Items where Schools and Departments is "School of Communication & Creativity" and Year is 2019
A
Alabdali, Ohoud (2019). Measuring the development of Saudi Arabia as an information society. (Unpublished Doctoral thesis, City, University of London)
Alacovska, A. & Gill, R. 
ORCID: 0000-0002-2715-1867 (2019).
De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective.
International Journal of Cultural Studies, 22(2),
pp. 195-212.
doi: 10.1177/1367877918821231
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
Two Canons for Kathryn
Huddersfield Contemporary Records.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
The in-between of line and surface: A line alongside itself.
Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
A line alongside itself
B
Banet-Weiser, S., Gill, R. ORCID: 0000-0002-2715-1867 & Rottenberg, C. (2019).
Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation.
Feminist Theory, 21(1),
pp. 3-24.
doi: 10.1177/1464700119842555
Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2019).
"Essentially made of information": concepts and implications of informational privacy.
Paper presented at the Conceptions of Library and Information Science (CoLIS), 16-19 June, Ljubljana, Slovenia.
Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2019).
"Essentially made of information": concepts and implications of informational privacy.
Information Research: an international electronic journal, 24(4),
article number colis1913.
Bawden, D. ORCID: 0000-0002-0478-6456, Robinson, L. ORCID: 0000-0001-5202-8206, Pinfield, S. & Wakeling, S. (2019).
Open Access in Theory and Practice: workshop.
Paper presented at the Conceptions of Library and Information Science (CoLIS), 16-19 June, Ljubljana, Slovenia.
Berget, G. & MacFarlane, A. ORCID: 0000-0002-8057-0737 (2019).
What Is Known About the Impact of Impairments on Information Seeking and Searching?.
Journal of the Association for Information Science and Technology, 71(5),
pp. 596-611.
doi: 10.1002/asi.24256
Bonham-Carter, C. (2019). Conceptualising cultural governance under new Labour's social value agenda: the practices and experiences of contemporary visual arts institutions on London (1997-2010). (Unpublished Doctoral thesis, City, University of London)
Browning, J. ORCID: 0000-0001-7013-7959 & Davidson, J. W. (2019).
Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon.
Parergon, 36(2),
pp. 17-38.
doi: 10.1353/pgn.2019.0053
C
Cottrell, S.J. (2019). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, 101(2-3), pp. 216-243. doi: 10.1093/musqtl/gdy013
Cottrell, S.J. ORCID: 0000-0003-4019-798X & Howell, J. (2019).
Reproducing Musical Instrument Components from Manufacturers’ Technical Drawings using 3D Printing: Boosey & Hawkes as a Case Study.
Journal of New Music Research, 48(5),
pp. 449-457.
doi: 10.1080/09298215.2019.1642362
D
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Braided geographies: bordered forms and cross-border formations in refugee comics.
Journal for Cultural Research, 23(2),
pp. 124-143.
doi: 10.1080/14797585.2019.1665892
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Editor’s note.
Journal of Postcolonial Writing, 55(5),
pp. 585-588.
doi: 10.1080/17449855.2019.1657696
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009).
Journal of Graphic Novels and Comics, 11(3),
pp. 325-340.
doi: 10.1080/21504857.2019.1575256
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Infrastructural Violence.
In: Hague, I., Horton, I. & Mickwitz, N. (Eds.),
Contexts of Violence in Comics.
. Abingdon, Oxford: Routledge.
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Introduction: Documenting Trauma in Comics.
In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.),
Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage.
Palgrave Studies in Comics and Graphic Novels.
(pp. 1-26). Cham: Palgrave Macmillan.
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Rudyard Kipling and the networks of empire.
In:
Kipling and Yeats at 150: Retrospectives/Perspectives.
(pp. 192-210). Abingdon, UK: Routledge.
doi: 10.4324/9780429283857
Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2019).
Crisis Acting in The Destroyed Room.
