City Research Online

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Akinerdem, Zeyneb Feyza (2015). Marriage safe and sound: subjectivity, embodiment and movement in the production space of television in Turkey. (Unpublished Doctoral thesis, City University London)

Al-Daragi, A. (2016). Tensions between didacticism, entertainment and translatorial practices: deletion and omission in the Arabic translations of Harry Potter. (Unpublished Doctoral thesis, City, University of London)

Alacovska, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective. International Journal of Cultural Studies, 22(2), pp. 195-212. doi: 10.1177/1367877918821231

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Banet-Weiser, S., Gill, R. ORCID: 0000-0002-2715-1867 & Rottenberg, C. (2019). Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation. Feminist Theory, 21(1), pp. 3-24. doi: 10.1177/1464700119842555

Barker, M-J., Gill, R. ORCID: 0000-0002-2715-1867 & Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Sexualities, 21(8), pp. 1337-1345. doi: 10.1177/1363460718781342

Bonham-Carter, C. (2019). Conceptualising cultural governance under new Labour's social value agenda: the practices and experiences of contemporary visual arts institutions on London (1997-2010). (Unpublished Doctoral thesis, City, University of London)

Boylan, P. (2006). Four Handel oratorio libretti published by John Gregory of Leicester, 1759 - 1774. Transactions of the Leicestershire Archaeological and Historical Society, 80, pp. 123-151.

Boylan, P. The Grand Leicester Musical Festival of 1827. Leicestershire Historian, 50, pp. 46-54.

Boylan, P. (2013). Introduction to the theoretical and philosophical basis of modern management. London, UK: City University London, Department of Creative Practice & Enterprise - Centre for Cultural Policy & Management.

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Conor, B., Gill, R. & Taylor, S. (2015). Gender and creative labour. The Sociological Review, 63(1_supp), pp. 1-22. doi: 10.1111/1467-954x.12237

Curran-Troop, H., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. ORCID: 0000-0001-8496-6192 (2022). “Stay woke. Make moves” Branding for a feminist future amidst pandemic precarity. In: Gwynne, J. (Ed.), The Cultural Politics of Femvertising. (pp. 141-162). London, UK: Palgrave Macmillan. doi: 10.1007/978-3-030-99154-8

Curran-Troop, H. & Prins, A. (2022). Glitch Feminism. European Journal of Cultural Studies, 25(3), pp. 950-953. doi: 10.1177/13675494221078876

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Dean, C., Donnellan, C. & Pratt, A.C. (2010). Tate Modern: pushing the limits of regeneration. City, Culture and Society, 1(2), pp. 79-87. doi: 10.1016/j.ccs.2010.08.003

Dovey, J., Pratt, A.C., Moreton, S. , Virani, T.E., Merkel, J. & Lansdowne, J.view all authors (2016). The Creative Hubs Report: 2016. UK: British Council.

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Ehrstein, Y., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. (2020). The Affective Life of Neoliberalism: Constructing (Un)Reasonableness on Mumsnet. In: Dawes, S. & LeNormand, M. (Eds.), Neoliberalism in Context. (pp. 195-213). Basingstoke: Palgrave Macmillan.

Elias, A. S. & Gill, R. (2017). Beauty surveillance: the digital self-monitoring cultures of neoliberalism. European Journal of Cultural Studies, 21(1), pp. 59-77. doi: 10.1177/1367549417705604

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Favaro, L. & Gill, R. ORCID: 0000-0002-2715-1867 (2018). Feminism rebranded: women’s magazines online and ‘the return of the F-word’. Dígitos: Revista de Comunicación Digital(4), pp. 37-66. doi: 10.7203/rd.v0i4.129

Fuchs, C. & Sandoval, M. (2008). Positivism, postmodernism, or critical theory? A case study of communications students’ understandings of criticism. Journal for Critical Education Policy Studies, 6(2), pp. 112-141.

