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Abbas, Z., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). Use of Mobile Technologies by Law Students in the Law Library: an Exploratory Study. Legal Information Management, 17(3), pp. 180-189. doi: 10.1017/s1472669617000354

Alacovska, A. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective. International Journal of Cultural Studies, 22(2), pp. 195-212. doi: 10.1177/1367877918821231

Anderson, I. & Rennie, T. (2016). Thoughts in the Field: 'Self-reflexive narrative' in field recording. Organised Sound: an international journal of music and technology, 21(3), pp. 222-232. doi: 10.1017/s1355771816000194

Andrienko, G., Andrienko, N., Dykes, J. , Fabrikant, S. I. & Wachowicz, M.view all authors (2008). Geovisualization of dynamics, movement and change: key issues and developing approaches in visualization research. Information Visualization, 7(3-4), pp. 173-180. doi: 10.1057/ivs.2008.23

Anton, A. & Moise, R. ORCID: 0000-0002-2578-9832 (2021). Communication Freelancers, Facebook Groups and COVID-19. A Qualitative Analysis. Research Report. Styles of Communication, 13(1), pp. 76-82. doi: 10.31178/sc.13.1.04

Armstrong, N. (2014). ‘Bold Tendencies’: London Contemporary Music Festival, Peckham multi-storey car park, London, 25–28 July, 1–4 August 2013. Tempo, 68(267), pp. 63-65. doi: 10.1017/s0040298213001393

Arrell, K., Wise, S., Wood, J. & Donoghue, D.view all authors (2008). Spectral filtering as a method of visualising and removing striped artefacts in digital elevation data. Earth Surface Processes and Landforms, 33(6), pp. 943-961. doi: 10.1002/esp.1597

Ashford, D. (2011). Gorillas in the House of Light. Cambridge Quarterly, 40(3), pp. 201-223. doi: 10.1093/camqtly/bfr018

Ashford, D. (2017). The Mechanical Turk: Enduring Misapprehensions Concerning Artificial Intelligence. The Cambridge Quarterly, 46(2), pp. 119-139. doi: 10.1093/camqtly/bfx005

Ashford, D. (2013). The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic. The Literary London Journal, 10(2),

Ashford, D. (2014). “A New Concept of Egoism”: The Late Modernism of Ayn Rand. Modernism/modernity, 21(4), pp. 977-995. doi: 10.1353/mod.2014.0084

Ashford, D. (2014). The Siberia of the Mind: Egoism in the Writings of Wyndham Lewis. The Journal of Wyndham Lewis Studies, 5, pp. 112-134.

Banet-Weiser, S., Gill, R. ORCID: 0000-0002-2715-1867 & Rottenberg, C. (2019). Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation. Feminist Theory, 21(1), pp. 3-24. doi: 10.1177/1464700119842555

Banks, M., Baron, C., Buhler, J. , Cartier, N, Greene, L., Lopez, L., Mera, M. ORCID: 0000-0002-0031-0629 & Smith, J.view all authors (2018). Media Dialogues: A Scholarly Roundtable. The Velvet Light Trap: A Critical Journal of Film & Television, 82(Fall), pp. 43-60. doi: 10.7560/vlt8205

Barker, M-J., Gill, R. ORCID: 0000-0002-2715-1867 & Harvey, L. (2018). Mediated intimacy: Sex advice in media culture. Sexualities, 21(8), pp. 1337-1345. doi: 10.1177/1363460718781342

Bastos, M. ORCID: 0000-0003-0480-1078 (2025). Visual Identities in Troll Farms: The Twitter Moderation Research Consortium. Social Media + Society, 11(1), article number 20563051251323652. doi: 10.1177/20563051251323652

Bastos, M. ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F.view all authors (2024). Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election. Journal of Elections, Public Opinion and Parties,

Bastos, M. T. ORCID: 0000-0003-0480-1078 & Recuero, R. (2023). The Insurrectionist Playbook: Jair Bolsonaro and the National Congress of Brazil. Social Media + Society, 9(4), article number 20563051231211881. doi: 10.1177/20563051231211881

Bastos, M. T. ORCID: 0000-0003-0480-1078 & Tuters, M. (2023). Meaningful disinformation: narrative rituals and affective folktales. Big Data & Society, 10(2), article number 20539517231215361. doi: 10.1177/20539517231215361

Bastos, M. T. (2013). A cultural form for the technological society. MATRIZes, 7(1), pp. 183-195. doi: 10.11606/issn.1982-8160.v7i1p193-195

Bawden, D. (2007). After the Amazoogle: Web 2.0 and information research. Journal of Documentation, 63(4), pp. 441-442.

Bawden, D. (2010). Alas poor ARIST: reviewing the information sciences. Journal of Documentation, 66(5), pp. 625-626.

Bawden, D. (2007). Anniversaries and half-lives. Journal of Documentation, 63(3), pp. 297-298.

Bawden, D. (2016). Aslib: a de facto national library/information organization. Alexandria: the journal of national and international information issues, 26(1), pp. 15-17.

Bawden, D. (2014). Being fluent and keeping looking. Communications in Computer and Information Science, 492, pp. 13-18. doi: 10.1007/978-3-319-14136-7_2

Bawden, D. (2011). Benoit Mandelbrot and the self-similarity of information. Journal of Documentation, 67(2), pp. 212-213.

Bawden, D. (2006). Bibliographic "straws in the wind" and the status of documentation. Journal of Documentation, 62(1), pp. 5-6.

Bawden, D. (2010). Big (information) history. Journal of Documentation, 66(6), pp. 785-786.

Bawden, D. (2010). Brian Vickery and the uneasy information scientists. Journal of Documentation, 66(3), pp. 305-306.

Bawden, D. (2011). Brookes equation: The basis for a qualitative characterization of information behaviours. Journal of Information Science, 37(1), pp. 101-108. doi: 10.1177/0165551510395351

Bawden, D. (2010). Bush, Goldberg, Memex and the revision of history. Journal of Documentation, 66(4), pp. 473-474. doi: 10.1108/jd.2010.27866daa.001

Bawden, D. (2009). Darwin, Hooker and the documentation of Victorian science. Journal of Documentation, 65(3), pp. 337-338.

Bawden, D. (2004). Documentation in an information society. Journal of Documentation, 60(2), pp. 107-108. doi: 10.1108/00220410410523150

Bawden, D. (2009). Documentation in depressed times. Journal of Documentation, 65(1), p. 5.

Bawden, D. (2010). Documenting Babel. Journal of Documentation, 66(2), pp. 177-178.

Bawden, D. (2005). Documenting disaster. Journal of Documentation, 61(3), pp. 329-330.

Bawden, D. (2008). Dust in space and documentation. Journal of Documentation, 64(1), pp. 5-6. doi: 10.1108/jd.2008.27864aaa.001

Bawden, D. (2006). Einstein in the office: is information really necessary?. Journal of Documentation, 62(3), pp. 305-306.

Bawden, D. (2014). The Ethics of Information. Aslib Journal of Information Management, 66(6), pp. 697-699. doi: 10.1108/ajim-06-2014-0075

Bawden, D. (2009). Everyday practices of documentation, and the influence of information science. Journal of Documentation, 65(5), pp. 717-718.

Bawden, D. (2004). Forgotten and undiscovered knowledge. Journal of Documentation, 60(6), pp. 595-596.

Bawden, D. (2008). Google and the universe of knowledge. Journal of Documentation, 64(3), pp. 317-318.

Bawden, D. (2006). Great lives and information behaviour. Journal of Documentation, 62(5), pp. 553-554.

Bawden, D. ORCID: 0000-0002-0478-6456 (2018). 'In this book-making age': Edward Kemp as writer and communicator of horticultural knowledge. Garden History, 46(supple), pp. 136-154.

Bawden, D. (2005). Information (and documentation) in the multiverse. Journal of Documentation, 61(5), pp. 569-570.

Bawden, D. (2007). Information Science at City University London. Aslib Proceedings, 59(4/5), pp. 305-306. doi: 10.1108/00012530710817537

Bawden, D. (2010). Information dates. JOURNAL OF DOCUMENTATION, 66(1), pp. 5-6.

Bawden, D. (2006). JDoc60 series: information research over six decades. Journal of Documentation, 62(6), pp. 653-656.

Bawden, D. (2013). Knowledge, documentation and a London location. Journal of Documentation, 69(1), pp. 4-5. doi: 10.1108/00220411311295298

Bawden, D. (2009). Naming of parts (and things). Journal of Documentation, 65(6), pp. 869-870.

Bawden, D. (2014). A Normative Theory of the Information Society. JOURNAL OF THE ASSOCIATION FOR INFORMATION SCIENCE AND TECHNOLOGY, 65(11), pp. 2376-2377. doi: 10.1002/asi.23297

Bawden, D. (2012). On the gaining of understanding; syntheses, themes and information analysis. Library and Information Research, 36(112),

Bawden, D. (2008). Predicting the documentation future. Journal of Documentation, 64(4), pp. 477-478. doi: 10.1108/jd.2008.27864daa.001

Bawden, D. (2008). Really big questions, and the meaning of documentation. Journal of Documentation, 64(5), pp. 641-642.

Bawden, D. (2005). Research and practice in documentation. Journal of Documentation, 61(2), pp. 169-170.

Bawden, D. (2008). Smoother pebbles and the shoulders of giants: the developing foundations of information science. Journal of Information Science, 34(4), pp. 415-426. doi: 10.1177/0165551508089717

Bawden, D. (2004). Speculating and evolving in documentation. Journal of Documentation, 60(1), pp. 7-8. doi: 10.1108/00220410410516617

Bawden, D. (2015). Storing the wisdom: chemical concepts and chemoinformatics. Informatics, 2(4), pp. 50-67. doi: 10.3390/informatics2040050

Bawden, D. (2011). The Once and Future Book. JOURNAL OF DOCUMENTATION, 67(1), pp. 6-8.

Bawden, D. (2004). Understanding documents and documentation. Journal of Documentation, 60(3), pp. 243-244.

Bawden, D. (2007). Web 2.0 and the end of civilisation. Journal of Documentation, 63(6), pp. 809-810.

Bawden, D. (2008). The dark side of documentation?. Journal of Documentation, 64(2), pp. 181-182. doi: 10.1108/jd.2008.27864baa.001

Bawden, D. (2008). The distractions of documentation. Journal of Documentation, 64(6), pp. 793-794.

