City Research Online

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Abbas, Z. (2018). Information behaviour of law students; the impact of mobile devices on information seeking behaviour and provision in the 21st century. (Unpublished Doctoral thesis, City, University of London)

Abbas, Z., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). Use of Mobile Technologies by Law Students in the Law Library: an Exploratory Study. Legal Information Management, 17(3), pp. 180-189. doi: 10.1017/s1472669617000354

Akinerdem, Zeyneb Feyza (2015). Marriage safe and sound: subjectivity, embodiment and movement in the production space of television in Turkey. (Unpublished Doctoral thesis, City University London)

Al-Daragi, A. (2016). Tensions between didacticism, entertainment and translatorial practices: deletion and omission in the Arabic translations of Harry Potter. (Unpublished Doctoral thesis, City, University of London)

Alabdali, Ohoud (2019). Measuring the development of Saudi Arabia as an information society. (Unpublished Doctoral thesis, City, University of London)

Alacovska, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective. International Journal of Cultural Studies, 22(2), pp. 195-212. doi: 10.1177/1367877918821231

Ali, R. & Dykes, J. (2011). ESRI vs BREWER: An Evaluation of Map Use with Alternative Colour Schemes amongst the General Public. Paper presented at the 19th annual GIS Research UK (GISRUK), 27 - 29 Apr 2011, Portsmouth, UK.

Ali, R., Dykes, J. & Wood, J. (2013). Framework for Studying Spatially Ordered Treemaps. Paper presented at the 26th International Cartographic Conference: From Pole to Pole, 25 - 30 August 2013, Dresden, Germany.

Alvarez, J. (1993). Compositional strategies in music for solo instruments and electroacoustic sounds. (Unpublished Doctoral thesis, City University London)

Anderson, E.L. (2011). Materials, meaning and metaphor: Unveiling spatiotemporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Anderson, Elizabeth (2011). Materials, meaning and metaphor: Unveiling spatio-temporal pertinences in acousmatic music. (Unpublished Doctoral thesis, City University London)

Anderson, I. & Rennie, T. (2016). Thoughts in the Field: 'Self-reflexive narrative' in field recording. Organised Sound: an international journal of music and technology, 21(3), pp. 222-232. doi: 10.1017/s1355771816000194

Andrienko, G., Andrienko, N., Dykes, J. , Fabrikant, S. I. & Wachowicz, M.view all authors (2008). Geovisualization of dynamics, movement and change: key issues and developing approaches in visualization research. Information Visualization, 7(3-4), pp. 173-180. doi: 10.1057/ivs.2008.23

Ansdell, G. (1999). Music therapy as discourse and discipline : a study of 'music therapist's dilemma'. (Unpublished Doctoral thesis, City University London)

Anton, A. & Moise, R. ORCID: 0000-0002-2578-9832 (2021). Communication Freelancers, Facebook Groups and COVID-19. A Qualitative Analysis. Research Report. Styles of Communication, 13(1), pp. 76-82. doi: 10.31178/sc.13.1.04

Antonopoulos, Spyridon (2014). The Life and Works of Manuel Chrysaphes the Lampadarios, and the Figure of Composer in Late Byzantium. (Unpublished Doctoral thesis, City, University of London)

Aristopoulos, M. (2017). A portfolio of recombinant compositions for the videogame Apotheon. (Unpublished Doctoral thesis, City, University of London)

Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/s0040298213001393

Armstrong, N. ORCID: 0000-0002-1927-7371 (2023). Fosc v0.9.0 GitHub.

Armstrong, N. (2015). Listening as a material. Paper presented at the Troisième Biennale d'Analyse Musicale 2015, 26-27 March 2015, Conservatoire royal de Mons.

Armstrong, N. (2015). Modes of forgetting

Armstrong, N. (2013). Nature pieces

Armstrong, N. (2016). Partial objects

Armstrong, N. (2011). Too slow, for Milton Perspectives of New Music.

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). Two Canons for Kathryn Huddersfield Contemporary Records.

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). The in-between of line and surface: A line alongside itself. Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.

Armstrong, N. ORCID: 0000-0002-1927-7371 (2019). A line alongside itself

Armstrong, N. (2012). making one leaf transparent and then another

Armstrong, N. ORCID: 0000-0002-1927-7371 (2018). thread—surface

Armstrong, N. (2010). unsaying

Armstrong, N. (2016). The way to go out

Arrell, K., Wise, S., Wood, J. & Donoghue, D.view all authors (2008). Spectral filtering as a method of visualising and removing striped artefacts in digital elevation data. Earth Surface Processes and Landforms, 33(6), pp. 943-961. doi: 10.1002/esp.1597

Ashford, D. (2011). Gorillas in the House of Light. Cambridge Quarterly, 40(3), pp. 201-223. doi: 10.1093/camqtly/bfr018

Ashford, D. (2017). The Mechanical Turk: Enduring Misapprehensions Concerning Artificial Intelligence. The Cambridge Quarterly, 46(2), pp. 119-139. doi: 10.1093/camqtly/bfx005

Ashford, D. (2013). The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic. The Literary London Journal, 10(2),

Ashford, D. (2014). “A New Concept of Egoism”: The Late Modernism of Ayn Rand. Modernism/modernity, 21(4), pp. 977-995. doi: 10.1353/mod.2014.0084

Ashford, D. (2015). Orcs: an epic. London: Veer Books.

Ashford, D. (2017). Sedition Machines. London: Veer Books.

Ashford, D. (2014). The Siberia of the Mind: Egoism in the Writings of Wyndham Lewis. The Journal of Wyndham Lewis Studies, 5, pp. 112-134.

Ashford, D. (2013). Xaragmata: Translations from the Pelasgian. In: Xaragmata: translations from the Pelagsian. . London: Veer Books.

Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London)

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Bailie, J. E. C. (2017). Transcribing Reality: how the nature of audio and visual media have affected culture, perception, and the role of the artist.. (Unpublished Doctoral thesis, City, University of London)

Banet-Weiser, S., Gill, R. ORCID: 0000-0002-2715-1867 & Rottenberg, C. (2019). Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation. Feminist Theory, 21(1), pp. 3-24. doi: 10.1177/1464700119842555

Banks, M., Baron, C., Buhler, J. , Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 & Smith, J.view all authors (2018). Media Dialogues: A Scholarly Roundtable. The Velvet Light Trap: A Critical Journal of Film & Television, 82(Fall), pp. 43-60. doi: 10.7560/vlt8205

Barker, M-J., Gill, R. ORCID: 0000-0002-2715-1867 & Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Sexualities, 21(8), pp. 1337-1345. doi: 10.1177/1363460718781342

Barrett, N.L. (1997). Structuring processes in electroacoustic composition. (Unpublished Doctoral thesis, City University London)

Bastos, M. ORCID: 0000-0003-0480-1078 So Long Twitter, and Thanks for All the Tweets. (2nd ed.) In: Bruns, A., Enli, G., Larsson, A. O. , Robinson, J. Y. & Bosch, T.view all authors (Eds.), The Routledge Companion to Social Media and Politics. . London: Routledge.

Bastos, M. ORCID: 0000-0003-0480-1078 Tabloids. In: Nai, A., Grömping, M. & Wirz, D. (Eds.), Elgar Encyclopedia of Political Communication. . Cheltenham, UK: Edward Elgar Publishing.

Bastos, M. ORCID: 0000-0003-0480-1078 (2025). Visual Identities in Troll Farms: The Twitter Moderation Research Consortium. Social Media + Society, 11(1), article number 20563051251323652. doi: 10.1177/20563051251323652

Bastos, M. ORCID: 0000-0003-0480-1078 & Freitas, O. (2025). The Bannon Doctrine: Network Insurrectionism and Democratic Backsliding. In: Papacharissi, Z. (Ed.), The Routledge Companion to Digital Media and Democracy. . London, UK: Routledge.

Bastos, M. ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F.view all authors (2024). Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election. Journal of Elections, Public Opinion and Parties,

Bastos, M. T. ORCID: 0000-0003-0480-1078 & Recuero, R. (2023). The Insurrectionist Playbook: Jair Bolsonaro and the National Congress of Brazil. Social Media + Society, 9(4), article number 20563051231211881. doi: 10.1177/20563051231211881

Bastos, M. T. ORCID: 0000-0003-0480-1078 & Tuters, M. (2023). Meaningful disinformation: narrative rituals and affective folktales. Big Data & Society, 10(2), article number 20539517231215361. doi: 10.1177/20539517231215361

Bastos, M. T. (2013). A cultural form for the technological society. MATRIZes, 7(1), pp. 183-195. doi: 10.11606/issn.1982-8160.v7i1p193-195

Bawden, D. (2007). After the Amazoogle: Web 2.0 and information research. Journal of Documentation, 63(4), pp. 441-442.

Bawden, D. (2010). Alas poor ARIST: reviewing the information sciences. Journal of Documentation, 66(5), pp. 625-626.

Bawden, D. (2007). Anniversaries and half-lives. Journal of Documentation, 63(3), pp. 297-298.

Bawden, D. (2016). Aslib: a de facto national library/information organization. Alexandria: the journal of national and international information issues, 26(1), pp. 15-17.

Bawden, D. Being fluent and keeping looking. Paper presented at the European Conference on Information Literacy, 20-10-2014 - 23-10-2014, Dubrovnik, Croatia.

