The larceny of the last second: the case for transcendence
Rojek, C. ORCID: 0000-0003-0196-8892 (2023). The larceny of the last second: the case for transcendence. Celebrity Studies, 15(3), pp. 336-350. doi: 10.1080/19392397.2022.2161404
Abstract
This paper submits that the hegemonic order in celebrity studies is fixated upon questions of utility, yield and economic asset value. These technical considerations support a technocratic engagement with celebrity that exaggerates the importance of technology and linearity. By the same token, it devalues philosophical perspectives that address questions of Transcendence and Ultimate Meaning. The term ‘Triangulation’ is introduced to describe the dominant paradigm in celebrity studies. The paper develops the case that to ignore these philosophical issues impoverishes the domain of celebrity studies. The value of these questions is demonstrated by discussing the relevance of Kant’s concepts of noumena and noumena, Hegel’s account of World Historical Individuals. This material is used to advance the value of phenomenological perspectives, notably the contributions of Bergson and Husserl, in respect of time and space, in the analysis of celebrity.
Publication Type: | Article |
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Additional Information: | © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any med-ium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. |
Publisher Keywords: | Phenomenology, attention capital, ultimate meaning, absolute being, transcendence |
Subjects: | H Social Sciences > HM Sociology H Social Sciences > HN Social history and conditions. Social problems. Social reform |
Departments: | School of Policy & Global Affairs > Sociology & Criminology |
SWORD Depositor: |
Available under License Creative Commons Attribution Non-commercial No Derivatives.
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