Fuchs, C. & Sandoval, M. (2015). The political economy of capitalist and alternative social media. In: The Routledge Companion to Alternative and Community Media. (pp. 165-175). Abingdon, UK: Routledge. doi: 10.4324/9781315717241

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Gaio, A. (2015). Policy formation in the European Community – the case of culture. (Unpublished Doctoral thesis, City University London)

García-Favaro, L. & Gill, R. (2016). “Emasculation nation has arrived”: sexism rearticulated in online responses to Lose the Lads’ Mags campaign. Feminist Media Studies, 16(3), pp. 379-397. doi: 10.1080/14680777.2015.1105840

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Beyond individualism: the psychosocial life of the neoliberal university. In: Spooner, M. & McNinch, J. (Eds.), A Critical Guide to Higher Education & the Politics of Evidence: Resisting Colonialism, Neoliberalism, & Audit Culture. (pp. 193-216). Regina, Canada: University of Regina Press.

Gill, R. (2014). Academics, Cultural Workers and Critical Labour Studies. Journal of Cultural Economy, 7(1), pp. 12-30. doi: 10.1080/17530350.2013.861763

Gill, R. ORCID: 0000-0002-2715-1867 (2022). Being watched and feeling judged on social media. Feminist Media Studies, 21(8), pp. 1387-1392. doi: 10.1080/14680777.2021.1996427

Gill, R. (2018). Confidence is the new sexy: remaking intimate relationality. In: Fine, R., Kaplan, Y, Peled, S & Yoav, Rview all authors (Eds.), Eros Family and Community. (pp. 255-276). Hildesheim, Germany: Georg Olms Publishing.

Gill, R. ORCID: 0000-0002-2715-1867 (2019). Cuando la propia vida es el campo laboral. Recerca.Revista de pensament i anàlisi., 24(1), pp. 14-36. doi: 10.6035/recerca.2019.24.1.2

Gill, R. (2008). Culture and Subjectivity in Neoliberal and postfeminist times. Subjectivity, 25(1), pp. 432-445. doi: 10.1057/sub.2008.28

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Discourse analysis in media and communications research. In: Kearney, M. C. & Kackman, M. (Eds.), The Craft of Criticism: Critical Media Studies in Practice. . London: Routledge.

Gill, R. (2008). Empowerment/sexism: Figuring female sexual agency in contemporary advertising. Feminism and Psychology, 18(1), pp. 35-60. doi: 10.1177/0959353507084950

Gill, R. (2017). Girls: Notes on authenticity, ambivalence and imperfection. In: Nash, M. & Whelehan, I. (Eds.), Reading Lena Dunham’s Girls. (pp. 225-242). Basingstoke: Palgrave Macmillan. doi: 10.1007/978-3-319-52971-4

Gill, R. (2009). Mediated intimacy and postfeminism: A discourse analytic examination of sex and relationships advice in a women's magazine. Discourse and Communication, 3(4), pp. 345-369. doi: 10.1177/1750481309343870

Gill, R. ORCID: 0000-0002-2715-1867 (2021). Neoliberal Beauty. In: Leeds Craig, M. (Ed.), The Routledge Companion to Beauty Politics. (pp. 9-18). Abingdon, UK: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Not all creatives are created equal. Nature Human Behaviour, 2(8), pp. 526-527. doi: 10.1038/s41562-018-0392-6

Gill, R. (2016). Post-postfeminism? New feminist visibilities in postfeminist times. Feminist Media Studies, 16(4), pp. 610-630. doi: 10.1080/14680777.2016.1193293

Gill, R. ORCID: 0000-0002-2715-1867 (2019). Surveillance is a feminist issue. In: Oren, T. & Press, A. (Eds.), The Routledge Handbook of Contemporary Feminism. (pp. 148-161). Abingdon, UK: Routledge.

Gill, R. (2014). Unspeakable Inequalities: Post Feminism, Entrepreneurial Subjectivity, and the Repudiation of Sexism among Cultural Workers. Social Politics, 21(4), pp. 509-528. doi: 10.1093/sp/jxu016

Gill, R. (2017). What Would Les Back Do? If Generosity Could Save Us. International Journal of Politics, Culture, and Society, 31(1), pp. 95-109. doi: 10.1007/s10767-017-9263-9

Gill, R. (2017). The affective, cultural and psychic life of postfeminism: 10 years on. European Journal of Cultural Studies, 20(6), pp. 606-626. doi: 10.1177/1367549417733003

Gill, R. ORCID: 0000-0002-2715-1867 & Coffey, J. (2023). Femininity work: The gendered politics of women managing violence in bar work. Gender, Work and Organization, 30(5), pp. 1694-1708. doi: 10.1111/gwao.13006