Bawden, D. (2014). Being fluent and keeping looking. Communications in Computer and Information Science, 492, pp. 13-18. doi: 10.1007/978-3-319-14136-7_2

Bawden, D. (2011). Benoit Mandelbrot and the self-similarity of information. Journal of Documentation, 67(2), pp. 212-213.

Bawden, D. (2006). Bibliographic "straws in the wind" and the status of documentation. Journal of Documentation, 62(1), pp. 5-6.

Bawden, D. (2010). Big (information) history. Journal of Documentation, 66(6), pp. 785-786.

Bawden, D. (2010). Brian Vickery and the uneasy information scientists. Journal of Documentation, 66(3), pp. 305-306.

Bawden, D. (2011). Brookes equation: The basis for a qualitative characterization of information behaviours. Journal of Information Science, 37(1), pp. 101-108. doi: 10.1177/0165551510395351

Bawden, D. (2010). Bush, Goldberg, Memex and the revision of history. Journal of Documentation, 66(4), pp. 473-474. doi: 10.1108/jd.2010.27866daa.001

Bawden, D. (2009). Darwin, Hooker and the documentation of Victorian science. Journal of Documentation, 65(3), pp. 337-338.

Bawden, D. (2004). Documentation in an information society. Journal of Documentation, 60(2), pp. 107-108. doi: 10.1108/00220410410523150

Bawden, D. (2009). Documentation in depressed times. Journal of Documentation, 65(1), p. 5.

Bawden, D. (2010). Documenting Babel. Journal of Documentation, 66(2), pp. 177-178.

Bawden, D. (2005). Documenting disaster. Journal of Documentation, 61(3), pp. 329-330.

Bawden, D. (2008). Dust in space and documentation. Journal of Documentation, 64(1), pp. 5-6. doi: 10.1108/jd.2008.27864aaa.001

Bawden, D. (2006). Einstein in the office: is information really necessary?. Journal of Documentation, 62(3), pp. 305-306.

Bawden, D. (2014). The Ethics of Information. Aslib Journal of Information Management, 66(6), pp. 697-699. doi: 10.1108/ajim-06-2014-0075

Bawden, D. (2009). Everyday practices of documentation, and the influence of information science. Journal of Documentation, 65(5), pp. 717-718.

Bawden, D. (2004). Forgotten and undiscovered knowledge. Journal of Documentation, 60(6), pp. 595-596.

Bawden, D. (2008). Google and the universe of knowledge. Journal of Documentation, 64(3), pp. 317-318.

Bawden, D. (2006). Great lives and information behaviour. Journal of Documentation, 62(5), pp. 553-554.

Bawden, D. ORCID: 0000-0002-0478-6456 (2018). 'In this book-making age': Edward Kemp as writer and communicator of horticultural knowledge. Garden History, 46(supple), pp. 136-154.

Bawden, D. (2005). Information (and documentation) in the multiverse. Journal of Documentation, 61(5), pp. 569-570.

Bawden, D. (2007). Information Science at City University London. Aslib Proceedings, 59(4/5), pp. 305-306. doi: 10.1108/00012530710817537

Bawden, D. (2010). Information dates. JOURNAL OF DOCUMENTATION, 66(1), pp. 5-6.

Bawden, D. (2008). Information problems, digital literacy solutions. In: Soucek, M & Slukova, P (Eds.), Yes. International Conference on Human-Computer Interaction and Information Services, October 2008, Prague, Czech Republic.

Bawden, D. (2006). JDoc60 series: information research over six decades. Journal of Documentation, 62(6), pp. 653-656.

Bawden, D. (2013). Knowledge, documentation and a London location. Journal of Documentation, 69(1), pp. 4-5. doi: 10.1108/00220411311295298

Bawden, D. ORCID: 0000-0002-0478-6456 (2017). London and Ljubljana: a continuing collaboration. Paper presented at the Annual Congress of the Slovene Library Association, 27-28 Sep 2017, Olmje, Slovenia.

Bawden, D. (2009). Naming of parts (and things). Journal of Documentation, 65(6), pp. 869-870.

Bawden, D. (2014). A Normative Theory of the Information Society. JOURNAL OF THE ASSOCIATION FOR INFORMATION SCIENCE AND TECHNOLOGY, 65(11), pp. 2376-2377. doi: 10.1002/asi.23297

Bawden, D. (2012). On the gaining of understanding; syntheses, themes and information analysis. Library and Information Research, 36(112),

Bawden, D. (2008). Predicting the documentation future. Journal of Documentation, 64(4), pp. 477-478. doi: 10.1108/jd.2008.27864daa.001

Bawden, D. (2008). Really big questions, and the meaning of documentation. Journal of Documentation, 64(5), pp. 641-642.

Bawden, D. (2005). Research and practice in documentation. Journal of Documentation, 61(2), pp. 169-170.

Bawden, D. (2008). Smoother pebbles and the shoulders of giants: the developing foundations of information science. Journal of Information Science, 34(4), pp. 415-426. doi: 10.1177/0165551508089717

Bawden, D. (2004). Speculating and evolving in documentation. Journal of Documentation, 60(1), pp. 7-8. doi: 10.1108/00220410410516617

Bawden, D. (2017). Still awaiting the quantum turn .. doi: 10.17613/M6CV1J

Bawden, D. (2015). Storing the wisdom: chemical concepts and chemoinformatics. Informatics, 2(4), pp. 50-67. doi: 10.3390/informatics2040050

Bawden, D. (2011). The Once and Future Book. JOURNAL OF DOCUMENTATION, 67(1), pp. 6-8.

Bawden, D. (2012). Thomas Jefferson, Dwight D. Eisenhower, and information history for the future. Paper presented at the 50th anniversary conference of the CILIP Library and Information History Group, 6 Nov 2012, London, UK.

Bawden, D. (2004). Understanding documents and documentation. Journal of Documentation, 60(3), pp. 243-244.

Bawden, D. (2007). Web 2.0 and the end of civilisation. Journal of Documentation, 63(6), pp. 809-810.

Bawden, D. (2008). The dark side of documentation?. Journal of Documentation, 64(2), pp. 181-182. doi: 10.1108/jd.2008.27864baa.001

Bawden, D. (2008). The distractions of documentation. Journal of Documentation, 64(6), pp. 793-794.

Bawden, D. (2007). The doomsday of documentation?. Journal of Documentation, 63(2), pp. 173-174.

Bawden, D. (2009). The end of expertise?. Journal of Documentation, 65(2), pp. 185-186.

Bawden, D. (2015). “An ever-expanding universe of information”: Joseph Paxton and his followers in the communications revolution. Paper presented at the Paxton150: histories and futures of public parks, 11-09-2015 - 12-09-2015, Sheffield, UK.

Bawden, D. (2016). The noblest pleasure: theories of understanding in the information sciences. In: Sonnenwald, D. H. (Ed.), Theory Development in the Information Sciences. (pp. 281-299). USA: University of Texas Press.

Bawden, D. (2009). An obsession with its own future? The library, the web and the phonographotek. Journal of Documentation, 65(4), pp. 537-538.

Bawden, D. (2016). The once and future editorial. Journal of Documentation, 72(1), pp. 2-4. doi: 10.1108/jd-11-2015-0138

Bawden, D. (2016). "A point along a line": moving knowledge organization to the next level. Knowledge Organization: international journal devoted to concept theory, classification, indexing, and knowledge representation, 43(3), pp. 210-211.

Bawden, D. ORCID: 0000-0002-0478-6456, Gorichanaz, T., Furner, J. , Robinson, L. ORCID: 0000-0001-5202-8206, Ma, M., Herold, K., Van der Veer Martens, B., Floridi, L. & Dixon, D.view all authors (2020). Information and Design: Book Symposium on Luciano Floridi’s The Logic of Information. Journal of Documentation, 76(2), pp. 586-616. doi: 10.1108/jd-10-2019-0200

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). ASLIB. In: Encyclopedia of Library and Information Sciences. . Boca Raton: CRC Press.

Bawden, D. & Robinson, L. (2010). CoLIS in London, 2010: Reflections on the 7th conceptions of library and information science conference. Information Research, 15(3),

Bawden, D. & Robinson, L. (2018). Curating the infosphere: Luciano Floridi's Philosophy of Information as the foundation for Library and Information Science. Journal of Documentation, 74(1), pp. 2-17. doi: 10.1108/jd-07-2017-0096

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2019). "Essentially made of information": concepts and implications of informational privacy. Paper presented at the Conceptions of Library and Information Science (CoLIS), 16-19 June, Ljubljana, Slovenia.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2019). "Essentially made of information": concepts and implications of informational privacy. Information Research: an international electronic journal, 24(4), article number colis1913.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2018). Identifying good practices in information literacy education; creating a multi-lingual, multi-cultural MOOC. In: Kurbanoglu, S., Boustany, J., Spiranec, S. , Grassian, E., Mizrachi, D. & Roy, L.view all authors (Eds.), Information Literacy in the Workplace. ECIL 2017. 5th European Conference on Information Literacy, ECIL 2017, 18-21 September, 2017, Saint Malo, France. doi: 10.1007/978-3-319-74334-9_73

Bawden, D. & Robinson, L. (2011). Individual Differences in Information-Related Behaviour: What Do We Know About Information Styles? In: Spink, A. & Heinstrom, J. (Eds.), New Directions in Information Behaviour. Library and Information Science, 1. (pp. 127-158). London, UK: Emerald. doi: 10.1108/S1876-0562(2011)002011a009

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Information Overload: An Overview. In: Oxford Encyclopedia of Political Decision Making. . Oxford: Oxford University Press. doi: 10.1093/acrefore/9780190228637.013.1360

Bawden, D. & Robinson, L. (2016). Information and the gaining of understanding. Journal of Information Science, 42(3), pp. 294-299. doi: 10.1177/0165551515621691

Bawden, D. & Robinson, L. (2016). Information's magic numbers: the numerology of information science. In: Sugimoto, C. (Ed.), Theories of Information and Scholarly Communication. (pp. 180-196). Berlin: de Gruyter.