Performance Research, 24(5),
pp. 65-73.
doi: 10.1080/13528165.2019.1671720
Dysers, C. (2019). Loop aesthetics: repetition in the work of Bernhard Lang. (Unpublished Doctoral thesis, City, University of London)
G
Gill, R. ORCID: 0000-0002-2715-1867 (2019).
Cuando la propia vida es el campo laboral.
Recerca.Revista de pensament i anàlisi., 24(1),
pp. 14-36.
doi: 10.6035/recerca.2019.24.1.2
Gill, R. ORCID: 0000-0002-2715-1867 (2019).
Surveillance is a feminist issue.
In: Oren, T. & Press, A. (Eds.),
The Routledge Handbook of Contemporary Feminism.
(pp. 148-161). Abingdon, UK: Routledge.
Gill, R. ORCID: 0000-0002-2715-1867 & Kanai, A. (2019).
Affirmative advertising and the mediated feeling rules of neoliberalism.
In: Meyers, M. (Ed.),
Neoliberalism and the Media.
. Abingdon, UK: Routledge.
Gill, R. ORCID: 0000-0002-2715-1867 & Toms, K. (2019).
Trending now: feminism, sexism, misogyny and postfeminism in British journalism.
In: Carter, C., Steiner, L. & Allan, S. (Eds.),
Journalism, Gender and Power.
(pp. 97-112). Routledge.
Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T. (2019).
Hip Hub? Class, race and gender in creative hubs.
In:
Creative Hubs in Question: Place, Space and Work in the Creative Economy.
(pp. 131-154). Cham: Palgrave Macmillan.
doi: 10.1007/978-3-030-10653-9_7
K
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership.
Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
Programme and assessment design for graduate outcomes.
Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
Programme and assessment design in graduate outcomes: City's BA English.
Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study.
Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.
Kloosterman, R., Pratt, A. ORCID: 0000-0003-2215-9648, d'Ovidio, M. , Greco, L. & Boren, T. (2019).
Creative and cultural industries in global production network approaches so far: a brief review of the literature and its relevance for the creative and cultural industries (10.5281/zenodo.4535064).
Amsterdam, The Netherlands: The CICERONE project.
L
Lee, D. ORCID: 0000-0002-5768-9262 (2019).
The classification of musical transformation: a conceptual approach to the knowledge organization of musical arrangements.
Information Research: an international electronic journal, 24(4),
article number colis1919.
Lee, D., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2019).
Modelling the relationship between scientific and bibliographic classification for music.
Journal of the Association for Information Science and Technology, 70(3),
pp. 230-241.
doi: 10.1002/asi.24120
Lee, L., Ocepek, M. G., Makri, S. ORCID: 0000-0002-5817-4893 , Buchanan, G. & McKay, D. (2019).
Getting creative in everyday life: Investigating arts and crafts hobbyists' information behavior.
Proceedings of the Association for Information Science and Technology, 56(1),
pp. 703-705.
doi: 10.1002/pra2.141
Lingas, A. ORCID: 0000-0003-0083-3347 (2019).
Canonising Byzantine Chant as Greek Art Music.
In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R. (Eds.),
Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries.
(pp. 31-53). Abingdon, UK: Routledge.
Lingas, A. ORCID: 0000-0003-0083-3347 (2019).
In the Byzantine Empire.
In:
Grove Music Online.
. UK: Oxford University Press.
Lingas, A. ORCID: 0000-0003-0083-3347 (2019).
Venice in the East: Renaissance Crete and Cyprus.
Portland, USA: Cappella Romana.
Lingas, A. ORCID: 0000-0003-0083-3347, Pentcheva, B., Abel, J. , Cappella Romana, Eruçman, D., Antonopoulos, S. & Canfield-Dafilou, E. (2019).
Lost Voices of Hagia Sophia: Medieval Byzantine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople.
Cappella Romana.
Litosseliti, E. ORCID: 0000-0002-3305-4713, Gill, R. ORCID: 0000-0002-2715-1867 & Favaro, L. (2019).
