Items where Subject is "N Fine Arts > NX Arts in general"

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Number of items at this level: 53.

A

Ando, Taku (2014). Kinesthetic Imagery and Choreographic Praxis. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University London)

Auvinen, T. (2000). Unmanageable opera?: the artistic-economic dichotomy and its manifestations in the organisational structures of five opera organisations. (Unpublished Doctoral thesis, City University London)

B

Bereson, R. (1997). Opera considered as state ceremony. (Unpublished Doctoral thesis, City University London)

Bounhiss, M. (2010). Sustainable Development, Cultural Heritage and Community Empowerment: Current Trends and Practices in Moroccan Culture. (Unpublished Doctoral thesis, City University London)

Boylan, P. The Grand Leicester Musical Festival of 1827. Leicestershire Historian, 50, pp. 46-54.

Bucar, M. (2015). Aesthetic negativity and choreographic practice. (Unpublished Doctoral thesis, City, University of London)

C

Carroll, E. (2002). Lifelong learning in the arts : policy and practice in Ireland. (Unpublished Doctoral thesis, City University London)

Chang, B. (2002). Cultural change and identity shift in relation to cultural policy in post war Taiwan, with particular reference to theatre. (Unpublished Doctoral thesis, City University London)

Christensen, J.F., Gaigg, S. B. & Calvo Merino, B. (2017). I can feel my heartbeat: Dancers have increased interoceptive accuracy. Psychophysiology,

Clements, P. (2003). The arts, culture and exclusion : with reference to New Labour cultural policy 1997-2002 this is a critical examination of the social function and evaluation of the arts in Britain and the extent to which they legitimate social difference or integrate the socially excluded. (Unpublished Doctoral thesis, City University London)

D

Dean, C., Donnellan, C. & Pratt, A.C. (2010). Tate Modern: pushing the limits of regeneration. City, Culture and Society, 1(2), pp. 79-87. doi: 10.1016/j.ccs.2010.08.003

E

Evans, G.L. (1997). Planning for the arts - an urban renaissance? A critique of arts policy and town planning and their relationship. (Unpublished Doctoral thesis, City University London)

F

Frengel, Mike (2005). Process and form: perspectives on the application of predetermined systems to sectional forms in music composition. (Unpublished Doctoral thesis, City University, London)

G

Gardiner, C.E. (1988). The West End theatre audience 1981-1986. (Unpublished Doctoral thesis, City University London)

H

Hannesson, H.F. (1998). Symphony orchestras in Scandinavia and Britain : a comparative study of funding, cultural models and chief executive self-perception of policy and organisation. (Unpublished Doctoral thesis, City University London)

Henschen, K. (2002). The Monument: The Shoah and German Memory. (Unpublished Doctoral thesis, City University London)

Hughes, H.L. (1988). The inter-relationship between tourism and opera performances at Buxton Festival, in Derbyshire. (Unpublished Doctoral thesis, City University London)

J

James, A.J. (2010). “From Thanatos to Eros” A Phenomenological Case Study of Post-Graduate Drama Students. (Unpublished Doctoral thesis, City University London)

Jawad, A.S. (1984). Literary journalism in England and Egypt : A comparative study of the essay and the review. (Unpublished Doctoral thesis, City University London)

K

Kamaras, D. (2004). News production in Greece : journalists, newspapers and the Internet. (Unpublished Doctoral thesis, City University London)

Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: J. C. Spender, G. Schiuma & V. Albino (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata.. ISBN 9788896687079

Kernan, M.A. The Arden Shakespeare, 1890 to 2014: A cultural, historical, commercial and technological case study. Paper presented at the By the Book: The book and the study of its digital transformation, 23-05-2014 - 24-05-2014, Florence, Italy.

Kernan, M.A. (2014). Research into Arts-based Interventions in Organisations and Management Education: Theoretical foundations and methodological implications. IFKAD 2014 Knowledge and Management Models for Sustainable Growth, 9, ISSN 2280-787X

Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: D. Carlucci & J.C. Spender (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.

L

Lefebvre Sell, Naomi (2013). dharmakaya: An investigation into the impact of mindful meditation on dancers’ creative processes in a choreographic environment. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University London)

Lehman, E.V. (2001). Models of self governance and workplace democracy: a comparison of select orchestras in Germany, the U.S. and U.K. (Unpublished Doctoral thesis, City University London)

Littler, J. (2011). What’s wrong with ethical consumption? In: T Lewis & E Potter (Eds.), Ethical Consumption: A Critical Introduction. (pp. 27-39). Routledge.