Bawden, D. & Robinson, L. (2016). Into the infosphere: theory, literacy, and education for new forms of document. In: Ivanović, M. & Tanacković, S. (Eds.), Ogledi o informacijskim znanostima: Zbornik radova u Čast Tatjane Aparac-Jelušić. (pp. 177-186). Osijek, Crotia: Universities of Osijek and Zadar.

Bawden, D. & Robinson, L. (2016). Library and Information Science. In: Jensen, K. B. & Pooley, J. (Eds.), The International Encyclopedia of Communication Theory and Philosophy. (pp. 1068-1073). UK: Wiley.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). "Never again the in the history of humanity": information education for onlife. Paper presented at the International Symposium on the Future of Education in Information Science, 10-11 Sep 2018, Pisa, Italy.

Bawden, D. & Robinson, L. (2013). No such thing as society? On the individuality of information behavior. Journal of the American Society for Information Science and Technology, 64(12), pp. 2587-2590. doi: 10.1002/asi.22971

Bawden, D. & Robinson, L. (2011). Pharmaceutical Information: A 30-Year Perspective on the Literature. Annual Review of Information Science and Technology, 45(1), pp. 63-119. doi: 10.1002/aris.2011.1440450109

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Still minding the gap? Reflecting on transitions between concepts of information in varied domains. Information, 11(2), article number 71. doi: 10.3390/info11020071

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2018). Supporting truth and promoting understanding: knowledge organization and the curation of the infosphere. In: Challenges and Opportunities for Knowledge Organization in the Digital Age: Proceedings of the Fifteenth International ISKO Conference 9-11 July 2018 Porto, Portugal. Fifteenth International ISKO Conference, 09 - 11 July 2018, Porto, Portugal.

Bawden, D. & Robinson, L. (2015). 'Waiting for Carnot': Information and complexity. Journal of the Association for Information Science and Technology, 66(11), pp. 2177-2186. doi: 10.1002/asi.23535

Bawden, D. & Robinson, L. (2009). The dark side of information: overload, anxiety and other paradoxes and pathologies. Journal of Information Science, 35(2), pp. 180-191. doi: 10.1177/0165551508095781

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). "The dearest of our possessions": applying Floridi's information privacy concept in models of information behavior and information literacy. Journal of the Association for Information Science and Technology, 71(9), pp. 1030-1043. doi: 10.1002/asi.24367

Bawden, D. & Robinson, L. (2016). "A different kind of knowing": speculations on understanding in light of the Philosophy of Information. Paper presented at the Conceptions of Library and Information Science - CoLIS9, 27-29 Jun 2016, Uppsala, Sweden.

Bawden, D. & Robinson, L. (2014). “A few exciting words”: information and entropy revisited. Journal of the Association for Information Science and Technology, 66(10), pp. 1965-1987. doi: 10.1002/asi.23459

Bawden, D. & Robinson, L. (2015). "An intensity around information": the changing face of chemical information literacy. Journal of Information Science, 43(1), pp. 17-24. doi: 10.1177/0165551515616919

Bawden, D. ORCID: 0000-0002-0478-6456, Robinson, L. ORCID: 0000-0001-5202-8206, Pinfield, S. & Wakeling, S.view all authors (2019). Open Access in Theory and Practice: workshop. Paper presented at the Conceptions of Library and Information Science (CoLIS), 16-19 June, Ljubljana, Slovenia.

Bawden, D., Robinson, L. & Siddiqui, T. (2015). "Potentialities or Possibilities": Towards Quantum Information Science?. Journal of the Association for Information Science and Technology, 66(3), pp. 437-449. doi: 10.1002/asi.23192

Beard, C. & Bawden, D. (2012). University libraries and the postgraduate student: Physical and virtual spaces. New Library World, 113(9/10), pp. 439-447. doi: 10.1108/03074801211273911

Beasley, C. (2002). Environmental Information: Issues of Access, Policy and Information Resources Management. (Unpublished Doctoral thesis, City, University of London)

Bell, Jonathan (2016). Audio-scores, a resource for composition and computer-aided performance. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. In: The Palgrave Handbook of Creativity at Work. (pp. 431-459). Cham: Palgrave Macmillan. doi: 10.1007/978-3-319-77350-6_21

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Bereson, R. (1997). Opera considered as state ceremony. (Unpublished Doctoral thesis, City University London)

Berget, G. & MacFarlane, A. ORCID: 0000-0002-8057-0737 (2019). What Is Known About the Impact of Impairments on Information Seeking and Searching?. Journal of the Association for Information Science and Technology, 71(5), pp. 596-611. doi: 10.1002/asi.24256

Berget, G., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Pharo, N. (2021). Modelling the information seeking and searching behaviour of users with impairments: Are existing models applicable?. Journal of Documentation, 77(2), pp. 381-400. doi: 10.1108/jd-04-2020-0049

Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London)

Beveridge, L. (2023). The Impact of Dyslexia on the Online Information-Seeking Behaviour of Undergraduate Students. (Unpublished Doctoral thesis, City, University of London)

Bhogal, Jagdev (2011). Investigating ontology based query expansion using a probabilistic retrieval model. (Unpublished Doctoral thesis, City University London)

Bhunnoo, S.A. (2018). What can a sonic assemblage do? A biopsychosocial approach to post-acousmatic composition. (Unpublished Doctoral thesis, City, University of London)

Billing, S. (2006). Bacewicz : the violin concertos. (Unpublished Doctoral thesis, City University London)

Black, E. (2023). From fusion to stratification: Plurality of textural ideas. How can we examine textural relationships in instrumental composition?. (Unpublished Doctoral thesis, City, University of London)

Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016). Dressing the Body: Introduction. Cultural Studies Review, 22(1), pp. 4-9. doi: 10.5130/csr.v22i1.4907

Bleisch, S. (2011). Evaluating the appropriateness of visually combining quantitative data representations with 3D desktop virtual environments using mixed methods. (Unpublished Doctoral thesis, City University London)

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Davies, D. ORCID: 0000-0002-3584-5789 (2023). The Broken Promise of Infrastructure (Introduction). In: The Broken Promise of Infrastructure. (pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Graphic Capitaloscenes: Drawing Infrastructure as Historical Form. Critique: Studies in Contemporary Fiction, 65(4), pp. 680-695. doi: 10.1080/00111619.2023.2231845

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Green unpleasant land: Creative responses to rural England's colonial connections. Journal of Postcolonial Writing, 58(2), pp. 286-287. doi: 10.1080/17449855.2022.2066520

Davies, D. ORCID: 0000-0002-3584-5789 (2022). "The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction. In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.), Drawing the past. (pp. 56-78). University Press of Mississippi.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Infrastructural Forms: Comics, Cities, Conglomerations. In: The Routledge Companion to Literary Urban Studies. (pp. 163-176). London, UK: Routledge. doi: 10.4324/9781003124931-14

Davies, D. ORCID: 0000-0002-3584-5789 (2025). Into our labours: Work and its representation in world-literary perspective. Journal of Postcolonial Writing, pp. 1-2. doi: 10.1080/17449855.2025.2452983

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Intolerable fictions. In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A.view all authors (Eds.), Comics and Migration: Representation and Other Practices. . Routledge India. doi: 10.4324/9781003254621-18

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 (2024). The infrastructure humanities. Interventions, 26(8), pp. 1326-1342. doi: 10.1080/1369801x.2024.2400351

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, 9(1), pp. 1-25. doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Braided geographies: bordered forms and cross-border formations in refugee comics. Journal for Cultural Research, 23(2), pp. 124-143. doi: 10.1080/14797585.2019.1665892

Davies, D. ORCID: 0000-0002-3584-5789 (2022). The City of the Missing: Poetic Responses to the Grenfell Fire. Journal of Urban History, 49(3), doi: 10.1177/00961442221127310

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 7(1), article number 18. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad. Interventions, 23(6), pp. 922-940. doi: 10.1080/1369801x.2020.1816851

Davies, D. ORCID: 0000-0002-3584-5789 (2015). Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920). The Journal of Commonwealth Literature, 50(1), pp. 45-58. doi: 10.1177/0021989414555209

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border. a/b: Auto/Biography Studies, 35(2), pp. 383-403. doi: 10.1080/08989575.2020.1741187

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Editor’s note. Journal of Postcolonial Writing, 55(5), pp. 585-588. doi: 10.1080/17449855.2019.1657696

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009). Journal of Graphic Novels and Comics, 11(3), pp. 325-340. doi: 10.1080/21504857.2019.1575256

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Infrastructural Violence. In: Hague, I., Horton, I. & Mickwitz, N. (Eds.), Contexts of Violence in Comics. . Abingdon, Oxford: Routledge.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Introduction: Documenting Trauma in Comics. In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. (pp. 1-26). Cham: Palgrave Macmillan.

