Items where Schools and Departments is "Music" and Year is 2021
B
Browning, J. 
ORCID: 0000-0001-7013-7959 (2021).
Decomposed: the political ecology of music.
Ethnomusicology Forum, 30(1),
pp. 172-175.
doi: 10.1080/17411912.2021.1923549
Browning, J. ORCID: 0000-0001-7013-7959 (2021).
Sound and More-than-human Sociality in Catherine Clover’s Oh! Ah ah pree trra trra.
Organised Sound: an international journal of music and technology, 26(2),
pp. 179-189.
doi: 10.1017/s1355771821000352
D
Dos Santos Agostinho, G. (2021). The design of note-based algorithmic systems through the use of mental models. (Unpublished Doctoral thesis, City, University of London)
E
Einbond, A. ORCID: 0000-0003-1734-6641, Bresson, J., Schwarz, D. & Carpentier, T. (2021).
Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D Electronics.
In:
Proceedings of the International Computer Music Conference 2021.
(pp. 148-153). San Francisco, USA: International Computer Music Association, Inc..
L
Lolavar, S (2021). Auto-ethnography and Composition as Epistemologies for Reconciling Double-Consciousness: an Interrogation of Hybridity and Diaspora. (Unpublished Doctoral thesis, City, University of London)
Loya, S. ORCID: 0000-0002-9156-2804 (2021).
Lateness in Context.
In: Cormac, J. (Ed.),
Liszt in Context.
Composer in Context.
(pp. 271-281). Cambridge: Cambridge University Press.
doi: 10.1017/9781108378253.034
Loya, S. ORCID: 0000-0002-9156-2804 (2021).
Nineteenth-Century Programme Music: Creation, Negotiations, Reception.
Ad Paranassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 19(37),
pp. 89-94.
M
Molitor, C. ORCID: 0000-0002-3777-833X (2021).
Composition as Hyperobject.
APRIA (Artez PLatform for Research Interventions of the Arts), 3(2),
pp. 57-64.
doi: 10.37198/apria.03.02.a7
Molitor, C. ORCID: 0000-0002-3777-833X & Magnusson, T. (2021).
Curating experience: Composition as cultural technology - a conversation.
Journal of New Music Research, 50(2),
pp. 184-189.
doi: 10.1080/09298215.2021.1898646
N
Nooshin, L. ORCID: 0000-0001-8737-5224 (2021).
Affective listening, sonic intimacy and the power of quiet voices in Rakhshan Banietemad’s the May Lady: Towards a cinema of empathy.
In: Ghorbankarimi, M. (Ed.),
ReFocus: The Films of Rakhshan Banietemad.
. Edinburgh, UK: Edinburgh University Press.
Nystrom, E. ORCID: 0000-0003-3628-540X (2021).
Strange Posthuman Attractors: algorithmic improvisation as acousmatic poiēsis.
Organised Sound: an international journal of music and technology, 26(1),
pp. 31-41.
doi: 10.1017/s1355771821000030
P
Percival, R. (2021). Top B, or Not Top B, and Is That the Question? Creating a new repertoire of idiomatic and challenging arrangement for historical wind instruments. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)
S
Smith, J. ORCID: 0000-0002-5198-4076 (2021).
Voices, Combat, and Music.
Journal of Sound and Music in Games, 2(2),
pp. 42-62.
doi: 10.1525/jsmg.2021.2.2.42
Stickney, P. F. (2021). Giant steps for harp: New approaches to the pedals. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)