City Research Online

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Abbas, Z., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). Use of Mobile Technologies by Law Students in the Law Library: an Exploratory Study. Legal Information Management, 17(3), pp. 180-189. doi: 10.1017/s1472669617000354

Aristopoulos, M. (2017). A portfolio of recombinant compositions for the videogame Apotheon. (Unpublished Doctoral thesis, City, University of London)

Ashford, D. (2017). The Mechanical Turk: Enduring Misapprehensions Concerning Artificial Intelligence. The Cambridge Quarterly, 46(2), pp. 119-139. doi: 10.1093/camqtly/bfx005

Ashford, D. (2017). Sedition Machines. London: Veer Books.

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Bailie, J. E. C. (2017). Transcribing Reality: how the nature of audio and visual media have affected culture, perception, and the role of the artist.. (Unpublished Doctoral thesis, City, University of London)

Bawden, D. ORCID: 0000-0002-0478-6456 (2017). London and Ljubljana: a continuing collaboration. Paper presented at the Annual Congress of the Slovene Library Association, 27-28 Sep 2017, Olmje, Slovenia.

Bawden, D. (2017). Still awaiting the quantum turn .. doi: 10.17613/M6CV1J

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). ASLIB. In: Encyclopedia of Library and Information Sciences. . Boca Raton: CRC Press.

Browning, J. ORCID: 0000-0001-7013-7959 (2017). Mimesis stories: composing new nature music for the shakuhachi. Ethnomusicology Forum, 26(2), pp. 171-192. doi: 10.1080/17411912.2017.1350113

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Cottrell, S.J. (2017). Musicianly lives musically told: Oral history, classical music and Desert Island Discs. In: Brown, J., Cook, N. & Cottrell, S.J. (Eds.), Defining the Discographic Self: Desert Island Discs in Context. Proceedings of the British Academy (211). (pp. 257-284). Oxford: Oxford University Press.

Cottrell, S.J. (2017). Performing Civility: International Competitions in Classical Music. By Lisa McCormick. Music and Letters, 98(2), pp. 322-324. doi: 10.1093/ml/gcx032

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Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 7(1), article number 18. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). A Review of Threadbare: Clothes, Sex and Trafficking. The Comics Grid: Journal of Comics Scholarship, 7, article number 7. doi: 10.16995/cg.110

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Encounters with the Russian Avant-Garde. Stanislavski Studies, 5(2), pp. 247-248. doi: 10.1080/20567790.2017.1377933

Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Reality Theatre. International Arts Manager, 13(8), pp. 12-13.

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Einbond, A. (2017). Mapping the Klangdom Live: Cartographies for piano with two performers and electronics. Computer Music Journal, 41(1), pp. 61-75. doi: 10.1162/comj_a_00397

Elias, A. S. & Gill, R. (2017). Beauty surveillance: the digital self-monitoring cultures of neoliberalism. European Journal of Cultural Studies, 21(1), pp. 59-77. doi: 10.1177/1367549417705604

Elmsley (né Lambert), A., Weyde, T. & Armstrong, N. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2), doi: 10.5920/jcms.2017.04

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Findlay, R. ORCID: 0000-0001-8596-6880 (2017). "Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance, 14/15, pp. 105-119.

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). Introduction. In: Personal Style Blogs: Appearances that Fascinate. . Intellect Books.

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Gill, R. (2017). Girls: Notes on authenticity, ambivalence and imperfection. In: Nash, M. & Whelehan, I. (Eds.), Reading Lena Dunham’s Girls. (pp. 225-242). Basingstoke: Palgrave Macmillan. doi: 10.1007/978-3-319-52971-4

Gill, R. (2017). What Would Les Back Do? If Generosity Could Save Us. International Journal of Politics, Culture, and Society, 31(1), pp. 95-109. doi: 10.1007/s10767-017-9263-9

Gill, R. (2017). The affective, cultural and psychic life of postfeminism: 10 years on. European Journal of Cultural Studies, 20(6), pp. 606-626. doi: 10.1177/1367549417733003

Gill, R. & Orgad, S. S. (2017). Confidence culture and the remaking of feminism. New Formations, 91(91), pp. 16-34. doi: 10.3898/newf:91.01.2017

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Harper, A. (2017). How Internet Music is Frying Your Brain. Popular Music, 36(1), pp. 86-97. doi: 10.1017/s0261143016000696

Hasikou, Anastasia (2017). The social history of music development in the Greek Cypriot population during 1878-1945. (Unpublished Doctoral thesis, City, University of London)

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Jansson, A., Humphrey, E., Montecchio, N. , Bittner, R., Kumar, A. & Weyde, T. ORCID: 0000-0001-8028-9905view all authors (2017). Singing voice separation with deep U-Net convolutional networks. Paper presented at the 18th International Society for Music Information Retrieval Conference, 23-27 Oct 2017, Suzhou, China.