Bawden, D. (2007). The doomsday of documentation?. Journal of Documentation, 63(2), pp. 173-174.

Bawden, D. (2009). The end of expertise?. Journal of Documentation, 65(2), pp. 185-186.

Bawden, D. (2009). An obsession with its own future? The library, the web and the phonographotek. Journal of Documentation, 65(4), pp. 537-538.

Bawden, D. (2016). The once and future editorial. Journal of Documentation, 72(1), pp. 2-4. doi: 10.1108/jd-11-2015-0138

Bawden, D. (2016). "A point along a line": moving knowledge organization to the next level. Knowledge Organization: international journal devoted to concept theory, classification, indexing, and knowledge representation, 43(3), pp. 210-211.

Bawden, D. ORCID: 0000-0002-0478-6456, Gorichanaz, T., Furner, J. , Robinson, L. ORCID: 0000-0001-5202-8206, Ma, M., Herold, K., Van der Veer Martens, B., Floridi, L. & Dixon, D.view all authors (2020). Information and Design: Book Symposium on Luciano Floridi’s The Logic of Information. Journal of Documentation, 76(2), pp. 586-616. doi: 10.1108/jd-10-2019-0200

Bawden, D. & Robinson, L. (2010). CoLIS in London, 2010: Reflections on the 7th conceptions of library and information science conference. Information Research, 15(3),

Bawden, D. & Robinson, L. (2018). Curating the infosphere: Luciano Floridi's Philosophy of Information as the foundation for Library and Information Science. Journal of Documentation, 74(1), pp. 2-17. doi: 10.1108/jd-07-2017-0096

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. (2019). "Essentially made of information": concepts and implications of informational privacy. Information Research: an international electronic journal, 24(4), article number colis1913.

Bawden, D. & Robinson, L. (2016). Information and the gaining of understanding. Journal of Information Science, 42(3), pp. 294-299. doi: 10.1177/0165551515621691

Bawden, D. & Robinson, L. (2013). No such thing as society? On the individuality of information behavior. Journal of the American Society for Information Science and Technology, 64(12), pp. 2587-2590. doi: 10.1002/asi.22971

Bawden, D. & Robinson, L. (2011). Pharmaceutical Information: A 30-Year Perspective on the Literature. Annual Review of Information Science and Technology, 45(1), pp. 63-119. doi: 10.1002/aris.2011.1440450109

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Still minding the gap? Reflecting on transitions between concepts of information in varied domains. Information, 11(2), article number 71. doi: 10.3390/info11020071

Bawden, D. & Robinson, L. (2015). 'Waiting for Carnot': Information and complexity. Journal of the Association for Information Science and Technology, 66(11), pp. 2177-2186. doi: 10.1002/asi.23535

Bawden, D. & Robinson, L. (2009). The dark side of information: overload, anxiety and other paradoxes and pathologies. Journal of Information Science, 35(2), pp. 180-191. doi: 10.1177/0165551508095781

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). "The dearest of our possessions": applying Floridi's information privacy concept in models of information behavior and information literacy. Journal of the Association for Information Science and Technology, 71(9), pp. 1030-1043. doi: 10.1002/asi.24367

Bawden, D. & Robinson, L. (2014). “A few exciting words”: information and entropy revisited. Journal of the Association for Information Science and Technology, 66(10), pp. 1965-1987. doi: 10.1002/asi.23459

Bawden, D. & Robinson, L. (2015). "An intensity around information": the changing face of chemical information literacy. Journal of Information Science, 43(1), pp. 17-24. doi: 10.1177/0165551515616919

Bawden, D., Robinson, L. & Siddiqui, T. (2015). "Potentialities or Possibilities": Towards Quantum Information Science?. Journal of the Association for Information Science and Technology, 66(3), pp. 437-449. doi: 10.1002/asi.23192

Beard, C. & Bawden, D. (2012). University libraries and the postgraduate student: Physical and virtual spaces. New Library World, 113(9/10), pp. 439-447. doi: 10.1108/03074801211273911

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

Berget, G. & MacFarlane, A. ORCID: 0000-0002-8057-0737 (2019). What Is Known About the Impact of Impairments on Information Seeking and Searching?. Journal of the Association for Information Science and Technology, 71(5), pp. 596-611. doi: 10.1002/asi.24256

Berget, G., MacFarlane, A. ORCID: 0000-0002-8057-0737 & Pharo, N. (2021). Modelling the information seeking and searching behaviour of users with impairments: Are existing models applicable?. Journal of Documentation, 77(2), pp. 381-400. doi: 10.1108/jd-04-2020-0049

Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016). Dressing the Body: Introduction. Cultural Studies Review, 22(1), pp. 4-9. doi: 10.5130/csr.v22i1.4907

Bleisch, S., Dykes, J. & Nebiker, S (2008). Evaluating the effectiveness of representing numeric information through abstract graphics in 3D desktop virtual environments. Cartographic Journal, The, 45(3), pp. 216-226. doi: 10.1179/000870408x311404

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2015). Literature, planning and infrastructure: Investigating the southern city through postcolonial texts. Journal of Postcolonial Writing, 51(4), pp. 395-409. doi: 10.1080/17449855.2015.1033813

Boylan, P. (2006). Four Handel oratorio libretti published by John Gregory of Leicester, 1759 - 1774. Transactions of the Leicestershire Archaeological and Historical Society, 80, pp. 123-151.

Boylan, P. The Grand Leicester Musical Festival of 1827. Leicestershire Historian, 50, pp. 46-54.

Brienza, C. (2014). Rev. of Digital Humanities Summer Institute. University of Victoria, British Columbia, June 2-6, 2014. SHARP News, 23(4), pp. 21-22.

Brienza, C. (2014). Review of Comics Unmasked: Art and Anarchy in the UK. British Library, London. SHARP News, 23(3), article number 0.19.

Browning, J. ORCID: 0000-0001-7013-7959 & Lim, L. (2023). Sonic Figurations for the Anthropocene: A Musical Bestiary in the Compositions of Liza Lim. Journal of the Royal Musical Association, 148(1), pp. 1-34. doi: 10.1017/rma.2023.3

Browning, J. ORCID: 0000-0001-7013-7959 (2016). Assembled landscapes: The sites and sounds of some recent shakuhachi recordings. Journal of Musicology, 33(1), pp. 70-91. doi: 10.1525/jm.2016.33.1.70

Browning, J. ORCID: 0000-0001-7013-7959 (2021). Decomposed: the political ecology of music. Ethnomusicology Forum, 30(1), pp. 172-175. doi: 10.1080/17411912.2021.1923549

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Involving experiences: audiencing and co-reception in Pleasure Garden. Journal of the Royal Musical Association, 145(1), pp. 191-227. doi: 10.1017/rma.2020.10

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Meeting the Garden Halfway: Ethnographic Encounters with a Sound Installation Microculture. Ethnomusicology, 64(3), pp. 498-526. doi: 10.5406/ethnomusicology.64.3.0498

Browning, J. ORCID: 0000-0001-7013-7959 (2017). Mimesis stories: composing new nature music for the shakuhachi. Ethnomusicology Forum, 26(2), pp. 171-192. doi: 10.1080/17411912.2017.1350113

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Remaking Classical Music: Cultures of Creativity in Pleasure Garden. Twentieth-Century Music, 17(1), pp. 23-61. doi: 10.1017/s1478572219000355

Browning, J. ORCID: 0000-0001-7013-7959 (2021). Sound and More-than-human Sociality in Catherine Clover’s Oh! Ah ah pree trra trra. Organised Sound: an international journal of music and technology, 26(2), pp. 179-189. doi: 10.1017/s1355771821000352

Browning, J. ORCID: 0000-0001-7013-7959 & Davidson, J. W. (2019). Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon. Parergon, 36(2), pp. 17-38. doi: 10.1353/pgn.2019.0053

Carpentier, T. & Einbond, A. ORCID: 0000-0003-1734-6641 (2023). Spherical correlation as a similarity measure for 3-D radiation patterns of musical instruments. Acta Acustica, 7(40), article number 40. doi: 10.1051/aacus/2023033

Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024). Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater. Journal of Current Chinese Affairs, 53(3), pp. 402-427. doi: 10.1177/18681026241255134

Chen, Z. T. ORCID: 0000-0003-2450-277X (2020). Slice of life in a live and wired masquerade: Playful prosumption as identity work and performance in an identity college Bilibili. GLOBAL MEDIA AND CHINA, 5(3), pp. 319-337. doi: 10.1177/2059436420952026

Chen, Z. T. ORCID: 0000-0003-2450-277X, Whyke, T. W., Lopez-Mugica, J. & Peng, A. Y.view all authors (2023). Cashing the pink RMB through docile bodies: queering paradox of erotic entrepreneurs on Chinese social media platforms. Humanities and Social Sciences Communications, 10(1), article number 491. doi: 10.1057/s41599-023-02006-0

Chen, T. ORCID: 0000-0003-2450-277X (2023). Book Review: A Feminist Reading of China’s Digital Public Sphere. Global Media and China, 10(1), pp. 148-151. doi: 10.1177/20594364231160106

Chen, T. ORCID: 0000-0003-2450-277X (2021). Flying with two wings or coming of age of copyrightisation? A historical and socio-legal analysis of copyright and business model developments in the Chinese music industry. Global Media and China, 6(2), pp. 191-206. doi: 10.1177/2059436421998466

Chen, T. ORCID: 0000-0003-2450-277X & Chen, L-M. (2021). Chinese "female force" in an "American Factory": Women's identity formation in an English reading club. Asian Journal of Women's Studies, 27(2), pp. 161-183. doi: 10.1080/12259276.2021.1913850

Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024). Undergraduate public relations education in the United Kingdom: Quo Vadis?. Public Relations Inquiry, 13(3), pp. 379-405. doi: 10.1177/2046147x241230055

Conor, B., Gill, R. & Taylor, S. (2015). Gender and creative labour. The Sociological Review, 63(1_suppl), pp. 1-22. doi: 10.1111/1467-954x.12237

Cottrell, S. ORCID: 0000-0003-4019-798X (2024). Musical Instruments and Palimpsestic Identity. Journal of Musicological Research, 43(2-3), pp. 141-158. doi: 10.1080/01411896.2024.2376343

Cottrell, S.J. (2019). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, 101(2-3), pp. 216-243. doi: 10.1093/musqtl/gdy013

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018). Charles Jean-Baptiste Soualle and the Saxophone. Journal of the American Musical Instrument Society, XLIV, pp. 179-208.