Postfeminism as a critical tool for gender and language study.
Gender and Language, 13(1),
pp. 1-22.
doi: 10.1558/genl.34599
M
Mbaye, J. F. & Dinardi, C. (2019). Ins and outs of the cultural polis: informality, culture and governance in the global South. Urban Studies, 56(3), pp. 578-593. doi: 10.1177/0042098017744168
Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Apocalypse yesterday: Posthumanism and comics in the Anthropocene.
Environment and Planning E: Nature and Space, 3(3),
pp. 663-687.
doi: 10.1177/2514848619883468
Mera, M. ORCID: 0000-0002-0031-0629 (2019).
Popular Music on Screen and the Road to Brexit.
Cinema&Cie: International Journal of Film Studies, 8(31),
N
Nooshin, L. ORCID: 0000-0001-8737-5224 (2019).
Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema.
Music and the Moving Image, 12(3),
pp. 25-57.
doi: 10.5406/musimoviimag.12.3.0025
Nystrom, E. ORCID: 0000-0003-3628-540X (2019).
Portrait Concert: Alchimie
Musiques et Recherches.
Nystrom, E. ORCID: 0000-0003-3628-540X (2019).
Technological Listening and Intra-faces of Sound.
Paper presented at the 11th Beyond Humanism Conference: Critical Posthumanism and Transhumanism : The posthuman paradigm shift,, 9-12 July 2019, Catholic University of Lille, France.
Nystrom, E. ORCID: 0000-0003-3628-540X, Kokoras, P., Gviniashvili, M. , Vasquez, J. C. & Kosecka, M. (2019).
CECIA (Collaborative Electroacoustic Composition with Intelligent Agents).
[Audio]
O
Orgad, S. & Gill, R. ORCID: 0000-0002-2715-1867 (2019).
Safety valves for mediated female rage in the #MeToo era.
Feminist Media Studies, 19(4),
pp. 596-603.
doi: 10.1080/14680777.2019.1609198
P
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
23 World Premieres of New Commissions for Ian Pace at 50 - 30 April 2018. Composers including Patricia de Almeida, James Dillon, Michael Finnissy, Christopher Fox, Sadie Harrison, Morgan Hayes, Wieland Hoban, Alwynne Pritchard, Lauren Redhead, Walter Zimmermann
City University Concert Series.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
The Anatomy of Melancholy - The Piano Music of Marc Yeats (CD Recording)
Prima Facie Records.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Clothcomposers
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (1).
In: Dodd, R. (Ed.),
Writing to Louis Andriessen: Commentaries on life in music.
(pp. 83-101). Eindhoven, the Netherlands: Lecturis.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (2).
In: Dodd, R. (Ed.),
Writing to Louis Andriessen: Commentaries on life in music.
(pp. 153-173). Eindhoven, the Netherlands: Lecturis.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
In Defence of Analytically-Informed Performance.
Keynote Paper presented at the International encounters on Music Theory and Analysis Conference, 6 Nov 2019, São Paolo, Brazil.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Modernist Fantasias: The Recuperation of a Concept.
Journal of the Royal Musical Association, 144(2),
pp. 473-493.
doi: 10.1080/02690403.2019.1651512
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Negotiating borrowing, genre and mediation in the piano music of Finnissy: strategies and aesthetics.
In: Pace, I. ORCID: 0000-0002-0047-9379 & McBride, N. (Eds.),
Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts.
(pp. 57-103). London: Routledge.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Position Statement: 'Questioning the Gap: Defining a Role for the SMA in Preparing Students for Music Degrees in Higher Education Today', SotonMAC, 30 July 2019.
Paper presented at the Society for Music Analysis Annual Conference, 30 July 2019, Southampton, UK.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Premieres of 16 New Piano Pieces, 13 May 2019
City, University of London.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Radio Broadcast of Volker Heyn 203 (55' piano piece) for Westdeutscher Rundfunk
Westdeutscher Rundfunk.
