Browse by Schools and Department by Authors
- City, University of London (23942)
- School of Communication & Creativity (1684)
- Media, Culture & Creative Industries (677)
- School of Communication & Creativity (1684)
B
Bennett, T. ORCID: 0000-0003-0078-9315 (2022).
A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business.
Journal of Cultural Analysis and Social Change, 7(1),
article number 6.
doi: 10.20897/jcasc/12257
Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016).
Dressing the Body: Introduction.
Cultural Studies Review, 22(1),
pp. 4-9.
doi: 10.5130/csr.v22i1.4907
C
Chen, Z. T. ORCID: 0000-0003-2450-277X
(2022).
Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd..
doi: 10.4135/9781529602098
Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024).
Undergraduate public relations education in the United Kingdom: Quo Vadis?.
Public Relations Inquiry,
doi: 10.1177/2046147x241230055
D
Davies, D. ORCID: 0000-0002-3584-5789 (2023).
The Broken Promise of Infrastructure (Introduction).
In:
The Broken Promise of Infrastructure.
(pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.
Di Giuseppe, Laura (2024). Publishing translated fiction in the UK: a comparative analysis of publishing models and key players. (Unpublished Doctoral thesis, City, University of London)
de Perthuis, K. & Findlay, R. ORCID: 0000-0001-8596-6880 (2019).
How Fashion Travels: The Fashionable Ideal in the Age of Instagram.
Fashion Theory, 23(2),
pp. 219-242.
doi: 10.1080/1362704x.2019.1567062
F
Findlay, R. ORCID: 0000-0001-8596-6880 (2023).
A Double in Different Clothes: Marie Kreutzer's 'Corsage' (2022).
MAI: Feminism and Visual Culture, Spring,
Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks.
In: Findlay, R.
ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.),
Insights on Fashion Journalism.
. Taylor & Francis.
Findlay, R. ORCID: 0000-0001-8596-6880 (2017).
"Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows.
About Performance, 14/15,
pp. 105-119.
Findlay, R. ORCID: 0000-0001-8596-6880 (2023).
"What's Getting Us Through": Grazia UK as affective, intimate public during the coronavirus pandemic.
In: Parkins, I. & Filippello, R. (Eds.),
Fashion and Feeling: The Affective Politics of Dress.
Palgrave Studies in Fashion and the Body.
(pp. 305-326). Cham, Switzerland: Palgrave Macmillan.
doi: 10.1177/1464700119842555
Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018).
Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self.
About Performance, 16(Fashio),
pp. 129-146.
Findlay, R. ORCID: 0000-0001-8596-6880 (2017).
Introduction.
In:
Personal Style Blogs: Appearances that Fascinate.
. Intellect Books.
Findlay, R. ORCID: 0000-0001-8596-6880 (2022).
Russh and the ‘all-Australian’ girl?.
Feminist Theory, 23(3),
pp. 312-326.
doi: 10.1177/14647001221085911
Findlay, R. ORCID: 0000-0001-8596-6880 (2016).
‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves.
Cultural Studies Review, 22(1),
pp. 78-94.
doi: 10.5130/csr.v22i1.4913
Findlay, R. ORCID: 0000-0001-8596-6880 (2019).
“Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands.
Communication, Culture and Critique, 12(4),
pp. 553-569.
doi: 10.1093/ccc/tcz028
Frey, M. ORCID: 0000-0002-3388-0353 (2022).
The International Reception of Downfall (Der Untergang, 2004).
Historical Journal of Film, Radio and Television, 43(2),
pp. 438-459.
doi: 10.1080/01439685.2022.2116862
G
Gaio, A., Joffe, A., Hernández-Acosta, J. J. & Dragićević Šešić, M. (2023). Decolonising the cultural policy and management curriculum – reflections from practice. Cultural Trends, 33(2), pp. 141-158. doi: 10.1080/09548963.2023.2168515
Gibbs, J. ORCID: 0000-0002-5825-4463 (2024).
The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames.
English, 72(279),
pp. 215-216.
doi: 10.1093/english/efae002
H
Howes, H. ORCID: 0000-0002-7105-0414 (2021).
Blood and Water.
In:
Transformative Waters in Medieval Devotional Literature.
(pp. 175-217). Suffolk, UK: Boydell & Brewer.
Howes, H. ORCID: 0000-0002-7105-0414 (2021).
The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages.
Medium Ævum, 90(1),
pp. 159-160.
Howes, H. ORCID: 0000-0002-7105-0414
Knocked Up.
In: Howes, H.
ORCID: 0000-0002-7105-0414 (Ed.),
Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women.
. London, UK: Bloomsbury Continuum.
J
Jilani, S. ORCID: 0000-0002-0024-4801 (2023).
Becoming in a colonial world: approaching subjectivity with Fanon.
Textual Practice,
pp. 1-18.
doi: 10.1080/0950236x.2023.2243908
K
Kloosterman, R., Pratt, A. ORCID: 0000-0003-2215-9648, d'Ovidio, M. , Greco, L. & Boren, T. (2019).
Creative and cultural industries in global production network approaches so far: a brief review of the literature and its relevance for the creative and cultural industries (10.5281/zenodo.4535064).
Amsterdam, The Netherlands: The CICERONE project.
