City Research Online

Article

Bennett, T. ORCID: 0000-0002-9826-3356 (2023). Interpretation is opinion: realigning the fact/opinion distinction in English defamation law. The Journal of Media Law, 15(1), pp. 62-89. doi: 10.1080/17577632.2023.2216523

Bennett, T. ORCID: 0000-0002-9826-3356 (2022). Confidence, privacy, and incoherence. The Journal of Media Law, 14(2), pp. 245-256. doi: 10.1080/17577632.2022.2139571

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, pp. 1-7. doi: 10.1080/17530350.2022.2112263

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

du Gay, P., Pryke, M. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Cultural revolutions: interview with Paul du Gay and Michael Pryke. Journal of Cultural Economy, pp. 1-12. doi: 10.1080/17530350.2021.2021970

Allen, J. & Bennett, T. ORCID: 0000-0003-0078-9315 (2021). A poststructuralist who still believes in structures: interview with John Allen. Journal of Cultural Economy, pp. 1-9. doi: 10.1080/17530350.2021.2002176

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). The Justification of a Music City: Handbooks, intermediaries and value disputes in a global policy assemblage. City, Culture and Society, 22, article number 100354. doi: 10.1016/j.ccs.2020.100354

Bennett, T. (2019). Triangulating Intrusion in Privacy Law. Oxford Journal of Legal Studies, 39(4), pp. 751-778. doi: 10.1093/ojls/gqz024

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). "The Whole Feminist Taking-Your-Clothes-off-Thing": Negotiating the Critique of Gender Inequality in UK Music Industries. IASPMJournal, 8(1), pp. 24-41. doi: 10.5429/2079-3871(2018)v8i1.4en

Bennett, T. (2018). Why so serious? Lachaux and the threshold of ‘serious harm’ in section 1 Defamation Act 2013. Journal of Media Law, 10(1), pp. 1-16. doi: 10.1080/17577632.2018.1446403

Bennett, T. (2018). Judicial Activism and the Nature of "Misuse of Private Information". Communications Law, 23(2), pp. 74-88.

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). Towards 'Embedded Non-creative Work'? Administration, digitisation and the recorded music industry. International Journal of Cultural Policy, 26(2), pp. 223-238. doi: 10.1080/10286632.2018.1479399

Bennett, T. & Wragg, P. (2018). Was Richard v BBC correctly decided?. Communications Law, 23(3), pp. 151-165.

Bennett, T. ORCID: 0000-0003-0078-9315 (2017). The Production and Consumption of Music in the Digital Age. Popular Music and Society, 40(2), pp. 242-244. doi: 10.1080/03007766.2017.1276332

Bennett, T. (2015). Privacy, third parties and judicial method: Wainwright 's legacy of uncertainty. Journal of Media Law, 7(2), pp. 251-277. doi: 10.1080/17577632.2015.1108586

Bennett, T. (2014). Privacy, Free Speech and Ruthlessness: The Australian Law Reform Commission's Report, Serious Invasions of Privacy in the Digital Era. Journal of Media Law, 6(2), pp. 193-205. doi: 10.5235/17577632.6.2.193

Bennett, T. (2014). Emerging privacy torts in Canada and New Zealand: an English perspective. European Intellectual Property Review, 36(5), pp. 298-305.

Book Section

Bennett, T. ORCID: 0000-0002-9826-3356 (2023). PJS v News Group Newspapers Ltd (2016). In: Wragg, P. & Coe, P. (Eds.), Landmark Cases in Privacy Law. Landmark Cases. (pp. 301-326). Bloomsbury Publishing.

Bennett, T. ORCID: 0000-0002-9826-3356 (2020). Privacy and incrementalism. In: Koltay, A. & Wragg, P. (Eds.), Comparative Privacy and Defamation. (pp. 24-47). Cheltenham, UK: Edward Elgar.

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Bennett, T. & Reilly, O. (2020). A Coleridgean Dystopia: Formalism and the Optics of Judgment. In: Law and Imagination in Troubled Times: A Legal and Literary Discourse. . London: Routledge.

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. In: The Palgrave Handbook of Creativity at Work. (pp. 431-459). Cham: Palgrave Macmillan. doi: 10.1007/978-3-319-77350-6_21

Report

Karpińska, A., Ilczuk, D., Cholewicka, E. , Bennett, T. ORCID: 0000-0003-0078-9315 & Pratt, A.C. ORCID: 0000-0003-2215-9648view all authors (2023). Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8). Amsterdam, The Netherlands: CICERONE Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 2 – Assembling disparate data resources, and preparations for reporting them (CICERONE report D4.3). Amsterdam, The Netherlands: CICERONE Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 1 – Problems of statistical description (CICERONE report D4.2). CICERONE Project: Amsterdam, The Netherlands.