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, 55(1), pp. 94-107. doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Davies, D. ORCID: 0000-0002-3584-5789 (2017). A Review of Threadbare: Clothes, Sex and Trafficking. The Comics Grid: Journal of Comics Scholarship, 7, article number 7. doi: 10.16995/cg.110

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines. The Cambridge Journal of Postcolonial Literary Inquiry, 8(3), pp. 301-322. doi: 10.1017/pli.2021.18

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, 63(4), pp. 385-400. doi: 10.1080/00111619.2020.1841724

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing, 54(3), pp. 411-430. doi: 10.1080/17449855.2018.1461986

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

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Jilani, S. ORCID: 0000-0002-0024-4801 (2023). Becoming in a colonial world: approaching subjectivity with Fanon. Textual Practice, 38(10), pp. 1583-1600. doi: 10.1080/0950236x.2023.2243908

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Civic Interaction, Urban Memory, and the Istanbul International Film Festival. In: Schwan, A. & Thomson, T. (Eds.), The Palgrave Handbook of Digital and Public Humanities. (pp. 441-458). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-031-11886-9_23

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Jilani, S. ORCID: 0000-0002-0024-4801 (2015). 'Black' Spaces: Othello and the Cinematic Language of Othering. Literature-Film Quarterly, 43(2), pp. 104-115.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra. The Journal of Commonwealth Literature, 58(3), pp. 645-659. doi: 10.1177/00219894211031803

Jilani, S. ORCID: 0000-0002-0024-4801 (2018). Intimate Epics. Women: A Cultural Review, 29(3-4), pp. 398-400. doi: 10.1080/09574042.2018.1531638

Jilani, S. ORCID: 0000-0002-0024-4801 (2014). "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye. Postgraduate English, 29(1), pp. 2-24.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, 24(4), pp. 586-602. doi: 10.1080/1369801x.2021.1892515

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Kernan, M.A. The Arden Shakespeare, 1890 to 2014: A cultural, historical, commercial and technological case study. Paper presented at the By the Book: The book and the study of its digital transformation, 23-05-2014 - 24-05-2014, Florence, Italy.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership. Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design for graduate outcomes. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design in graduate outcomes: City's BA English. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

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Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9

Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study. Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.

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Khalili Shavarini, Nazanin (2011). Analysis of spatio-social relations in a photographic archive (Flickr). (Unpublished Doctoral thesis, City University London)

Khosravi, Peiman (2012). Spectral spatiality in the acousmatic listening context. (Unpublished Doctoral thesis, City University London)

Khudair, A. & Bawden, D. (2007). Healthcare libraries in Saudi Arabia: Analysis and recommendations. Aslib Proceedings, 59(4/5), pp. 328-341. doi: 10.1108/00012530710817555

Khudair, A.A. (2005). Health Sciences Libraries: Information Services and ICTs. (Unpublished Doctoral thesis, City University London)

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2025). Radically Hopeful Dystopian Climate Fiction: Exploring Social Dreaming, Temporal Re-Sensitisation, and Katharsis in Jeff VanderMeer’s Borne. Comparative American Studies An International Journal, pp. 1-18. doi: 10.1080/14775700.2025.2490336

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022). Science Fiction and Climate Change: A Sociological Approach. Green Letters: Studies in Ecocriticism, 26(2), pp. 190-193. doi: 10.1080/14688417.2022.2037865

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road. The Cormac McCarthy Journal, 18(2), pp. 100-112. doi: 10.5325/cormmccaj.18.2.0100

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Cohesive Plurality. LOGOS: Journal of the World Publishing Community, 31(2), pp. 52-56. doi: 10.1163/18784712-03102005

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Fragments from the history of loss: the nature industry and the postcolony. Green Letters: Studies in Ecocriticism, 25(1), pp. 99-101. doi: 10.1080/14688417.2021.1888480

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Narrating the Mesh: Form and Story in the Anthropocene. Green Letters: Studies in Ecocriticism, 25(4), pp. 441-444. doi: 10.1080/14688417.2021.2012365

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics. In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.), Contemporary Publishing and the Culture of Books. (pp. 237-252). Abingdon, UK: Routledge. doi: 10.4324/9781315778389

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Lane, C.M. (2000). Space, motion and metaphor in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Lassiter, E. (2023). Co-composing an Endarkened Acoustemology: Sonic approaches towards breaking hegemonic hierarchy. (Unpublished Doctoral thesis, City, University of London)

Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

Lawrence, Mark (2013). Veljo Tormis, Estonian composer. (Unpublished Doctoral thesis, City University London)

Lee, C.A. (1992). The analysis of therapeutic improvisatory music with people living with the virus HIV and AIDS. (Unpublished Doctoral thesis, City University London)

Lee, D. ORCID: 0000-0002-5768-9262 (2019). The classification of musical transformation: a conceptual approach to the knowledge organization of musical arrangements. Information Research: an international electronic journal, 24(4), article number colis1919.

Lee, D. & Robinson, L. (2018). The heart of music classification: towards a model of classifying musical medium. Journal of Documentation, 74(2), pp. 258-277. doi: 10.1108/jd-08-2017-0120

Lee, D., Robinson, L. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Global knowledge organization, "super-facets" and music; universal music classification in the digital age. In: Challenges and Opportunities for Knowledge Organization in the Digital Age: Proceedings of the Fifteenth International ISKO Conference 9-11 July 2018 Porto, Portugal. Fifteenth International ISKO Conference, 09 - 11 July 2018, Porto, Portugal.

Lee, D., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2019). Modelling the relationship between scientific and bibliographic classification for music. Journal of the Association for Information Science and Technology, 70(3), pp. 230-241. doi: 10.1002/asi.24120

Lee, D., Robinson, L. & Bawden, D. (2020). Operatic knowledge organisation: an exploration of the domain and bibliographic interface in the classification of opera subgenres. In: Knowledge organization at the interface: Proceedings of the 16th International ISKO conference. Sixteenth International ISKO Conference, 6-8 Jul 2020, Aalborg, Denmark.

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Lee, Deborah (2017). Modelling music: a theoretical approach to the classification of notated Western art music. (Unpublished Doctoral thesis, City, University of London)

Lee, L., Ocepek, M. G., Makri, S. ORCID: 0000-0002-5817-4893 , Buchanan, G. & McKay, D.view all authors (2019). Getting creative in everyday life: Investigating arts and crafts hobbyists' information behavior. Proceedings of the Association for Information Science and Technology, 56(1), pp. 703-705. doi: 10.1002/pra2.141

Li, C. (2007). Piano performance : strategies for score memorisation. (Unpublished Doctoral thesis, City University London)

Liao, Shiow-Man (2004). A comparative study of organisational structure changes in higher education institutions libraries between UK and Taiwan. (Unpublished Doctoral thesis, City University)

Lim, Lemy Sungyoun (2010). The Reception of Women Pianists in London, 1950-60. (Unpublished Doctoral thesis, City University London)

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Canonising Byzantine Chant as Greek Art Music. In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R.view all authors (Eds.), Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries. (pp. 31-53). Abingdon, UK: Routledge.

Lingas, A. ORCID: 0000-0003-0083-3347 (2012). Cappella Romana Live in Greece. From Constantinople to California: Renaissance Cretan Chant and Polyphony — Modern Choral Works by Adamis, Bogdanos, Cardiasmenos, Desby, Michaelides and Zes,. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. In: Bouteneff, P., Engelhardt, J. & Saler, R. (Eds.), Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. (pp. 220-231). New York, USA: Fordham University Press.

Lingas, A. (2015). Cyprus: Between East and West. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2008). The Divine Liturgy of St John Chrysostom according to the Byzantine Tradition: A New Musical Setting in English. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2004). Epiphany: Medieval Byzantine Chant. Portland, USA: Cappella Romana.

Lingas, A. (2013). From Earth to Heaven: The Changing Musical Soundscape of Byzantine Liturgy. In: Experiencing Byzantium: Papers from the 44th Spring Symposium of Byzantine Studies, Newcastle and Durham, April 2011. (pp. 311-358). Abingdon, UK: Ashgate Publishing.

Lingas, A. (2015). Good Friday in Jerusalem, Medieval Byzantine Chant from the Church of the Holy Sepulchre. Portland, USA: Cappella Romana.

Lingas, A. (2017). Hymnography with(out) Music as Scripture and Prayer. In: Moody, I. & Takala-Roszczenko, M. (Eds.), Creating Liturgically: Hymnography and Music. (pp. 17-28). Joensuu, Finland: International Society for Orthodox Church Music.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). In the Byzantine Empire. In: Grove Music Online. . UK: Oxford University Press.

Lingas, A. (2015). An Introduction to Passion Week, Opus 13 by Maximilian Steinberg (1883–1946). In: Morosan, V. & Lingas, A. (Eds.), Maximilian Steinberg, Opus 13, Based on Early Russian Chants (Musical Score). (pp. vii-xviii). San Diego, CA, USA: Musica Russica.

