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Abstract

This thesis explores the potential of the free-bass accordion in nuevo tango performance and composition, addressing traditional perspectives that predominantly associate the genre with the bandoneon. The study focuses on the characteristics and capabilities of the free-bass accordion, highlighting its versatile functionality, technique, and timbre. By examining Astor Piazzolla’s bandoneon performance techniques and nuevo tango compositions, this research explores the free-bass accordion's ability to both interpret Piazzolla’s works and introduce novel methods of performance.

The research is structured into two main objectives. The primary objective of this research is to explore the performance techniques of the free-bass accordion in nuevo tango music, highlighting its distinctive capabilities and distinguishing it from the bandoneon. The secondary objective of this research is to explore innovative approaches to performing nuevo tango on the free-bass accordion by collaborating with contemporary Argentine composers, with the aim of performing new contemporary tango pieces.

Methodologically, the study employs a multi-phased approach, combining musical analysis, fieldwork, trial-and-error, and collaborative creation. This includes inquiries into Piazzolla’s bandoneon techniques, examinations of the free-bass accordion’s sonic attributes, and practical experimentation in performance settings. Additionally, fieldwork in Buenos Aires and collaborations with contemporary composers provide practical insights into integrating the free-bass accordion into nuevo tango ensembles.

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Text - Accepted Version
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Audio (Excerpt 2023 London Tango Festival, featuring Qianyu Zhang on free-bass accordion and Damian Foretic on bandoneon, performed on 20 April 2023 (fn.158)) - Accepted Version
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Audio (Excerpt Alfred Arnold bandoneon, Qianyu Zhang (fn. 206)) - Accepted Version
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Audio (Excerpt Hohner BR72R Stradella-system accordion, Qianyu Zhang (fn. 206)) - Accepted Version
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Audio (Piazzolla's Oblivion, excerpt Hohner BR72R Stradella-system accordion, Qianyu Zhang (fn. 211)) - Accepted Version
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Audio (Piazzolla's Oblivion, excerpt Pigini Sirius free-bass accordion, Qianyu Zhang (fn. 211)) - Accepted Version
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