City Research Online

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Giannakopoulos, G. ORCID: 0000-0002-4946-9243 (2026). A ‘Corpus Vile’ of International Order: Protection, Coercion, and the British Blockade of Greece, 1850. The International History Review, doi: 10.1080/07075332.2026.2628963

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Innes, A. J. ORCID: 0000-0002-0100-8990 (2017). Mobile diasporas, postcolonial identities: the Green Line in Cyprus. Postcolonial Studies, 20(3), pp. 353-369. doi: 10.1080/13688790.2017.1378081

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Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Canonising Byzantine Chant as Greek Art Music. In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R.view all authors (Eds.), Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries. (pp. 31-53). Abingdon, UK: Routledge.

Lingas, A. ORCID: 0000-0003-0083-3347 (2012). Cappella Romana Live in Greece. From Constantinople to California: Renaissance Cretan Chant and Polyphony — Modern Choral Works by Adamis, Bogdanos, Cardiasmenos, Desby, Michaelides and Zes,. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2008). The Divine Liturgy of St John Chrysostom according to the Byzantine Tradition: A New Musical Setting in English. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2004). Epiphany: Medieval Byzantine Chant. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). In the Byzantine Empire. In: Grove Music Online. . UK: Oxford University Press.

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Savvas, G. V. (2026). Diatonicism in Eastern & Western Roman Chant: A Reconsideration of the Tonal Material. (Unpublished Doctoral thesis, City St George's, University of London)

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Valdez, J. (2021). What Capital Wants: Business Interests and Labor Market Reform in Portugal and Spain. Comparative Politics, 53(4), pp. 571-596. doi: 10.5129/001041521x16059843939568