Cottrell, S.J. (2010). Ethnomusicology and the Music Industries: an overview. Ethnomusicology Forum, 19(1), pp. 3-25.

Cottrell, S.J. (2007). ‘Local Bimusicality among London’s freelance musicians’. Ethnomusicology, 51(1), pp. 85-105.

Cottrell, S.J. (2002). Music as Capital: Deputising Among London’s Freelance Musicians. British Journal of Ethnomusicology, 11(2), pp. 61-80.

Cottrell, S.J. (2007). Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. Twentieth-century Music, 3(1), pp. 73-96.

Cottrell, S.J. (2017). Performing Civility: International Competitions in Classical Music. By Lisa McCormick. Music and Letters, 98(2), pp. 322-324. doi: 10.1093/ml/gcx032

Cottrell, S.J. (2011). The impact of Ethnomusicology. Ethnomusicology Forum, 20(2), pp. 229-232.

Cottrell, S.J. ORCID: 0000-0003-4019-798X & Howell, J. (2019). Reproducing Musical Instrument Components from Manufacturers’ Technical Drawings using 3D Printing: Boosey & Hawkes as a Case Study. Journal of New Music Research, 48(5), pp. 449-457. doi: 10.1080/09298215.2019.1642362

Crawford-Franklin, C. & Robinson, L. (2013). "Even in an age of wonders": radio as an information resource in 1920s America. Journal of Documentation, 69(3), pp. 417-434. doi: 10.1108/jd-08-2012-0108

Curran-Troop, H. & Prins, A. (2022). Glitch Feminism. European Journal of Cultural Studies, 25(3), pp. 950-953. doi: 10.1177/13675494221078876

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Against the System: Postcolonialism, Humanism, and the Humanities. Moving Worlds: a journal for transcultural writings, 20(2), pp. 113-128.

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Graphic Capitaloscenes: Drawing Infrastructure as Historical Form. Critique: Studies in Contemporary Fiction, 65(4), pp. 680-695. doi: 10.1080/00111619.2023.2231845

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Green unpleasant land: Creative responses to rural England's colonial connections. Journal of Postcolonial Writing, 58(2), pp. 286-287. doi: 10.1080/17449855.2022.2066520

Davies, D. ORCID: 0000-0002-3584-5789 (2025). Into our labours: Work and its representation in world-literary perspective. Journal of Postcolonial Writing, pp. 1-2. doi: 10.1080/17449855.2025.2452983

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 (2024). The infrastructure humanities. Interventions, 26(8), pp. 1326-1342. doi: 10.1080/1369801x.2024.2400351

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, 9(1), pp. 1-25. doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Braided geographies: bordered forms and cross-border formations in refugee comics. Journal for Cultural Research, 23(2), pp. 124-143. doi: 10.1080/14797585.2019.1665892

Davies, D. ORCID: 0000-0002-3584-5789 (2022). The City of the Missing: Poetic Responses to the Grenfell Fire. Journal of Urban History, 49(3), doi: 10.1177/00961442221127310

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 7(1), article number 18. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

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Kirkbride, J. ORCID: 0000-0002-1475-1265 (2025). Radically Hopeful Dystopian Climate Fiction: Exploring Social Dreaming, Temporal Re-Sensitisation, and Katharsis in Jeff VanderMeer’s Borne. Comparative American Studies An International Journal, pp. 1-18. doi: 10.1080/14775700.2025.2490336

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022). Science Fiction and Climate Change: A Sociological Approach. Green Letters: Studies in Ecocriticism, 26(2), pp. 190-193. doi: 10.1080/14688417.2022.2037865

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road. The Cormac McCarthy Journal, 18(2), pp. 100-112. doi: 10.5325/cormmccaj.18.2.0100

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Cohesive Plurality. LOGOS: Journal of the World Publishing Community, 31(2), pp. 52-56. doi: 10.1163/18784712-03102005

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Fragments from the history of loss: the nature industry and the postcolony. Green Letters: Studies in Ecocriticism, 25(1), pp. 99-101. doi: 10.1080/14688417.2021.1888480

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Narrating the Mesh: Form and Story in the Anthropocene. Green Letters: Studies in Ecocriticism, 25(4), pp. 441-444. doi: 10.1080/14688417.2021.2012365

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Lee, D. ORCID: 0000-0002-5768-9262 (2019). The classification of musical transformation: a conceptual approach to the knowledge organization of musical arrangements. Information Research: an international electronic journal, 24(4), article number colis1919.

Lee, D. & Robinson, L. (2018). The heart of music classification: towards a model of classifying musical medium. Journal of Documentation, 74(2), pp. 258-277. doi: 10.1108/jd-08-2017-0120

Lee, D., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2019). Modelling the relationship between scientific and bibliographic classification for music. Journal of the Association for Information Science and Technology, 70(3), pp. 230-241. doi: 10.1002/asi.24120

Lee, D. ORCID: 0000-0002-5768-9262, Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Orthogonality, dependency and music: an exploration of the relationship between music facets. Journal of the Association for Information Science and Technology, 72(5), pp. 570-582. doi: 10.1002/asi.24426

Lee, L., Ocepek, M. G., Makri, S. ORCID: 0000-0002-5817-4893 , Buchanan, G. & McKay, D.view all authors (2019). Getting creative in everyday life: Investigating arts and crafts hobbyists' information behavior. Proceedings of the Association for Information Science and Technology, 56(1), pp. 703-705. doi: 10.1002/pra2.141

Lingas, A. ORCID: 0000-0003-0083-3347 (2015). Music in the Balkans. Ethnomusicology Forum, 24(1), pp. 134-136. doi: 10.1080/17411912.2014.980200

Lingas, A. ORCID: 0000-0003-0083-3347 (2018). The Oriental music broadcasts, 1936–1937: a musical ethnography of mandatory Palestine. Ethnomusicology Forum, 27(2), pp. 243-245. doi: 10.1080/17411912.2018.1508359

Lingas, A. (2013). The Past is Always Present: The Revival of the Byzantine Musical Tradition at Mount Athos. Ethnomusicology Forum, 22(1), pp. 121-124. doi: 10.1080/17411912.2012.753815

Lingas, A. (2017). (Review of) Greek Orthodox Music in Ottoman Istanbul: Nation and Community in the Era of Reform. Music and Letters, 98(2), pp. 298-300. doi: 10.1093/ml/gcx036

Litosseliti, E. ORCID: 0000-0002-3305-4713, Gill, R. ORCID: 0000-0002-2715-1867 & Favaro, L. (2019). Postfeminism as a critical tool for gender and language study. Gender and Language, 13(1), pp. 1-22. doi: 10.1558/genl.34599

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Loya, S. (2016). Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke. Notes, 73(2), pp. 289-292. doi: 10.1353/not.2016.0128

Loya, S. (2015). The Mystery of the Seventeenth Hungarian Rhapsody. Quaderni dell’Instituto Liszt, 15, pp. 107-146.

Loya, S. ORCID: 0000-0002-9156-2804 (2021). Nineteenth-Century Programme Music: Creation, Negotiations, Reception. Ad Paranassum: A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 19(37), pp. 89-94.

Loya, S. (2016). Pesce Dolores , Liszt’s Final Decade (Rochester: University of Rochester Press, 2014). xiv 369 pp. £55.00. Nineteenth-Century Music Review, 13(2), pp. 320-323. doi: 10.1017/s147940981600015x

Loya, S. (2016). Recomposing National Identity: Four Transcultural Readings of Liszt’s Marche hongroise d’après Schubert. Journal of the American Musicological Society, 69(2), pp. 409-476. doi: 10.1525/jams.2016.69.2.409

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MacFarlane, A. & Tuson, A. (2009). Local search: A guide for the information retrieval practitioner. Information Processing and Management, 45(1), pp. 159-174. doi: 10.1016/j.ipm.2008.09.002

Makeev, M. & Bastos, M. ORCID: 0000-0003-0480-1078 (2025). Behind the Enemy News: Issue Salience in the Russo-Ukrainian War. Dynamics of Asymmetric Conflict,

Makri, S., Blandford, A., Woods, M. , Sharples, S. & Maxwell, D.view all authors (2014). "Making my own luck": Serendipity strategies and how to support them in digital information environments. Journal of the Association for Information Science and Technology, 65(11), pp. 2179-2194. doi: 10.1002/asi.23200

Makrzanowska, A. & Dunne, J. ORCID: 0000-0001-9831-4195 (2017). Poor Traces of the Room: The Live Archive at the Library. Performance Research, 22(1), pp. 106-114. doi: 10.1080/13528165.2017.1285574

Margree, P., MacFarlane, A., Price, L. & Robinson, L.view all authors (2014). Information behaviour of music record collectors. Information Research: an international electronic journal, 19(4), article number 652.

Mason, T. & Bawden, D. ORCID: 0000-0002-0478-6456 (2023). Times New Plural - The multiple temporalities of contemporary life and the infosphere. Journal of the Association for Information Science and Technology, 74(10), pp. 1159-1169. doi: 10.1002/asi.24812

Mason, H. & Robinson, L. (2011). The information-related behaviour of emerging artists and designers Inspiration and guidance for new practitioners. Journal of Documentation, 67(1), pp. 159-180. doi: 10.1108/00220411111105498

Matos, C. ORCID: 0000-0001-6304-3591 (2024). Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina. International Journal of Media and Cultural Politics, 19(2), pp. 237-254. doi: 10.1386/macp_00085_1

Matos, C. O. ORCID: 0000-0001-6304-3591 (2021). Entrevista com o professor Daya Thussu sobre midia e academia em tempos de pandemia. Revista de Comunicação Dialógica(6), pp. 94-116. doi: 10.12957/rcd.2022.62083

Mayor, C. & Robinson, L. (2014). Ontological Realism and Classification: Structures and Concepts in the Gene Ontology. Journal of the Association for Information Science and Technology, 65(4), pp. 686-697. doi: 10.1002/asi.23057

Mayor, C. & Robinson, L. (2014). Ontological realism, concepts and classification in molecular biology: Development and application of the gene ontology. Journal of Documentation, 70(1), pp. 173-193. doi: 10.1108/jd-06-2013-0076

Mbaye, J. F. (2010). AURA ou de la production politique de la musique hip hop. Cahiers de recherche sociologique, 49(49), pp. 147-160. doi: 10.7202/1001415ar

Mbaye, J. F. (2015). Musical borderlands: A cultural perspective of regional integration in Africa. City, Culture and Society, 6(2), pp. 19-26. doi: 10.1016/j.ccs.2015.03.002