Gill, R. & De Benedictis, S. (2016). Austerity Neoliberalism. Open Democracy,

Gill, R. & Donaghue, N. (2016). Resilience, apps and reluctant individualism: Technologies of self in the neoliberal academy. Women's Studies International Forum, 54, pp. 91-99. doi: 10.1016/j.wsif.2015.06.016

Gill, R. & Elias, A. S. (2014). ‘Awaken your incredible’: Love your body discourses and postfeminist contradictions. International Journal of Media and Cultural Politics, 10(2), pp. 179-188. doi: 10.1386/macp.10.2.179_1

Gill, R. ORCID: 0000-0002-2715-1867 & Kanai, A. (2019). Affirmative advertising and the mediated feeling rules of neoliberalism. In: Meyers, M. (Ed.), Neoliberalism and the Media. . Abingdon, UK: Routledge.

Gill, R. & Kanai, A. (2018). Mediating neoliberal capitalism: Affect, subjectivity and inequality. Journal of Communication, 68(2), pp. 318-326. doi: 10.1093/joc/jqy002

Gill, R., Kelan, E. K. & Scharff, C. M. (2016). A Postfeminist Sensibility at Work. Gender, Work & Organization, 24(3), pp. 226-244. doi: 10.1111/gwao.12132

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. (2018). The shifting terrain of sex and power: From the 'sexualisation of culture' to Me Too. Sexualities, 21(8), pp. 1313-1324. doi: 10.1177/1363460718794647

Gill, R. & Orgad, S. S. (2017). Confidence culture and the remaking of feminism. New Formations, 91(91), pp. 16-34. doi: 10.3898/newf:91.01.2017

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2022). Get Unstuck: Pandemic positivity imperatives and self-care for women. Cultural Politics, 18(1), pp. 44-63. doi: 10.1215/17432197-9516926

Gill, R. ORCID: 0000-0002-2715-1867 & Orgad, S. S. (2018). The amazing bounce-backable woman: Resilience and the psychological turn in neoliberalism. Sociological Research Online, 23(2), pp. 477-495. doi: 10.1177/1360780418769673

Gill, R. & Orgad, S. S. (2016). The confidence cult(ure). Australian Feminist Studies, 30(86), pp. 324-344. doi: 10.1080/08164649.2016.1148001

Gill, R. & Pratt, A.C. (2008). In the social factory? Immaterial labour, precariousness and cultural work. Theory, Culture & Society, 25(7-8), pp. 1-30. doi: 10.1177/0263276408097794

Gill, R. ORCID: 0000-0002-2715-1867 & Toms, K. (2019). Trending now: feminism, sexism, misogyny and postfeminism in British journalism. In: Carter, C., Steiner, L. & Allan, S. (Eds.), Journalism, Gender and Power. (pp. 97-112). Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T. (2019). Hip Hub? Class, race and gender in creative hubs. In: Creative Hubs in Question: Place, Space and Work in the Creative Economy. (pp. 131-154). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-10653-9_7

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Indergaard, M., Pratt, A.C. & Hutton, T. A. (2013). Creative cities after the fall of finance. Cities, 33, pp. 1-4. doi: 10.1016/j.cities.2012.09.007

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Jeffcutt, P. & Pratt, A.C. (2002). Managing creativity in the cultural industries. Creativity and Innovation Management, 11(4), pp. 225-233. doi: 10.1111/1467-8691.00254

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Kanai, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2020). Woke? Affect, neoliberalism, marginalised identities and consumer culture. New Formations: a journal of culture/theory/politics, 102(102), pp. 10-27. doi: 10.3898/newf:102.01.2020

Karpińska, A., Ilczuk, D., Cholewicka, E. , Bennett, T. ORCID: 0000-0003-0078-9315 & Pratt, A.C. ORCID: 0000-0003-2215-9648view all authors (2023). Production networks in the cultural and creative sector: case studies from the publishing industry (CICERONE report D2.8). Amsterdam, The Netherlands: CICERONE Project.

