Lachenmann’s Serynade—Issues for Performer and Listener
Pace, I. (2005). Lachenmann’s Serynade—Issues for Performer and Listener. Contemporary Music Review, 24(1), pp. 101-112. doi: 10.1080/0749446042000293646
Abstract
In this article, I explore Lachenmann's largest piano work, his Serynade, and investigate its intricate notation. I discuss its relationship to the music of the past and also place it within a more contemporary context. In addition, I offer my thoughts as a performer about its impact on both listeners and performers.
| Publication Type: | Article |
|---|---|
| Additional Information: | This is an Accepted Manuscript of an article published by Taylor & Francis in CONTEMPORARY MUSIC REVIEW on 15th September 2010, available online: http://wwww.tandfonline.com/10.1080/0749446042000293646 |
| Publisher Keywords: | Analysis, Listening, Pedals, Performance, Piano, Resonance |
| Subjects: | M Music and Books on Music > M Music |
| Departments: | School of Communication & Creativity > Performing Arts > Music |
| SWORD Depositor: |
Preview
Download (410kB) | Preview
Export
Downloads
Downloads per month over past year
Metadata
Metadata
MetadataAltmetric
CORE (COnnecting REpositories)
Actions (login required)
Actions (login required)
Admin Login