Mbaye, J. F. & Dinardi, C. (2019). Ins and outs of the cultural polis: informality, culture and governance in the global South. Urban Studies, 56(3), pp. 578-593. doi: 10.1177/0042098017744168

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Pratt, A.C. (2020). Cities, creativities and urban creative economies: Re-descriptions and make+shifts from Sub-Saharan Africa. International Journal of Urban and Regional Research, 44(5), pp. 781-792. doi: 10.1111/1468-2427.12887

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Yeh, D. ORCID: 0000-0001-8324-5342 (2020). #BLM and the city. City, Culture and Society, 23, article number 100373. doi: 10.1016/j.ccs.2021.100373

McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2025). Chinese older adults' social media use: a study of WeChat from a social practice perspective. Information Technology & People, 38(1), pp. 363-379. doi: 10.1108/itp-10-2022-0787

McNally, N. & Bastos, M. ORCID: 0000-0003-0480-1078 (2025). The News Feed is not a Black Box: A Longitudinal Study of Facebook’s Algorithmic Treatment of News. Digital Journalism, pp. 1-20. doi: 10.1080/21670811.2025.2450623

McQueen, G. E. & Bawden, D. ORCID: 0000-0002-0478-6456 (2020). Luciano Floridi and contemporary art practice. Journal of Visual Art Practice, 19(4), pp. 328-350. doi: 10.1080/14702029.2020.1823762

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2024). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, 17(5), pp. 700-706. doi: 10.1080/17530350.2022.2112263

Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019). Apocalypse yesterday: Posthumanism and comics in the Anthropocene. Environment and Planning E: Nature and Space, 3(3), pp. 663-687. doi: 10.1177/2514848619883468

Mera, M. (2009). An Interview with Canadian-Armenian Filmmaker Atom Egoyan. Ethnomusicology Forum, 18(1), pp. 73-82. doi: 10.1080/17411910902790416

Mera, M. (2009). Invention/Re-invention. Music, Sound and the Moving Image, 3(1), pp. 1-20. doi: 10.3828/msmi.3.1.1

Mera, M. (2012). Outing the Score: Music, narrative and collaborative process in Little Ashes. Music, Sound and the Moving Image, 6(1), pp. 93-110. doi: 10.3828/msmi.2012.8

Mera, M. ORCID: 0000-0002-0031-0629 (2019). Popular Music on Screen and the Road to Brexit. Cinema&Cie: International Journal of Film Studies, 8(31),

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Professor Daddy has a zebra on his head. Ethnomusicology Forum, 29(3), pp. 300-306. doi: 10.1080/17411912.2020.1873560

Mera, M. (2013). Review of Peter Franklin, Seeing Through Music: Gender and Modernisms in Classic Hollywood Film. Music, Sound and the Moving Image, 7(2), pp. 195-218. doi: 10.3828/msmi.2013.9

Mera, M. & Stumpf, S. (2014). Eye-tracking Film Music. Music and the Moving Image, 7(3), pp. 3-23. doi: 10.5406/musimoviimag.7.3.0003

Mera, M. & Winters, B. (2009). Film and Television Music Sources in the UK and Ireland. Brio: Journal of the International Association of Music Libraries, Archives and Documentation Centres., 46(2), pp. 37-65.

Merkel, J. (2015). Coworking in the city. Ephemera, 15(2), pp. 121-139.

Merkel, J. (2014). Gärtner der urbanen Arbeitswelt. Wie Coworking Spaces kuratiert werden. WZB Mitteilungen, 145, pp. 21-22.

Mizrachi, D., Salaz, A., Kurbanoglu, S. , Boustany, J., Todorova, T., Yantao, P., Zhang, J., Zivkovic, D., Pesut, D., Kortelainen, T., Bar-Ilan, J., Aharony, N., Collina, E., Krumina, L., Geagea, H., Ghinculov, S., Landoy, A., Gastinger, A., de la Vega, A., Terra, A., Johnston, N., Repanovici, A., Vilar, P., Schneider, R., Dogan, G., Kurbanoglu, S., Jamal, P., Bawden, D. ORCID: 0000-0002-0478-6456, Secker, J., Morrison, C.M., Salaz, A., Mizrachi, D., Boustany, J. & ARFIS Research Group, .view all authors (2018). Academic reading format preferences and behaviors among university students worldwide: A comparative survey analysis. PLoS ONE, 13(5), article number e0197444. doi: 10.1371/journal.pone.0197444

Moise, R. ORCID: 0000-0002-2578-9832, Anton, A. ORCID: 0000-0003-0201-197X & Hellmueller, L. ORCID: 0000-0002-6609-9395 (2025). Flexible working schemes in media and communication industries: a shifting landscape. Corporate Communications: An International Journal, doi: 10.1108/ccij-06-2024-0104

Moise, R. ORCID: 0000-0002-2578-9832 (2022). The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric The Deliberative Nature of London’s Civic and Democratic Participation Sector. The Uses of Lived Experiences in the Advocacy NGO’s Rhetoric. Styles of Communication, 13(2), pp. 38-56. doi: 10.31178/sc.13.2.03

Moise, R. ORCID: 0000-0002-2578-9832 (2022). Diaspora diplomacy and modes of engagement: the case of Romanian Diaspora in the UK. Journal of Communication Management, 27(2), pp. 173-190. doi: 10.1108/jcom-09-2022-0108

Moise, R. ORCID: 0000-0002-2578-9832 (2016). Review: Public Relations: A Revolutionary Discipline. Styles of Communication, 8(1),

Moise, R. ORCID: 0000-0002-2578-9832 (2016). The Social Value of Public Relations in the Romanian Book Sector. Styles of Communication, 8(1), pp. 37-54.

Moise, R. ORCID: 0000-0002-2578-9832 & Anton, A. (2022). An Exploratory Study of Communication Freelancers and Online Communities. A Mixed Methods Approach. Romanian Journal of Communication and Public Relations, 24(2), pp. 23-44. doi: 10.21018/rjcpr.2022.2.342

Molitor, C. ORCID: 0000-0002-3777-833X (2021). Composition as Hyperobject. APRIA (Artez PLatform for Research Interventions of the Arts), 3(2), pp. 57-64. doi: 10.37198/apria.03.02.a7

Molitor, C. ORCID: 0000-0002-3777-833X & Magnusson, T. (2021). Curating experience: Composition as cultural technology - a conversation. Journal of New Music Research, 50(2), pp. 184-189. doi: 10.1080/09298215.2021.1898646

Monson, O., Donaghue, N. & Gill, R. (2016). Working hard on the outside: a multimodal critical discourse analysis of The Biggest Loser Australia. Social Semiotics, 26(5), pp. 524-540. doi: 10.1080/10350330.2015.1134821

Moore, C. & Robinson, L. (2017). The Monty Hyams Archive: a new resource for the information history of the late 20th century. Journal of Documentation, 73(2), pp. 357-367. doi: 10.1108/jd-10-2016-0127

Moran, P. ORCID: 0000-0001-8944-0966 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

Nooshin, L. (2013). Beyond the Radif: New Forms of Improvisational Practice in Iranian Music. Music Theory Online, 19(2),

Nooshin, L. ORCID: 0000-0001-8737-5224 (2018). “Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality. Ethnomusicology, 62(3), pp. 341-374. doi: 10.5406/ethnomusicology.62.3.0341

Nooshin, L. ORCID: 0000-0001-8737-5224 (2020). Parenting and Music Studies Forum. Ethnomusicology Forum, 29(3), pp. 269-275. doi: 10.1080/17411912.2020.1873553

Nooshin, L. (2005). Underground, Overground: Rock Music and Youth Discourses in Iran. Iranian Studies (Special Issue: Music and Society in Iran), 38(3), pp. 463-494. doi: 10.1080/00210860500300820

Nooshin, L. (2017). ‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’. Popular Communication, 15(3), pp. 163-191. doi: 10.1080/15405702.2017.1328601

Nooshin, L. ORCID: 0000-0001-8737-5224 (2019). Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema. Music and the Moving Image, 12(3), pp. 25-57. doi: 10.5406/musimoviimag.12.3.0025

Nooshin, L. & Widdess, R. (2006). Improvisation in Iranian and Indian Music. Journal of the Indian Musicological Society, 36/37, pp. 104-119.

Noppe, N., Price, L. ORCID: 0000-0001-7747-4210, Chiu, K. , Miller, J. N., Wang, E. N., Vaswani, S. M., Merry, S. K., Pollock, D. E, Black, S. R., Hartwell, R., Jacobs, N., Thomas, P. A., Emmanouloudis, A., Hellman, E. & Spitz, A.view all authors (2022). What if academic publishing worked like fan publishing? Imagining the Fantasy Research Archive of Our Own. Transformative Works and Cultures, 37, doi: 10.3983/twc.2022.2253

Nowrin, S. & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Information security behaviour of smartphone users: an empirical study on the students of University of Dhaka, Bangladesh. Infomation and Learning Science, 119(7/8), pp. 444-455. doi: 10.1108/ils-04-2018-0029

Nowrin, S., Robinson, L. ORCID: 0000-0001-5202-8206 & Bawden, D. ORCID: 0000-0002-0478-6456 (2018). Multi-lingual and multi-cultural information literacy; perspectives, models and good practice. Global Knowledge, Memory and Communication, 68(3), pp. 207-222. doi: 10.1108/gkmc-05-2018-0050

Nystrom, E. ORCID: 0000-0003-3628-540X (2017). Morphology of the Amorphous: Spatial texture, motion and words. Organised Sound, 22(3), pp. 336-344. doi: 10.1017/s1355771817000498

Nystrom, E. ORCID: 0000-0003-3628-540X (2021). Strange Posthuman Attractors: algorithmic improvisation as acousmatic poiēsis. Organised Sound: an international journal of music and technology, 26(1), pp. 31-41. doi: 10.1017/s1355771821000030

O'Driscoll, G. & Bawden, D. ORCID: 0000-0002-0478-6456 (2022). Health information equity: Rebalancing healthcare collections for racial diversity in UK public service contexts. Education for Information, 38(4), pp. 315-336. doi: 10.3233/efi-220051

Ocepek, M. G., Bullard, J., Hartel, J. , Forcier, E., Polkinghorne, S. & Price, L. ORCID: 0000-0001-7747-4210view all authors (2018). Fandom, food, and folksonomies: The methodological realities of studying fun life-contexts. Proceedings of the Association for Information Science and Technology, 55(1), pp. 712-715. doi: 10.1002/pra2.2018.14505501089

Orgad, S. & Gill, R. ORCID: 0000-0002-2715-1867 (2019). Safety valves for mediated female rage in the #MeToo era. Feminist Media Studies, 19(4), pp. 596-603. doi: 10.1080/14680777.2019.1609198

Pace, I. ORCID: 0000-0002-0047-9379 (2023). AI may force a sharpening of educational conceptions of ‘creativity’ as relate to employability in the ‘creative industries’. Times Higher Education(3 July),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Music departments should resist the siren song of pop schools. Times Higher Education(11 Aug),

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Self-regulation is not enough to uphold academic freedom. Times Higher Education(22 Jul),

Pace, I. (1997). Archetypal Experiments. The Musical Times(1856), pp. 9-14.

