Items where City Author is "Jilani, Sarah"
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Jilani, S. 
ORCID: 0000-0002-0024-4801 (2025).
Film journals and committed pedagogy today: learnings from the global long sixties.
Media Practice and Education,
doi: 10.1080/25741136.2025.2605416
Jilani, S. ORCID: 0000-0002-0024-4801 (2025).
Fanon’s psycho-politics of decolonisation.
Review of African Political Economy, 52(186),
pp. 549-555.
doi: 10.62191/roape-2025-0032
Jilani, S. ORCID: 0000-0002-0024-4801 & Chukwudinma, C. ORCID: 0009-0001-6569-2939 (2025).
A radical supplement: Fanon, Gaza and the anxieties of empire.
Review of African Political Economy, 52(186),
pp. 433-437.
doi: 10.62191/roape-2025-0033
Jilani, S. ORCID: 0000-0002-0024-4801 (2024).
Becoming in a colonial world: approaching subjectivity with Fanon.
Textual Practice, 38(10),
pp. 1583-1600.
doi: 10.1080/0950236x.2023.2243908
Jilani, S. ORCID: 0000-0002-0024-4801 (2023).
Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra.
The Journal of Commonwealth Literature, 58(3),
pp. 645-659.
doi: 10.1177/00219894211031803
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Aftermaths Without End.
Cambridge Journal of Postcolonial Literary Inquiry, 9(3),
pp. 431-434.
doi: 10.1017/pli.2021.21
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
“They Drew an Entire People after Them”.
Interventions, 24(4),
pp. 586-602.
doi: 10.1080/1369801x.2021.1892515
Jilani, S. ORCID: 0000-0002-0024-4801 (2020).
“The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born.
Journal of Postcolonial Writing, 56(1),
pp. 83-96.
doi: 10.1080/17449855.2019.1701067
Jilani, S. ORCID: 0000-0002-0024-4801 (2018).
Intimate Epics.
Women: A Cultural Review, 29(3-4),
pp. 398-400.
doi: 10.1080/09574042.2018.1531638
Jilani, S. ORCID: 0000-0002-0024-4801 (2015).
Writing Exile: Displacement and Arrival in Eva Hoffman's Lost in Translation and Edward Said's Out of Place.
Life Writing, 12(1),
pp. 59-73.
doi: 10.1080/14484528.2014.970356
Jilani, S. ORCID: 0000-0002-0024-4801 (2015).
'Black' Spaces: Othello and the Cinematic Language of Othering.
Literature-Film Quarterly, 43(2),
pp. 104-115.
Jilani, S. ORCID: 0000-0002-0024-4801 (2014).
"Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye.
Postgraduate English, 29(1),
pp. 2-24.
Book Section
Jilani, S. ORCID: 0000-0002-0024-4801 (2026).
Nation, gender and political consciousness: Souleymane Cissé’s Baara and Satyajit Ray’s Ghare Baire. (1 ed.)
In: Dovey, L., Taylor-Jones, K. & Thomas-Parr, G. (Eds.),
Global Screen Worlds: Conversations across Cinema Cultures.
(pp. 153-169). London: Bloomsbury Publishing Inc.
doi: 10.5040/9798765126301.ch-6
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Civic Interaction, Urban Memory, and the Istanbul International Film Festival.
In: Schwan, A. & Thomson, T. (Eds.),
The Palgrave Handbook of Digital and Public Humanities.
(pp. 441-458). Cham, Switzerland: Palgrave Macmillan.
doi: 10.1007/978-3-031-11886-9_23