Koffman, O., Orgad, S. S. & Gill, R. (2015). Girl power and 'selfie humanitarianism'. Continuum, 29(2), pp. 157-168. doi: 10.1080/10304312.2015.1022948

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Litosseliti, E. ORCID: 0000-0002-3305-4713, Gill, R. ORCID: 0000-0002-2715-1867 & Favaro, L. (2019). Postfeminism as a critical tool for gender and language study. Gender and Language, 13(1), pp. 1-22. doi: 10.1558/genl.34599

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Mbaye, J. F. (2010). AURA ou de la production politique de la musique hip hop. Cahiers de recherche sociologique, 49(49), pp. 147-160. doi: 10.7202/1001415ar

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2015). Géographies de l'économie de la musique hip hop au Sénégal. In: Roy-Valex, M. & Bellavance, G. (Eds.), Arts et territoires à l'ère du développement durable : vers une nouvelle économie culturelle? (pp. 231-258). Presses de l'Université Laval.

Mbaye, J. F. (2015). Musical borderlands: A cultural perspective of regional integration in Africa. City, Culture and Society, 6(2), pp. 19-26. doi: 10.1016/j.ccs.2015.03.002

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2016). Rouge Flânerie: Cultural Takhawalu in Urban Extremes: Cape Town & Dakar. In: Umunna, M. & Disu, O. (Eds.), Open City Lagos. (pp. 50-57). Heinrich Böll Foundation (Nigeria), Nsibidi Institute (Nigeria) & Fabulous Urban (Switzerland).

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Deme, A. (2015). Formidable comme Karim Wade. In: Beyer, T., Burkhalter, T. & Liechti, H. (Eds.), Seismographic Sounds: Visions of a New World. (pp. 42-44). Bern, Switzerland: Norient Books.

Mbaye, J. F. & Dinardi, C. (2019). Ins and outs of the cultural polis: informality, culture and governance in the global South. Urban Studies, 56(3), pp. 578-593. doi: 10.1177/0042098017744168

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Pratt, A.C. (2020). Cities, creativities and urban creative economies: Re-descriptions and make+shifts from Sub-Saharan Africa. International Journal of Urban and Regional Research, 44(5), pp. 781-792. doi: 10.1111/1468-2427.12887

Merkel, J. (2015). Coworking in the city. Ephemera, 15(2), pp. 121-139.

Merkel, J. (2014). Gärtner der urbanen Arbeitswelt. Wie Coworking Spaces kuratiert werden. WZB Mitteilungen, 145, pp. 21-22.

Monson, O., Donaghue, N. & Gill, R. (2016). Working hard on the outside: a multimodal critical discourse analysis of The Biggest Loser Australia. Social Semiotics, 26(5), pp. 524-540. doi: 10.1080/10350330.2015.1134821

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Nathan, M., Kemeny, T., Pratt, A.C. & Spenser, G.view all authors (2016). Creative economy employment in the US, Canada and the UK: a comparative analysis. London, UK: NESTA.

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Oakley, K., Sperry, B. & Pratt, A.C. (2008). The art of innovation: How fine arts graduates contribute to innovation. London: NESTA.

Orgad, S. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). Safety valves for mediated female rage in the #MeToo era. Feminist Media Studies, 19(4), pp. 596-603. doi: 10.1080/14680777.2019.1609198

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Pratt, A.C. (2006). Advertising and creativity, a governance approach: a case study of creative agencies in London. Environment and Planning A, 38(10), pp. 1883-1899. doi: 10.1068/a38261

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Artists in the city: SPACE in '68 and beyond. Planning Perspectives, 33(3), pp. 484-485. doi: 10.1080/02665433.2018.1492080

Pratt, A.C. (2017). Beyond Resilience: Learning from the cultural economy. European Planning Studies, 25(1), pp. 127-139. doi: 10.1080/09654313.2016.1272549

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Beyond Resilience: Learning from the cultural economy. In: Cooke, P. & Lazzeretti, L. (Eds.), The Role of Art and Culture for Regional and Urban Resilience. . Oxford, UK: Routledge. doi: 10.1080/09654313.2016.1272549

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2020). COVID – 19 impacts cities, cultures and societies. City, Culture and Society, 21, article number 100341. doi: 10.1016/j.ccs.2020.100341

Pratt, A.C. (2014). Cities: The cultural dimension. Government Office for Science, Department of Business, Innovation and Skills.

Pratt, A.C. (2004). Creative Clusters: Towards the governance of the creative industries production system?. Media International Australia, 112(1), pp. 50-66. doi: 10.1177/1329878x0411200106

Pratt, A.C. (2015). Creative Industries and Development: culture in development, or the cultures of development? In: Jones, C., Lorenzen, M. & Sapsed, J. (Eds.), The Oxford Handbook of Creative Industries. (pp. 503-515). Oxford: Oxford University Press.

