City Research Online

Einbond, A., Schwarz, D. & Bresson, J. (2009). Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. Paper presented at the International Computer Music Conference, ICMC 2009, August 15-21, 2009, Montreal, Quebec, Canada.

Mera, M. (2009). An Interview with Canadian-Armenian Filmmaker Atom Egoyan. Ethnomusicology Forum, 18(1), pp. 73-82. doi: 10.1080/17411910902790416

Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1

Mera, M. (2009). Reinventing Question Time. In: Scott, D. B. (Ed.), The Ashgate research companion to popular musicology. (pp. 59-83). Aldershot: Ashgate Pub Co.

Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.

Ostroff, N (2009). The Influence of Weimar Culture on Pop Music in the 1970s and ‘80s. (Unpublished Doctoral thesis, City, University of London)

Pace, I. (2009). Coldness and Cruelty as Performance in Deleuze's Proust. In: Bryden, M. & Topping, M. (Eds.), Beckett's Proust/Deleuze's Proust. (pp. 183-198). Palgrave Macmillan.

Pace, I. (2009). Notation, Time and the Performer’s Relationship to the Score in Contemporary Music. In: Crispin, D. (Ed.), Unfolding Time. (pp. 151-192). Leuven University Press.

Pace, I. (2009). Performance as Analysis, Analysis as Performance. Paper presented at the From Analysis to Music, 27-05-2009, Orpheus Institute, Ghent, Belgium.

Pace, I. (2009). Verbal Discourse as Aesthetic Arbitrator in Contemporary Music. In: Heile, B. (Ed.), The Modernist Legacy. (pp. 81-99). Farnham: Ashgate Publishing, Ltd..

Tidhar, D., Fazekas, G., Kolozali, S. & Sandler, M.view all authors (2009). Publishing Music Similarity Features on the Semantic Web.. Paper presented at the 10th International Society for Music Information Retrieval Conference, ISMIR 2009, 26 - 30 Oct 2009, Kobe, Japan.