Items where City Author is "Armstrong, Newton"
Article
Elmsley (né Lambert), A., Weyde, T. & Armstrong, N. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2), doi: 10.5920/jcms.2017.04
Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/s0040298213001393
Book Section
Hall, T., Armstrong, N. 
ORCID: 0000-0002-1927-7371 & Hoadley, R. (2023).
Notations and Score-making.
In:
The SuperCollider Book.
. Massachusetts, USA: MIT Press.
Lambert, A., Weyde, T. & Armstrong, N. (2015). Perceiving and predicting expressive rhythm with recurrent neural networks. In: Proceedings of the 12th International Conference in Sound and Music Computing. . Maynooth, Ireland: SMC15.
Lambert, A., Weyde, T. & Armstrong, N. (2014). Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks. (2014 ed.) In: Georgaki, A. & Kouroupetroglou, G. (Eds.), Music Technology Meets Philosophy: from Digital Echos to Virtual Ethos. Proceedings of ICMC, SMC. (pp. 485-490). San Francisco: International Computer Music Association.
Composition
Armstrong, N. ORCID: 0000-0002-1927-7371 (2022).
The Book of the Sediments
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
Two Canons for Kathryn
Huddersfield Contemporary Records.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
A line alongside itself
Armstrong, N. ORCID: 0000-0002-1927-7371 (2018).
thread—surface
Armstrong, N. (2016). Partial objects
Armstrong, N. (2016). The way to go out
Armstrong, N. (2015). Modes of forgetting
Armstrong, N. (2013). Nature pieces
Armstrong, N. (2012). making one leaf transparent and then another
Armstrong, N. (2011). Too slow, for Milton Perspectives of New Music.
Armstrong, N. (2010). unsaying
Conference or Workshop Item
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
The in-between of line and surface: A line alongside itself.
Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.
Lambert, A. J., Weyde, T. ORCID: 0000-0001-8028-9905 & Armstrong, N. ORCID: 0000-0002-1927-7371 (2016).
Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception.
In: Mandel, M. I., Devaney, J., Turnbull, D. & Tzanetakis, G. (Eds.),
Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016, New York City, United States, August 7-11, 2016.
17th International Society for Music Information Retrieval Conference, ISMIR 2016, 7 - 11 August 2016, New York City, United States.
Armstrong, N. (2015). Listening as a material. Paper presented at the Troisième Biennale d'Analyse Musicale 2015, 26-27 March 2015, Conservatoire royal de Mons.
Lambert, A., Weyde, T. & Armstrong, N. (2014). Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs. Paper presented at the 3rd International Workshop on Musical Metacreation, held at the 10th Artificial Intelligence and Interactive Digital Entertainment Conference, 03-10-2014 - 07-10-2014, Raleigh, USA.
Software
Armstrong, N. ORCID: 0000-0002-1927-7371 (2023).
Fosc v0.9.0
GitHub.