Lingas, A. (2015). Maximillian Steinberg: Passion Week, Opus 13 / Nikolay Rimsky-Korsakov: Chants for Holy Week. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2015). Music in the Balkans. Ethnomusicology Forum, 24(1), pp. 134-136. doi: 10.1080/17411912.2014.980200

Lingas, A. ORCID: 0000-0003-0083-3347 (2018). The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine. Ethnomusicology Forum, 27(2), pp. 243-245. doi: 10.1080/17411912.2018.1508359

Lingas, A. (2013). The Past is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos. Ethnomusicology Forum, 22(1), pp. 121-124. doi: 10.1080/17411912.2012.753815

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, 98(2), pp. 298-300. doi: 10.1093/ml/gcx036

Lingas, A. (2017). Singing the Lord’s Song in a Foreign Land—Teaching Orthodox Liturgical Music in Non-Orthodox Contexts. In: Bezzarides, A. & Prodromou, E. (Eds.), Eastern Orthodox Christianity and American Higher Education: Theological, Historical, and Contemporary Reflections. (pp. 279-314). USA: University of Notre Dame Press.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Sir John Tavener and the Search for an English Orthodox Musical Language. In: Boyce-Tilman, J. (Ed.), The Spirituality of the Music of John Tavener. . Oxford: Peter Lang.

Lingas, A. (2013). Tikey Zes: The Divine Liturgy of St John Chrysostom (1991). Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Venice in the East: Renaissance Crete and Cyprus. Portland, USA: Cappella Romana.

Lingas, A. ORCID: 0000-0003-0083-3347, Pentcheva, B., Abel, J. , Cappella Romana, Eruçman, D., Antonopoulos, S. & Canfield-Dafilou, E.view all authors (2019). Lost Voices of Hagia Sophia: Medieval Byzantine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople. Cappella Romana.

Litosseliti, E. ORCID: 0000-0002-3305-4713, Gill, R. ORCID: 0000-0002-2715-1867 & Favaro, L. (2019). Postfeminism as a critical tool for gender and language study. Gender and Language, 13(1), pp. 1-22. doi: 10.1558/genl.34599

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Lloyd, D., Dykes, J. & Radburn, R. (2008). Mediating geovisualization to potential users and prototyping a geovisualization application. Paper presented at the GIS Research UK 16th Annual Conference GISRUK 2008, 2 - 4 Aug 2008, Manchester Metropolitan University, Manchester, UK.

Lloyd, David (2009). Evaluating human-centered approaches for geovisualization. (Unpublished Doctoral thesis, City University London)

Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London)

Lolavar, S (2021). Auto-ethnography and Composition as Epistemologies for Reconciling Double-Consciousness: an Interrogation of Hybridity and Diaspora. (Unpublished Doctoral thesis, City, University of London)

Longstaff, J.S. (1996). Cognitive Structures of Kinesthetic Space Reevaluating Rudolf Laban's Choreutics In the Context of Spatial Cognition and Motor Control. (Unpublished Doctoral thesis, City University London)

Lopes, R.R.V. (1995). A model and prototype for a community-related information retrieval system for public libraries in Brazil. (Unpublished Doctoral thesis, City University London)

Lopez Jorge, M. (2016). Imagery and the composition of music: an insight into an original compositional method inspired by mental imagery. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Loufopoulos, A. (2004). Nature in electroacoustic music. (Unpublished Doctoral thesis, City University London)

Loya, S. (2014). Liszt’s Legacy and the Paradoxes of Hungarian Musical Modernism. In: Deaville, J. & Saffle, M. (Eds.), Liszt Legacies. . Pendragon.

Loya, S. ORCID: 0000-0002-9156-2804 (2018). Liszt’s National Compositions in the Year of the Franco-Prussian War. In: Kelly, E., Mantere, M. & Scott, D. B. (Eds.), Confronting the National in the Musical Past. (pp. 31-48). London: Routledge.

Loya, S. (2016). Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke. Notes, 73(2), pp. 289-292. doi: 10.1353/not.2016.0128

Loya, S. (2015). The Mystery of the Seventeenth Hungarian Rhapsody. Quaderni dell’Instituto Liszt, 15, pp. 107-146.

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. In: Hinrichsen, H-J. & Keym, S. (Eds.), Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts. . Cologne, Germany: Böhlau.

Loya, S. (2015). Neither major, nor minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. Paper presented at the Dur vs. Moll: Zum semantischen Potenzial eines musikalischen Elementarkontrasts. Kontinuitäten und Brüche in der neuzeitlichen Musik und Musiktheorie, 19 Nov 2015 - 22 Nov 2015, Institut für Musik wissenschaft Universität Leipzig, Germany.

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Nineteenth-Century Programme Music: Creation, Negotiations, Reception. Ad Paranassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 19(37), pp. 89-94.

Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/s147940981600015x

Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409

Loya, S. ORCID: 0000-0002-9156-2804 (2020). Virtuosity in Liszt's Late Works. In: Doran, R. (Ed.), Liszt and Virtuosity. . New York: University of Rochester Press. doi: 10.1017/9781787448667

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MacFarlane, A. ORCID: 0000-0002-8057-0737 (2000). Distributed Inverted Files and Performance: A Study of Parallelism and Data Distribution Methods in IR. (Unpublished Doctoral thesis, City, University of London)

MacFarlane, A. (2009). Models Performance Issues in Parallel Computing for Information Retrieval. In: Goker, A. S. & Davies, J. (Eds.), Information Retrieval: Searching in the 21st Century. (pp. 255-271). John Wiley & Sons Inc.

MacFarlane, A., Al-Wabil, A., Marshall, C. R. , Albrair, A., Jones, S. A. & Zaphiris, P.view all authors (2010). The effect of dyslexia on information retrieval: A pilot study. Journal of Documentation, 66(3), pp. 307-326. doi: 10.1108/00220411011038421

MacFarlane, A., Albrair, A., Marshall, C. R. & Buchanan, G.view all authors (2012). Phonological working memory impacts on information searching: An investigation of dyslexia. In: IIiX 2012 - Proceedings 4th Information Interaction in Context Symposium: Behaviors, Interactions, Interfaces, Systems. 4th Information Interaction in Context: 2012, 21-08-2012 - 24-08-2012, Nijmegen, Netherlands.

MacFarlane, A., Albrair, A., Marshall, C. R. & Buchanan, G.view all authors (2012). Phonological working memory impacts on information searching: an investigation of dyslexia. In: Proceedings of the 4th Information Interaction in Context Symposium. (pp. 27-34). New York, USA: ACM. doi: 10.1145/2362724.2362734

MacFarlane, A., McCann, J. A. & Robertson, S. E. (2000). Parallel search using partitioned inverted files. In: Seventh International Symposium on String Processing and Information Retrieval, 2000. SPIRE 2000. Proceedings. (pp. 209-220). IEEE COMPUTER SOC. doi: 10.1109/SPIRE.2000.878197

MacFarlane, A., Secker, A., May, P. & Timmis, J.view all authors (2010). An experimental comparison of a genetic algorithm and a hill-climber for term selection. Journal of Documentation, 66(4), pp. 513-531. doi: 10.1108/00220411011052939

MacFarlane, A. & Tuson, A. (2009). Local search: A guide for the information retrieval practitioner. Information Processing and Management, 45(1), pp. 159-174. doi: 10.1016/j.ipm.2008.09.002

Mackay, S. (2017). Musical culture and urban change in contemporary Marseille. (Unpublished Doctoral thesis, City, University of London)

Majid, M. Shaheen (2000). Effectiveness of Malaysian Agricultural Libraries. (Unpublished Doctoral thesis, City, University of London)

Makri, S., Blandford, A., Woods, M. , Sharples, S. & Maxwell, D.view all authors (2014). "Making my own luck": Serendipity strategies and how to support them in digital information environments. Journal of the Association for Information Science and Technology, 65(11), pp. 2179-2194. doi: 10.1002/asi.23200

Makrzanowska, A. & Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Poor Traces of the Room: The Live Archive at the Library. Performance Research, 22(1), pp. 106-114. doi: 10.1080/13528165.2017.1285574

Margree, P., MacFarlane, A., Price, L. & Robinson, L.view all authors (2014). Information behaviour of music record collectors. Information Research: an international electronic journal, 19(4), article number 652.

Marti, Cécile (2017). Seven towers: an orchestral cycle focused on different musical temporalities. (Unpublished Post-Doctoral thesis, Guildhall School of Music and Drama)

Mason, T. & Bawden, D. ORCID: 0000-0002-0478-6456 (2023). Times New Plural - The multiple temporalities of contemporary life and the infosphere. Journal of the Association for Information Science and Technology, 74(10), pp. 1159-1169. doi: 10.1002/asi.24812

Mason, H. & Robinson, L. (2011). The information-related behaviour of emerging artists and designers Inspiration and guidance for new practitioners. Journal of Documentation, 67(1), pp. 159-180. doi: 10.1108/00220411111105498

Matos, C. ORCID: 0000-0001-6304-3591 (2012). Audience perceptions of quality programming and the public media. In: Media and Politics in Latin America: Globalization, Democracy and Identity. (pp. 113-137). London, UK: I. B. Tauris.