Pratt, A.C. (2010). Creative cities: Tensions within and between social, cultural and economic development. A critical reading of the UK experience. City, Culture and Society, 1(1), pp. 13-20. doi: 10.1016/j.ccs.2010.04.001

Pratt, A.C. (2008). Creative cities: The cultural industries and the creative class. Geografiska Annaler Series B-Human Geography, 90(2), pp. 107-117. doi: 10.1111/j.1468-0467.2008.00281.x

Pratt, A.C. (2008). Creative cities?. Urban Design Journal, 105, 35-.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021). Creative hubs: A critical evaluation. City, Culture and Society, 24(1), article number 100384. doi: 10.1016/j.ccs.2021.100384

Pratt, A.C. (2008). Cultural commodity chains, cultural clusters, or cultural production chains?. Growth and Change, 39(1), pp. 95-103. doi: 10.1111/j.1468-2257.2007.00406.x

Pratt, A.C. (2015). Do Economists Make Innovation; Do Artists Make Creativity? The Case for an Alternative Perspective on Innovation and Creativity. Journal of Business Anthropology, 4(2), pp. 235-244.

Pratt, A.C. (2012). Factory, Studio, Loft: there goes the neighbourhood? In: Baum, M. & Christiaanse, K. (Eds.), City as Loft: Adaptive Reuse as a Resource for Sustainable Urban Development. (pp. 25-31). Zurich: gta Verlag.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2019). Formality as exception. Urban Studies, 56(3), pp. 612-615. doi: 10.1177/0042098018810600

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2018). Gentrification, artists and the cultural economy. In: Lees, L. & Philips, M. (Eds.), Handbook of Gentrification Studies. (pp. 346-362). Cheltenham, UK: Edward Elgar.

Pratt, A.C. (2017). Innovation and the cultural economy. In: Batheldt, H., Cohendet, P., Henn, A. & Simon, L.view all authors (Eds.), The Elgar Companion to innovation and knowledge creation: a multi-disciplinary approach. (pp. 230-243). Edward Elgar.

Pratt, A.C. (2013). Local capacity building for the creative economy. Paris, France: United Nations Development Programme (UNDP).

Pratt, A.C. (2017). New horizons for culture, creativity and cities. City, Culture and Society, 8, pp. 1-2. doi: 10.1016/j.ccs.2017.01.002

Pratt, A.C. (2013). Promoting sustainable development through culture: current status, challenges and prospects. In: Korean national commission for UNESCO (Ed.), 2013 International Forum on Culture and Development: Unveiling New Prospects for Development through Culture. . Korean national commission for UNESCO.

Pratt, A.C. (2014). Putting Knowledge in (its) Place: Knowledge Transfer/Exchange and Clustering (Creative Works London Working Paper No 5). London: Creative Works London.

Pratt, A.C. (2015). Resilience, locality and the cultural economy. City, Culture and Society, 6(3), pp. 61-67. doi: 10.1016/j.ccs.2014.11.001

Pratt, A.C. (2010). Review essay: Simon Frith, Sound effects: youth, leisure and the politics of rock‘n’roll. International Journal of Cultural Policy, 16(1), pp. 66-67. doi: 10.1080/10286630902946738

Pratt, A.C. (2009). Social and economic drivers of land use change in the British space economy. Land Use Policy, 26(SUPPL.), S109-S114. doi: 10.1016/j.landusepol.2009.09.006

Pratt, A.C. (2016). Three stages in the life of the creative economy. British Council.

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2022). Toward circular governance in the culture and creative economy: Learning the lessons from the circular economy and environment. City, Culture and Society, 29, article number 100450. doi: 10.1016/j.ccs.2022.100450

Pratt, A.C. (2009). Urban regeneration: from the arts ‘feel good’ factor to the cultural economy. A case study of Hoxton, London. Urban Studies, 46(5-6), pp. 1041-1061. doi: 10.1177/0042098009103854

Pratt, A.C. (2008). What are the factors that could influence the future of work with regard to energy systems and the built environment?. Energy Policy, 36(12), pp. 4646-4651. doi: 10.1016/j.enpol.2008.09.068

Pratt, A.C. (2009). The creative and cultural economy and the recession. Geoforum, 40(4), pp. 495-496. doi: 10.1016/j.geoforum.2009.05.002

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2021). The creative economy and sustainable development. City, Culture and Society, 25, article number 100393. doi: 10.1016/j.ccs.2021.100393

Pratt, A.C. (2012). The cultural and creative industries: organisational and spatial challenges to their governance. Die Erde, 143(4), pp. 317-334.

