City Research Online

Article

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016). Dressing the Body: Introduction. Cultural Studies Review, 22(1), pp. 4-9. doi: 10.5130/csr.v22i1.4907

Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024). Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater. Journal of Current Chinese Affairs, doi: 10.1177/18681026241255134

Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024). Undergraduate public relations education in the United Kingdom: Quo Vadis?. Public Relations Inquiry, 13(3), pp. 379-405. doi: 10.1177/2046147x241230055

Davies, D. ORCID: 0000-0002-3584-5789 (2024). The infrastructure humanities. Interventions, doi: 10.1080/1369801x.2024.2400351

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). A Double in Different Clothes: Marie Kreutzer's 'Corsage' (2022). MAI: Feminism and Visual Culture, Spring,

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). "Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance, 14/15, pp. 105-119.

Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018). Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self. About Performance, 16(Fashio), pp. 129-146.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Russh and the ‘all-Australian’ girl?. Feminist Theory, 23(3), pp. 312-326. doi: 10.1177/14647001221085911

Findlay, R. ORCID: 0000-0001-8596-6880 (2016). ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22(1), pp. 78-94. doi: 10.5130/csr.v22i1.4913

Findlay, R. ORCID: 0000-0001-8596-6880 (2019). “Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands. Communication, Culture and Critique, 12(4), pp. 553-569. doi: 10.1093/ccc/tcz028

Frey, M. ORCID: 0000-0002-3388-0353 (2020). The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47(3), pp. 45-57. doi: 10.1215/0094033x-8607577

Frey, M. ORCID: 0000-0002-3388-0353 (2022). The International Reception of Downfall (Der Untergang, 2004). Historical Journal of Film, Radio and Television, 43(2), pp. 438-459. doi: 10.1080/01439685.2022.2116862

Gaio, A., Joffe, A., Hernández-Acosta, J. J. & Dragićević Šešić, M.view all authors (2023). Decolonising the cultural policy and management curriculum – reflections from practice. Cultural Trends, 33(2), pp. 141-158. doi: 10.1080/09548963.2023.2168515

George, N., Sham, A., Ajith, T. & Bastos, M. ORCID: 0000-0003-0480-1078view all authors (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. Social science computer review, doi: 10.1177/08944393241269394

Gibbs, J. ORCID: 0000-0002-5825-4463 (2023). The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames. English, 72(279), pp. 215-216. doi: 10.1093/english/efae002

Howes, H. ORCID: 0000-0002-7105-0414 (2021). The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages. Medium Ævum, 90(1), pp. 159-160.

Jilani, S. ORCID: 0000-0002-0024-4801 (2023). Becoming in a colonial world: approaching subjectivity with Fanon. Textual Practice, 38(10), pp. 1583-1600. doi: 10.1080/0950236x.2023.2243908

Matos, C. ORCID: 0000-0001-6304-3591 (2024). Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina. International Journal of Media and Cultural Politics, 19(2-3), pp. 237-254. doi: 10.1386/macp_00085_1

McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023). Chinese older adults' social media use: a study of WeChat from a social practice perspective. Information Technology & People, doi: 10.1108/itp-10-2022-0787

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, 17(5), pp. 700-706. doi: 10.1080/17530350.2022.2112263

Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2023). Making a Reality: Inclusive Wedding Vendors and Extramarket Morality. QED: A Journal in GLBTQ Worldmaking, 10(1), pp. 77-98. doi: 10.14321/qed.10.1.0077

Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2021). Commodity Feminism and Dressing the ‘Best Self’ on A Practical Wedding. Australian Feminist Studies, 36(109), pp. 297-312. doi: 10.1080/08164649.2021.2018992

Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021). Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World. Frontiers in Human Dynamics, 3, article number 601239. doi: 10.3389/fhumd.2021.601239

Thompson, Z., Yoon, H. ORCID: 0000-0001-5679-3335 & Booth, P. (2023). Dispersed assessment: A novel approach to enhancing student engagement during and beyond Covid-19. The International Journal of Management Education, 21(2), article number 100811. doi: 10.1016/j.ijme.2023.100811

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078view all authors (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. Journalism Studies, 25(11), pp. 1249-1271. doi: 10.1080/1461670x.2024.2372437

Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T.view all authors (2023). Drinking in style? Literature review of luxury wine consumption. British Food Journal, 125(2), pp. 679-695. doi: 10.1108/bfj-06-2021-0661

Yeh, D. ORCID: 0000-0001-8324-5342 (2021). Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries. British Journal of Chinese Studies, 11, pp. 53-70.

Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023). Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective. Journal of Macromarketing, 43(3), pp. 403-417. doi: 10.1177/02761467231178550

Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T.view all authors (2024). Exploring smartphone-related digital divide among South Korean older adults. Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1), pp. 29-43. doi: 10.51680/ev.37.1.3

Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024). Genre in transnational television: A case of Netflix Originals Korean dramas. Television & New Media, doi: 10.1177/15274764241265040

Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024). Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK. Communication & Society, 37(4), pp. 125-141. doi: 10.15581/003.37.4.125-141

Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023). Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK. International Journal of Arts Management, 25(2),

de Perthuis, K. & Findlay, R. ORCID: 0000-0001-8596-6880 (2019). How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory, 23(2), pp. 219-242. doi: 10.1080/1362704x.2019.1567062

Book

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

Matos, C. ORCID: 0000-0001-6304-3591 (2008). Jornalismo e política democrática no Brasil. Sao Paulo: Publifolha.