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Kedyte, V., Panteli, M., Weyde, T. ORCID: 0000-0001-8028-9905 & Dixon, S.view all authors (2017). Geographical Origin Prediction of Folk Music Recordings from the United Kingdom. Paper presented at the 18th International Society for Music Information Retrieval Conference, 23-27 Oct 2017, Suzhou, China.

Kreiling, J. (2017). Towards a performance of Scriabin's Sonata No. 6, Op. 62: a practice-led exploration. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

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Lee, Deborah (2017). Modelling music: a theoretical approach to the classification of notated Western art music. (Unpublished Doctoral thesis, City, University of London)

Lingas, A. (2017). Hymnography with(out) Music as Scripture and Prayer. In: Moody, I. & Takala-Roszczenko, M. (Eds.), Creating Liturgically: Hymnography and Music. (pp. 17-28). Joensuu, Finland: International Society for Orthodox Church Music.

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, 98(2), pp. 298-300. doi: 10.1093/ml/gcx036

Lingas, A. (2017). Singing the Lord’s Song in a Foreign Land—Teaching Orthodox Liturgical Music in Non-Orthodox Contexts. In: Bezzarides, A. & Prodromou, E. (Eds.), Eastern Orthodox Christianity and American Higher Education: Theological, Historical, and Contemporary Reflections. (pp. 279-314). USA: University of Notre Dame Press.

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Mackay, S. (2017). Musical culture and urban change in contemporary Marseille. (Unpublished Doctoral thesis, City, University of London)

Makrzanowska, A. & Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Poor Traces of the Room: The Live Archive at the Library. Performance Research, 22(1), pp. 106-114. doi: 10.1080/13528165.2017.1285574

Marti, Cécile (2017). Seven towers: an orchestral cycle focused on different musical temporalities. (Unpublished Post-Doctoral thesis, Guildhall School of Music and Drama)

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

Mera, M. (2017). Screen Music and the Question of Originality. In: Mera, M., Sadoff, R. & Winters, B. (Eds.), The Routledge Companion to Screen Music and Sound. (pp. 38-49). Oxford, UK: Routledge.

Michael, C. (2017). Contemplating identity and genre in Greek popular song: The Theatrical Compositions of Manos Hadjidakis Between 1944 and 1966. (Unpublished Doctoral thesis, City, University of London)

Molitor, C. (2017). Auricularis Superior

Moore, C. & Robinson, L. (2017). The Monty Hyams Archive: a new resource for the information history of the late 20th century. Journal of Documentation, 73(2), pp. 357-367. doi: 10.1108/jd-10-2016-0127

Myerson, J. ORCID: 0000-0003-2656-1140 (2017). That Was Then Episodes 1 to 5 BBC Radio 4.

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Needham-Beck, Sarah (2017). Cardiorespiratory fitness in contemporary dance training and performance. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Nooshin, L. (2017). ‘BME’ Perspectives on Music Higher Education. Paper presented at the ‘BME’ Perspectives on Music Higher Education, 2 May 2017, Cambridge, UK.

Nooshin, L. (2017). The Elephant and the Blind Men: Myth-Making, Musical Tracking and the Creative Process. Keynote Paper presented at the Tracking the Creative Process in Music, 14-16 Sep 2017, Huddersfield, UK.

Nooshin, L. (2017). ‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’. Popular Communication, 15(3), pp. 163-191. doi: 10.1080/15405702.2017.1328601

Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2017). Morphology of the Amorphous: Spatial texture, motion and words. Organised Sound, 22(3), pp. 336-344. doi: 10.1017/s1355771817000498

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Pace, I. (2017). Darla Crispin and Bob Gilmore, eds, Artistic Experimentation in Music: An Anthology (Leuven: Leuven University Press, 2014). Tempo, 71(281), pp. 107-115. doi: 10.1017/S004029821700047X

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Eleven Concert Series of Complete Piano Works of Michael Finnissy, February 2016-January 2017 City, University of London; Royal Holloway, University of London; Goldsmiths College, University of London; Hollywell Music Room, Oxford.

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Homage to David Tudor - Recreation of combined programmes of avant-garde pianist David Tudor, Jacqueline du Pré Music Building, Oxford Oxford University.

