Browse by Schools and Department by Authors
- City, University of London (22411)
- School of Communication & Creativity (1576)
- Media, Culture & Creative Industries (616)
- School of Communication & Creativity (1576)
B
Bennett, T. ORCID: 0000-0003-0078-9315 (2022).
A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business.
Journal of Cultural Analysis and Social Change, 7(1),
6.
doi: 10.20897/jcasc/12257
Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016).
Dressing the Body: Introduction.
Cultural Studies Review, 22(1),
pp. 4-9.
doi: 10.5130/csr.v22i1.4907
D
de Perthuis, K. & Findlay, R. ORCID: 0000-0001-8596-6880 (2019).
How Fashion Travels: The Fashionable Ideal in the Age of Instagram.
Fashion Theory, 23(2),
pp. 219-242.
doi: 10.1080/1362704x.2019.1567062
F
Findlay, R. ORCID: 0000-0001-8596-6880 (2023).
A Double in Different Clothes: Marie Kreutzer's 'Corsage' (2022).
MAI: Feminism and Visual Culture,
Findlay, R. ORCID: 0000-0001-8596-6880 (2017).
"Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows.
About Performance, 14/15,
pp. 105-119.
Findlay, R. ORCID: 0000-0001-8596-6880 (2023).
"What's Getting Us Through": Grazia UK as affective, intimate public during the coronavirus pandemic.
In: Parkins, I. & Filippello, R. (Eds.),
Fashion and Feeling: The Affective Politics of Dress.
Palgrave Studies in Fashion and the Body.
(pp. 305-326). Cham, Switzerland: Palgrave Macmillan.
doi: 10.1177/1464700119842555
Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018).
Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self.
About Performance, 16,
pp. 129-146.
Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks.
In: Findlay, R.
ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.),
Insights on Fashion Journalism.
. Taylor & Francis.
Findlay, R. ORCID: 0000-0001-8596-6880 (2017).
Introduction.
In:
Personal Style Blogs: Appearances that Fascinate.
. Intellect Books.
Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Russh and the ‘all-Australian’ girl?.
Feminist Theory, 23(3),
pp. 312-326.
doi: 10.1177/14647001221085911
Findlay, R. ORCID: 0000-0001-8596-6880 (2016).
‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves.
Cultural Studies Review, 22(1),
pp. 78-94.
doi: 10.5130/csr.v22i1.4913
Findlay, R. ORCID: 0000-0001-8596-6880 (2019).
“Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands.
Communication, Culture and Critique, 12(4),
pp. 553-569.
doi: 10.1093/ccc/tcz028
Frey, M. ORCID: 0000-0002-3388-0353 (2022).
The International Reception of Downfall (Der Untergang, 2004).
Historical Journal of Film, Radio and Television,
doi: 10.1080/01439685.2022.2116862
G
Gaio, A., Joffe, A., Hernández-Acosta, J. J. & Dragićević Šešić, M. (2023). Decolonising the cultural policy and management curriculum – reflections from practice. Cultural Trends, doi: 10.1080/09548963.2023.2168515
J
Jilani, S. ORCID: 0000-0002-0024-4801 (2023).
Becoming in a colonial world: approaching subjectivity with Fanon.
Textual Practice,
doi: 10.1080/0950236X.2023.2243908
M
McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022).
From rag market to creative economy: interview with Angela McRobbie.
Journal of Cultural Economy 1753-0369,
doi: 10.1080/17530350.2022.2112263
P
Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2021).
Commodity Feminism and Dressing the ‘Best Self’ on A Practical Wedding.
Australian Feminist Studies, 36(109),
pp. 297-312.
doi: 10.1080/08164649.2021.2018992
Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Making a Reality: The Extramarket Morality of Inclusive Wedding Vendors.
QED: A Journal in GLBTQ Worldmaking, 10(1),
Y
Yeh, D. ORCID: 0000-0001-8324-5342 (2021).
Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries.
British Journal of Chinese Studies, 11,
pp. 53-70.
Yeh, D. ORCID: 0000-0001-8324-5342 (2018).
The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts.
In: Yeh, D.
ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.),
Contesting British Chinese Culture.
(pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.