City Research Online

Armstrong, N. (2013). Nature pieces

Devine, K. (2013). Imperfect Sound Forever: Loudness Wars, Listening Formations and the History of Sound Reproduction. Popular Music, 32(2), pp. 159-176. doi: 10.1017/s0261143013000032

Einbond, A. (2013). Subtractive Synthesis: noise and digital (un)creativity. In: Cassidy, A. & Einbond, A. (Eds.), Noise in and as music. (pp. 57-75). Huddersfield, UK: University of Huddersfield Press.

Green, Owen (2013). User serviceable parts: Practice, technology, sociality and method in live electronic musicking. (Unpublished Doctoral thesis, City University London)

Lawrence, Mark (2013). Veljo Tormis, Estonian composer. (Unpublished Doctoral thesis, City University London)

Lingas, A. (2013). From Earth to Heaven: The Changing Musical Soundscape of Byzantine Liturgy. In: Experiencing Byzantium: Papers from the 44th Spring Symposium of Byzantine Studies, Newcastle and Durham, April 2011. (pp. 311-358). Abingdon, UK: Ashgate Publishing.

Lingas, A. (2013). The Past is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos. Ethnomusicology Forum, 22(1), pp. 121-124. doi: 10.1080/17411912.2012.753815

Lingas, A. (2013). Tikey Zes: The Divine Liturgy of St John Chrysostom (1991). Portland, USA: Cappella Romana.

Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030

Mera, M. (2013). Review of Peter Franklin, Seeing Through Music: Gender and Modernisms in Classic Hollywood Film. Music, Sound and the Moving Image, 7(2), pp. 195-218. doi: 10.3828/msmi.2013.9

Nooshin, L. (2013). Beyond the Radif: New Forms of Improvisational Practice in Iranian Music. Music Theory Online, 19(2),

Nyström, Erik (2013). Topology of spatial texture in the acousmatic medium. (Unpublished Doctoral thesis, City University London)

Pace, I. ORCID: 0000-0002-0047-9379 (2013). CD recording - David Felder, Rocket Summer Albany Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). CD recording - Michael Finnissy, The History of Photography in Sound (5 CD set) Divine Art Records.

Pace, I. (2013). The Fetish of the 'Contemporary'

Pace, I. (2013). Hierarchies in New Music: Composers, Performers, and 'Works'

Pace, I. (2013). Marcel Gazelle and the Culture of the Early Yehudi Menuhin School

Pace, I. (2013). Michael Finnissy's "The History of Photography in Sound": A Study of Sources, Techniques and Interpretation. London, UK: Divine Art.

Pace, I. (2013). Musicology is not Musical PR

Pace, I. (2013). Robert Waddington, Former Dean of Manchester Cathedral, and Chetham's School of Music

Pace, I. ORCID: 0000-0002-0047-9379 (2013). World Premiere 12 January 2013, Teatro Académico, Coimbra, Portugal - Patricia de Almeida, Reditus ad Vitam (2012) Teatro Académico de Gil Vicente.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). World Premiere 3 August 2013, York Late Music Festival - Frederic Rzewski, Illusions perdus for solo piano York Late Music Festival.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). World Premiere, 24 March 2013 - Lauren Redhead - i am but one small instrument London Ear Festival.

Pace, I. (2013). The culture of music education lends itself to abuse Times Educational Supplement.

Pick, Edward (2013). Tonality in Schoenberg's music with particular reference to the Piano Concerto. (Unpublished Doctoral thesis, City University London)

Pratt, A.C. (2013). The Cultural and Creative Industries: new engines for the city? In: Wang, W. (Ed.), Culture: City. (pp. 36-42). Lars Muller Publishers.

Savage, M., Devine, F., Cunningham, N. , Taylor, M., Li, Y., Hjellbrekke, J., Le Roux, B., Friedman, S. & Miles, A.view all authors (2013). A New Model of Social Class? Findings from the BBC's Great British Class Survey Experiment. Sociology - The Journal of the British Sociological Association, 47(2), pp. 219-250. doi: 10.1177/0038038513481128

Seago, K. (2013). Transcultural Translation: Let’s Engage. In: Steyn, J. & Stamselberg, N. (Eds.), Breaching Borders: Art, Migrants and the Metaphor of Waste. (pp. 123-139). London: IB Tauris.

Seddon, Ambrose (2013). Recurrence in acousmatic music. (Unpublished Doctoral thesis, City University London)

Stansbie, Adam (2013). The Acousmatic Musical Performance: An Ontological Investigation. (Unpublished Doctoral thesis, City University London)

Tkachenko, Paul (2013). The real deal: professional klezmer musicians on a London world music scene. (Unpublished Doctoral thesis, City University London)

Velarde, G., Weyde, T. & Meredith, D. (2013). An approach to melodic segmentation and classification based on filtering with the Haar wavelet. Journal of New Music Research, 42(4), pp. 325-345. doi: 10.1080/09298215.2013.841713

Wiley, C. (2013). Mythological Motifs in the Biographical Accounts of Haydn’s Later Life. In: Chesser, R. & Wyn, D. (Eds.), The Land of Opportunity Joseph Haydn and Britain. (pp. 195-211). British Library Board.

Yiu, R. (2013). A composer's imagining of musical tradition and the reinvention of heritage. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)