Items where Author is "Fatsis, L."
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Fatsis, L. 
ORCID: 0000-0002-3082-951X (2025).
The Beat of the Gavel Rap, ‘Race’, and Criminal Injustice.
In:
The Cambridge Companion to Global Rap.
Cambridge Companions to Music.
(pp. 158-167). Cambridge, UK: Cambridge University Press.
doi: 10.1017/9781009099738.011
Fatsis, L. ORCID: 0000-0002-3082-951X (2025).
Racial Capitalism: A Guide for the Naysayer.
In: Fúnez-Flores, J. I., Díaz Beltrán, A. C., Ndlovu-Gatsheni, S. J. , Bakshi, S., Lao-Montes, A. & Rios, F. (Eds.),
The Sage Handbook of Decolonial Theory.
(pp. 522-532). SAGE Publications Limited.
Fatsis, L. ORCID: 0000-0002-3082-951X (2024).
When the Exception Makes the Rules: Public Order Policing in the Aftermath of COVID-19.
In: Di Ronco, A & Selmini, R (Eds.),
Criminalisation of Dissent in Times of Crisis.
(pp. 113-136). London, UK: Palgrave Macmillan.
doi: 10.1007/978-3-031-75376-3
Fatsis, L. ORCID: 0000-0002-3082-951X (2024).
Beat(s) for Blame: UK Drill Music, ‘Race’, and Criminal Justice.
In: Dale, P., Burnard, P. & Travis, R. (Eds.),
Music for Inclusion and Healing in Schools and Beyond Music for Inclusion and Healing in Schools and Beyond.
. Oxford University Press.
Fatsis, L. ORCID: 0000-0002-3082-951X (2023).
The Road, in Court: How UK Drill Music Became a Criminal Offence.
In: Levell, J., Young, T. & Earle, R. (Eds.),
Exploring Urban Youth Culture Outside of the Gang Paradigm: Critical Questions of Youth, Gender and Race On-Road.
(pp. 100-114). Bristol, UK: Policy Press.
Fatsis, L. ORCID: 0000-0002-3082-951X (2023).
From Overseer to Officer: A Brief History of British Policing Through Afro-Diasporic Music Culture.
In: Cavalcanti, R. P., Squires, P. & Waseem, Z. (Eds.),
Southern and Postcolonial Perspectives on Policing, Security and Social Order.
(pp. 45-61). Bristol, UK: Policy Press.
Fatsis, L. ORCID: 0000-0002-3082-951X (2023).
Arresting Sounds What UK Soundsystem Culture Teaches Us about Police Racism and Public Life.
In: Charles, M. & Gani, M. W. (Eds.),
Black Music in Britain in the 21st Century.
(pp. 181-198). Liverpool, USA: Liverpool Studies in the Polit.
Fatsis, L. ORCID: 0000-0002-3082-951X (2023).
Decriminalising Rap Beat by Beat Two Questions in Search of Answers.
In: Peters, E. (Ed.),
Music in Crime, Resistance, and Identity.
(pp. 63-77). Abingdon, Oxford: Routledge.
doi: 10.4324/9781003186410-6
Schwarze, T. & Fatsis, L. ORCID: 0000-0002-3082-951X (2022).
Copping the blame: the role of YouTube videos in the criminalisation of UK drill music.
Popular Music, 41(4),
pp. 463-480.
doi: 10.1017/s0261143022000563
Fatsis, L. ORCID: 0000-0002-3082-951X (2021).
Sounds Dangerous: Black Music Subcultures as Victims of State Regulation and Social Control.
In: Persak, N. & Di Ronco, A. D. (Eds.),
Harm and Disorder in the Urban Space: Social Control, Sense and Sensibility.
(pp. 30-51). Abingdon, Oxford: Routledge.
Fatsis, L. ORCID: 0000-0002-3082-951X (2021).
Policing the Union’s Black: The Racial Politics of Law and Order in Contemporary Britain.
In: Gordon, F. & Newman, D. (Eds.),
Leading Works in Law and Social Justice.
(pp. 137-150). Abingdon, UK: Routledge.
Fatsis, L. ORCID: 0000-0002-3082-951X (2019).
Grime: Criminal subculture or public counterculture? A critical investigation into the criminalization of Black musical subcultures in the UK.
Crime, Media, Culture, 15(3),
pp. 447-461.
doi: 10.1177/1741659018784111
Fatsis, L. ORCID: 0000-0002-3082-951X (2019).
Ensinando (com) imaginação sociológica – sugestões para acender uma esperança.
In: Ehlert Maia, J. M., Lopes Dos Santos, Y., Blank, T. & Fonseca, V. (Eds.),
Como você ensina?: educação e inovação no ensino de história e de ciências sociais.
. Editora FGV.
Fatsis, L. ORCID: 0000-0002-3082-951X (2016).
Becoming public characters, not public intellectuals: Notes towards an alternative conception of public intellectual life.
European Journal of Social Theory, 21(3),
pp. 267-287.
doi: 10.1177/1368431016677977
Fatsis, L. ORCID: 0000-0002-3082-951X (2013).
Policing the beats: The criminalisation of UK drill and grime music by the London Metropolitan Police.
Sociological Review, 67(6),
pp. 1300-1316.
doi: 10.1177/0038026119842480