Power Struggles: The Politics of Composing with Sounds of Protest
Rennie, T. (2015). Power Struggles: The Politics of Composing with Sounds of Protest. Leonardo Music Journal, 25, pp. 17-20. doi: 10.1162/lmj_a_00927
Abstract
The author challenges perceptions of authorship within the practice of field recording, discussing sonic arts responses to political subject matter and examining the power dynamic among recordist/composer, subject and listener. He considers compositions drawing on recordings of protests as a medium to represent political content without recourse to language.
| Publication Type: | Article |
|---|---|
| Additional Information: | Published by MIT Press 2016. |
| Subjects: | M Music and Books on Music |
| Departments: | School of Communication & Creativity School of Communication & Creativity > Department of Performing Arts |
| SWORD Depositor: |
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Official URL: https://doi.org/10.1162/lmj_a_00927
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