City Research Online

Abstract

Ian Pace performs a typically vivid and ambitious programme of 20th and 21st century music, framed by early and late works by Elliott Carter, a towering figure in American music, alongside the beautiful but less well known music of Betsy Jolas.. The programme also includes Pace's own auseinandergerissene Hälften, a labyrinthine lecture-recital reflecting the composer-pianist-musicologist's 'torn' affinities. Programme: Elliott Carter, Piano Sonata (1945-46) Betsy Jolas, B for Sonata (1973, UK Premiere) Samuel Andreyev, Piano Pieces I-IV (2011-16, World Premiere) Sadie Harrison, gentle (2017) Mic Spencer, A Maze I(a)n (S)pace (Space [G]race) (2017) Dieter Schnebel, 'Trauermarsch' from Bagatellen (1986) Ian Pace, auseinandergerissene Hälften (2018, World Premiere) Kaija Saariaho, Prelude (2007) Camden Reeves, Notturno dalle fiamme dell’inferno (2005) Luboš Mrkvička, For Piano G and L Betsy Jolas, Calling E.C. (1982, UK Premiere) Elliott Carter, Two Diversions (1999) Elliott Carter, Retrouvailles (2000) Elliott Carter, Caténaires (2006)

Publication Type:	Performance
Publisher Keywords:	Samuel Andreyev; Betsy Jolas; Mic Spencer; Dieter Schnebel; Kaija Saariaho; Camden Reeves; Lubos Mrkvicka; Elliott Carter; Sadie Harrison; Ian Pace
Subjects:	M Music and Books on Music > M Music
Departments:	School of Communication & Creativity > Performing Arts > Music

Export

Downloads