Matos, C. ORCID: 0000-0001-6304-3591 Community engagement with health messages on reproductive health in an age of misinformation and political polarisation: A case study of the US NGO Open Arms in Florida. In: Simoes, R. & Amaral, I. (Eds.), Young Adulthood Across Platforms. . Leeds, England: Emerald Publishing.

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

Matos, C. ORCID: 0000-0001-6304-3591 (2008). Jornalismo e política democrática no Brasil. Sao Paulo: Publifolha.

Matos, C. ORCID: 0000-0001-6304-3591 (2009). Journalism and Political Democracy in Brazil. Maryland, USA: Lexington Books.

Matos, C. ORCID: 0000-0001-6304-3591 (2024). Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina. International Journal of Media and Cultural Politics, 19(2), pp. 237-254. doi: 10.1386/macp_00085_1

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Media Democratization in Brazil Revisited. In: Nederveen Pieterse, J. (Ed.), Brazil Emerging: inequality and emancipation. . Abingdon, UK: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2014). PSB and media reform in Brazil in comparative perspective. In: Guerrero, M. A. & Ramirez, M. M. (Eds.), Media Systems and Communication Policies in Latin America. (pp. 208-225). London, UK: Palgrave Macmillan. doi: 10.1057/9781137409058_12

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Televisão, CulturA Popular e Identidade Latino- AmericanA E Brasileira. In: Matos, C. ORCID: 0000-0001-6304-3591 (Ed.), Mídia e política na América Latina. (pp. 197-234). Rio de Janeiro, Brazil: ‎Civilização Brasileira.

Matos, C. ORCID: 0000-0001-6304-3591 (2023). Use of focus groups research on health communications messages on SRHR: experiences of empowerment from the Global South in the age of misinformation on gender and minority rights. .

Matos, C. ORCID: 0000-0001-6304-3591, Orrego Dunleavy, V. & Oliveira, J. Discourses of care, wellbeing and women’s rights: a case study of Saving Mothers’ Comadronas’ understanding of reproductive health in Guatemala in the misinformation age.

Matos, C. O. ORCID: 0000-0001-6304-3591 (2021). Entrevista com o professor Daya Thussu sobre midia e academia em tempos de pandemia. Revista de Comunicação Dialógica(6), pp. 94-116. doi: 10.12957/rcd.2022.62083

Mayor, C. & Robinson, L. (2014). Ontological Realism and Classification: Structures and Concepts in the Gene Ontology. Journal of the Association for Information Science and Technology, 65(4), pp. 686-697. doi: 10.1002/asi.23057

Mayor, C. & Robinson, L. (2014). Ontological realism, concepts and classification in molecular biology: Development and application of the gene ontology. Journal of Documentation, 70(1), pp. 173-193. doi: 10.1108/jd-06-2013-0076

Mayor, Charlie (2012). The classification of gene products in the molecular biology domain: Realism, objectivity, and the limitations of the Gene Ontology. (Unpublished Doctoral thesis, City University London)

Mbaye, J. F. (2010). AURA ou de la production politique de la musique hip hop. Cahiers de recherche sociologique, 49(49), pp. 147-160. doi: 10.7202/1001415ar

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2015). Géographies de l'économie de la musique hip hop au Sénégal. In: Roy-Valex, M. & Bellavance, G. (Eds.), Arts et territoires à l'ère du développement durable : vers une nouvelle économie culturelle? (pp. 231-258). Presses de l'Université Laval.

Mbaye, J. F. (2014). Hip Hop Politics: Recognising a Southern Complexity. In: Parnell, S. & Oldfield, S. (Eds.), The Routledge Handbook on Cities of the Global South. (pp. 396-412). London, UK: Routledge.

Mbaye, J. F. (2015). Musical borderlands: A cultural perspective of regional integration in Africa. City, Culture and Society, 6(2), pp. 19-26. doi: 10.1016/j.ccs.2015.03.002

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2016). Rouge Flânerie: Cultural Takhawalu in Urban Extremes: Cape Town & Dakar. In: Umunna, M. & Disu, O. (Eds.), Open City Lagos. (pp. 50-57). Heinrich Böll Foundation (Nigeria), Nsibidi Institute (Nigeria) & Fabulous Urban (Switzerland).

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Deme, A. (2015). Formidable comme Karim Wade. In: Beyer, T., Burkhalter, T. & Liechti, H. (Eds.), Seismographic Sounds: Visions of a New World. (pp. 42-44). Bern, Switzerland: Norient Books.

Mbaye, J. F. & Dinardi, C. (2019). Ins and outs of the cultural polis: informality, culture and governance in the global South. Urban Studies, 56(3), pp. 578-593. doi: 10.1177/0042098017744168

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Pratt, A.C. (2020). Cities, creativities and urban creative economies: Re-descriptions and make+shifts from Sub-Saharan Africa. International Journal of Urban and Regional Research, 44(5), pp. 781-792. doi: 10.1111/1468-2427.12887

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Yeh, D. ORCID: 0000-0001-8324-5342 (2020). #BLM and the city. City, Culture and Society, 23, article number 100373. doi: 10.1016/j.ccs.2021.100373

McCormack, M. (1996). The Design and Evaluation of Computer Music Interfaces. (Unpublished Doctoral thesis, City, University of London)

McIntosh, S.M. (1993). Gamaka and Alamkara : concepts of vocal ornamentation with reference to Bara Khayal. (Unpublished Doctoral thesis, City University London)

McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023). Chinese older adults' social media use: a study of WeChat from a social practice perspective. Information Technology & People, 38(1), pp. 363-379. doi: 10.1108/itp-10-2022-0787

McNally, N. & Bastos, M. ORCID: 0000-0003-0480-1078 (2025). The News Feed is not a Black Box: A Longitudinal Study of Facebook’s Algorithmic Treatment of News. Digital Journalism, pp. 1-20. doi: 10.1080/21670811.2025.2450623

McQueen, G. E. & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, 19(4), pp. 328-350. doi: 10.1080/14702029.2020.1823762

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2024). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, 17(5), pp. 700-706. doi: 10.1080/17530350.2022.2112263

Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019). Apocalypse yesterday: Posthumanism and comics in the Anthropocene. Environment and Planning E: Nature and Space, 3(3), pp. 663-687. doi: 10.1177/2514848619883468

Mera, M. (2015). Agitprop Rap? "Ill Manors" and the Impotent Indifference of Social Protest. In: Miller, T. (Ed.), The Routledge Companion to Global Popular Culture. (pp. 268-281). New York, USA: Routledge.

Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030

Mera, M. (2009). An Interview with Canadian-Armenian Filmmaker Atom Egoyan. Ethnomusicology Forum, 18(1), pp. 73-82. doi: 10.1080/17411910902790416

Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1

Mera, M. ORCID: 0000-0002-0031-0629 (2021). Listening–Feeling–Becoming: Cinema Surveillance. In: Cenciarelli, C. (Ed.), The Oxford Handbook of Cinematic Listening. (pp. 407-426). Oxford, UK: Oxford University Press. doi: 10.1093/oxfordhb/9780190853617.013.23

Mera, M. (2016). Materialising Film Music. In: Cooke, M. & Ford, F. (Eds.), The Cambridge Companion to Film Music. . Cambridge, UK: Cambridge University Press.

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Music Maketh Man: Meritocracy in Kingsman: The Secret Service. In: Peddie, I. (Ed.), The Bloomsbury Handbook of Popular Music and Social Class. . London, UK: Bloomsbury Academic.

Mera, M. (2012). Outing the Score: Music, narrative and collaborative process in Little Ashes. Music, Sound and the Moving Image, 6(1), pp. 93-110. doi: 10.3828/msmi.2012.8

Mera, M. ORCID: 0000-0002-0031-0629 (2019). Popular Music on Screen and the Road to Brexit. Cinema&Cie: International Journal of Film Studies, 8(31),

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Professor Daddy has a zebra on his head. Ethnomusicology Forum, 29(3), pp. 300-306. doi: 10.1080/17411912.2020.1873560

Mera, M. (2009). Reinventing Question Time. In: Scott, D. B. (Ed.), The Ashgate research companion to popular musicology. (pp. 59-83). Aldershot: Ashgate Pub Co.

Mera, M. (2013). Review of Peter Franklin, Seeing Through Music: Gender and Modernisms in Classic Hollywood Film. Music, Sound and the Moving Image, 7(2), pp. 195-218. doi: 10.3828/msmi.2013.9

Mera, M. (2017). Screen Music and the Question of Originality. In: Mera, M., Sadoff, R. & Winters, B. (Eds.), The Routledge Companion to Screen Music and Sound. (pp. 38-49). Oxford, UK: Routledge.

Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: Greene, L. & Kulezic-Wilson, D. (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. doi: 10.1057/978-1-137-51680-0

Mera, M., Mathez, B. & Thatcher, T. (2014). Morriña

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Mera, M. & Stumpf, S. (2014). Eye-tracking Film Music. Music and the Moving Image, 7(3), pp. 3-23. doi: 10.5406/musimoviimag.7.3.0003

Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.

Merkel, J. (2015). Coworking in the city. Ephemera, 15(2), pp. 121-139.

Merkel, J. (2014). Gärtner der urbanen Arbeitswelt. Wie Coworking Spaces kuratiert werden. WZB Mitteilungen, 145, pp. 21-22.

