Abstract

In this article, I explore Lachenmann's largest piano work, his Serynade, and investigate its intricate notation. I discuss its relationship to the music of the past and also place it within a more contemporary context. In addition, I offer my thoughts as a performer about its impact on both listeners and performers.

Publication Type:	Article
Additional Information:	This is an Accepted Manuscript of an article published by Taylor & Francis in CONTEMPORARY MUSIC REVIEW on 15th September 2010, available online: http://wwww.tandfonline.com/10.1080/0749446042000293646
Publisher Keywords:	Analysis, Listening, Pedals, Performance, Piano, Resonance
Subjects:	M Music and Books on Music > M Music
Departments:	School of Communication & Creativity > Performing Arts > Music

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