City Research Online

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Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Introduction: The City Always Wins. In: Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (Eds.), Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture. (pp. 1-25). Cham: Palgrave Macmillan.

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2015). Literature, planning and infrastructure: Investigating the southern city through postcolonial texts. Journal of Postcolonial Writing, 51(4), pp. 395-409. doi: 10.1080/17449855.2015.1033813

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

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Davies, D. ORCID: 0000-0002-3584-5789 (2021). Against the System: Postcolonialism, Humanism, and the Humanities. Moving Worlds: a journal for transcultural writings, 20(2), pp. 113-128.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Braided geographies: bordered forms and cross-border formations in refugee comics. Journal for Cultural Research, doi: 10.1080/14797585.2019.1665892

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 8(1), 18.. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad. Interventions, doi: 10.1080/1369801X.2020.1816851

Davies, D. ORCID: 0000-0002-3584-5789 (2015). Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920). The Journal of Commonwealth Literature, 50(1), pp. 45-58. doi: 10.1177/0021989414555209

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border. a/b: Auto/Biography Studies, 35(2), pp. 383-403. doi: 10.1080/08989575.2020.1741187

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Editor’s note. Journal of Postcolonial Writing, 55(5), pp. 585-588. doi: 10.1080/17449855.2019.1657696

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009). Journal of Graphic Novels and Comics, doi: 10.1080/21504857.2019.1575256

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Infrastructural Violence. In: Hague, I., Horton, I. & Mickwitz, N. (Eds.), Contexts of Violence in Comics. . Abingdon, Oxford: Routledge.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Introduction: Documenting Trauma in Comics. In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. (pp. 1-26). Cham: Palgrave Macmillan.

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Davies, D. ORCID: 0000-0002-3584-5789 (2017). A Review of Threadbare: Clothes, Sex and Trafficking. The Comics Grid: Journal of Comics Scholarship, 7, p. 7. doi: 10.16995/cg.110

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines. The Cambridge Journal of Postcolonial Literary Inquiry, 8(3), pp. 301-322. doi: 10.1017/pli.2021.18

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, doi: 10.1080/00111619.2020.1841724

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing, 54(3), pp. 411-430. doi: 10.1080/17449855.2018.1461986

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018). Postcolonialism and South-South Relations. In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.), Routledge Handbook of South-South Relations. . Abingdon, UK: Routledge.

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Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), p. 23.

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García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C. ORCID: 0000-0002-2497-8455 Embodied pedagogies, the arts and reflexive systems in enactive management education. In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A.view all authors (Eds.), Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies. Lecture Notes in Networks and Systems. . Cham, Switzerland: Springer.

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Jilani, S. ORCID: 0000-0002-0024-4801 (2015). 'Black' Spaces: Othello and the Cinematic Language of Othering. Literature-Film Quarterly, 43(2), pp. 104-115.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra. The Journal of Commonwealth Literature, doi: 10.1177/00219894211031803

Jilani, S. ORCID: 0000-0002-0024-4801 (2018). Intimate Epics. Women: A Cultural Review, 29(3-4), pp. 398-400. doi: 10.1080/09574042.2018.1531638

Jilani, S. ORCID: 0000-0002-0024-4801 (2014). "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye. Postgraduate English, 29(1),

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, doi: 10.1080/1369801x.2021.1892515

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). Writing Exile: Displacement and Arrival in Eva Hoffman's Lost in Translation and Edward Said's Out of Place. Life Writing, 12(1), pp. 59-73. doi: 10.1080/14484528.2014.970356

Jilani, S. ORCID: 0000-0002-0024-4801 (2020). “The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born. Journal of Postcolonial Writing, 56(1), pp. 83-96. doi: 10.1080/17449855.2019.1701067

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Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership. Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design for graduate outcomes. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design in graduate outcomes: City's BA English. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9

Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study. Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.

Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021). Accelerating movement across the intentional arc: developing the strategic sensographer. In: Adams, J. & Owens, A. (Eds.), Beyond Text Learning Through Arts-Based Research Practices. (pp. 52-67). Bristol, UK: Intellect Books.

