Items where City Author is "Loya, Shay"
Article
Loya, S. 
ORCID: 0000-0002-9156-2804 (2021).
Nineteenth-Century Programme Music: Creation, Negotiations, Reception.
Ad Paranassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 19(37),
pp. 89-94.
Loya, S. (2016). Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke. Notes, 73(2), pp. 289-292. doi: 10.1353/not.2016.0128
Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/s147940981600015x
Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409
Loya, S. (2015). The Mystery of the Seventeenth Hungarian Rhapsody. Quaderni dell’Instituto Liszt, 15, pp. 107-146.
Book Section
Loya, S. ORCID: 0000-0002-9156-2804 (2021).
Lateness in Context.
In: Cormac, J. (Ed.),
Liszt in Context.
Composer in Context.
(pp. 271-281). Cambridge: Cambridge University Press.
doi: 10.1017/9781108378253.034
Loya, S. ORCID: 0000-0002-9156-2804 (2020).
Virtuosity in Liszt's Late Works.
In: Doran, R. (Ed.),
Liszt and Virtuosity.
. New York: University of Rochester Press.
doi: 10.1017/9781787448667
Loya, S. ORCID: 0000-0002-9156-2804 (2020).
Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940.
In: Hinrichsen, H-J. & Keym, S. (Eds.),
Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts.
. Cologne, Germany: Böhlau.
Loya, S. ORCID: 0000-0002-9156-2804 (2018).
Liszt’s National Compositions in the Year of the Franco-Prussian War.
In: Kelly, E., Mantere, M. & Scott, D. B. (Eds.),
Confronting the National in the Musical Past.
(pp. 31-48). London: Routledge.
Loya, S. (2014). Liszt’s Legacy and the Paradoxes of Hungarian Musical Modernism. In: Deaville, J. & Saffle, M. (Eds.), Liszt Legacies. . Pendragon.
Conference or Workshop Item
Loya, S. (2015). Neither major, nor minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. Paper presented at the Dur vs. Moll: Zum semantischen Potenzial eines musikalischen Elementarkontrasts. Kontinuitäten und Brüche in der neuzeitlichen Musik und Musiktheorie, 19 Nov 2015 - 22 Nov 2015, Institut für Musik wissenschaft Universität Leipzig, Germany.