City Research Online

Article

Bastos, M. ORCID: 0000-0003-0480-1078, Vinhas, O., Recuero, R. & Soares, F.view all authors (2024). Reverse Influence: The Social Production of Disinformation in the 2022 Brazilian General Election. Journal of Elections, Public Opinion and Parties,

Bennett, T. ORCID: 0000-0003-0078-9315 (2022). A Post-Critical Theory of Cultural Production? A Review of the Frankfurt Book Fair and Bestseller Business. Journal of Cultural Analysis and Social Change, 7(1), article number 6. doi: 10.20897/jcasc/12257

Black, P. & Findlay, R. ORCID: 0000-0001-8596-6880 (2016). Dressing the Body: Introduction. Cultural Studies Review, 22(1), pp. 4-9. doi: 10.5130/csr.v22i1.4907

Chen, T. ORCID: 0000-0003-2450-277X, Cameron, J. & Liu, N. X. (2024). Fandom as Method: Decolonising Research on Social Media Communications Through Chinese Transnational Fandoms of a Japanese Olympic Figure Skater. Journal of Current Chinese Affairs, 53(3), pp. 402-427. doi: 10.1177/18681026241255134

Chmiel, M. & Moise, R. ORCID: 0000-0002-2578-9832 (2024). Undergraduate public relations education in the United Kingdom: Quo Vadis?. Public Relations Inquiry, 13(3), pp. 379-405. doi: 10.1177/2046147x241230055

Davies, D. ORCID: 0000-0002-3584-5789 (2024). The infrastructure humanities. Interventions, 26(8), pp. 1351-1367. doi: 10.1080/1369801x.2024.2400351

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). A Double in Different Clothes: Marie Kreutzer's 'Corsage' (2022). MAI: Feminism and Visual Culture, Spring,

Findlay, R. ORCID: 0000-0001-8596-6880 (2024). Revisiting Fashion at the Edge: An interview with Caroline Evans. International Journal of Fashion Studies, 11(2), pp. 319-327. doi: 10.1386/infs_00115_7

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). "Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance, 14/15, pp. 105-119.

Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018). Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self. About Performance, 16(Fashio), pp. 129-146.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Russh and the ‘all-Australian’ girl?. Feminist Theory, 23(3), pp. 312-326. doi: 10.1177/14647001221085911

Findlay, R. ORCID: 0000-0001-8596-6880 (2016). ‘Such Stuff as Dreams are Made On’: Encountering Clothes, Imagining Selves. Cultural Studies Review, 22(1), pp. 78-94. doi: 10.5130/csr.v22i1.4913

Findlay, R. ORCID: 0000-0001-8596-6880 (2019). “Trust Us, We’re You”: Aspirational Realness in the Digital Communication of Contemporary Fashion and Beauty Brands. Communication, Culture and Critique, 12(4), pp. 553-569. doi: 10.1093/ccc/tcz028

Frey, M. ORCID: 0000-0002-3388-0353 (2020). The Ends of (German) Film Criticism: On Recurring Doomsday Scenarios and the New Algorithmic Culture. New German Critique, 47(3), pp. 45-57. doi: 10.1215/0094033x-8607577

Frey, M. ORCID: 0000-0002-3388-0353 (2022). The International Reception of Downfall (Der Untergang, 2004). Historical Journal of Film, Radio and Television, 43(2), pp. 438-459. doi: 10.1080/01439685.2022.2116862

Gaio, A., Joffe, A., Hernández-Acosta, J. J. & Dragićević Šešić, M.view all authors (2023). Decolonising the cultural policy and management curriculum – reflections from practice. Cultural Trends, 33(2), pp. 141-158. doi: 10.1080/09548963.2023.2168515

George, N., Sham, A., Ajith, T. & Bastos, M. ORCID: 0000-0003-0480-1078view all authors (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. Social science computer review, doi: 10.1177/08944393241269394

Gibbs, J. ORCID: 0000-0002-5825-4463 (2023). The Chapter: A Segmented History from Antiquity to the Twenty-First Century. By Nicholas Dames. English, 72(279), pp. 215-216. doi: 10.1093/english/efae002

Howes, H. ORCID: 0000-0002-7105-0414 (2021). The Care of Nuns: The Ministries of Benedictine Women in England during the Central Middle Ages. Medium Ævum, 90(1), pp. 159-160.

