Items where Author is "Mera, M."
Article
Mera, M. 
ORCID: 0000-0002-0031-0629 (2020).
Professor Daddy has a zebra on his head.
Ethnomusicology Forum, 29(3),
pp. 300-306.
doi: 10.1080/17411912.2020.1873560
Mera, M. ORCID: 0000-0002-0031-0629 (2019).
Popular Music on Screen and the Road to Brexit.
Cinema&Cie: International Journal of Film Studies, 8(31),
Banks, M., Baron, C., Buhler, J. , Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 & Smith, J. (2018).
Media Dialogues: A Scholarly Roundtable.
The Velvet Light Trap: A Critical Journal of Film & Television, 82(Fall),
pp. 43-60.
doi: 10.7560/vlt8205
Mera, M. & Stumpf, S. (2014). Eye-tracking Film Music. Music and the Moving Image, 7(3), pp. 3-23. doi: 10.5406/musimoviimag.7.3.0003
Mera, M. (2013). Review of Peter Franklin, Seeing Through Music: Gender and Modernisms in Classic Hollywood Film. Music, Sound and the Moving Image, 7(2), pp. 195-218. doi: 10.3828/msmi.2013.9
Mera, M. (2012). Outing the Score: Music, narrative and collaborative process in Little Ashes. Music, Sound and the Moving Image, 6(1), pp. 93-110. doi: 10.3828/msmi.2012.8
Mera, M. (2009). An Interview with Canadian-Armenian Filmmaker Atom Egoyan. Ethnomusicology Forum, 18(1), pp. 73-82. doi: 10.1080/17411910902790416
Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.
Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1
Book Section
Mera, M. ORCID: 0000-0002-0031-0629 (2023).
The Audiovisual Architecture of Musical Pauses, Punchlines, and Jablines: Paddington’s Punctuation.
In: Audissino, E. & Wennekes, E. (Eds.),
The Palgrave Handbook of Music in Comedy Cinema.
. Basingstoke, UK: Palgrave Macmillan.
doi: 10.1007/978-3-031-33422-1_5
Mera, M. ORCID: 0000-0002-0031-0629 (2021).
Listening–Feeling–Becoming: Cinema Surveillance.
In: Cenciarelli, C. (Ed.),
The Oxford Handbook of Cinematic Listening.
(pp. 407-426). Oxford, UK: Oxford University Press.
doi: 10.1093/oxfordhb/9780190853617.013.23
Mera, M. ORCID: 0000-0002-0031-0629 (2020).
Music Maketh Man: Meritocracy in Kingsman: The Secret Service.
In: Peddie, I. (Ed.),
The Bloomsbury Handbook of Popular Music and Social Class.
. London, UK: Bloomsbury Academic.
Mera, M. (2017). Screen Music and the Question of Originality. In: Mera, M., Sadoff, R. & Winters, B. (Eds.), The Routledge Companion to Screen Music and Sound. (pp. 38-49). Oxford, UK: Routledge.
Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: Greene, L. & Kulezic-Wilson, D. (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. doi: 10.1057/978-1-137-51680-0
Mera, M. (2016). Materialising Film Music. In: Cooke, M. & Ford, F. (Eds.), The Cambridge Companion to Film Music. . Cambridge, UK: Cambridge University Press.
Mera, M. (2015). Agitprop Rap? "Ill Manors" and the Impotent Indifference of Social Protest. In: Miller, T. (Ed.), The Routledge Companion to Global Popular Culture. (pp. 268-281). New York, USA: Routledge.
Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030
Mera, M. (2009). Reinventing Question Time. In: Scott, D. B. (Ed.), The Ashgate research companion to popular musicology. (pp. 59-83). Aldershot: Ashgate Pub Co.