B

Bonadio, E. and Lucchi, N. (2019). How Far Can Copyright Be Stretched? - Framing the Debate on Whether New and Different Forms of Creativity Can Be Protected. Intellectual Property Quarterly, 2, pp. 115-135.

C

Cillo, P., Nunes, J. C., Prandelli, E. and Scopelliti, I. ORCID: 0000-0001-6712-5332 (2020). Changing Style in Style-Changing Industries: The Role of Critics as Gatekeepers in High-End Fashion. Advances in Strategic Management, 42, pp. 155-182.

D

Dunne, J. ORCID: 0000-0001-9831-4195 and Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Is the World After All Just a Dream? In: UNSPECIFIED . The University of Akron.

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Jones, S. ORCID: 0000-0003-4789-4948 and Holtham, C. ORCID: 0000-0002-2497-8455 (2018). Skilful Coping with Unorder: Educating 21st Century Arts Leadership. Paper presented at the 6th Workshop on managing arts and cultural organizations, 30 Nov - 1 Dec 2018, Oxford, UK.

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Mbaye, J. F. ORCID: 0000-0003-2225-6077 and Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. and Serubiri, M. (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

McQueen, G. E. and Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, doi: 10.1080/14702029.2020.1823762

Y

Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001-8324-5342 and Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan. ISBN 978-3-319-71159-1

Yeh, D. (2014). Under the Spectre of Orientalism and Nation: Translocal Crossings and Discrepant Modernities. In: Huang, M. (Ed.), The Reception of Chinese Art across Cultures. (pp. 228-254). Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 9781443859097