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Abstract

This thesis accompanies the six submitted works, focusing on the utilisation of nature as a compositional factor, and its appreciation in the context of electroacoustic music. Apart from providing a separate discussion of each work. the thesis introduces a theoretical framework, where nature is defined in different types and sources, and where the idea of `naturalness' within a musical context is approached through an examination of certain sound-behaviours. Reference is
made to compositional methods used in the six works.

Publication Type:	Thesis (Doctoral)
Subjects:	M Music and Books on Music > M Music
Departments:	School of Communication & Creativity > Performing Arts > Music Doctoral Theses School of Communication & Creativity > School of Communication & Creativity Doctoral Theses

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