City Research Online

Chalaby, J. ORCID: 0000-0002-8250-0361 (2023). The streaming industry and the platform economy: An analysis. Media Culture and Society, 46(3), pp. 552-571. doi: 10.1177/01634437231210439

Chalaby, J. ORCID: 0000-0002-8250-0361 (2022). Global streamers: Placing the transnational at the heart of TV culture. Journal of Digital Media & Policy, 13(2), pp. 223-241. doi: 10.1386/jdmp_00083_1

Chalaby, J. ORCID: 0000-0002-8250-0361 & Plunkett, S. (2021). Standing on the shoulders of tech giants: Media delivery, streaming television, and the rise of global suppliers. New Media and Society, 23(11), pp. 3206-3228. doi: 10.1177/1461444820946681

Chalaby, J. ORCID: 0000-0002-8250-0361 (2019). Outsourcing in the UK television industry: A global value chain analysis. Communication Theory, 29(2), pp. 169-190. doi: 10.1093/ct/qty024

Chalaby, J. ORCID: 0000-0002-8250-0361 (2018). Hedging against disaster: Risk and mitigation in the media and entertainment industries. International Journal of Digital Television, 9(2), pp. 167-184. doi: 10.1386/jdtv.9.2.167_1

Chalaby, J. (2017). Can a GVC-oriented policy mitigate imbalances in the world media system? Strategies for economic upgrading in the TV format global value chain. International Journal of Digital Television, 8(1), pp. 9-28. doi: 10.1386/jdtv.8.1.9_1

Chalaby, J. & Esser, A. (2017). The TV format trade and the world media system: Change and continuity. International Journal of Digital Television, 8(1), pp. 3-7. doi: 10.1386/jdtv.8.1.3_2

Chalaby, J. (2016). Television and Globalization: The TV Content Global Value Chain. Journal of Communication, 66(1), pp. 35-59. doi: 10.1111/jcom.12203

Chalaby, J. (2016). Drama without drama: The late rise of scripted TV formats. Television & New Media, 17(1), pp. 3-20. doi: 10.1177/1527476414561089

Chalaby, J. (2015). The Advent of the Transnational TV Format Trading System: A Global Commodity Chain Analysis. Media, Culture and Society, 37(3), pp. 460-478. doi: 10.1177/0163443714567017

Chalaby, J. (2013). Reflection i: Transnational TV Formats: Making the Local Visible and the Global Invisible. Critical Studies in Television: The International Journal of Television Studies, 8(2), pp. 54-56. doi: 10.7227/cst.8.2.5

Chalaby, J. (2012). Producing tv content in a globalized intellectual property market: The emergence of the international production model. Journal of Media Business Studies, 9(3), pp. 19-39. doi: 10.1080/16522354.2012.11073550

Chalaby, J. (2012). At the Origin of a Global Industry: The TV Format Trade as an Anglo-American Invention. Media, Culture & Society, 34(1), pp. 36-52. doi: 10.1177/0163443711427198

Chalaby, J. (2011). The making of an entertainment revolution: How the TV format trade became a global industry. European Journal of Communication, 26(4), pp. 293-309. doi: 10.1177/0267323111423414

Chalaby, J. (2010). The rise of britain's super-indies: Policy-making in the age of the global media market. International Communication Gazette, 72(8), pp. 675-693. doi: 10.1177/1748048510380800

Chalaby, J. (2009). Broadcasting in a Post-National Environment: The Rise of Transnational TV Groups. Critical Studies in Television, 4(1), pp. 39-64. doi: 10.7227/cst.4.1.5

Chalaby, J. (2008). Advertising in the global age: Transnational campaigns and pan-European television channels. Global Media and Communication, 4(2), pp. 139-156. doi: 10.1177/1742766508091517

Chalaby, J. (2007). Beyond Nation-Centrism: Thinking International Communication from a Cosmopolitan Perspective. Studies in Communication Sciences – Journal of the Swiss Association of Communication and Media Research, 7(1), pp. 61-83.