City Research Online

Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372). Amsterdam, The Netherlands: The Ciccerone Project.

Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982). Amsterdam, The Netherlands: The CICERONE project.

Karpińska, A., Ilczuk, D., Cholewicka, E. , Bennett, T. ORCID: 0000-0003-0078-9315 & Pratt, A.C. ORCID: 0000-0003-2215-9648view all authors (2023). Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8). Amsterdam, The Netherlands: CICERONE Project.

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, 17(5), pp. 700-706. doi: 10.1080/17530350.2022.2112263

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 2 – Assembling disparate data resources, and preparations for reporting them (CICERONE report D4.3). Amsterdam, The Netherlands: CICERONE Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 1 – Problems of statistical description (CICERONE report D4.2). CICERONE Project: Amsterdam, The Netherlands.

du Gay, P., Pryke, M. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Cultural revolutions: interview with Paul du Gay and Michael Pryke. Journal of Cultural Economy, 17(5), pp. 672-683. doi: 10.1080/17530350.2021.2021970

Allen, J. & Bennett, T. ORCID: 0000-0003-0078-9315 (2021). A poststructuralist who still believes in structures: interview with John Allen. Journal of Cultural Economy, 17(5), pp. 663-671. doi: 10.1080/17530350.2021.2002176

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). The Justification of a Music City: Handbooks, intermediaries and value disputes in a global policy assemblage. City, Culture and Society, 22, article number 100354. doi: 10.1016/j.ccs.2020.100354

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). "The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries. IASPMJournal, 8(1), pp. 24-41. doi: 10.5429/2079-3871(2018)v8i1.4en

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. In: The Palgrave Handbook of Creativity at Work. (pp. 431-459). Cham: Palgrave Macmillan. doi: 10.1007/978-3-319-77350-6_21

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). Towards 'Embedded Non-creative Work'? Administration, digitisation and the recorded music industry. International Journal of Cultural Policy, 26(2), pp. 223-238. doi: 10.1080/10286632.2018.1479399

Bennett, T. ORCID: 0000-0003-0078-9315 (2017). The Production and Consumption of Music in the Digital Age. Popular Music and Society, 40(2), pp. 242-244. doi: 10.1080/03007766.2017.1276332