Jacob, C., Kerrigan, P. & Bastos, M. ORCID: 0000-0003-0480-1078 (2024). The Chat-Chamber Effect: Trusting the AI Hallucination. Big Data and Society,

Jilani, S. ORCID: 0000-0002-0024-4801 (2023). Becoming in a colonial world: approaching subjectivity with Fanon. Textual Practice, 38(10), pp. 1583-1600. doi: 10.1080/0950236x.2023.2243908

Matos, C. ORCID: 0000-0001-6304-3591 (2024). Making sense of reproductive health messages in the Global South: A case study of Brazil’s NGO Reprolatina. International Journal of Media and Cultural Politics, 19(2-3), pp. 237-254. doi: 10.1386/macp_00085_1

Matos, C. O. ORCID: 0000-0001-6304-3591 (2021). Entrevista com o professor Daya Thussu sobre midia e academia em tempos de pandemia. Revista de Comunicação Dialógica(6), pp. 94-116. doi: 10.12957/rcd.2022.62083

McKenna, B., Cai, W. & Yoon, H. ORCID: 0000-0001-5679-3335 (2023). Chinese older adults' social media use: a study of WeChat from a social practice perspective. Information Technology & People, 38(1), pp. 363-379. doi: 10.1108/itp-10-2022-0787

McNally, N. & Bastos, M. ORCID: 0000-0003-0480-1078 (2025). The News Feed is not a Black Box: A Longitudinal Study of Facebook’s Algorithmic Treatment of News. Digital Journalism, doi: 10.1080/21670811.2025.2450623

McRobbie, A. & Bennett, T. ORCID: 0000-0003-0078-9315 (2022). From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy 1753-0369, 17(5), pp. 700-706. doi: 10.1080/17530350.2022.2112263

Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2023). Making a Reality: Inclusive Wedding Vendors and Extramarket Morality. QED: A Journal in GLBTQ Worldmaking, 10(1), pp. 77-98. doi: 10.14321/qed.10.1.0077

Parkins, I. & Findlay, R. ORCID: 0000-0001-8596-6880 (2021). Commodity Feminism and Dressing the ‘Best Self’ on A Practical Wedding. Australian Feminist Studies, 36(109), pp. 297-312. doi: 10.1080/08164649.2021.2018992

Pei, X., Chen, Z. T. ORCID: 0000-0003-2450-277X & Zhang, L. (2024). Comprehending ICT for gender empowerment in an aging context: digitalization of marginalized female elderly in the Global South during COVID-19. Information Technology for Development, 30(2), pp. 291-307. doi: 10.1080/02681102.2023.2300669

Sarwatay, D. ORCID: 0000-0003-3453-5786, Raman, U. & Ramasubramanian, S. (2021). Media Literacy, Social Connectedness, and Digital Citizenship in India: Mapping Stakeholders on How Parents and Young People Navigate a Social World. Frontiers in Human Dynamics, 3, article number 601239. doi: 10.3389/fhumd.2021.601239

Thompson, Z., Yoon, H. ORCID: 0000-0001-5679-3335 & Booth, P. (2023). Dispersed assessment: A novel approach to enhancing student engagement during and beyond Covid-19. The International Journal of Management Education, 21(2), article number 100811. doi: 10.1016/j.ijme.2023.100811

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. ORCID: 0000-0003-0480-1078view all authors (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. Journalism Studies, 25(11), pp. 1249-1271. doi: 10.1080/1461670x.2024.2372437

Wright, D. K., Yoon, H. ORCID: 0000-0001-5679-3335, Morrison, A. M. & Šegota, T.view all authors (2023). Drinking in style? Literature review of luxury wine consumption. British Food Journal, 125(2), pp. 679-695. doi: 10.1108/bfj-06-2021-0661

Yeh, D. ORCID: 0000-0001-8324-5342 (2021). Becoming British East Asian and Southeast Asian: Anti-racism, Chineseness, and Political Love in the Cultural and Creative Industries. British Journal of Chinese Studies, 11, pp. 53-70.

Yoon, H. ORCID: 0000-0001-5679-3335 & Kelly, A. J. (2023). Brand Blunders and Race in Advertising: Issues, Implications, and Potential Actions from a Macromarketing Perspective. Journal of Macromarketing, 43(3), pp. 403-417. doi: 10.1177/02761467231178550

Yoon, H. ORCID: 0000-0001-5679-3335, Lee, G., Nguyen, H. , Lee, S. & Segota, T.view all authors (2024). Exploring smartphone-related digital divide among South Korean older adults. Ekonomski vjesnik/Econviews - Review of Contemporary Business, Entrepreneurship and Economic Issues, 37(1), pp. 29-43. doi: 10.51680/ev.37.1.3

Yoon, H. ORCID: 0000-0001-5679-3335 & Lee, J. (2024). Genre in transnational television: A case of Netflix Originals Korean dramas. Television & New Media, doi: 10.1177/15274764241265040

Yoon, H. ORCID: 0000-0001-5679-3335, Olsen, D. & Ylänne-Thomas, V. (2024). Minority ethnic older adults’ perception and behaviour towards COVID-19 public health campaigns in the UK. Communication & Society, 37(4), pp. 125-141. doi: 10.15581/003.37.4.125-141