Messeder, G. (2022). ‘Obrigada, Shukran’: Brazilian Musical Encounters in Beirut. (Unpublished Doctoral thesis, City, University of London)

Metaxaki, M. (2005). Considerations for pedalling Debussy's piano music. (Unpublished Doctoral thesis, City University London)

Michael, C. (2017). Contemplating identity and genre in Greek popular song: The Theatrical Compositions of Manos Hadjidakis Between 1944 and 1966. (Unpublished Doctoral thesis, City, University of London)

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Miranda- Perez, R. (1992). Jose Rolon: a study of his life and music. (Unpublished Doctoral thesis, City University London)

Mizrachi, D., Salaz, A., Kurbanoglu, S. , Boustany, J., Todorova, T., Yantao, P., Zhang, J., Zivkovic, D., Pesut, D., Kortelainen, T., Bar-Ilan, J., Aharony, N., Collina, E., Krumina, L., Geagea, H., Ghinculov, S., Landoy, A., Gastinger, A., de la Vega, A., Terra, A., Johnston, N., Repanovici, A., Vilar, P., Schneider, R., Dogan, G., Kurbanoglu, S., Jamal, P., Bawden, D. ORCID: 0000-0002-0478-6456, Secker, J., Morrison, C.M., Salaz, A., Mizrachi, D., Boustany, J. & ARFIS Research Group, .view all authors (2018). Academic reading format preferences and behaviors among university students worldwide: A comparative survey analysis. PLoS ONE, 13(5), article number e0197444. doi: 10.1371/journal.pone.0197444

Moise, R. ORCID: 0000-0002-2578-9832 (2021). Diaspora Diplomacy and Modes of Engagement. Romanian Diaspora in UK. Paper presented at the MARPE Diplo Conference, 31 May - 1 Jun 2021, Lisbon, Portugal.

Moise, R. ORCID: 0000-0002-2578-9832 (2015). Editor's Note. In: Moise, R. ORCID: 0000-0002-2578-9832 & Savoiu, A. (Eds.), Public Relations: A Revolutionary Discipline. (pp. 11-19). Bucharest, Romania: Tritonic.

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2021). The Citizen Diplomats and their Pathways to Diplomatic Power. In: Pedro Sebastiao, S. & Spinola de Carvalho, S. (Eds.), Diplomacy, Organisations and Citizens. (pp. 219-254). Springer. doi: 10.1007/978-3-030-81877-7_13

Moise, R. ORCID: 0000-0002-2578-9832, Anton, A. ORCID: 0000-0003-0201-197X & Hellmueller, L. ORCID: 0000-0002-6609-9395 (2025). Flexible working schemes in media and communication industries: a shifting landscape. Corporate Communications: An International Journal, doi: 10.1108/ccij-06-2024-0104

Moise, R. ORCID: 0000-0002-2578-9832 & Dolea, A. (2015). 25 years of PR in Romanian book sector: A short history of institutionalization and professionalization. In: The Proceedings of the International History of Public Relations Conference 2015. International History Of Public Relations Conference 2015, 8-9 Jul 2015, Bournemouth, UK.

Moise, R. ORCID: 0000-0002-2578-9832, Rogojinaru, A. & Zaharia, A. (2015). Using benchmarking to evaluate public relations effectiveness through social media. In: Public Relations: A Revolutionary Discipline. (pp. 67-85). Bucharest, Romania: Tritonic.

Moise, R. ORCID: 0000-0002-2578-9832 (2022). The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric. Styles of Communication, 13(2), pp. 38-56. doi: 10.31178/sc.13.2.03

Moise, R. ORCID: 0000-0002-2578-9832 (2022). Diaspora diplomacy and modes of engagement: the case of Romanian Diaspora in the UK. Journal of Communication Management, 27(2), pp. 173-190. doi: 10.1108/jcom-09-2022-0108

Moise, R. ORCID: 0000-0002-2578-9832 (2016). Review: Public Relations: A Revolutionary Discipline. Styles of Communication, 8(1),

Moise, R. ORCID: 0000-0002-2578-9832 (2016). The Social Value of Public Relations in the Romanian Book Sector. Styles of Communication, 8(1), pp. 37-54.

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2022). An Exploratory Study of Communication Freelancers and Online Communities. A Mixed Methods Approach. Romanian Journal of Communication and Public Relations, 24(2), pp. 23-44. doi: 10.21018/rjcpr.2022.2.342

Molitor, C. (2017). Auricularis Superior

Molitor, C. ORCID: 0000-0002-3777-833X (2021). Composition as Hyperobject. APRIA (Artez PLatform for Research Interventions of the Arts), 3(2), pp. 57-64. doi: 10.37198/apria.03.02.a7

Molitor, C. (2015). Sonorama

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Molitor, C. ORCID: 0000-0002-3777-833X & Magnusson, T. (2021). Curating experience: Composition as cultural technology - a conversation. Journal of New Music Research, 50(2), pp. 184-189. doi: 10.1080/09298215.2021.1898646

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Monson, O., Donaghue, N. & Gill, R. (2016). Working hard on the outside: a multimodal critical discourse analysis of The Biggest Loser Australia. Social Semiotics, 26(5), pp. 524-540. doi: 10.1080/10350330.2015.1134821

Moore, C. & Robinson, L. (2017). The Monty Hyams Archive: a new resource for the information history of the late 20th century. Journal of Documentation, 73(2), pp. 357-367. doi: 10.1108/jd-10-2016-0127

Moran, P. ORCID: 0000-0001-8944-0966 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

Moschos, P. (2006). Performing Classical-period music on the modern piano. (Unpublished Doctoral thesis, City University London)

Myerson, J. (2015). Born In The DDR BBC.

Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4.

Myerson, J. (2016). The Price of Oil BBC Radio 4.

Myerson, J. (2016). Reykjavik BBC Radio 4.

Myerson, J. ORCID: 0000-0003-2656-1140 (2017). That Was Then Episodes 1 to 5 BBC Radio 4.

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Narsesian, S. (2010). Football Fans, Their Information, The Web And The Personal Home Page. (Unpublished Doctoral thesis, City University London)

Nathan, M., Kemeny, T., Pratt, A.C. & Spenser, G.view all authors (2016). Creative economy employment in the US, Canada and the UK: a comparative analysis. London, UK: NESTA.

Needham-Beck, Sarah (2017). Cardiorespiratory fitness in contemporary dance training and performance. (Unpublished Doctoral thesis, Trinity Laban Conservatoire of Music and Dance)

Nelson, S.J. (2001). Melodic improvisation on a twelve bar blues model : an investigation of physical and historical aspects and their contribution to performance. (Unpublished Doctoral thesis, City University London)

Nooshin, L. ORCID: 0000-0001-8737-5224 (2021). Affective listening, sonic intimacy and the power of quiet voices in Rakhshan Banietemad’s the May Lady: Towards a cinema of empathy. In: Ghorbankarimi, M. (Ed.), ReFocus: The Films of Rakhshan Banietemad. . Edinburgh, UK: Edinburgh University Press.

Nooshin, L. (2017). ‘BME’ Perspectives on Music Higher Education. Paper presented at the ‘BME’ Perspectives on Music Higher Education, 2 May 2017, Cambridge, UK.

Nooshin, L. (2013). Beyond the Radif: New Forms of Improvisational Practice in Iranian Music. Music Theory Online, 19(2),

Nooshin, L. (2017). The Elephant and the Blind Men: Myth-Making, Musical Tracking and the Creative Process. Keynote Paper presented at the Tracking the Creative Process in Music, 14-16 Sep 2017, Huddersfield, UK.

Nooshin, L. (2016). 'Happy Families? Convergence, Antagonism and Disciplinary Identities or "We’re all God knows what now" (Cook 2016)'. Paper presented at the City Debate, 'Are we all Ethnomusicologists now?', City University London.

Nooshin, L. (2011). Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices. In: Toynbee, J. & Dueck, B. (Eds.), Migrating Music. (pp. 92-111). Routledge.

Nooshin, L. (2016). Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal. In: Bohlman, P., Goffredo, P. & Jackson, T. (Eds.), Jazz Worlds/World Jazz. (pp. 125-149). USA: Chicago University Press.

Nooshin, L. (2008). The Language of Rock: Iranian Youth, Popular Music, and National Identity. In: Semati, M. (Ed.), Media, culture and society in Iran. (pp. 69-93). Oxford: Psychology Press.

Nooshin, L. ORCID: 0000-0001-8737-5224 (2018). “Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality. Ethnomusicology, 62(3), pp. 341-374. doi: 10.5406/ethnomusicology.62.3.0341

Nooshin, L. ORCID: 0000-0001-8737-5224 (2020). Parenting and Music Studies Forum. Ethnomusicology Forum, 29(3), pp. 269-275. doi: 10.1080/17411912.2020.1873553

Nooshin, L. (1996). The Processes of Creation and Recreation in Persian Classical Music. (Unpublished Doctoral thesis, Goldsmiths' College)

Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. & Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press.

Nooshin, L. (2014). Re-Imagining Difference: Musical Analysis, Alterity and the Creative Process. Keynote Paper presented at the Analysis, Cognition and Ethnomusicology’ Third International Conference on Analytical Approaches to World Music (AAWM 2014)/Annual Conference of the British Forum for Ethnomusicology (BFE 2014), 01-07-2014 - 04-07-2014, London.