Pace, I. (2007). “The Best Form of Government…”: Cage’s Laissez-Faire Anarchism and Capitalism. The Open Space Magazine(8/9), pp. 91-115.

Pace, I. (2015). Between Worlds: the dangers of transforming 9/11 into stylised art. The Conversation,

Pace, I. (2014). Book Review: Music in Germany Since 1968 by Alastair Williams. Tempo (London, 1939): a quarterly review of modern music, 68(268), pp. 116-121. doi: 10.1017/s0040298213001940

Pace, I. (2007). Book Reviews: Towards a Theory of Musical Reproduction by Theodor W. Adorno, Henri Lonitz, WielandHoban; Philosophy of New Music by Theodor W. Adorno, Robert Hullot-Hentor; Letters to his Parents by Theodor W. Adorno, Christoph Gödde, Wieland Hoban, Henri Lonitz. Tempo (London, 1939): a quarterly review of modern music, 61(242), pp. 61-73. doi: 10.1017/s0040298207000307

Pace, I. (2016). Composition and Performance can be, and often have been, Research. Tempo, 70(275), pp. 60-70. doi: 10.1017/s0040298215000637

Pace, I. (2006). Conventions, Genres, Practices in the Performance of Liszt’s Piano Music. Liszt Society Journal, 31, pp. 70-103.

Pace, I. (2017). Darla Crispin and Bob Gilmore, eds, Artistic Experimentation in Music: An Anthology (Leuven: Leuven University Press, 2014). Tempo, 71(281), pp. 107-115. doi: 10.1017/S004029821700047X

Pace, I. (1997). 'Die Soldaten' in London. Tempo (London, 1939): a quarterly review of modern music(200), pp. 41-42.

Pace, I. (2015). Does elite music teaching leave pupils open to abuse?. Daily Telegraph,

Pace, I. (2015). Ferneyhough Hero: Scholarship as Promotion. Music and Letters, 96(1), pp. 99-112. doi: 10.1093/ml/gcu111

Pace, I. (2007). Gordon Downie and Ian Pace: A Dialogue. The Open Space Magazine(8 & 9), pp. 181-208.

Pace, I. (2001). The Harpsichord Works of Iannis Xenakis. Contemporary Music Review, 20(1), pp. 125-140. doi: 10.1080/07494460100640121

Pace, I. (2016). How to negotiate the tricky territory of ‘fascist music’. The Conversation,

Pace, I. (2006). Interview. International Piano, pp. 211-212.

Pace, I. (2001). Interview with Marc Bridle. Seen & Heard,

Pace, I. (2005). Lachenmann’s Serynade—Issues for Performer and Listener. Contemporary Music Review, 24(1), pp. 101-112. doi: 10.1080/0749446042000293646

Pace, I. (2017). Luigi Dallapiccola and Musical Modernism in Fascist Italy. By Ben Earle. Music and Letters, 98(1), pp. 163-167. doi: 10.1093/ml/gcx013

Pace, I. (2012). Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti’s E´ tudes for Piano. Contemporary Music Review, 31(2-3), pp. 177-201. doi: 10.1080/07494467.2012.717359

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Modernist Fantasias: The Recuperation of a Concept. Journal of the Royal Musical Association, 144(2), pp. 473-493. doi: 10.1080/02690403.2019.1651512

Pace, I. (1999). Modulor von Ian Willcock. Musik & Ästhetik(10), pp. 47-58.

Pace, I. (1997). Music of the Absurd? Thoughts on Recent Kagel. Tempo (London, 1939): a quarterly review of modern music(200), pp. 29-34.

Pace, I. (2015). Music teacher sentenced to 11 years in prison as abuse film Whiplash prepares for Oscars. The Conversation,

Pace, I. (1997). Never to Be Naught. The Musical Times, 138(1857), pp. 17-20.

Pace, I. (1998). Northern Light. The Musical Times, 139(1863), pp. 33-44.

Pace, I. (1996). The Panorama of Michael Finnissy (I). Tempo (London, 1939): a quarterly review of modern music(196), pp. 25-35.

Pace, I. (1997). The Panorama of Michael Finnissy (II). Tempo (London, 1939): a quarterly review of modern music(201), pp. 7-16.

Pace, I. (2007). Performing Liszt in the Style Hongroise. Liszt Society Journal, 32, 55-.

Pace, I. (2015). Positions, Methodologies and Aesthetics in the Published Discourse about Brian Ferneyhough: A Critical Study. Search – Journal for New Music and Culture, Fall 2(11),

Pace, I. (1998). Positive or negative 1. The Musical Times, 139(1859), pp. 9-17.

Pace, I. (1998). Positive or negative 2. The Musical Times, 139(1860), pp. 4-15.

Pace, I. (1997). Recent Sciarrino Premières. Tempo (London, 1939): a quarterly review of modern music(200), pp. 49-51.

Pace, I. (1996). Repertoire Guide: Richard Barrett. Classical Music, p. 29.

Pace, I. ORCID: 0000-0002-0047-9379 (2023). Review of Richard Stokes, The Complete Songs of Hugo Wolf: Life, Letters. Lieder. London Review of Books,

Pace, I. (2003). Review, Serge Prokofiev – Fiftieth Anniversary Set (Warner Classics). Three Oranges Journal(5), pp. 32-34.

Pace, I. (2004). Review: Shining City - Conor McPherson, Royal Court Theatre. .,

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Wheelwright, J. (2014). Beyond the spooks: The problem of the narrator in literary history. Journalism, 15(5), pp. 561-572. doi: 10.1177/1464884914523237

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

Wheelwright, J. (2009). Disappeared Review. The Independent,

Wheelwright, J. (2008). Flight review. The Independent,

Wheelwright, J. (2008). Galgut review. The Independent,

Wheelwright, J. (2012). Gopnik Review. The Independent,

Wheelwright, J. (2012). Livesey review. The Independent,

Wheelwright, J. (2017). 'The Orgy Nex Door: An Exploration of Ethical Relationships in Gay Talese's 'Thy Neighbor's Wife' and 'The Voyeur's Motel'. Literary Journalism Studies, 9(2), pp. 28-50.

Wheelwright, J. (2013). Paxman/Adie reviews. The Independent,

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2019). Poisoned Honey: The Myth of Women in Espionage. Queen’s Quarterly, 100(2), pp. 291-309.

Wheelwright, J. (2008). Roma Tearne profile. The Independent,

Wheelwright, J. (2012). Ru Review. The Independent,

Wheelwright, J. (2008). Wally Lamb Review. The Independent,

Wheelwright, J. (2013). Withering Review. The Independent,

Wheelwright, J. (2016). The ethical turn in considering hidden children's Holocaust testimony as historical reconstruction. Ethical Space: the international journal of communication ethics, 13(4), pp. 4-10.

Wheelwright, J. (2017). The other place. History Workshop Journal, 84(84), pp. 257-263. doi: 10.1093/hwj/dbx039

Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X & Lopez-Mugica, J. (2022). An analysis of cultural dissemination and national image construction in Chinese influencer Li Ziqi's vlogs and its impact on international viewer perceptions on YouTube. Journal of Chinese Sociology, 9(1), article number 14. doi: 10.1186/s40711-022-00173-2

Whyke, T. W., Chen, Z. T. ORCID: 0000-0003-2450-277X, Lopez-Mugica, J. & Wang, A.view all authors (2023). Unboxing the Chinese Blind Boxes among China's grown-up missing children: Probabilistic and elastic prosumption through mediated collection, exchange and resale of figurines. Global Media and China, 8(1), pp. 93-111. doi: 10.1177/20594364221140812

Whyke, T. W., Lopez-Mugica, J. & Chen, T. ORCID: 0000-0003-2450-277X (2021). The Rite of Passage and Digital Mourning in Fang Fang's Wuhan Diary. Global Media and China, 6(4), pp. 443-459. doi: 10.1177/20594364211041683

Wiley, C. (2014). Academic Leadership in Learning and Teaching in Higher Education: A Personal Reflection on one Programme Director’s Professional Development. Learning at City Journal, 4(2), pp. 39-49.

Wiley, C. (2008). Andrew Lloyd Webber at 60. Musical stages: The world of musical theatre, 57, 7-.

Wiley, C. (2014). Divided by a Common Language? Evaluating Students’ Understanding of the Vocabulary of Assessment and Feedback at a Single UK Higher Education Institution. International Journal of Assessment and Evaluation, 20,

Wiley, C. (2012). Marianna Martines: A woman composer in the Vienna of Mozart and Haydn. Journal for Eighteenth-Century Studies, 35(2), pp. 285-286. doi: 10.1111/j.1754-0208.2011.00404.x

Wiley, C. (2007). Musical biography: Towards new paradigms. Biography: An Interdisciplinary Quarterly, 30(2), pp. 215-219. doi: 10.1353/bio.2007.0044

Wiley, C. (2004). “When a woman speaks the truth about her body”: Ethel Smyth, Virginia Woolf, and the challenges of lesbian auto/biography. Music and Letters, 85(3), pp. 388-414. doi: 10.1093/ml/85.3.388

Wiley, C. (2003). “A relic of an age still capable of a Romantic outlook”: Musical biography and The Master Musicians Series, 1899-1906. Comparative Criticism, 25, pp. 161-202.