Pace, I. ORCID: 0000-0002-0047-9379 (2019).
Thirty for Grace
Pratt, A.C. ORCID: 0000-0003-2215-9648 (2019).
Formality as exception.
Urban Studies, 56(3),
pp. 612-615.
doi: 10.1177/0042098018810600
Pratt, A.C. ORCID: 0000-0003-2215-9648, Boren, T., Daubeuf, C. & Le Gall, A. (2019).
A review of tariff barriers and trade costs affecting the Creating Industries across European borders.
Amsterdam: Cicerone Project.
Pratt, A.C. ORCID: 0000-0003-2215-9648, D'Ovidio, M., Greco, L. , Boren, T., Kloosterman, R. & Henriksson, T. (2019).
CICERONE - Format case study selection.
Amsterdam: Cicerone Project.
Pratt, A.C. ORCID: 0000-0003-2215-9648, Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T.E. (2019).
Introduction.
In: Gill, R. ORCID: 0000-0002-2715-1867, Pratt, A.C. ORCID: 0000-0003-2215-9648 & Virani, T.E. (Eds.),
Creative Hubs in Question: Place, Space and Work in the Creative Economy.
(pp. 1-26). Cham, Switzerland: Palgrave Macmillan.
Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R., Mbaye, J. F. , Greco, L., Miguel, M. P., Janowska, A., Pareja-Estaway, M., Iiczuk, D., Gmeiner, R., K., O., Tomova, B. & Andreeva, D. (2019).
The CICERONE project methodology.
Amsterdam: Cicerone Project.
Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R. C., D'ovidio, M. , Greco, L., Boren, T. & de Vries, J. (2019).
Overview of CCI research gaps.
Amsterdam: Cicerone Project.
Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R. C., Greco, L. & D'Ovidio di Ricerca, M. (2019).
Creative and cultural industries and global production network approaches so far.
Amsterdam: Cicerone Project.
Price, L. ORCID: 0000-0001-7747-4210 (2019).
Fandom, Folksonomies and Creativity: the case of the Archive of Our Own.
In:
The Human Position in an Artificial World: Creativity, Ethics and AI in Knowledge Organization.
(pp. 11-37). Germany: Ergon Verlag.
doi: 10.5771/9783956505508-11
R
Rennie, T. ORCID: 0000-0001-8937-2780 (2019).
Muscle memory: The inimitable feel of the record.
Tempo, 73(287),
pp. 76-79.
doi: 10.1017/s0040298218000670
S
Smith, J. ORCID: 0000-0002-5198-4076 (2019).
Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II.
Soundtrack, The, 11(1-2),
pp. 75-97.
doi: 10.1386/ts_00006_1
Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019).
New Approaches to Medieval Water Studies.
Open Library of Humanities, 5(1),
article number 35.
doi: 10.16995/olh.443/
V
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019).
'“The result can scarcely fail to amuse even the most gloomy of war pessimists”: The Strand Magazine and the First World War'.
Victorian Periodicals Review, 52(2),
pp. 389-418.
doi: 10.1353/vpr.2019.0023
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019).
'“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'.
Victorian Popular Fictions Journal, 1(2),
pp. 3-32.
doi: 10.46911/qptd4864
Vuohelainen, M. ORCID: 0000-0002-9369-8190 & Liggins, E, (2019).
'Introduction: Reassessing the Strand Magazine, 1891–1918'.
Victorian Periodicals Review, 52(2),
pp. 221-234.
doi: 10.1353/vpr.2019.0015
W
Wakeling, S., Pinfield, S., Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2019).
The use of theory in research relating to open access: practitioner perspectives.
Proceedings of the Association for Information Science and Technology, 56(1),
pp. 788-789.
doi: 10.1002/pra2.177
Wheelwright, J. ORCID: 0000-0002-6982-4476 (2019).
Poisoned Honey: The Myth of Women in Espionage.
Queen’s Quarterly, 100(2),
pp. 291-309.