Items where Author is "Wiley, C."
Article
Wiley, C. (2014). Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development. Learning at City Journal, 4(2), pp. 39-49.
Wiley, C. (2014). Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution. International Journal of Assessment and Evaluation, 20,
Wiley, C. (2012). Marianna Martines: A woman composer in the Vienna of Mozart and Haydn. Journal for Eighteenth-Century Studies, 35(2), pp. 285-286. doi: 10.1111/j.1754-0208.2011.00404.x
Wiley, C. (2012). Report on Work from October 2011 to August 2012 as University Learning Development Associate for Assessment and Feedback. Learning at City Journal, 2(2),
Wiley, C. (2008). Andrew Lloyd Webber at 60. Musical stages: The world of musical theatre, 57, 7-.
Wiley, C. (2007). Musical biography: Towards new paradigms. Biography: An Interdisciplinary Quarterly, 30(2), pp. 215-219. doi: 10.1353/bio.2007.0044
Wiley, C. (2004). “When a woman speaks the truth about her body”: Ethel Smyth, Virginia Woolf, and the challenges of lesbian auto/biography. Music and Letters, 85(3), pp. 388-414. doi: 10.1093/ml/85.3.388
Wiley, C. (2003). “A relic of an age still capable of a Romantic outlook”: Musical biography and The Master Musicians Series, 1899-1906. Comparative Criticism, 25, pp. 161-202.
Book Section
Pace, I. 
ORCID: 0000-0002-0047-9379 (2020).
Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis.
In: Wiley, C. & Pace, I. ORCID: 0000-0002-0047-9379 (Eds.),
Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities,.
. Basingstoke: Palgrave Macmillan.
Wiley, C. (2013). Mythological Motifs in the Biographical Accounts of Haydn’s Later Life. In: Chesser, R. & Wyn, D. (Eds.), The Land of Opportunity Joseph Haydn and Britain. (pp. 195-211). British Library Board.
Wiley, C. (2012). Putting the Music Back into Michael Jackson Studies. In: Smit, C. R. (Ed.), Michael Jackson: Grasping the Spectacle. (pp. 101-116). Farnham, UK: Ashgate.
Wiley, C. (2011). Theorizing Television Music as Serial Art: Buffy the Vampire Slayer and the Narratology of Thematic Score. In: Leonard, KP (Ed.), Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon. (pp. 23-67). Scarecrow Press.
Conference or Workshop Item
Wiley, C. (2010). Biography and the New Musicology. Paper presented at the (Auto)Biography as a Musicological Discourse: The Ninth International Conference of The Departments of Musicology and Ethnomusicology, Faculty of Music, 19 - 22 April 2008, Belgrade, Serbia.
Thesis
Wiley, C. (2008). 'Rewriting Composers’ Lives: Critical Historiography and Musical Biography. (Unpublished Doctoral thesis, Royal Holloway, University of London)