Wing-Fai, L., Gill, R. & Randle, K. (2015). Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries. The Sociological Review, 63(1_suppl), pp. 50-65. doi: 10.1111/1467-954x.12240

Wood, J. (2015). Visualizing Personal Progress in Participatory Sports Cycling Events. IEEE Computer Graphics and Applications, 35(4), pp. 73-81. doi: 10.1109/mcg.2015.71

Wood, J., Badawood, D., Dykes, J. & Slingsby, A.view all authors (2011). BallotMaps: Detecting name bias in alphabetically ordered ballot papers. IEEE Transactions on Visualization and Computer Graphics, 17(12), pp. 2384-2391. doi: 10.1109/tvcg.2011.174

Wood, J. & Dykes, J. (2008). Spatially Ordered Treemaps. IEEE Transactions on Visualization and Computer Graphics, 14(6), pp. 1348-1355. doi: 10.1109/tvcg.2008.165

Wood, J., Dykes, J. & Slingsby, A. (2010). Visualisation of Origins, Destinations and Flows with OD Maps. Cartographic Journal, The, 47(2), pp. 117-129. doi: 10.1179/000870410x12658023467367

Wood, J., Dykes, J., Slingsby, A. & Clarke, K.view all authors (2007). Interactive visual exploration of a large spatio-temporal dataset: Reflections on a geovisualization mashup. IEEE Transactions on Visualization and Computer Graphics, 13(6), pp. 1176-1183. doi: 10.1109/tvcg.2007.70570

Wood, J., Isenberg, P., Isenberg, T. , Dykes, J., Boukhelifa, N. & Slingsby, A.view all authors (2012). Sketchy rendering for information visualization. IEEE Transactions on Visualization and Computer Graphics, 18(12), pp. 2749-2758. doi: 10.1109/tvcg.2012.262

Wood, J., Slingsby, A. & Dykes, J. (2011). Visualizing the dynamics of London's bicycle hire scheme. Cartographica, 46(4), pp. 239-251. doi: 10.3138/carto.46.4.239

Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T.view all authors (2023). Drinking in style? Literature review of luxury wine consumption. British Food Journal, 125(2), pp. 679-695. doi: 10.1108/bfj-06-2021-0661

Yeh, D. ORCID: 0000-0001-8324-5342 (2021). Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries. British Journal of Chinese Studies, 11, pp. 53-70.

Yeh, D. (2014). Contesting the ‘model minority’: racialization, youth culture and ‘British Chinese’/‘Oriental’ nights. Ethnic and Racial Studies, 37(7), pp. 1197-1210. doi: 10.1080/01419870.2014.859288

Yeh, D. ORCID: 0000-0001-8324-5342 (2020). Covid-19, Anti-Asian Racial Violence, and The Borders of Chineseness. British Journal of Chinese Studies, 10, doi: 10.51661/bjocs.v10i0.117

Yeh, D. ORCID: 0000-0001-8324-5342 (2022). Racialization and Racisms in and beyond Covid, Colour and the Global South. New Diversities, 24(1), pp. 91-101.

Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023). Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective. Journal of Macromarketing, 43(3), pp. 403-417. doi: 10.1177/02761467231178550

Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T.view all authors (2024). Exploring smartphone-related digital divide among South Korean older adults. Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1), pp. 29-43. doi: 10.51680/ev.37.1.3

Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024). Genre in transnational television: A case of Netflix Originals Korean dramas. Television & New Media, 26(2), pp. 243-258. doi: 10.1177/15274764241265040

Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024). Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK. Communication & Society, 37(4), pp. 125-141. doi: 10.15581/003.37.4.125-141

Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023). Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK. International Journal of Arts Management, 25(2),

Zhong, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078 (2023). Local News as Propaganda: Precarization and Media Control in Qinghai News. Journalism Practice, 19(6), pp. 1254-1271. doi: 10.1080/17512786.2023.2240760

de Perthuis, K. & Findlay, R. ORCID: 0000-0001-8596-6880 (2019). How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory, 23(2), pp. 219-242. doi: 10.1080/1362704x.2019.1567062

Audio

Nystrom, E. ORCID: 0000-0003-3628-540X, Kokoras, P., Gviniashvili, M. , Vasquez, J. C. & Kosecka, M.view all authors (2019). CECIA (Collaborative Electroacoustic Composition with Intelligent Agents). [Audio]

Book

Ashford, D. (2015). Orcs: an epic. London: Veer Books.

Ashford, D. (2017). Sedition Machines. London: Veer Books.

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

Matos, C. ORCID: 0000-0001-6304-3591 (2008). Jornalismo e política democrática no Brasil. Sao Paulo: Publifolha.

Matos, C. ORCID: 0000-0001-6304-3591 (2009). Journalism and Political Democracy in Brazil. Maryland, USA: Lexington Books.

Pace, I. (2013). Michael Finnissy's "The History of Photography in Sound": A Study of Sources, Techniques and Interpretation. London, UK: Divine Art.

Pratt, A.C. & D'Ovidio, M. (2014). Quale cultura per la città creativa. Italy: Fondazione Giangiacomo Feltrinelli.

Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.

Book Section

Ashford, D. (2013). Xaragmata: Translations from the Pelasgian. In: Xaragmata: translations from the Pelagsian. . London: Veer Books.

Bastos, M. ORCID: 0000-0003-0480-1078 So Long Twitter, and Thanks for All the Tweets. (2nd ed.) In: Bruns, A., Enli, G., Larsson, A. O. , Robinson, J. Y. & Bosch, T.view all authors (Eds.), The Routledge Companion to Social Media and Politics. . London: Routledge.

Bastos, M. ORCID: 0000-0003-0480-1078 Tabloids. In: Nai, A., Grömping, M. & Wirz, D. (Eds.), Elgar Encyclopedia of Political Communication. . Cheltenham, UK: Edward Elgar Publishing.

Bastos, M. ORCID: 0000-0003-0480-1078 & Freitas, O. (2025). The Bannon Doctrine: Network Insurrectionism and Democratic Backsliding. In: Papacharissi, Z. (Ed.), The Routledge Companion to Digital Media and Democracy. . London, UK: Routledge.

Bawden, D. (2016). The noblest pleasure: theories of understanding in the information sciences. In: Sonnenwald, D. H. (Ed.), Theory Development in the Information Sciences. (pp. 281-299). USA: University of Texas Press.

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2017). ASLIB. In: Encyclopedia of Library and Information Sciences. . Boca Raton: CRC Press.

Bawden, D. & Robinson, L. (2011). Individual Differences in Information-Related Behaviour: What Do We Know About Information Styles? In: Spink, A. & Heinstrom, J. (Eds.), New Directions in Information Behaviour. Library and Information Science, 1. (pp. 127-158). London, UK: Emerald. doi: 10.1108/S1876-0562(2011)002011a009

Bawden, D. ORCID: 0000-0002-0478-6456 & Robinson, L. ORCID: 0000-0001-5202-8206 (2020). Information Overload: An Overview. In: Oxford Encyclopedia of Political Decision Making. . Oxford: Oxford University Press. doi: 10.1093/acrefore/9780190228637.013.1360

Bawden, D. & Robinson, L. (2016). Information's magic numbers: the numerology of information science. In: Sugimoto, C. (Ed.), Theories of Information and Scholarly Communication. (pp. 180-196). Berlin: de Gruyter.

Bawden, D. & Robinson, L. (2016). Into the infosphere: theory, literacy, and education for new forms of document. In: Ivanović, M. & Tanacković, S. (Eds.), Ogledi o informacijskim znanostima: Zbornik radova u Čast Tatjane Aparac-Jelušić. (pp. 177-186). Osijek, Crotia: Universities of Osijek and Zadar.

Bawden, D. & Robinson, L. (2016). Library and Information Science. In: Jensen, K. B. & Pooley, J. (Eds.), The International Encyclopedia of Communication Theory and Philosophy. (pp. 1068-1073). UK: Wiley.

Bennett, T. ORCID: 0000-0003-0078-9315 (2018). “Essential—Passion for Music”: Affirming, Critiquing, and Practising Passionate Work in Creative Industries. In: The Palgrave Handbook of Creativity at Work. (pp. 431-459). Cham: Palgrave Macmillan. doi: 10.1007/978-3-319-77350-6_21

Bennett, T. ORCID: 0000-0003-0078-9315 (2020). Re-Rewind: Heritage, Representation and Music City Aspiration in Southampton. In: Music Cities. New Directions in Cultural Policy Research. (pp. 19-42). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-35872-3_2

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Introduction: The City Always Wins. In: Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (Eds.), Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture. (pp. 1-25). Cham: Palgrave Macmillan.

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

Browning, J. ORCID: 0000-0001-7013-7959 (2020). Emotion as Multiple: Rehearsing Voyage to the Moon. In: Davidson, J. W., Halliwell, M. & Rocke, S. (Eds.), Opera, Emotion and the Antipodes. (pp. 192-218). Routledge.

Cottrell, S.J. (2006). The Clarinet and its Players in Eastern Europe and Greece. In: Heaton, R. (Ed.), The versatile clarinet. (pp. 40-55). Routledge.

Cottrell, S.J. (2003). The Future of the Orchestra. In: Lawson, C. (Ed.), The Cambridge companion to the orchestra. . Cambridge.

Cottrell, S.J. (2012). Musical Performance in the Twentieth Century: an overview. In: Lawson, C. & Stowell, R. (Eds.), The Cambridge History of Musical Performance. . Cambridge.

Cottrell, S.J. (2017). Musicianly lives musically told: Oral history, classical music and Desert Island Discs. In: Brown, J., Cook, N. & Cottrell, S.J. (Eds.), Defining the Discographic Self: Desert Island Discs in Context. Proceedings of the British Academy (211). (pp. 257-284). Oxford: Oxford University Press.

Cottrell, S.J. (2004). Smoking and all that Jazz. In: Gilman, S. L. & Zhou, X. (Eds.), Smoke: A Global History of Smoking. (pp. 154-159). Reaktion Books.

Cottrell, S.J. (2010). The rise and rise of phonomusicology. In: Bayley, A. (Ed.), Recorded Music: Performance, Culture and Technology. (pp. 15-36). Cambridge: Cambridge Univeristy Press.

Cottrell, S.J. & Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. & Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. doi: 10.1093/oxfordhb/9780190219505.001.0001

Cross, J. & Pace, I. (2001). Finnissy, Michael (Peter). In: Grove Music Online. . Oxford: Oxford University Press.

