Items where City Author is "Armstrong, Newton"
Armstrong, N. 
ORCID: 0000-0002-1927-7371 (2023).
Fosc v0.9.0
GitHub.
Hall, T., Armstrong, N. ORCID: 0000-0002-1927-7371 & Hoadley, R. (2023).
Notations and Score-making.
In:
The SuperCollider Book.
. Massachusetts, USA: MIT Press.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2022).
The Book of the Sediments
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
Two Canons for Kathryn
Huddersfield Contemporary Records.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
The in-between of line and surface: A line alongside itself.
Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
A line alongside itself
Armstrong, N. ORCID: 0000-0002-1927-7371 (2018).
thread—surface
Elmsley (né Lambert), A., Weyde, T. & Armstrong, N. (2017). Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks. Journal of Creative Music Systems, 1(2), doi: 10.5920/jcms.2017.04
Armstrong, N. (2016). Partial objects
Armstrong, N. (2016). The way to go out
Lambert, A. J., Weyde, T. ORCID: 0000-0001-8028-9905 & Armstrong, N. ORCID: 0000-0002-1927-7371 (2016).
Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception.
In: Mandel, M. I., Devaney, J., Turnbull, D. & Tzanetakis, G. (Eds.),
Proceedings of the 17th International Society for Music Information Retrieval Conference, ISMIR 2016, New York City, United States, August 7-11, 2016.
17th International Society for Music Information Retrieval Conference, ISMIR 2016, 7 - 11 August 2016, New York City, United States.
Armstrong, N. (2015). Listening as a material. Paper presented at the Troisième Biennale d'Analyse Musicale 2015, 26-27 March 2015, Conservatoire royal de Mons.
Lambert, A., Weyde, T. & Armstrong, N. (2015). Perceiving and predicting expressive rhythm with recurrent neural networks. In: Proceedings of the 12th International Conference in Sound and Music Computing. . Maynooth, Ireland: SMC15.
Armstrong, N. (2015). Modes of forgetting
Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/s0040298213001393
Lambert, A., Weyde, T. & Armstrong, N. (2014). Beyond the Beat: Towards Metre, Rhythm and Melody Modelling with Hybrid Oscillator Networks. (2014 ed.) In: Georgaki, A. & Kouroupetroglou, G. (Eds.), Music Technology Meets Philosophy: from Digital Echos to Virtual Ethos. Proceedings of ICMC, SMC. (pp. 485-490). San Francisco: International Computer Music Association.
Lambert, A., Weyde, T. & Armstrong, N. (2014). Studying the Effect of Metre Perception on Rhythm and Melody Modelling with LSTMs. Paper presented at the 3rd International Workshop on Musical Metacreation, held at the 10th Artificial Intelligence and Interactive Digital Entertainment Conference, 03-10-2014 - 07-10-2014, Raleigh, USA.
Armstrong, N. (2013). Nature pieces
Armstrong, N. (2012). making one leaf transparent and then another
Armstrong, N. (2011). Too slow, for Milton Perspectives of New Music.
Armstrong, N. (2010). unsaying