Pratt, A.C. (2011). The cultural contradictions of the creative city. City, Culture and Society, 2(3), pp. 123-130. doi: 10.1016/j.ccs.2011.08.002

Pratt, A.C. (2012). The cultural economy and the global city. In: Taylor, P., Derudder, B., Hoyler, M. & Witlox, F.view all authors (Eds.), International Handbook of Globalization and World Cities. (pp. 265-274). Cheltenham: Edward Elgar.

Pratt, A.C. (2013). “…the point is to change it”: Critical realism and human geography. Dialogues in Human Geography, 3(1), pp. 26-29. doi: 10.1177/2043820613485048

Pratt, A.C. ORCID: 0000-0003-2215-9648 (2020). A research agenda for cultural economics. Journal of Cultural Economics, 44(1), pp. 185-187. doi: 10.1007/s10824-020-09383-3

Pratt, A.C. (2017). The rise of the quasi-public space and its consequences for cities and culture. Palgrave Communications, 3(1), article number 36. doi: 10.1057/s41599-017-0048-6

Pratt, A.C. (2012). A world turned upside down: the creative economy, cities and the new austerity. In: Beauclair, A. & Mitchell, E. (Eds.), Smart, Creative, Sustainable, Inclusive: Territorial Development Strategies in the Age of Austerity. (pp. 13-19). UK: Regional Studies Association.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 1 – Problems of statistical description (CICERONE report D4.2). CICERONE Project: Amsterdam, The Netherlands.

Pratt, A.C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). Data for the Cultural and Creative Sector production system: Part 2 – Assembling disparate data resources, and preparations for reporting them (CICERONE report D4.3). Amsterdam, The Netherlands: CICERONE Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Boren, T., Daubeuf, C. & Le Gall, A.view all authors (2019). A review of tariff barriers and trade costs affecting the Creating Industries across European borders. Amsterdam: Cicerone Project.

Pratt, A.C., Borrione, P., Lavanga, M. & D’Ovidio, M.view all authors (2012). International Change and technological evolution in the Fashion Industry. In: Agnoletti, M., Carandini, A. & Santagata, W. (Eds.), Essays and Research: International Biennial of Culture and Environmental Heritage. (pp. 359-376). Florence: Badecchi & Vivaldi.

Pratt, A.C. & D'Ovidio, M. (2014). Quale cultura per la città creativa. Italy: Fondazione Giangiacomo Feltrinelli.

Pratt, A.C. ORCID: 0000-0003-2215-9648, D'Ovidio, M., Greco, L. , Boren, T., Kloosterman, R. & Henriksson, T.view all authors (2019). CICERONE - Format case study selection. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Daubeuf, C., Airaghi, E. & Pletosu, T.view all authors (2020). Enumerating the role of incentives in CCI production chains. Amsterdam: Cicerone Project.

Pratt, A.C. ORCID: 0000-0003-2215-9648, Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T.E. (2019). Introduction. In: Gill, R. ORCID: 0000-0002-2715-1867, Pratt, A.C. ORCID: 0000-0003-2215-9648 & Virani, T.E. (Eds.), Creative Hubs in Question: Place, Space and Work in the Creative Economy. (pp. 1-26). Cham, Switzerland: Palgrave Macmillan.

Pratt, A.C. & Hutton, T. A. (2013). Reconceptualising the relationship between the creative economy and the city: Learning from the financial crisis. Cities, 33, pp. 86-95. doi: 10.1016/j.cities.2012.05.008

Pratt, A.C. ORCID: 0000-0003-2215-9648, Kloosterman, R., Mbaye, J. F. , Greco, L., Miguel, M. P., Janowska, A., Pareja-Estaway, M., Iiczuk, D., Gmeiner, R., K., O., Tomova, B. & Andreeva, D.view all authors (2019). The CICERONE project methodology. Amsterdam: Cicerone Project.

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