Curran-Troop, H., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. ORCID: 0000-0001-8496-6192 (2022). “Stay woke. Make moves” Branding for a feminist future amidst pandemic precarity. In: Gwynne, J. (Ed.), The Cultural Politics of Femvertising. (pp. 141-162). London, UK: Palgrave Macmillan. doi: 10.1007/978-3-030-99154-8

Dane, J. & Yoon, H. ORCID: 0000-0001-5679-3335 (2009). Lynx: the challenges of lad culture. (3rd Edition ed.) In: Powell, H., Hardy, J., Hawkin, S. & MacRury, I.view all authors (Eds.), The Advertising Handbook. (pp. 91-98). London, UK: Routledge. doi: 10.4324/9781315881416

Davies, D. ORCID: 0000-0002-3584-5789 (2023). The Broken Promise of Infrastructure (Introduction). In: The Broken Promise of Infrastructure. (pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). "The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction. In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.), Drawing the past. (pp. 56-78). University Press of Mississippi.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Infrastructural Forms: Comics, Cities, Conglomerations. In: The Routledge Companion to Literary Urban Studies. (pp. 163-176). London, UK: Routledge. doi: 10.4324/9781003124931-14

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Intolerable fictions. In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A.view all authors (Eds.), Comics and Migration: Representation and Other Practices. . Routledge India. doi: 10.4324/9781003254621-18

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Infrastructural Violence. In: Hague, I., Horton, I. & Mickwitz, N. (Eds.), Contexts of Violence in Comics. . Abingdon, Oxford: Routledge.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Introduction: Documenting Trauma in Comics. In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. (pp. 1-26). Cham: Palgrave Macmillan.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018). Postcolonialism and South-South Relations. In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.), Routledge Handbook of South-South Relations. . Abingdon, UK: Routledge.

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2022). The Future of Clive Barker and the Alternative Theatre Movement's Legacy in the Context of East London's Cultural Ecology. In: Freyer, P. & Jones, N. (Eds.), Clive Barker and his legacy: Theatre Workshop, Theatre Games. . Palgrave Macmillan.

Ehrstein, Y., Gill, R. ORCID: 0000-0002-2715-1867 & Littler, J. (2020). The Affective Life of Neoliberalism: Constructing (Un)Reasonableness on Mumsnet. In: Dawes, S. & LeNormand, M. (Eds.), Neoliberalism in Context. (pp. 195-213). Basingstoke: Palgrave Macmillan.

Einbond, A. (2016). Musique instrumentale concrète: Timbral transcription in What the Blind See and Without Words. In: Bresson, J., Agon, C. & Assayag, G. (Eds.), The OM Composer's Book. (pp. 155-171). France: Editions Delatour/Ircam-Centre Pompidou.

Einbond, A. (2013). Subtractive Synthesis: noise and digital (un)creativity. In: Cassidy, A. & Einbond, A. (Eds.), Noise in and as music. (pp. 57-75). Huddersfield, UK: University of Huddersfield Press.

Einbond, A. ORCID: 0000-0003-1734-6641, Bresson, J., Schwarz, D. & Carpentier, T.view all authors (2021). Instrumental Radiation Patterns as Models for Corpus-Based Spatial Sound Synthesis: Cosmologies for Piano and 3D Electronics. In: Proceedings of the International Computer Music Conference 2021. (pp. 148-153). San Francisco, USA: International Computer Music Association, Inc..

Fakhraeirad, A., Nooshin, L. ORCID: 0000-0001-8737-5224 & Rezaie, A. (2023). A Sonic Tale of Two Cities: Memory, Trauma, and Auditory Scars in Tehran and Abadan-Khorramshahr. In: Chehabi, H. & Siamdoust, N. (Eds.), Music and Society in Iran. . Boston, USA: Ilex Foundation.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks. In: Findlay, R. ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.), Insights on Fashion Journalism. . Taylor & Francis.

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). "What's Getting Us Through": Grazia UK as affective, intimate public during the coronavirus pandemic. In: Parkins, I. & Filippello, R. (Eds.), Fashion and Feeling: The Affective Politics of Dress. Palgrave Studies in Fashion and the Body. (pp. 305-326). Cham, Switzerland: Palgrave Macmillan.

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). Introduction. In: Personal Style Blogs: Appearances that Fascinate. . Intellect Books.

Fuchs, C. & Sandoval, M. (2015). The political economy of capitalist and alternative social media. In: The Routledge Companion to Alternative and Community Media. (pp. 165-175). Abingdon, UK: Routledge. doi: 10.4324/9781315717241

García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C. ORCID: 0000-0002-2497-8455 (2022). Embodied pedagogies, the arts and reflexive systems in enactive management education. In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A.view all authors (Eds.), Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies. Lecture Notes in Networks and Systems. (pp. 263-273). Cham, Switzerland: Springer. doi: 10.1007/978-3-031-08195-8_25

Gibbs, J. ORCID: 0000-0002-5825-4463 (2023). The Art Encounter. In: Gander, C. (Ed.), The Edinburgh Companion to Don DeLillo and the Arts. Edinburgh Companions to Literature and the Humanities. (pp. 65-77). Edinburgh: Edinburgh University Press.

Gibbs, J. ORCID: 0000-0002-5825-4463 (2020). Brigid Brophy’s Phenomenology of Sex in "Flesh" and "The Snow Ball". In: Canning, R. & Kimber, G. (Eds.), Brigid Brophy Avant-garde Writer, Critic, Activist. . Edinburgh: Edinburgh University Press.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Beyond individualism: the psychosocial life of the neoliberal university. In: Spooner, M. & McNinch, J. (Eds.), A Critical Guide to Higher Education & the Politics of Evidence: Resisting Colonialism, Neoliberalism, & Audit Culture. (pp. 193-216). Regina, Canada: University of Regina Press.

Gill, R. (2018). Confidence is the new sexy: remaking intimate relationality. In: Fine, R., Kaplan, Y, Peled, S & Yoav, Rview all authors (Eds.), Eros Family and Community. (pp. 255-276). Hildesheim, Germany: Georg Olms Publishing.

Gill, R. ORCID: 0000-0002-2715-1867 (2018). Discourse analysis in media and communications research. In: Kearney, M. C. & Kackman, M. (Eds.), The Craft of Criticism: Critical Media Studies in Practice. . London: Routledge.

Gill, R. (2017). Girls: Notes on authenticity, ambivalence and imperfection. In: Nash, M. & Whelehan, I. (Eds.), Reading Lena Dunham’s Girls. (pp. 225-242). Basingstoke: Palgrave Macmillan. doi: 10.1007/978-3-319-52971-4

Gill, R. ORCID: 0000-0002-2715-1867 (2021). Neoliberal Beauty. In: Leeds Craig, M. (Ed.), The Routledge Companion to Beauty Politics. (pp. 9-18). Abingdon, UK: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 (2019). Surveillance is a feminist issue. In: Oren, T. & Press, A. (Eds.), The Routledge Handbook of Contemporary Feminism. (pp. 148-161). Abingdon, UK: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Kanai, A. (2019). Affirmative advertising and the mediated feeling rules of neoliberalism. In: Meyers, M. (Ed.), Neoliberalism and the Media. . Abingdon, UK: Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Toms, K. (2019). Trending now: feminism, sexism, misogyny and postfeminism in British journalism. In: Carter, C., Steiner, L. & Allan, S. (Eds.), Journalism, Gender and Power. (pp. 97-112). Routledge.

Gill, R. ORCID: 0000-0002-2715-1867 & Virani, T. (2019). Hip Hub? Class, race and gender in creative hubs. In: Creative Hubs in Question: Place, Space and Work in the Creative Economy. (pp. 131-154). Cham: Palgrave Macmillan. doi: 10.1007/978-3-030-10653-9_7

Hall, T., Armstrong, N. ORCID: 0000-0002-1927-7371 & Hoadley, R. (2025). Notations and Score-making. In: The SuperCollider Book. (pp. 677-706). Massachusetts, USA: MIT Press.

Harper, A. (2014). Composition, Change and Musical Objects in Infinite Music. In: Darmstädter Beiträge zur Neuen Musik. (pp. 15-28). Mainz: Schott Music.

Harper, A. (2016). 'Dux Content: Life Style' and 'The New Hi-Tech Underground'. In: Beyer, T. & Burkhalter, T. (Eds.), Seismographic Sounds - Visions of a New World. (pp. 478-483). Bern: Norient.

Harper, A. (2011). Introduction. In: Harper, A. (Ed.), Infinite Music: Imaging the Next Millennium of Human Music-Making. (pp. 1-14). Winchester, UK: John Hunt Publishing.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Howes, H. ORCID: 0000-0002-7105-0414 (2024). Knocked Up. In: Howes, H. ORCID: 0000-0002-7105-0414 (Ed.), Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women. . London, UK: Bloomsbury Continuum.

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Civic Interaction, Urban Memory, and the Istanbul International Film Festival. In: Schwan, A. & Thomson, T. (Eds.), The Palgrave Handbook of Digital and Public Humanities. (pp. 441-458). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-031-11886-9_23

Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..

Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: Carlucci, D. & Spender, J.C. (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.

Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021). Accelerating movement across the intentional arc: developing the strategic sensographer. In: Adams, J. & Owens, A. (Eds.), Beyond Text Learning Through Arts-Based Research Practices. (pp. 52-67). Bristol, UK: Intellect Books.

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics. In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.), Contemporary Publishing and the Culture of Books. (pp. 237-252). Abingdon, UK: Routledge. doi: 10.4324/9781315778389

Kornfeld, A., Schiewe, J. & Dykes, J. (2011). Audio Cartography: Visual Encoding of Acoustic Parameters. In: Advances in Cartography and GIScience. Lecture Notes in Geoinformation and Cartography, 1. (pp. 13-31). Amsterdam, the Netherlands: Springer. doi: 10.1007/978-3-642-19143-5_2

Lambert, A., Weyde, T. & Armstrong, N. (2015). Perceiving and predicting expressive rhythm with recurrent neural networks. In: Proceedings of the 12th International Conference in Sound and Music Computing. . Maynooth, Ireland: SMC15.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). Canonising Byzantine Chant as Greek Art Music. In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R.view all authors (Eds.), Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries. (pp. 31-53). Abingdon, UK: Routledge.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. In: Bouteneff, P., Engelhardt, J. & Saler, R. (Eds.), Christian Liturgical Chant and the Musical Reorientation of Arvo Pärt. (pp. 220-231). New York, USA: Fordham University Press.

Lingas, A. (2013). From Earth to Heaven: The Changing Musical Soundscape of Byzantine Liturgy. In: Experiencing Byzantium: Papers from the 44th Spring Symposium of Byzantine Studies, Newcastle and Durham, April 2011. (pp. 311-358). Abingdon, UK: Ashgate Publishing.