M

Moody, E. (1989). The art market and the state in Britain: a critical examination of the relationship between the contemporary British state subvention system for visual arts and various art markets. (Unpublished Doctoral thesis, City University London)

O

O'Neill, Mark (2011). Museums and social justice: A theory of pratice. (Unpublished Doctoral thesis, City University London)

Oakley, K. (2010). Creative Industries and the Politics of New Labour. (Unpublished Doctoral thesis, City University London)

Oakley, K., Sperry, B. & Pratt, A.C. (2008). The art of innovation: How fine arts graduates contribute to innovation. London: NESTA.

P

Pick, J.M. (1980). The interaction of financial practices, critical judgement and professional ethics in London West End theatre management 1843-1899. (Unpublished Doctoral thesis, City University London)

Pratt, A.C. (2015). Creative Industries and Development: culture in development, or the cultures of development? In: C. Jones, M. Lorenzen & J. Sapsed (Eds.), The Oxford Handbook of Creative Industries. (pp. 503-515). Oxford: Oxford University Press. ISBN 9780199603510

Pratt, A.C. (2008). Creative cities: The cultural industries and the creative class. Geografiska Annaler Series B-Human Geography, 90(2), pp. 107-117. doi: 10.1111/j.1468-0467.2008.00281.x

Pratt, A.C. (2013). Promoting sustainable development through culture: current status, challenges and prospects. In: Korean national commission for UNESCO (Ed.), 2013 International Forum on Culture and Development: Unveiling New Prospects for Development through Culture. . Korean national commission for UNESCO.

Pratt, A.C. (2015). Resilience, locality and the cultural economy. City, Culture and Society, 6(3), pp. 61-67. doi: 10.1016/j.ccs.2014.11.001

Pratt, A.C. (2009). The creative and cultural economy and the recession. Geoforum, 40(4), pp. 495-496. doi: 10.1016/j.geoforum.2009.05.002

Pratt, A.C. (2012). The cultural and creative industries: organisational and spatial challenges to their governance. Die Erde, 143(4), pp. 317-334.

Pratt, A.C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), pp. 123-130. doi: 10.1016/j.ccs.2011.08.002

Pratt, A.C. & Hutton, T. A. (2013). Reconceptualising the relationship between the creative economy and the city: Learning from the financial crisis. Cities, 33, pp. 86-95. doi: 10.1016/j.cities.2012.05.008

Pratt, A.C., Mattocks, K. & Kesimoglou, A. (2014). The Enigma that is Platform-7: CWL Creative Voucher, The Silent Cacophony case study (Report No. Creative Works London Working Paper No 8). London: Creative Works London.

Q

Quigg, A.M. (2007). Workplace bullying in the arts : when creative becomes coercive. (Unpublished Doctoral thesis, City University London)

R

Rezazadeh-Khamnei, F. (1990). The administration of the arts in Great Britain, the United States of America and Italy. (Unpublished Doctoral thesis, City University London)

Ridgeway, C.G. (2002). Orchestral training in the United Kingdom. (Unpublished Doctoral thesis, City University London)

Robertson, I.A. (2000). The emerging art markets of greater China : 1989-1999. (Unpublished Doctoral thesis, City University London)

Rubidge, Sarah (2000). Identity in Flux: A Theoretical and Choreographic Enquiry into the Identity of The Open Dance Work. (Unpublished Doctoral thesis, City University London)

S

Stychin, C. (1994). Identities, Sexualities and the Postmodern Subject: An Analysis of Artistic Funding by the National Endowment for the Arts. Cardozo Arts and Entertainment Law Journal, 12(1), pp. 79-132.

Summerton, J.L. (1990). Designer crafts practice in context. (Unpublished Doctoral thesis, City University London)

T

Tandon, Rekha (2005). Classicism on the threshold of modernity: expanding the physical parameters of Odissi Dance for contemporary audiences. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/City University London)

W

Walden, J.C. (2007). Reading art otherwise. (Unpublished Doctoral thesis, City University London)

Wallis, L (2010). An exploration of the work of David Bintley, a very ‘English’ choreographer, with particular reference to his use of English Morris dance in Still Life at the Penguin Café and the process of translating ‘genuine’ English Morris dance to a theatrical environment.. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance/ City, University of London)

White, N.J. (1999). In the absence of memory?: Jewish fate and dramatic representation; production and critical reception of Holocaust drama on the London stage 1945-1989. (Unpublished Doctoral thesis, City University London)

Y

Yeh, D. (2015). Staging China, Excising the Chinese: Lady Precious Stream and the Darker Side of Chinoiserie. In: A. Witchard (Ed.), British Modernism and Chinoiserie. . Edinburgh University Press.

This list was generated on Fri Nov 24 06:03:20 2017 UTC.