Article

Rennie, T. ORCID: 0000-0001-8937-2780 (2019). Muscle memory: The inimitable feel of the record. Tempo, 73(287), pp. 76-79. doi: 10.1017/s0040298218000670

Anderson, I. & Rennie, T. (2016). Thoughts in the Field: 'Self-reflexive narrative' in field recording. Organised Sound: an international journal of music and technology, 21(3), pp. 222-232. doi: 10.1017/S1355771816000194

Rennie, T. (2015). Power Struggles: The Politics of Composing with Sounds of Protest. Leonardo Music Journal, 25, pp. 17-20. doi: 10.1162/LMJ_a_00927

Rennie, T. (2014). Socio-Sonic: An ethnographic methodology for electroacoustic composition. Organised Sound, 19(02), pp. 117-124. doi: 10.1017/S1355771814000053

Conference or Workshop Item

Rennie, T. (2016). Shadows In The Field Recording. Paper presented at the Sonologia: Out of Phase, 22-26 Nov 2016, Sao Paulo, Brazil.

Rennie, T. (2016). Recording, Representation & Responsibility: questions of authorship and agency when field recording for electroacoustic composition. Paper presented at the EMS15: The Art of Electroacoustic Music, 23-26 Jun 2016, Sheffield, UK.