Lingas, A. (2017). Hymnography with(out) Music as Scripture and Prayer. In: Moody, I. & Takala-Roszczenko, M. (Eds.), Creating Liturgically: Hymnography and Music. (pp. 17-28). Joensuu, Finland: International Society for Orthodox Church Music.

Lingas, A. ORCID: 0000-0003-0083-3347 (2019). In the Byzantine Empire. In: Grove Music Online. . UK: Oxford University Press.

Lingas, A. (2015). An Introduction to Passion Week, Opus 13 by Maximilian Steinberg (1883–1946). In: Morosan, V. & Lingas, A. (Eds.), Maximilian Steinberg, Opus 13, Based on Early Russian Chants (Musical Score). (pp. vii-xviii). San Diego, CA, USA: Musica Russica.

Lingas, A. (2017). Singing the Lord’s Song in a Foreign Land—Teaching Orthodox Liturgical Music in Non-Orthodox Contexts. In: Bezzarides, A. & Prodromou, E. (Eds.), Eastern Orthodox Christianity and American Higher Education: Theological, Historical, and Contemporary Reflections. (pp. 279-314). USA: University of Notre Dame Press.

Lingas, A. ORCID: 0000-0003-0083-3347 (2020). Sir John Tavener and the Search for an English Orthodox Musical Language. In: Boyce-Tilman, J. (Ed.), The Spirituality of the Music of John Tavener. . Oxford: Peter Lang.

Loya, S. (2014). Liszt’s Legacy and the Paradoxes of Hungarian Musical Modernism. In: Deaville, J. & Saffle, M. (Eds.), Liszt Legacies. . Pendragon.

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Loya, S. ORCID: 0000-0002-9156-2804 (2020). Neither Major, nor Minor: The Affective Fluctuating Third in Central-European Art Music ca. 1840–1940. In: Hinrichsen, H-J. & Keym, S. (Eds.), Dur vs. Moll: zum semantischen Potenzial eines musikalischen Elementarkontrasts. . Cologne, Germany: Böhlau.

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Matos, C. ORCID: 0000-0001-6304-3591 (2012). Audience perceptions of quality programming and the public media. In: Media and Politics in Latin America: Globalization, Democracy and Identity. (pp. 113-137). London, UK: I. B. Tauris.

Matos, C. ORCID: 0000-0001-6304-3591 Community engagement with health messages on reproductive health in an age of misinformation and political polarisation: A case study of the US NGO Open Arms in Florida. In: Simoes, R. & Amaral, I. (Eds.), Young Adulthood Across Platforms. . Leeds, England: Emerald Publishing.

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Media Democratization in Brazil Revisited. In: Nederveen Pieterse, J. (Ed.), Brazil Emerging: inequality and emancipation. . Abingdon, UK: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2014). PSB and media reform in Brazil in comparative perspective. In: Guerrero, M. A. & Ramirez, M. M. (Eds.), Media Systems and Communication Policies in Latin America. (pp. 208-225). London, UK: Palgrave Macmillan. doi: 10.1057/9781137409058_12

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Televisão, CulturA Popular e Identidade Latino- AmericanA E Brasileira. In: Matos, C. ORCID: 0000-0001-6304-3591 (Ed.), Mídia e política na América Latina. (pp. 197-234). Rio de Janeiro, Brazil: ‎Civilização Brasileira.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2015). Géographies de l'économie de la musique hip hop au Sénégal. In: Roy-Valex, M. & Bellavance, G. (Eds.), Arts et territoires à l'ère du développement durable : vers une nouvelle économie culturelle? (pp. 231-258). Presses de l'Université Laval.

Mbaye, J. F. (2014). Hip Hop Politics: Recognising a Southern Complexity. In: Parnell, S. & Oldfield, S. (Eds.), The Routledge Handbook on Cities of the Global South. (pp. 396-412). London, UK: Routledge.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 (2016). Rouge Flânerie: Cultural Takhawalu in Urban Extremes: Cape Town & Dakar. In: Umunna, M. & Disu, O. (Eds.), Open City Lagos. (pp. 50-57). Heinrich Böll Foundation (Nigeria), Nsibidi Institute (Nigeria) & Fabulous Urban (Switzerland).

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Deme, A. (2015). Formidable comme Karim Wade. In: Beyer, T., Burkhalter, T. & Liechti, H. (Eds.), Seismographic Sounds: Visions of a New World. (pp. 42-44). Bern, Switzerland: Norient Books.

Mbaye, J. F. ORCID: 0000-0003-2225-6077 & Iossifidis, M. (2020). Curating Dakar as an art world city. In: Kuoni, C., Baltà Portolès, J., Khan, N. & Serubiri, M.view all authors (Eds.), Forces of Art: Perspectives from a changing world. (pp. 215-236). Netherlands: Valiz.

Mera, M. (2015). Agitprop Rap? "Ill Manors" and the Impotent Indifference of Social Protest. In: Miller, T. (Ed.), The Routledge Companion to Global Popular Culture. (pp. 268-281). New York, USA: Routledge.

Mera, M. (2013). Inglo(u)rious Basterdization: Tarantino and the War Movie Mashup. In: Vernallis, C., Herzog,, A. & Richardson, J. (Eds.), The Oxford Handbook of Sound and Image in Digital Media. (pp. 437-461). New York: Oxford University Press. doi: 10.1093/oxfordhb/9780199757640.013.030

Mera, M. ORCID: 0000-0002-0031-0629 (2021). Listening–Feeling–Becoming: Cinema Surveillance. In: Cenciarelli, C. (Ed.), The Oxford Handbook of Cinematic Listening. (pp. 407-426). Oxford, UK: Oxford University Press. doi: 10.1093/oxfordhb/9780190853617.013.23

Mera, M. (2016). Materialising Film Music. In: Cooke, M. & Ford, F. (Eds.), The Cambridge Companion to Film Music. . Cambridge, UK: Cambridge University Press.

Mera, M. ORCID: 0000-0002-0031-0629 (2020). Music Maketh Man: Meritocracy in Kingsman: The Secret Service. In: Peddie, I. (Ed.), The Bloomsbury Handbook of Popular Music and Social Class. . London, UK: Bloomsbury Academic.

Mera, M. (2009). Reinventing Question Time. In: Scott, D. B. (Ed.), The Ashgate research companion to popular musicology. (pp. 59-83). Aldershot: Ashgate Pub Co.

Mera, M. (2017). Screen Music and the Question of Originality. In: Mera, M., Sadoff, R. & Winters, B. (Eds.), The Routledge Companion to Screen Music and Sound. (pp. 38-49). Oxford, UK: Routledge.

Mera, M. (2016). Towards 3-D Sound: Spatial Presence and the Space Vacuum. In: Greene, L. & Kulezic-Wilson, D. (Eds.), The Palgrave Handbook of Sound Design and Music in Screen Media. (pp. 91-111). Palgrave Macmillan UK. doi: 10.1057/978-1-137-51680-0

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Moise, R. ORCID: 0000-0002-2578-9832 (2015). Editor's Note. In: Moise, R. ORCID: 0000-0002-2578-9832 & Savoiu, A. (Eds.), Public Relations: A Revolutionary Discipline. (pp. 11-19). Bucharest, Romania: Tritonic.

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Moise, R. ORCID: 0000-0002-2578-9832, Rogojinaru, A. & Zaharia, A. (2015). Using benchmarking to evaluate public relations effectiveness through social media. In: Public Relations: A Revolutionary Discipline. (pp. 67-85). Bucharest, Romania: Tritonic.

Nooshin, L. ORCID: 0000-0001-8737-5224 (2021). Affective listening, sonic intimacy and the power of quiet voices in Rakhshan Banietemad’s the May Lady: Towards a cinema of empathy. In: Ghorbankarimi, M. (Ed.), ReFocus: The Films of Rakhshan Banietemad. . Edinburgh, UK: Edinburgh University Press.

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Nooshin, L. (2016). Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal. In: Bohlman, P., Goffredo, P. & Jackson, T. (Eds.), Jazz Worlds/World Jazz. (pp. 125-149). USA: Chicago University Press.

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Nooshin, L. (2018). (Re-)imagining improvisation: discursive positions in Iranian music from classical to jazz. In: Clarke, E. F. & Doffman, M. (Eds.), Distributed Creativity: Collaboration and Improvisation in Contemporary Music. (pp. 214-235). Oxford University Press.

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Nooshin, L. (2014). Two Revivalist Moments in Iranian Classical Music. In: Bithell, C. & Hill, J. (Eds.), The Oxford Handbook of Music Revival. (pp. 275-297). Oxford University Press. doi: 10.1093/oxfordhb/9780199765034.013.016

Pace, I. (2009). Coldness and Cruelty as Performance in Deleuze's Proust. In: Bryden, M. & Topping, M. (Eds.), Beckett's Proust/Deleuze's Proust. (pp. 183-198). Palgrave Macmillan.

Pace, I. ORCID: 0000-0002-0047-9379 (2020). Ethnographic Approaches to the Study of Western Art Music: Questions of Context, Realism, Evidence, Description and Analysis. In: Wiley, C. & Pace, I. ORCID: 0000-0002-0047-9379 (Eds.), Researching and Writing on Contemporary Art and Artists: Challenges, Practices, and Complexities,. . Basingstoke: Palgrave Macmillan.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (1). In: Dodd, R. (Ed.), Writing to Louis Andriessen: Commentaries on life in music. (pp. 83-101). Eindhoven, the Netherlands: Lecturis.

Pace, I. ORCID: 0000-0002-0047-9379 (2019). The Historiography of Minimal Music and the Challenge of Andriessen to Narratives of American Exceptionalism (2). In: Dodd, R. (Ed.), Writing to Louis Andriessen: Commentaries on life in music. (pp. 153-173). Eindhoven, the Netherlands: Lecturis.

Pace, I. (2012). Instrumental performance in the nineteenth century. In: Lawson, C. & Stowell, R. (Eds.), The Cambridge History of Musical Performance. (pp. 643-695). Cambridge University Press. doi: 10.1017/CHOL9780521896115.027

Pace, I. ORCID: 0000-0002-0047-9379 (2019). Negotiating borrowing, genre and mediation in the piano music of Finnissy: strategies and aesthetics. In: Pace, I. ORCID: 0000-0002-0047-9379 & McBride, N. (Eds.), Critical Perspectives on Michael Finnissy: Bright Futures, Dark Pasts. (pp. 57-103). London: Routledge.