Yoon, H. ORCID: 0000-0001-5679-3335 & Vlachos, P. (2023). Cultural Institutes Abroad in the 21st Century: The Case of the Korean Cultural Centre UK. International Journal of Arts Management, 25(2),

de Perthuis, K. & Findlay, R. ORCID: 0000-0001-8596-6880 (2019). How Fashion Travels: The Fashionable Ideal in the Age of Instagram. Fashion Theory, 23(2), pp. 219-242. doi: 10.1080/1362704x.2019.1567062

Book

Chen, Z. T. ORCID: 0000-0003-2450-277X (2022). Data Collection, Analysis, and Small-Data Visualization: A Qualitative Interpretation of Novel Fandom Behaviors on Social Media Platforms. New York, USA: SAGE Publications, Ltd.. doi: 10.4135/9781529602098

Matos, C. ORCID: 0000-0001-6304-3591 (2016). Globalization, gender politics and the media (1 ed.). Maryland, USA: Rowman and Littlefield/Lexington Books.

Matos, C. ORCID: 0000-0001-6304-3591 (2008). Jornalismo e política democrática no Brasil. Sao Paulo: Publifolha.

Matos, C. ORCID: 0000-0001-6304-3591 (2009). Journalism and Political Democracy in Brazil. Maryland, USA: Lexington Books.

Tamas, R. (2020). Strangers Essays on the Human and Nonhuman. Makina Books.

Book Section

Davies, D. ORCID: 0000-0002-3584-5789 (2023). The Broken Promise of Infrastructure (Introduction). In: The Broken Promise of Infrastructure. (pp. 9-28). Chadwell Heath, UK: Lawrence and Wishart.

Findlay, R. ORCID: 0000-0001-8596-6880 (2022). Fashion as Mood, Style as Atmosphere: Literary Non-Fiction on SSENSE and London Review of Looks. In: Findlay, R. ORCID: 0000-0001-8596-6880 & Reponen, J. (Eds.), Insights on Fashion Journalism. . Taylor & Francis.

Findlay, R. ORCID: 0000-0001-8596-6880 (2023). "What's Getting Us Through": Grazia UK as affective, intimate public during the coronavirus pandemic. In: Parkins, I. & Filippello, R. (Eds.), Fashion and Feeling: The Affective Politics of Dress. Palgrave Studies in Fashion and the Body. (pp. 305-326). Cham, Switzerland: Palgrave Macmillan.

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). Introduction. In: Personal Style Blogs: Appearances that Fascinate. . Intellect Books.

Howes, H. ORCID: 0000-0002-7105-0414 (2021). Blood and Water. In: Transformative Waters in Medieval Devotional Literature. (pp. 175-217). Suffolk, UK: Boydell & Brewer.

Howes, H. ORCID: 0000-0002-7105-0414 (2024). Knocked Up. In: Howes, H. ORCID: 0000-0002-7105-0414 (Ed.), Poet, Mystic, Widow, Wife The Extraordinary Lives of Medieval Women. . London, UK: Bloomsbury Continuum.

Matos, C. ORCID: 0000-0001-6304-3591 (2012). Audience perceptions of quality programming and the public media. In: Media and Politics in Latin America: Globalization, Democracy and Identity. (pp. 113-137). London, UK: I. B. Tauris.

Matos, C. ORCID: 0000-0001-6304-3591 Community engagement with health messages on reproductive health in an age of misinformation and political polarisation: A case study of the US NGO Open Arms in Florida. In: Simoes, R. & Amaral, I. (Eds.), Young Adulthood Across Platforms. . Leeds, England: Emerald Publishing.

Matos, C. ORCID: 0000-0001-6304-3591 (2017). Democracy, pluralism and the media in Latin America: from public communications to women’s use of new technologies. (1 ed.) In: Riggirozzi, P. & Wylde, C. (Eds.), Handbook of South American Governance. (pp. 275-285). Oxford, UK: Routledge. doi: 10.4324/9781315661162

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Media Democratization in Brazil Revisited. In: Nederveen Pieterse, J. (Ed.), Brazil Emerging: inequality and emancipation. . Abingdon, UK: Routledge.

Matos, C. ORCID: 0000-0001-6304-3591 (2014). PSB and media reform in Brazil in comparative perspective. In: Guerrero, M. A. & Ramirez, M. M. (Eds.), Media Systems and Communication Policies in Latin America. (pp. 208-225). London, UK: Palgrave Macmillan. doi: 10.1057/9781137409058_12

Matos, C. ORCID: 0000-0001-6304-3591 (2013). Televisão, CulturA Popular e Identidade Latino- AmericanA E Brasileira. In: Matos, C. ORCID: 0000-0001-6304-3591 (Ed.), Mídia e política na América Latina. (pp. 197-234). Rio de Janeiro, Brazil: ‎Civilização Brasileira.

