. & Kotropoulos, C. (2008). Computationally Efficient and Robust BIC-Based Speaker Segmentation. IEEE Transactions on Audio, Speech & Language Processing, 16(5), pp. 920-933. doi: 10.1109/TASL.2008.925152

Kotti, M., Martins, L. P. M., Benetos, E., Cardoso, J. S. & Kotropoulos, C. (2006). Automatic speaker segmentation using multiple features and distance measures: a comparison of three approaches. Paper presented at the IEEE International Conference on Multimedia and Expo (ICME 2006), 9 - 12 July 2006, Toronto, Canada.

L

Lambert, A., Weyde, T. & Armstrong, N. (2015). Perceiving and predicting expressive rhythm with recurrent neural networks. In: Proceedings of the 12th International Conference in Sound and Music Computing. . Maynooth, Ireland: SMC15. ISBN 9780992746629

Lane, C.M. (2000). Space, motion and metaphor in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Lawrence, Mark (2013). Veljo Tormis, Estonian composer. (Unpublished Doctoral thesis, City University London)

Lee, C.A. (1992). The analysis of therapeutic improvisatory music with people living with the virus HIV and AIDS. (Unpublished Doctoral thesis, City University London)

Li, C. (2007). Piano performance : strategies for score memorisation. (Unpublished Doctoral thesis, City University London)

Lim, Lemy Sungyoun (2010). The Reception of Women Pianists in London, 1950-60. (Unpublished Doctoral thesis, City University London)

Lingas, A. (2015). Music in the Balkans. Ethnomusicology Forum, 24(1), pp. 134-136. doi: 10.1080/17411912.2014.980200

Lingas, A. (2013). The Past is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos. Ethnomusicology Forum, 22(1), pp. 121-124. doi: 10.1080/17411912.2012.753815

Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London)

Loufopoulos, A. (2004). Nature in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Loya, S. (2014). Liszt’s Legacy and the Paradoxes of Hungarian Musical Modernism. In: J. Deaville & M. Saffle (Eds.), Liszt Legacies. . Pendragon. ISBN 1576471691

Loya, S. (2015). Neither major, nor minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. Paper presented at the Dur vs. Moll: Zum semantischen Potenzial eines musikalischen Elementarkontrasts. Kontinuitäten und Brüche in der neuzeitlichen Musik und Musiktheorie, 19 Nov 2015 - 22 Nov 2015, Institut für Musik wissenschaft Universität Leipzig, Germany.

Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409

M

Marti, Cécile (2017). Seven towers: an orchestral cycle focused on different musical temporalities. (Unpublished Post-Doctoral thesis, Guildhall School of Music and Drama)

Mbaye, J. F. (2010). AURA ou de la production politique de la musique hip hop. Cahiers de recherche sociologique, 49, pp. 147-160. doi: 10.7202/1001415ar

McIntosh, S.M. (1993). Gamaka and Alamkara : concepts of vocal ornamentation with reference to Bara Khayal. (Unpublished Doctoral thesis, City University London)

Mearns, L., Benetos, E. & Dixon, S. (2011). Automatically detecting key modulations in J.S. Bach chorale recordings. Paper presented at the 8th Sound and Music Computing Conference, 6 - 9 Jul 2011, Padova, Italy.

Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: L. Greene & D. Kulezic-Wilson (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. ISBN 978-1-137-51679-4

Mera, M., Mathez, B. & Thatcher, T. (2014). Morriña *

Mera, M., Mathez, B. & Thatcher, T. (2015). Morriña *

Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.

Metaxaki, M. (2005). Considerations for pedalling Debussy's piano music. (Unpublished Doctoral thesis, City University London)

Miranda- Perez, R. (1992). Jose Rolon: a study of his life and music. (Unpublished Doctoral thesis, City University London)

Moschos, P. (2006). Performing Classical-period music on the modern piano. (Unpublished Doctoral thesis, City University London)

N

Nelson, S.J. (2001). Melodic improvisation on a twelve bar blues model : an investigation of physical and historical aspects and their contribution to performance. (Unpublished Doctoral thesis, City University London)

Nooshin, L. (2013). Beyond the Radif: New Forms of Improvisational Practice in Iranian Music. Music Theory Online, 19(2),

Nooshin, L. (2016). 'Happy Families? Convergence, Antagonism and Disciplinary Identities or "We’re all God knows what now" (Cook 2016)'. Paper presented at the City Debate, 'Are we all Ethnomusicologists now?', City University London.

Nooshin, L. (2011). Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices. In: J. Toynbee & B. Dueck (Eds.), Migrating Music. (pp. 92-111). Routledge. ISBN 0415594480

Nyström, Erik (2013). Topology of spatial texture in the acousmatic medium. (Unpublished Doctoral thesis, City University London)

P

Pace, I. (2008). Between Adorno and HIP: Possibilities of Synthesis. Paper presented at the Adorno and Musical Reproduction Conference, 13-09-2008 - 14-09-2008, Manchester, UK.

