The Road, in Court: How UK Drill Music Became a Criminal Offence
Fatsis, L. ORCID: 0000-0002-3082-951X (2023). The Road, in Court: How UK Drill Music Became a Criminal Offence. In: Levell, J., Young, T. & Earle, R. (Eds.), Exploring Urban Youth Culture Outside of the Gang Paradigm: Critical Questions of Youth, Gender and Race On-Road. (pp. 100-114). Bristol, UK: Policy Press.
Abstract
UK Drill music routinely features in the nation’s courtrooms as evidence of criminal wrongdoing, owing to the graphic imagery of the genre’s lyrical and video content. Such a response may seem justified, due to fatal incidents associated with drill music, but it remains difficult to prove a direct link between drill lyrics or videos and the evidential facts of criminal offences. Beyond speculation and interpretation, relying on drill music to bring criminal charges against individuals not only turns music-making into a criminal offence. It also exposes prosecutorial tactics that fail to uphold high standards of evidence and reproduce racist stereotypes about Black music genres and “criminality”. Drawing on my ongoing involvement as an expert witness in court cases that translate drill lyrics and videos into incriminating evidence, this chapter challenges the admissibility of such evidence as factually inaccurate to prove guilt — arguing that putting drill on trial conflates the literary and the literal, risking prejudicial assumptions about an art form, its producers and audiences.
Publication Type: | Book Section |
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Additional Information: | This is a post-peer-review, pre-copy edited version of a chapter published in Fatsis, L. (2023). The Road, in Court: How UK Drill Music Became a Criminal Offence. In: Exploring Urban Youth Culture Outside of the Gang Paradigm: Critical Questions of Youth, Gender and Race On-Road. (pp. 100-114). Bristol, UK: Policy Press. Details of the definitive published version and how to purchase it are available online at: https://bristoluniversitypress.co.uk/exploring-urban-youth-culture-outside-of-the-gang-paradigm. |
Publisher Keywords: | Criminal injustice; institutional racism; drill music; rap music as criminal evidence |
Subjects: | H Social Sciences > HN Social history and conditions. Social problems. Social reform H Social Sciences > HV Social pathology. Social and public welfare K Law > KD England and Wales M Music and Books on Music |
Departments: | School of Policy & Global Affairs > Sociology & Criminology |
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