Items where Author is "Rennie, T."
Article
Rennie, T. 
ORCID: 0000-0001-8937-2780 (2020).
Sociosonic Interventions: Distributed Authorship in Socially Engaged Sound Practices.
Leonardo Music Journal, 30,
pp. 113-117.
doi: 10.1162/lmj_a_01102
Rennie, T. ORCID: 0000-0001-8937-2780 (2019).
Muscle memory: The inimitable feel of the record.
Tempo, 73(287),
pp. 76-79.
doi: 10.1017/s0040298218000670
Anderson, I. & Rennie, T. (2016). Thoughts in the Field: 'Self-reflexive narrative' in field recording. Organised Sound: an international journal of music and technology, 21(3), pp. 222-232. doi: 10.1017/s1355771816000194
Rennie, T. (2015). Power Struggles: The Politics of Composing with Sounds of Protest. Leonardo Music Journal, 25, pp. 17-20. doi: 10.1162/lmj_a_00927
Rennie, T. (2014). Socio-Sonic: An ethnographic methodology for electroacoustic composition. Organised Sound, 19(2), pp. 117-124. doi: 10.1017/s1355771814000053
Conference or Workshop Item
Rennie, T. ORCID: 0000-0001-8937-2780 (2017).
Shadows In The Field Recording.
In:
Out of Phase: Conference Proceeding.
Sonologia: Out of Phase, 22-26 Nov 2016, Sao Paulo, Brazil.
Rennie, T. (2016). Recording, Representation & Responsibility: questions of authorship and agency when field recording for electroacoustic composition. Paper presented at the EMS15: The Art of Electroacoustic Music, 23-26 Jun 2016, Sheffield, UK.