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Number of items at this level: 29.

B

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016). Dressing the Body: Introduction. Cultural Studies Review, 22(1), pp. 4-9. doi: 10.5130/csr.v22i1.4907

C

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024). Undergraduate public relations education in the United Kingdom: Quo Vadis?. Public Relations Inquiry, doi: 10.1177/2046147x241230055

D

de Perthuis, K. & Findlay, R. ORCID: 0000-0001-8596-6880 (2019). How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory, 23(2), pp. 219-242. doi: 10.1080/1362704x.2019.1567062

F

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). A Double in Different Clothes: Marie Kreutzer's 'Corsage' (2022). MAI: Feminism and Visual Culture, Spring,

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks. In: Findlay, R. ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.), Insights on Fashion Journalism. . Taylor & Francis.

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). "Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance, 14/15, pp. 105-119.

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). "What's Getting Us Through": Grazia UK as affective, intimate public during the coronavirus pandemic. In: Parkins, I. & Filippello, R. (Eds.), Fashion and Feeling: The Affective Politics of Dress. Palgrave Studies in Fashion and the Body. (pp. 305-326). Cham, Switzerland: Palgrave Macmillan. doi: 10.1177/1464700119842555

Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018). Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self. About Performance, 16(Fashio), pp. 129-146.

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). Introduction. In: Personal Style Blogs: Appearances that Fascinate. . Intellect Books.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Russh and the ‘all-Australian’ girl?. Feminist Theory, 23(3), pp. 312-326. doi: 10.1177/14647001221085911

Findlay, R. ORCID: 0000-0001-8596-6880 (2016). ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22(1), pp. 78-94. doi: 10.5130/csr.v22i1.4913

Findlay, R. ORCID: 0000-0001-8596-6880 (2019). “Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands. Communication, Culture and Critique, 12(4), pp. 553-569. doi: 10.1093/ccc/tcz028

Frey, M. ORCID: 0000-0002-3388-0353 (2022). The International Reception of Downfall (Der Untergang, 2004). Historical Journal of Film, Radio and Television, 43(2), pp. 438-459. doi: 10.1080/01439685.2022.2116862

G

Gaio, A., Joffe, A., Hernández-Acosta, J. J. & Dragićević Šešić, M. (2023). Decolonising the cultural policy and management curriculum – reflections from practice. Cultural Trends, 33(2), pp. 141-158. doi: 10.1080/09548963.2023.2168515

Gibbs, J. ORCID: 0000-0002-5825-4463 (2024). The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames. English, 72(279), pp. 215-216. doi: 10.1093/english/efae002

H

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages. Medium Ævum, 90(1), pp. 159-160.

Howes, H. ORCID: 0000-0002-7105-0414 Knocked Up. In: Howes, H. ORCID: 0000-0002-7105-0414 (Ed.), Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women. . London, UK: Bloomsbury Continuum.

J

Jilani, S. ORCID: 0000-0002-0024-4801 (2023). Becoming in a colonial world: approaching subjectivity with Fanon. Textual Practice, pp. 1-18. doi: 10.1080/0950236x.2023.2243908

M

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, pp. 1-7. doi: 10.1080/17530350.2022.2112263

P

Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2023). Making a Reality: Inclusive Wedding Vendors and Extramarket Morality. QED: A Journal in GLBTQ Worldmaking, 10(1), pp. 77-98. doi: 10.14321/qed.10.1.0077

Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2021). Commodity Feminism and Dressing the ‘Best Self’ on A Practical Wedding. Australian Feminist Studies, 36(109), pp. 297-312. doi: 10.1080/08164649.2021.2018992

S

Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021). Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World. Frontiers in Human Dynamics, 3, article number 601239. doi: 10.3389/fhumd.2021.601239

V

Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). The weird governance of fact-checking: from watchdogs to content moderators. In: AoIR Selected Papers of Internet Research. The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA. doi: 10.5210/spir.v2023i0.13513

Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). When fact-checking is not weird: challenges in fact-checking beyond the western world. In: AoIR Selected Papers of Internet Research. The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland. doi: 10.5210/spir.v2022i0.13104

Y

Yeh, D. ORCID: 0000-0001-8324-5342 (2021). Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries. British Journal of Chinese Studies, 11, pp. 53-70.

Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.

This list was generated on Tue Apr 23 02:46:03 2024 UTC.