Abstract

This thesis accompanies the five electroacoustic compositions of the Bardo series and presents a discussion of symbolism within contexts of Chinese culture and the electroacoustic medium. The work develops a view of interaction between cultures of East and West, considering issues raised in terms of philosophical research and as a substantial creative resource for composers and listeners.

Publication Type:	Thesis (Doctoral)
Subjects:	M Music and Books on Music > M Music M Music and Books on Music > MT Musical instruction and study
Departments:	Doctoral Theses School of Communication & Creativity > Performing Arts > Music Doctoral Theses > School of Arts and Social Sciences Doctoral Theses School of Communication & Creativity > School of Communication & Creativity Doctoral Theses

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