Pace, I. (2017). Luigi Dallapiccola and Musical Modernism in Fascist Italy. By Ben Earle. Music and Letters, 98(1), pp. 163-167. doi: 10.1093/ml/gcx013

Pace, I. (2017). Michael Finnissy - The Piano Music (10 and 11) - Brochure from Conference 'Bright Futures, Dark Pasts'. .

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Anna Bull (on Stella Duffy and everyday creativity)

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Charlotte C. Gill article on music and notation – full list of signatories

Pace, I. ORCID: 0000-0002-0047-9379 (2017). Response to Stella Duffy on the arts, elitism, and communities

Pace, I. (2017). Tim Rutherford-Johnson, Music after the Fall: Modern Composition and Culture since 1989. Tempo, 71(282), pp. 101-103. doi: 10.1017/s0040298217000766

Pace, I. ORCID: 0000-0002-0047-9379 (2017). World Premiere Performance 2 June 2017 - Marc Yeats, william mumler’s spirit photography (2016) City University Concert Series.

Pace, I. ORCID: 0000-0002-0047-9379 (2017). World Premieres - new commissions from Howard Skempton, John White, David Power, Edward Caine, Steve Crowther - Late Music Concerts, York, 6 May 2017 York Late Music Concerts.

Pace, I. (2017). The insidious class divide in music teaching. The Conversation,

Pace, I. (2017). The new state of play in performance studies. Music and Letters, 98(2), pp. 281-292. doi: 10.1093/ml/gcx040

Pace, Ian ORCID: 0000-0002-0047-9379 (2017). Sadie Harrison, Return of the Nightingales - CD Recording Prima Facie.

Pace, Ian ORCID: 0000-0002-0047-9379 (2017). World Premiere Performance 2 June 2017 - Luc Brewaeys, completed Michael Finnissy, The Dale of Tranquillity (2004, completed 2017) City University Concert Series.

Pratt, A.C. (2017). Beyond Resilience: Learning from the cultural economy. European Planning Studies, 25(1), pp. 127-139. doi: 10.1080/09654313.2016.1272549

Pratt, A.C. (2017). Innovation and the cultural economy. In: Batheldt, H., Cohendet, P., Henn, A. & Simon, L.view all authors (Eds.), The Elgar Companion to innovation and knowledge creation: a multi-disciplinary approach. (pp. 230-243). Edward Elgar.

Pratt, A.C. (2017). New horizons for culture, creativity and cities. City, Culture and Society, 8, pp. 1-2. doi: 10.1016/j.ccs.2017.01.002

Pratt, A.C. (2017). The rise of the quasi-public space and its consequences for cities and culture. Palgrave Communications, 3(1), article number 36. doi: 10.1057/s41599-017-0048-6

Price, L. ORCID: 0000-0001-7747-4210 (2017). Serious Leisure In The Digital World: Exploring The Information Behaviour Of Fan Communities. (Unpublished Doctoral thesis, City, University of London)

Price, L. & Robinson, L. (2017). Fan Fiction in the Library. Transformative Works and Cultures, 25(25), doi: 10.3983/twc.2017.01090

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Rennie, T. ORCID: 0000-0001-8937-2780 (2017). Shadows In The Field Recording. In: Out of Phase: Conference Proceeding. Sonologia: Out of Phase, 22-26 Nov 2016, Sao Paulo, Brazil.

Robinson, L. & Bawden, D. (2017). 'The story of data': a socio-technical approach to education for the data librarian role in the CityLIS library school at City, University of London. Library Management, 38(6/7), pp. 312-322. doi: 10.1108/lm-01-2017-0009

Rosenboim, O. (2017). Book Review: Jose Colen and Elisabeth Dutartre-Michaut (eds), The Companion to Raymond Aron. Political Studies Review, 15(1), pp. 86-87. doi: 10.1177/1478929916677890

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Seago, K. (2017). Reading, Translating, Rewriting: Angela Carter's Translational Poetics. Translation Studies, 10(1), pp. 104-107. doi: 10.1080/14781700.2016.1147375

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Weissenbrunner, K. (2017). Experimental turntablism - live performances with second hand technology: Analysis and methodological considerations. (Unpublished Doctoral thesis, City, Universtiy of London)

Wheelwright, J. (2017). 'The Orgy Nex Door: An Exploration of Ethical Relationships in Gay Talese's 'Thy Neighbor's Wife' and 'The Voyeur's Motel'. Literary Journalism Studies, 9(2), pp. 28-50.

Wheelwright, J. (2017). The other place. History Workshop Journal, 84(84), pp. 257-263. doi: 10.1093/hwj/dbx039