Matos, C. ORCID: 0000-0001-6304-3591 (2009). Journalism and Political Democracy in Brazil. Maryland, USA: Lexington Books.

Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.

Book Section

Davies, D. ORCID: 0000-0002-3584-5789 (2023). The Broken Promise of Infrastructure (Introduction). In: The Broken Promise of Infrastructure. (pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks. In: Findlay, R. ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.), Insights on Fashion Journalism. . Taylor & Francis.

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). "What's Getting Us Through": Grazia UK as affective, intimate public during the coronavirus pandemic. In: Parkins, I. & Filippello, R. (Eds.), Fashion and Feeling: The Affective Politics of Dress. Palgrave Studies in Fashion and the Body. (pp. 305-326). Cham, Switzerland: Palgrave Macmillan.

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). Introduction. In: Personal Style Blogs: Appearances that Fascinate. . Intellect Books.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Howes, H. ORCID: 0000-0002-7105-0414 Knocked Up. In: Howes, H. ORCID: 0000-0002-7105-0414 (Ed.), Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women. . London, UK: Bloomsbury Continuum.

Matos, C. ORCID: 0000-0001-6304-3591 (2012). Audience perceptions of quality programming and the public media. In: Media and Politics in Latin America: Globalization, Democracy and Identity. (pp. 113-137). London, UK: I. B. Tauris.

Matos, C. ORCID: 0000-0001-6304-3591 Community engagement with health messages on reproductive health in an age of misinformation and political polarisation: A case study of the US NGO Open Arms in Florida. In: Simoes, R. & Amaral, I. (Eds.), Young Adulthood Across Platforms. . Leeds, England: Emerald Publishing.

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Media Democratization in Brazil Revisited. In: Nederveen Pieterse, J. (Ed.), Brazil Emerging: inequality and emancipation. . Abingdon, UK: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2014). PSB and media reform in Brazil in comparative perspective. In: Guerrero, M. A. & Ramirez, M. M. (Eds.), Media Systems and Communication Policies in Latin America. (pp. 208-225). London, UK: Palgrave Macmillan. doi: 10.1057/9781137409058_12

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Televisão, CulturA Popular e Identidade Latino- AmericanA E Brasileira. In: Matos, C. ORCID: 0000-0001-6304-3591 (Ed.), Mídia e política na América Latina. (pp. 197-234). Rio de Janeiro, Brazil: ‎Civilização Brasileira.

Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023). Film Making as a Creative Ecosystem: The Case of Soho in London. In: Global Creative Ecosystems. (pp. 21-38). Springer International Publishing. doi: 10.1007/978-3-031-33961-5_2

Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024). Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences. In: Nurse, L., O'Neill, M. & Moran, L. (Eds.), Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe. (pp. 141-161). Bristol, UK: Policy Press.

Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.

Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022). Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization. In: Socially Responsible Consumption and Marketing in Practice. (pp. 349-358). Springer Nature Singapore. doi: 10.1007/978-981-16-6433-5_21

Conference or Workshop Item

Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). The weird governance of fact-checking: from watchdogs to content moderators. In: AoIR Selected Papers of Internet Research. The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA. doi: 10.5210/spir.v2023i0.13513

Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). When fact-checking is not weird: challenges in fact-checking beyond the western world. In: AoIR Selected Papers of Internet Research. The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland. doi: 10.5210/spir.v2022i0.13104

Other

George, N., Sham, A., Ajith, T. & Bastos, M. T. ORCID: 0000-0003-0480-1078view all authors (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. doi: 10.2139/ssrn.4899259

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078view all authors (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. doi: 10.2139/ssrn.4897367

Report

Kloosterman, R., Pratt, A. ORCID: 0000-0003-2215-9648, d'Ovidio, M. , Greco, L. & Boren, T.view all authors (2019). Creative and cultural industries in global production network approaches so far: a brief review of the literature and its relevance for the creative and cultural industries (10.5281/zenodo.4535064). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). The CCS Observatory pilot and web application: a user guide (10.5281/zenodo.8326715). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). Synoptic overview of the landscape of governance challenges in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). What lessons can be learned from the past experience of data collection and aggregation exercise in relation to the cultural and creative sector? (10.5281/zenodo.8325294). Amsterdam, The Netherlands: CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). A synoptic view of production networks in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netheralnds: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372). Amsterdam, The Netherlands: The Ciccerone Project.

Thesis

Di Giuseppe, Laura (2024). Publishing translated fiction in the UK: a comparative analysis of publishing models and key players. (Unpublished Doctoral thesis, City, University of London)

Working Paper

Matos, C. ORCID: 0000-0001-6304-3591 (2023). Use of focus groups research on health communications messages on SRHR: experiences of empowerment from the Global South in the age of misinformation on gender and minority rights. .