City Research Online

Items where Subject is "ML Literature of music"

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Number of items at this level: 21.

Article

Boylan, P. (2006). Four Handel oratorio libretti published by John Gregory of Leicester, 1759 - 1774. Transactions of the Leicestershire Archaeological and Historical Society, 80, pp. 123-151.

Grant, P. (2016). The Show Must Go On! Popular Song in Britain during the First World War. Popular Music and Society, 39(4), pp. 474-476. doi: 10.1080/03007766.2016.1207408

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, 98(2), pp. 299-300. doi: 10.1093/ml/gcx036

Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/S147940981600015X

Mbaye, J. F. (2015). Musical borderlands: A cultural perspective of regional integration in Africa. City, Culture and Society, 6(2), pp. 19-26. doi: 10.1016/j.ccs.2015.03.002

Mera, M. (2009). An Interview with Canadian-Armenian Filmmaker Atom Egoyan. Ethnomusicology Forum, 18(1), pp. 73-82. doi: 10.1080/17411910902790416

Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1

Mera, M. (2012). Outing the Score: Music, narrative and collaborative process in Little Ashes. Music, Sound and the Moving Image, 6(1), pp. 93-109. doi: 10.3828/msmi.2012.8

Panteli, M., Benetos, E. ORCID: 0000-0002-6820-6764 and Dixon, S. (2017). A computational study on outliers in world music. PLOS ONE, 12(12), e0189399. doi: 10.1371/journal.pone.0189399

Tidhar, D., Dixon, S., Benetos, E. and Weyde, T. (2014). The temperament police. Early Music, 42(4), pp. 579-590. doi: 10.1093/em/cau101

Wiley, C. (2007). Musical biography: Towards new paradigms. Biography: An Interdisciplinary Quarterly, 30(2), pp. 215-219. doi: 10.1353/bio.2007.0044

Wiley, C. (2004). “When a woman speaks the truth about her body”: Ethel Smyth, Virginia Woolf, and the challenges of lesbian auto/biography. Music and Letters, 85(3), pp. 388-414. doi: 10.1093/ml/85.3.388

Book Section

Lingas, A. (2015). An Introduction to Passion Week, Opus 13 by Maximilian Steinberg (1883–1946). In: Morosan, V. and Lingas, A. (Eds.), Maximilian Steinberg, Opus 13, Based on Early Russian Chants (Musical Score). (pp. vii-xviii). San Diego, CA, USA: Musica Russica. ISBN 978-0-9701767-5-2

Mera, M. (2009). Reinventing Question Time. In: Scott, D. B. (Ed.), The Ashgate research companion to popular musicology. (pp. 59-83). Aldershot: Ashgate Pub Co. ISBN 9780754664765

Wiley, C. (2012). Putting the Music Back into Michael Jackson Studies. In: Smit, C. R. (Ed.), Michael Jackson: Grasping the Spectacle. (pp. 101-116). Farnham, UK: Ashgate.

Conference or Workshop Item

Loya, S. (2015). Neither major, nor minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. Paper presented at the Dur vs. Moll: Zum semantischen Potenzial eines musikalischen Elementarkontrasts. Kontinuitäten und Brüche in der neuzeitlichen Musik und Musiktheorie, 19 Nov 2015 - 22 Nov 2015, Institut für Musik wissenschaft Universität Leipzig, Germany.

Wiley, C. (2010). Biography and the New Musicology. Paper presented at the (Auto)Biography as a Musicological Discourse: The Ninth International Conference of The Departments of Musicology and Ethnomusicology, Faculty of Music, 19 - 22 April 2008, Belgrade, Serbia.

Thesis

Georgiou, Christina (2011). The historical editing of Mozart’s keyboard sonatas: History, Context and Practice. (Unpublished Doctoral thesis, City University London)

Mackay, S. (2017). Musical culture and urban change in contemporary Marseille. (Unpublished Doctoral thesis, City, University of London)

Rosas Cobian, Michael (1997). Electroacoustic music composition: myth, symbol and image. (Unpublished Doctoral thesis, City University, London)

Wiley, C. (2008). 'Rewriting Composers’ Lives: Critical Historiography and Musical Biography. (Unpublished Doctoral thesis, Royal Holloway, University of London)

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