M
Matos, C. ORCID: 0000-0001-6304-3591
Community engagement with health messages on reproductive health in an age of misinformation and political polarisation: A case study of the US NGO Open Arms in Florida.
In: Simoes, R. & Amaral, I. (Eds.),
Young Adulthood Across Platforms.
. Leeds, England: Emerald Publishing.
Matos, C. ORCID: 0000-0001-6304-3591 (2017).
Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.)
In: Riggirozzi, P. & Wylde, C. (Eds.),
Handbook of South American Governance.
(pp. 275-285). Oxford, UK: Routledge.
doi: 10.4324/9781315661162
Matos, C. ORCID: 0000-0001-6304-3591 (2024).
Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina.
International Journal of Media and Cultural Politics, 19(2-3),
Matos, C. ORCID: 0000-0001-6304-3591 (2013).
Media Democratization in Brazil Revisited.
In: Nederveen Pieterse, J. (Ed.),
Brazil Emerging: inequality and emancipation.
. Abingdon, UK: Routledge.
Matos, C. ORCID: 0000-0001-6304-3591 (2014).
PSB and media reform in Brazil in comparative perspective.
In: Guerrero, M. A. & Ramirez, M. M. (Eds.),
Media Systems and Communication Policies in Latin America.
(pp. 208-225). London, UK: Palgrave Macmillan.
doi: 10.1057/9781137409058_12
McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023).
Chinese older adults' social media use: a study of WeChat from a social practice perspective.
Information Technology & People,
doi: 10.1108/itp-10-2022-0787
McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022).
From rag market to creative economy: interview with Angela McRobbie.
Journal of Cultural Economy 1753-0369,
pp. 1-7.
doi: 10.1080/17530350.2022.2112263
P
Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2023).
Making a Reality: Inclusive Wedding Vendors and Extramarket Morality.
QED: A Journal in GLBTQ Worldmaking, 10(1),
pp. 77-98.
doi: 10.14321/qed.10.1.0077
Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2021).
Commodity Feminism and Dressing the ‘Best Self’ on A Practical Wedding.
Australian Feminist Studies, 36(109),
pp. 297-312.
doi: 10.1080/08164649.2021.2018992
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
The CCS Observatory pilot and web application: a user guide (10.5281/zenodo.8326715).
Amsterdam, The Netherlands: The CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
Synoptic overview of the landscape of governance challenges in the cultural and creative sector (10.5281/zenodo.10062994).
Amsterdam, The Netherlands: The CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
What lessons can be learned from the past experience of data collection and aggregation exercise in relation to the cultural and creative sector? (10.5281/zenodo.8325294).
Amsterdam, The Netherlands: CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 (2023).
A synoptic view of production networks in the cultural and creative sector (10.5281/zenodo.10062994).
Amsterdam, The Netheralnds: The CICERONE project.
Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T.
ORCID: 0000-0003-0078-9315 (2023).
Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982).
Amsterdam, The Netherlands: The CICERONE project.
Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023).
Film Making as a Creative Ecosystem: The Case of Soho in London.
In:
Global Creative Ecosystems.
(pp. 21-38). Springer International Publishing.
doi: 10.1007/978-3-031-33961-5_2
Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T.
ORCID: 0000-0003-0078-9315 (2023).
Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372).
Amsterdam, The Netherlands: The Ciccerone Project.
S
Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021).
Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World.
Frontiers in Human Dynamics, 3,
article number 601239.
doi: 10.3389/fhumd.2021.601239
T
Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.
Thompson, Z., Yoon, H. ORCID: 0000-0001-5679-3335 & Booth, P. (2023).
Dispersed assessment: A novel approach to enhancing student engagement during and beyond Covid-19.
The International Journal of Management Education, 21(2),
article number 100811.
doi: 10.1016/j.ijme.2023.100811
V
Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023).
The weird governance of fact-checking: from watchdogs to content moderators.
In:
AoIR Selected Papers of Internet Research.
The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA.
doi: 10.5210/spir.v2023i0.13513
Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023).
When fact-checking is not weird: challenges in fact-checking beyond the western world.
In:
AoIR Selected Papers of Internet Research.
The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland.
doi: 10.5210/spir.v2022i0.13104
W
Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T. (2023).
Drinking in style? Literature review of luxury wine consumption.
British Food Journal, 125(2),
pp. 679-695.
doi: 10.1108/bfj-06-2021-0661
Y
Yeh, D. ORCID: 0000-0001-8324-5342 (2021).
Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries.
British Journal of Chinese Studies, 11,
pp. 53-70.
Yeh, D. ORCID: 0000-0001-8324-5342 (2018).
The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts.
In: Yeh, D.
ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.),
Contesting British Chinese Culture.
(pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.
Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023).
Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective.
Journal of Macromarketing, 43(3),
pp. 403-417.
doi: 10.1177/02761467231178550
Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T. (2024).
Exploring smartphone-related digital divide among South Korean older adults.
Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1),
pp. 29-43.
doi: 10.51680/ev.37.1.3
Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024).
Genre in transnational television: A case of Netflix Originals Korean dramas.
Television & New Media,
Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023).
Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK.
International Journal of Arts Management, 25(2),
Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022).
Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization.
In:
Socially Responsible Consumption and Marketing in Practice.
(pp. 349-358). Springer Nature Singapore.
doi: 10.1007/978-981-16-6433-5_21