Pace, I. (2014). Book Review: Music in Germany Since 1968 by Alastair Williams. Tempo (London, 1939): a quarterly review of modern music, 68(268), pp. 116-121. doi: 10.1017/S0040298213001940

Pace, I. (2007). Book Reviews: Towards a Theory of Musical Reproduction by Theodor W. Adorno, Henri Lonitz, WielandHoban; Philosophy of New Music by Theodor W. Adorno, Robert Hullot-Hentor; Letters to his Parents by Theodor W. Adorno, Christoph Gödde, Wieland Hoban, Henri Lonitz. Tempo (London, 1939): a quarterly review of modern music, 61(242), pp. 61-68. doi: 10.1017/S0040298207000307

Pace, I. (2009). Coldness and Cruelty as Performance in Deleuze's Proust. In: M. Bryden & M. Topping (Eds.), Beckett's Proust/Deleuze's Proust. (pp. 183-198). Palgrave Macmillan. ISBN 0230201415

Pace, I. (2006). Conventions, Genres, Practices in the Performance of Liszt’s Piano Music. Liszt Society Journal, 31, pp. 70-103.

Pace, I. (2005). Lachenmann’s Serynade—Issues for Performer and Listener. Contemporary Music Review, 24(1), pp. 101-112. doi: 10.1080/0749446042000293646

Pace, I. (2012). Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti's Etudes for Piano. Contemporary Music Review, 31(2-3), pp. 177-201. doi: 10.1080/07494467.2012.717359

Pace, I. (2013). Michael Finnissy's "The History of Photography in Sound": A Study of Sources, Techniques and Interpretation. London, UK: Divine Art.

Pace, I. (1998). The Piano Music. In: I. Pace, C. Fox & H. Brougham (Eds.), Uncommon Ground: the music of Michael Finnissy. (pp. 43-134). Farnham: Ashagate.

Pace, I. (1998). The Theatrical Works. In: I. Pace, C. Fox & H. Brougham (Eds.), Uncommon Ground: the music of Michael Finnissy. . Ashgate. ISBN 9781859283561

Panagakis, I., Benetos, E. & Kotropoulos, C. (2008). Music genre classification: a multilinear approach. Paper presented at the International Symposium Music Information Retrieval, 14 - 18 September 2008, Philadelphia, USA.

Papadopoulos, M. (1996). Motion in music: a study of movement and time through musical interpretation. (Unpublished Doctoral thesis, City University London)

Papapetrou, Andreas (2015). Acts of making and receiving: A compositional practice. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University of London)

Parry, Aneurin Stefan (2000). Limits of Abstraction in Electroacoustic Music. (Unpublished Doctoral thesis, City University London)

Pasoulas, Aki (2011). The perception of timescales in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Pick, Edward (2013). Tonality in Schoenberg's music with particular reference to the Piano Concerto. (Unpublished Doctoral thesis, City University London)

Picknett, Michael (2014). Devising music: applying creative approaches from dance and theatre to music composition. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

R

Rakitzis, Vasileios (2015). Alfred Cortot's response to the music for solo piano of Franz Schubert: a study in performance practice. (Unpublished Doctoral thesis, City, University of London)

Richardson, Joanne (2014). The piano quintet: Influence of medium on genre. (Unpublished Doctoral thesis, City University London)

Rogalsky, M.R. (2006). Idea and community : the growth of David Tudor's Rainforest, 1965-2006. (Unpublished Doctoral thesis, City University London)

Rowden, C. (2001). Massenet, Marianne and Mary : Republican morality and Catholic tradition at the opera. (Unpublished Doctoral thesis, City University London)

Rubin, J.E. (2001). The art of the klezmer: improvisation and ornamentation in the commercial recordings of New York clarinettists Naftule Brandwein and Dave Tarras 1922-1929. (Unpublished Doctoral thesis, City University London)

S

Schoeman, Ben (2016). The Piano Works of Stefans Grové (1922-2014): A Study of Stylistic Influences, Technical Elements and Canon Formation in South African Art Music. (Unpublished Doctoral thesis, City, University of London)

Seddon, Ambrose (2013). Recurrence in acousmatic music. (Unpublished Doctoral thesis, City University London)

Seddon, Laura (2011). The instrumental music of British Women Composers in the Early Twentieth Century. (Unpublished Doctoral thesis, City University London)

Sefchovich, J.R.S. (2003). Compositional strategies in electroacoustic music. (Unpublished Doctoral thesis, City University London)

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