Items where City Author is "Einbond, Aaron"
Einbond, A. 
ORCID: 0000-0003-1734-6641, Carpentier, T., Schwarz, D. & Bresson, J. (2024).
Embodying Spatial Sound Synthesis with AI in Two Compositions for Instruments and 3D Electronics.
Computer Music Journal, 46(4),
pp. 43-61.
doi: 10.1162/comj_a_00664
Gioti, A. M., Einbond, A. ORCID: 0000-0003-1734-6641 & Born, G. (2023).
Composing the Assemblage: Probing Aesthetic and Technical Dimensions of Artistic Creation with Machine Learning.
Computer Music Journal, 46(4),
pp. 1-43.
doi: 10.1162/comj_a_00658
Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2023).
Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments.
Acta Acustica, 7(40),
article number 40.
doi: 10.1051/aacus/2023033
Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2022).
Spherical correlation as a similarity measure for 3D radiation patterns of musical instruments.
Paper presented at the 16ème Congrès Français d’Acoustique, 11-15 Apr 2022, Marseille, France.
Einbond, A. ORCID: 0000-0003-1734-6641, Bresson, J., Schwarz, D. & Carpentier, T. (2021).
Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D Electronics.
In:
Proceedings of the International Computer Music Conference 2021.
(pp. 148-153). San Francisco, USA: International Computer Music Association, Inc..
Einbond, A. ORCID: 0000-0003-1734-6641 (2018).
Disembodiment: Reproduction, Transcription, And Trace.
Tempo, 73(287),
pp. 83-90.
doi: 10.1017/s0040298218000694
Einbond, A. (2017). Mapping the Klangdom Live: Cartographies for piano with two performers and electronics. Computer Music Journal, 41(1), pp. 61-75. doi: 10.1162/comj_a_00397
Einbond, A., Schwarz, D., Borghesi, R. & Schnell, N. (2016). Introducing CatOracle: Corpus-based concatenative improvisation with the Audio Oracle algorithm. Proceedings of the International Computer Music Conference, pp. 140-146.
Einbond, A. (2016). Musique instrumentale concrète: Timbral transcription in What the Blind See and Without Words. In: Bresson, J., Agon, C. & Assayag, G. (Eds.), The OM Composer's Book. (pp. 155-171). France: Editions Delatour/Ircam-Centre Pompidou.
Einbond, A., Trapani, C., Agostini, A. , Ghisi, D. & Schwarz, D. (2014). Fine-tuned Control of Concatenative Synthesis with CATART Using the BACH Library for MAX. In: ICMC. International Computer Music Conference, ICMC 2014, 14-20 September, 2014, Athens, Greece.
Einbond, A. (2013). Subtractive Synthesis: noise and digital (un)creativity. In: Cassidy, A. & Einbond, A. (Eds.), Noise in and as music. (pp. 57-75). Huddersfield, UK: University of Huddersfield Press.
Einbond, A., Trapani, C. & Schwarz, D. (2012). Precise pitch control in Real Time Corpus-Based concatenative synthesis. In: ICMC. ICMC 2012: Non-Cochlear Sound, 9 September - 14 September 2012, Ljubljana, Slovenia.
Einbond, A. & Schwarz, D. (2010). Spatializing Timbre With Corpus-Based Concatenative Synthesis. In: ICMC. International Computer Music Conference, ICMC 2010, June 1–5, 2010, New York, USA.
Einbond, A., Schwarz, D. & Bresson, J. (2009). Corpus-Based Transcription as an Approach to the Compositional Control of Timbre. In: ICMC. International Computer Music Conference, ICMC 2009, August 15-21, 2009, Montreal, Quebec, Canada.