City Research Online

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Barry, K., Southern, J., Baxter, T. , Blondin, S., Booker, C., Bowstead, J. ORCID: 0000-0003-0194-7688, Butler, C., Dillon, R., Ferguson, N., Filipska, G., Hieslmair, M., Hunt, L., Ianchenko, A., Johnson, P., Keane, J., Koszolko, M. K., Qualmann, C., Rumsby, C., Oliveira, C. S., Schleser, M., Sodero, S., Soliz, A., Wilson, L. A., Wood, H. & Zinganel, M.view all authors (2023). An agenda for creative practice in the new mobilities paradigm. Mobilities, 18(3), pp. 349-373. doi: 10.1080/17450101.2022.2136996

Bonadio, E. & Lucchi, N. (2019). How Far Can Copyright Be Stretched? - Framing the Debate on Whether New and Different Forms of Creativity Can Be Protected. Intellectual Property Quarterly, 2019(2), pp. 115-135.

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Cillo, P., Nunes, J. C., Prandelli, E. & Scopelliti, I. ORCID: 0000-0001-6712-5332view all authors (2020). Changing Style in Style-Changing Industries: The Role of Critics as Gatekeepers in High-End Fashion. Advances in Strategic Management, Aesthe(42), pp. 155-182.

Cutolo, D. & Ferriani, S. ORCID: 0000-0001-9669-3486 (2023). Now It Makes More Sense: How Narratives Can Help Atypical Actors Increase Market Appeal. Journal of Management, 50(5), pp. 1599-1642. doi: 10.1177/01492063231151637

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Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Dunne, J. ORCID: 0000-0001-9831-4195 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Is the World After All Just a Dream? In: Proceedings from the Document Academy.

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Guo, A. Y. (2023). Vanishing Points: Social Inequality and the Law in Recent American Conceptual Art and Poetry. (Unpublished Doctoral thesis, City, University of London)

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Hensel, S. (1995). Dance therapy: Source and route to holistic action in the Erziehungsbeistandschaft. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

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Jones, E. (2022). Artistic Survival: The Contemporary Nature of the Struggles of Being an Artist in London. (Unpublished Doctoral thesis, City, University of London)

Jones, S. ORCID: 0000-0003-4789-4948 & Holtham, C. ORCID: 0000-0002-2497-8455 (2018). Skilful Coping with Unorder: Educating 21st Century Arts Leadership. In: http://www.eiasm.org/frontoffice/event_download.asp?item=DOWN&event_id=1342. 6th Workshop on managing arts and cultural organizations, 30 Nov - 1 Dec 2018, Oxford, UK.

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Lee, L., Ocepek, M. & Makri, S. ORCID: 0000-0002-5817-4893 (2022). Information Behavior Patterns: A New Theoretical Perspective from an Empirical Study of Naturalistic Information Acquisition. Journal of the Association for Information Science and Technology, 73(4), pp. 594-608. doi: 10.1002/asi.24595

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Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

McQueen, G. E. & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, 19(4), pp. 328-350. doi: 10.1080/14702029.2020.1823762

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Tarcan, B., Nilstad Pettersen, I. & Edwards, F. ORCID: 0000-0003-0389-193X (2023). Repositioning Craft and Design in the Anthropocene. Exchanges: The Interdisciplinary Research Journal, 10(2), pp. 26-49. doi: 10.31273/eirj.v10i2.973

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Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.

Yeh, D. (2014). Under the Spectre of Orientalism and Nation: Translocal Crossings and Discrepant Modernities. In: Huang, M. (Ed.), The Reception of Chinese Art across Cultures. (pp. 228-254). Newcastle upon Tyne: Cambridge Scholars Publishing.

Yoeli, H. ORCID: 0000-0001-5505-9366 & McLusky, S. (2020). 'It's clever, but is it Art?'. Perspectives in Public Health, 140(5), pp. 257-258. doi: 10.1177/1757913920922274