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Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

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Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019). Apocalypse yesterday: Posthumanism and comics in the Anthropocene. Environment and Planning E: Nature and Space, doi: 10.1177/2514848619883468

Moran, P. ORCID: 0000-0002-8694-4701 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

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Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887

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Seago, K. (2005). Aspects of gender in translations of "Sleeping Beauty". Comparative Critical Studies, 2(1), pp. 23-43.

Seago, K. (2002). Constructing the Witch. In: Blayer, I. M. & Sánchez, M. (Eds.), Storytelling: Interdisciplinary and Intercultural Perspectives. (pp. 72-85). Peter Lang Publishing.

Seago, K. (1999). Let Sleeping Beauties Lie? On the difficulties of revisioning the tale. New Comparison, 27/28, pp. 98-117.

Seago, K. (1999). New Wine in Old Bottles?: Angela Carter’s Bloody Chamber of Revisioned Fairy Tales. Métaphore, 26, pp. 7-98.

Seago, K. (2001). Shifting Meanings: Translating Grimms’ Fairy Tales as Children’s Literature. In: Desblache, L. (Ed.), Aspects of specialised translation. (pp. 171-180). La Maison Du Dictionnaire.

Seago, K. (2003). What's in a title? A bibliographical study of the marketing of Grimms' fairy tales in English translation in the nineteenth century. New Comparison, A Journal of General and Comparative Literary Studies, 35/36, pp. 100-120.

Seago, K. ORCID: 0000-0002-0010-5836 & Rizzo, A. (2018). The aesthetics of migration: Reversals of marginality and the socio-political turn. InVerbis, 8(1), pp. 7-34. doi: 10.7368/91217

Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019). New Approaches to Medieval Water Studies. Open Library of Humanities, 5(1), 35.. doi: 10.16995/olh.443/

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Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2020). ‘"[B]etween power and the people": Journalist-investigators in Nordic crime fiction'. Crime Fiction Studies, 1(1), pp. 59-78. doi: 10.3366/cfs.2020.0007

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2010). ‘“Cribb’d, Cabined and Confined”: Fear, Claustrophobia and Modernity in Richard Marsh’s Urban Gothic Fiction’. The Journal of Literature and Science, 3(1), pp. 23-26. doi: 10.12929/jls.03.1.03

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), 66.. doi: 10.3390/h7030066

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022). '"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'. Women's Writing, 29(2), pp. 216-237. doi: 10.1080/09699082.2022.2052458

Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4), pp. 35-37.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2006). ‘“Oh to Get out of that Room!”: Outcast London and the Gothic Twist in the Popular Fiction of Richard Marsh’. In: Sayer, K. (Ed.), Victorian Space(s). Leeds Centre Working Papers in Victorian Studies, VIII. (pp. 115-126). Leeds: Trinity and All Saints, University of Leeds.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2008). “Tales and Adventures”: G.A. Henty’s Union Jack and the Competitive World of Publishing for Boys in the 1880s’. Journal of Popular Narrative Media, 1(2), pp. 183-196.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021). 'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'. Gothic Studies, 23(2), pp. 181-200. doi: 10.3366/gothic.2021.0093

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). University Gothic, c. 1880-1910. In: Heholt, R. & Hughes, W. (Eds.), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. (pp. 118-136). Cardiff, UK: University of Wales Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). "The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories. In: Margree, V., Orrells, D. & Vuohelainen, M. ORCID: 0000-0002-9369-8190 (Eds.), Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle. (pp. 63-84). Manchester, UK: Manchester University Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“The result can scarcely fail to amuse even the most gloomy of war pessimists”: The Strand Magazine and the First World War'. Victorian Periodicals Review, 52(2), pp. 389-418.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'. Victorian Popular Fictions Journal, 1(2), pp. 3-32.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 & Liggins, E, (2019). 'Introduction: Reassessing the Strand Magazine, 1891–1918'. Victorian Periodicals Review, 52(2), pp. 221-234.

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Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2019). Poisoned Honey: The Myth of Women in Espionage. Queen’s Quarterly, 100(2), pp. 3-17.