Nooshin, L. (2005). 'Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music. In: Randall, A. J. (Ed.), Music, power, and politics. (pp. 231-272). USA: Psychology Press.

Nooshin, L. (2014). Two Revivalist Moments in Iranian Classical Music. In: Bithell, C. & Hill, J. (Eds.), The Oxford Handbook of Music Revival. (pp. 275-297). Oxford University Press. doi: 10.1093/oxfordhb/9780199765034.013.016

Nooshin, L. (2005). Underground, Overground: Rock Music and Youth Discourses in Iran. Iranian Studies (Special Issue: Music and Society in Iran), 38(3), pp. 463-494. doi: 10.1080/00210860500300820

Nooshin, L. (2017). ‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’. Popular Communication, 15(3), pp. 163-191. doi: 10.1080/15405702.2017.1328601

Nooshin, L. ORCID: 0000-0001-8737-5224 (2019). Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema. Music and the Moving Image, 12(3), pp. 25-57. doi: 10.5406/musimoviimag.12.3.0025

Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Keynote Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.

Nooshin, L. & Widdess, R. (2006). Improvisation in Iranian and Indian Music. Journal of the Indian Musicological Society, 36/37, pp. 104-119.

Noppe, N., Price, L. ORCID: 0000-0001-7747-4210, Chiu, K. , Miller, J. N., Wang, E. N., Vaswani, S. M., Merry, S. K., Pollock, D. E, Black, S. R., Hartwell, R., Jacobs, N., Thomas, P. A., Emmanouloudis, A., Hellman, E. & Spitz, A.view all authors (2022). What if academic publishing worked like fan publishing? Imagining the Fantasy Research Archive of Our Own. Transformative Works and Cultures, 37, doi: 10.3983/twc.2022.2253

Nowrin, S. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Information security behaviour of smartphone users: an empirical study on the students of University of Dhaka, Bangladesh. Infomation and Learning Science, 119(7/8), pp. 444-455. doi: 10.1108/ils-04-2018-0029

Nowrin, S., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Multi-lingual and multi-cultural information literacy; perspectives, models and good practice. Global Knowledge, Memory and Communication, 68(3), pp. 207-222. doi: 10.1108/gkmc-05-2018-0050

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Action

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Intra-Actions: Experiments with Velocity and Position in Continuous Controllers. Poster presented at the NIME 2020, 21-25 Jul 2020, Birmingham, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2017). Morphology of the Amorphous: Spatial texture, motion and words. Organised Sound, 22(3), pp. 336-344. doi: 10.1017/s1355771817000498

Nystrom, E. ORCID: 0000-0003-3628-540X (2019). Portrait Concert: Alchimie Musiques et Recherches.

Nystrom, E. ORCID: 0000-0003-3628-540X (2022). Sound as Synthesis: technological listening and intra-faces of sound. In: Electroacoustic Music Studies Network (EMS). EMS21 Conference, 10-13 Nov 2021, Leicester, UK. doi: 10.5281/zenodo.5981500

Nystrom, E. ORCID: 0000-0003-3628-540X (2021). Strange Posthuman Attractors: algorithmic improvisation as acousmatic poiēsis. Organised Sound: an international journal of music and technology, 26(1), pp. 31-41. doi: 10.1017/s1355771821000030

Nystrom, E. ORCID: 0000-0003-3628-540X (2019). Technological Listening and Intra-faces of Sound. Paper presented at the 11th Beyond Humanism Conference: Critical Posthumanism and Transhumanism : The posthuman paradigm shift,, 9-12 July 2019, Catholic University of Lille, France.

Nystrom, E. ORCID: 0000-0003-3628-540X (2020). Topographic Synthesis: A demonstration. Paper presented at the Virtual BEAST FEaST, 01-02 May 2020, Birmingham, UK.

Nystrom, E. ORCID: 0000-0003-3628-540X (2018). Topographic Synthesis: Parameter distribution in spatial texture. In: Proceedings of the 2018 International Computer Music Conference.

Nystrom, E. ORCID: 0000-0003-3628-540X, Kokoras, P., Gviniashvili, M. , Vasquez, J. C. & Kosecka, M.view all authors (2019). CECIA (Collaborative Electroacoustic Composition with Intelligent Agents). [Audio]

Nyström, Erik (2013). Topology of spatial texture in the acousmatic medium. (Unpublished Doctoral thesis, City University London)

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O'Driscoll, G. & Bawden, D. ORCID: 0000-0002-0478-6456 (2022). Health information equity: Rebalancing healthcare collections for racial diversity in UK public service contexts. Education for Information, 38(4), pp. 315-336. doi: 10.3233/efi-220051

Oakley, K., Sperry, B. & Pratt, A.C. (2008). The art of innovation: How fine arts graduates contribute to innovation. London: NESTA.

Ocepek, M. G., Bullard, J., Hartel, J. , Forcier, E., Polkinghorne, S. & Price, L. ORCID: 0000-0001-7747-4210view all authors (2018). Fandom, food, and folksonomies: The methodological realities of studying fun life-contexts. Proceedings of the Association for Information Science and Technology, 55(1), pp. 712-715. doi: 10.1002/pra2.2018.14505501089

Orgad, S. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). Safety valves for mediated female rage in the #MeToo era. Feminist Media Studies, 19(4), pp. 596-603. doi: 10.1080/14680777.2019.1609198

Orna, E. (1999). The Role of Information Products and Presentation in Organisations. (Unpublished Doctoral thesis, City, University of London)

Ortiz, Gabriela (1999). Compositional techniques in acoustic and electroacoustic music. (Unpublished Doctoral thesis, City, University of London)

Ostroff, N (2009). The Influence of Weimar Culture on Pop Music in the 1970s and ‘80s. (Unpublished Doctoral thesis, City, University of London)

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Pace, I. ORCID: 0000-0002-0047-9379 (2023). AI may force a sharpening of educational conceptions of ‘creativity’ as relate to employability in the ‘creative industries’. Times Higher Education(3 July),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music departments should resist the siren song of pop schools. Times Higher Education(11 Aug),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music, Musicology and the Surrender of Aesthetics to the Ideals of Social Justice. Paper presented at the The Pursuit of Beauty, 14-16 Sep 2023, Cambridge, United Kingdom.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Self-regulation is not enough to uphold academic freedom. Times Higher Education(22 Jul),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Why Classical Music Matters. Paper presented at the Living Freedom Summer School, 28-30 Jun 2023, London, UK.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). 23 World Premieres of New Commissions for Ian Pace at 50 - 30 April 2018. Composers including Patricia de Almeida, James Dillon, Michael Finnissy, Christopher Fox, Sadie Harrison, Morgan Hayes, Wieland Hoban, Alwynne Pritchard, Lauren Redhead, Walter Zimmermann City University Concert Series.

Pace, I. (2014). Alan Doggett, first conductor of Joseph and Jesus Christ Superstar, and the Paedophile Information Exchange

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Anatomy of Melancholy - The Piano Music of Marc Yeats (CD Recording) Prima Facie Records.

Pace, I. (1997). Archetypal Experiments. The Musical Times(1856), pp. 9-14.

Pace, I. ORCID: 0000-0002-0047-9379 (2018). Autoethnography as Critically Engaged Practice: Methodological Concerns and Case Studies relating to Notation, Genre, and Aesthetic. Keynote Paper presented at the Orpheus Institute Research Summit, 29 Nov 2018, Ghent, Belgium.

Pace, I. (2007). “The Best Form of Government…”: Cage’s Laissez-Faire Anarchism and Capitalism. The Open Space Magazine(8/9), pp. 91-115.

Pace, I. (2008). Between Adorno and HIP: Possibilities of Synthesis. Paper presented at the Adorno and Musical Reproduction Conference, 13-09-2008 - 14-09-2008, Manchester, UK.

Pace, I. (2015). Between Worlds: the dangers of transforming 9/11 into stylised art. The Conversation,

Pace, I. (2014). Beyond Werktreue: Ideologies of New Music Performance and Performers. Paper presented at the Lecture, 14-01-2014, Royal College of Music.

Pace, I. (2014). Book Review: Music in Germany Since 1968 by Alastair Williams. Tempo (London, 1939): a quarterly review of modern music, 68(268), pp. 116-121. doi: 10.1017/s0040298213001940

Pace, I. (2007). Book Reviews: Towards a Theory of Musical Reproduction by Theodor W. Adorno, Henri Lonitz, WielandHoban; Philosophy of New Music by Theodor W. Adorno, Robert Hullot-Hentor; Letters to his Parents by Theodor W. Adorno, Christoph Gödde, Wieland Hoban, Henri Lonitz. Tempo (London, 1939): a quarterly review of modern music, 61(242), pp. 61-73. doi: 10.1017/s0040298207000307

Pace, I. ORCID: 0000-0002-0047-9379 (2013). CD recording - David Felder, Rocket Summer Albany Records.

Pace, I. ORCID: 0000-0002-0047-9379 (2012). CD recording - Lauren Redhead, Robin and Marian Point Engraved Edition.

Pace, I. ORCID: 0000-0002-0047-9379 (2013). CD recording - Michael Finnissy, The History of Photography in Sound (5 CD set) Divine Art Records.

Pace, I. (2014). Clifford Hindley: Pederasty and Scholarship