City Research Online

Article

Adams, R. B., Kräussl, R. ORCID: 0000-0001-8933-9278, Navone, M. & Verwijmeren, P.view all authors (2021). Gendered Prices. The Review of Financial Studies, 34(8), pp. 3789-3839. doi: 10.1093/rfs/hhab046

Barry, K., Southern, J., Baxter, T. , Blondin, S., Booker, C., Bowstead, J. ORCID: 0000-0003-0194-7688, Butler, C., Dillon, R., Ferguson, N., Filipska, G., Hieslmair, M., Hunt, L., Ianchenko, A., Johnson, P., Keane, J., Koszolko, M. K., Qualmann, C., Rumsby, C., Oliveira, C. S., Schleser, M., Sodero, S., Soliz, A., Wilson, L. A., Wood, H. & Zinganel, M.view all authors (2023). An agenda for creative practice in the new mobilities paradigm. Mobilities, 18(3), pp. 349-373. doi: 10.1080/17450101.2022.2136996

Bonadio, E. & Lucchi, N. (2019). How Far Can Copyright Be Stretched? - Framing the Debate on Whether New and Different Forms of Creativity Can Be Protected. Intellectual Property Quarterly, 2019(2), pp. 115-135.

Cillo, P., Nunes, J. C., Prandelli, E. & Scopelliti, I. ORCID: 0000-0001-6712-5332view all authors (2020). Changing Style in Style-Changing Industries: The Role of Critics as Gatekeepers in High-End Fashion. Advances in Strategic Management, Aesthe(42), pp. 155-182.

Cutolo, D. & Ferriani, S. ORCID: 0000-0001-9669-3486 (2024). Now It Makes More Sense: How Narratives Can Help Atypical Actors Increase Market Appeal. Journal of Management, 50(5), pp. 1599-1642. doi: 10.1177/01492063231151637

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Hur, Y-J., Abad-Hernando, S., Joly-Mascheroni, R. , Trupp, M. D. & Calvo-Merino, B. ORCID: 0000-0003-4669-4573view all authors (2026). The Beauty of Nature Without People: An Investigation of the Roles of People, Nature, and Interpersonal Touch in Painting Preference. Empirical Studies of the Arts, 44(1), pp. 125-146. doi: 10.1177/02762374251320823

Lee, L., Ocepek, M. & Makri, S. ORCID: 0000-0002-5817-4893 (2022). Information Behavior Patterns: A New Theoretical Perspective from an Empirical Study of Naturalistic Information Acquisition. Journal of the Association for Information Science and Technology, 73(4), pp. 594-608. doi: 10.1002/asi.24595

McQueen, G. E. & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, 19(4), pp. 328-350. doi: 10.1080/14702029.2020.1823762

Tarcan, B., Nilstad Pettersen, I. & Edwards, F. ORCID: 0000-0003-0389-193X (2023). Repositioning Craft and Design in the Anthropocene. Exchanges: The Interdisciplinary Research Journal, 10(2), pp. 26-49. doi: 10.31273/eirj.v10i2.973

Whitaker, A. & Kräussl, R. ORCID: 0000-0001-8933-9278 (2025). Art collectors as venture-stage investors. Journal of Cultural Economics, 49(4), pp. 659-687. doi: 10.1007/s10824-024-09528-8

Yoeli, H. ORCID: 0000-0001-5505-9366 & McLusky, S. (2020). 'It's clever, but is it Art?'. Perspectives in Public Health, 140(5), pp. 257-258. doi: 10.1177/1757913920922274

Book Section

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.

Yeh, D. (2014). Under the Spectre of Orientalism and Nation: Translocal Crossings and Discrepant Modernities. In: Huang, M. (Ed.), The Reception of Chinese Art across Cultures. (pp. 228-254). Newcastle upon Tyne: Cambridge Scholars Publishing.

Conference or Workshop Item

Dunne, J. ORCID: 0000-0001-9831-4195 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Is the World After All Just a Dream? In: Proceedings from the Document Academy.

Jones, S. ORCID: 0000-0003-4789-4948 & Holtham, C. ORCID: 0000-0002-2497-8455 (2018). Skilful Coping with Unorder: Educating 21st Century Arts Leadership. In: http://www.eiasm.org/frontoffice/event_download.asp?item=DOWN&event_id=1342. 6th Workshop on managing arts and cultural organizations, 30 Nov - 1 Dec 2018, Oxford, UK.

Thesis

Fiordilino, I. (2023). Transitory Architecture: Artistic, Methodological, and Theoretical Insights into a Choreography-based Project of Practice Research. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Guo, A. Y. (2023). Vanishing Points: Social Inequality and the Law in Recent American Conceptual Art and Poetry. (Unpublished Doctoral thesis, City, University of London)

Hamilton, J. L. (2025). Stuart Style: The spatial and decorative impact of Anna of Denmark’s English Privy Lodgings on the development of a dynastic style of interior decoration (1603-1688). (Unpublished Doctoral thesis, City, University of London)

Hensel, S. (1995). Dance therapy: Source and route to holistic action in the Erziehungsbeistandschaft. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Jones, E. (2022). Artistic Survival: The Contemporary Nature of the Struggles of Being an Artist in London. (Unpublished Doctoral thesis, City, University of London)

Leith, O. (2024). Musicalising the Everyday or Making the Everyday Operatic. (Unpublished Doctoral thesis, Guildhall School of Music & Drama)

Vasileiou, C. (2024). Still Care: (Re)Imagining Teachers’ Experiences of Care as Aesthetically Crafted Events. (Unpublished Doctoral thesis, Guildhall School of Music & Drama)