City Research Online

Abstract

Over the last decade there has been growing psychological interest in studying everyday experiences with and of music in ways that bypass a selective focus on musical function, mood, emotion, perception of musical attributes. Ecological perspectives on music listening, where experience is understood as the multimodal sum of a systemic interaction between perceiver, environment and musical attributes, have also been influential. This has been reflected in an increase in the number of empirical studies exhibiting a phenomenological approach. However, little research has explicitly addressed children and adolescents’ holistic interactions with music. Drawing on findings from a mixed method empirical inquiry into UK 10-18-year olds involvement with music (employing interpretative phenomenological analysis), this chapter explores the phenomenology of children and adolescent’s unfolding, lived experiences of music in everyday scenarios. It discusses ways in which the subjective experience of music across this time-span changes, in terms of psychological characteristics, kinds of consciousness and meanings attached to music. Key themes are related to topics within the philosophical phenomenological tradition and the relationship between philosophical and psychological understandings of phenomenology are considered.

Publication Type:	Book Section
Additional Information:	© Oxford University Press. This chapter has been published by Oxford University Press in The Oxford Handbook of the Phenomenology of Music Cultures and it's available online at: https://doi.org/10.1093/oxfordhb/9780190693879.013.18
Publisher Keywords:	psychology, phenomenology, consciousness, musical meaning, adolescence, listening, involvement, dissociation, trancing
Subjects:	B Philosophy. Psychology. Religion > BF Psychology M Music and Books on Music > M Music
Departments:	School of Communication & Creativity School of Communication & Creativity > Department of Performing Arts
SWORD Depositor:	Symplectic Administrator

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