Pratt, A. C. ORCID: 0000-0003-2215-9648 (2023). Film Making as a Creative Ecosystem: The Case of Soho in London. In: Global Creative Ecosystems. (pp. 21-38). Springer International Publishing. doi: 10.1007/978-3-031-33961-5_2

Yeh, D. ORCID: 0000-0001-8324-5342 & Barber, T. (2024). Reframing focus groups as deep collective and (sometimes) collaborative conversations: biographical vulnerabilities, anti-racist East and Southeast Asian solidarities and protective silences. In: Nurse, L., O'Neill, M. & Moran, L. (Eds.), Biographical Research and New Social ArchitecturesChallenges and Opportunities for Creative Applications across Europe. (pp. 141-161). Bristol, UK: Policy Press.

Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001-8324-5342 & Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan.

Yoon, H. ORCID: 0000-0001-5679-3335 & Šegota, T. (2022). Using Live Briefs in Marketing Education: How to Increase Student Employability by Blending Sustainability and Internationalization. In: Socially Responsible Consumption and Marketing in Practice. (pp. 349-358). Springer Nature Singapore. doi: 10.1007/978-981-16-6433-5_21

Conference or Workshop Item

Vinhas, O. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). The weird governance of fact-checking: from watchdogs to content moderators. In: AoIR Selected Papers of Internet Research. The 24th Annual Conference of the Association of Internet Researchers, 18-21 Oct 2023, Philadelphia, PA, USA. doi: 10.5210/spir.v2023i0.13513

Vinhas, O. I. & Bastos, M. ORCID: 0000-0003-0480-1078 (2023). When fact-checking is not weird: challenges in fact-checking beyond the western world. In: AoIR Selected Papers of Internet Research. The 23rd Annual Conference of the Association of Internet Researchers, 2-5 Nov 2022, Dublin, Ireland. doi: 10.5210/spir.v2022i0.13104

Other

George, N., Sham, A., Ajith, T. & Bastos, M. T. ORCID: 0000-0003-0480-1078view all authors (2024). Forty Thousand Fake Twitter Profiles: A Computational Framework for the Visual Analysis of Social Media Propaganda. doi: 10.2139/ssrn.4899259

Vállez, M., Boté-Vericad, J-J., Guallar, J. & Bastos, M. T. ORCID: 0000-0003-0480-1078view all authors (2024). Indifferent About Online Traffic: The Posting Strategies of Five News Outlets during Musk's Acquisition of Twitter. doi: 10.2139/ssrn.4897367

Report

Kloosterman, R., Pratt, A. ORCID: 0000-0003-2215-9648, d'Ovidio, M. , Greco, L. & Boren, T.view all authors (2019). Creative and cultural industries in global production network approaches so far: a brief review of the literature and its relevance for the creative and cultural industries (10.5281/zenodo.4535064). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). The CCS Observatory pilot and web application: a user guide (10.5281/zenodo.8326715). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). Synoptic overview of the landscape of governance challenges in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). What lessons can be learned from the past experience of data collection and aggregation exercise in relation to the cultural and creative sector? (10.5281/zenodo.8325294). Amsterdam, The Netherlands: CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 (2023). A synoptic view of production networks in the cultural and creative sector (10.5281/zenodo.10062994). Amsterdam, The Netheralnds: The CICERONE project.

Pratt, A. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 2 – Assembling disparate data resources, and preparations for reporting them (10.5281/zenodo.10062982). Amsterdam, The Netherlands: The CICERONE project.

Pratt, A. C. ORCID: 0000-0003-2215-9648 & Bennett, T. ORCID: 0000-0003-0078-9315 (2023). Everything you always wanted to know about data for the Cultural and Creative Sector production system, but were afraid to ask: Part 1 – Problems of statistical description (10.5281/zenodo.6224372). Amsterdam, The Netherlands: The Ciccerone Project.

Thesis

Curran-Troop, H. (2024). “Create, Curate, and Empower” Contemporary Feminist Creative Work and Precarity in London’s Creative and Cultural Industries. (Unpublished Doctoral thesis, City, University of London)

Di Giuseppe, Laura (2024). Publishing translated fiction in the UK: a comparative analysis of publishing models and key players. (Unpublished Doctoral thesis, City, University of London)

Working Paper

Matos, C. ORCID: 0000-0001-6304-3591 (2023). Use of focus groups research on health communications messages on SRHR: experiences of empowerment from the Global South in the age of misinformation on gender and minority rights. .