City Research Online

2023

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Graphic Capitaloscenes: Drawing Infrastructure as Historical Form. Critique: Studies in Contemporary Fiction, pp. 1-16. doi: 10.1080/00111619.2023.2231845

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Intolerable fictions. In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A.view all authors (Eds.), Comics and Migration: Representation and Other Practices. . Routledge India. doi: 10.4324/9781003254621-18

2022

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Green unpleasant land: Creative responses to rural England's colonial connections. Journal of Postcolonial Writing, 58(2), pp. 286-287. doi: 10.1080/17449855.2022.2066520

Davies, D. ORCID: 0000-0002-3584-5789 (2022). "The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction. In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.), Drawing the past. (pp. 56-78). University Press of Mississippi.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Infrastructural Forms: Comics, Cities, Conglomerations. In: The Routledge Companion to Literary Urban Studies. (pp. 163-176). London, UK: Routledge. doi: 10.4324/9781003124931-14

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, 9(1), pp. 1-25. doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2022). The City of the Missing: Poetic Responses to the Grenfell Fire. Journal of Urban History, 49(3), doi: 10.1177/00961442221127310

García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C. ORCID: 0000-0002-2497-8455 (2022). Embodied pedagogies, the arts and reflexive systems in enactive management education. In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A.view all authors (Eds.), Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies. Lecture Notes in Networks and Systems. (pp. 263-273). Cham, Switzerland: Springer. doi: 10.1007/978-3-031-08195-8_25

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Aftermaths Without End. Cambridge Journal of Postcolonial Literary Inquiry, 9(3), pp. 431-434. doi: 10.1017/pli.2021.21

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Civic Interaction, Urban Memory, and the Istanbul International Film Festival. In: Schwan, A. & Thomson, T. (Eds.), The Palgrave Handbook of Digital and Public Humanities. (pp. 441-458). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-031-11886-9_23

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022). Science Fiction and Climate Change: A Sociological Approach. Green Letters: Studies in Ecocriticism, 26(2), pp. 190-193. doi: 10.1080/14688417.2022.2037865

Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022). '"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'. Women's Writing, 29(2), pp. 216-237. doi: 10.1080/09699082.2022.2052458

2021

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Against the System: Postcolonialism, Humanism, and the Humanities. Moving Worlds: a journal for transcultural writings, 20(2), pp. 113-128.

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines. The Cambridge Journal of Postcolonial Literary Inquiry, 8(3), pp. 301-322. doi: 10.1017/pli.2021.18

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra. The Journal of Commonwealth Literature, 58(3), pp. 645-659. doi: 10.1177/00219894211031803

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, 24(4), pp. 586-602. doi: 10.1080/1369801x.2021.1892515

Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021). Accelerating movement across the intentional arc: developing the strategic sensographer. In: Adams, J. & Owens, A. (Eds.), Beyond Text Learning Through Arts-Based Research Practices. (pp. 52-67). Bristol, UK: Intellect Books.

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Fragments from the history of loss: the nature industry and the postcolony. Green Letters: Studies in Ecocriticism, 25(1), pp. 99-101. doi: 10.1080/14688417.2021.1888480

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Narrating the Mesh: Form and Story in the Anthropocene. Green Letters: Studies in Ecocriticism, 25(4), pp. 441-444. doi: 10.1080/14688417.2021.2012365

Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021). 'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'. Gothic Studies, 23(2), pp. 181-200. doi: 10.3366/gothic.2021.0093

2020

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad. Interventions, 23(6), pp. 922-940. doi: 10.1080/1369801x.2020.1816851

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border. a/b: Auto/Biography Studies, 35(2), pp. 383-403. doi: 10.1080/08989575.2020.1741187

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, 63(4), pp. 385-400. doi: 10.1080/00111619.2020.1841724

Jilani, S. ORCID: 0000-0002-0024-4801 (2020). “The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born. Journal of Postcolonial Writing, 56(1), pp. 83-96. doi: 10.1080/17449855.2019.1701067

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road. The Cormac McCarthy Journal, 18(2), pp. 100-112. doi: 10.5325/cormmccaj.18.2.0100

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Cohesive Plurality. LOGOS: Journal of the World Publishing Community, 31(2), pp. 52-56. doi: 10.1163/18784712-03102005

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics. In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.), Contemporary Publishing and the Culture of Books. (pp. 237-252). Abingdon, UK: Routledge. doi: 10.4324/9781315778389

Moran, P. ORCID: 0000-0002-8694-4701 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2020). ‘"[B]etween power and the people": Journalist-investigators in Nordic crime fiction'. Crime Fiction Studies, 1(1), pp. 59-78. doi: 10.3366/cfs.2020.0007

Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4 - Su), pp. 35-37.

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

2019

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Braided geographies: bordered forms and cross-border formations in refugee comics. Journal for Cultural Research, 23(2), pp. 124-143. doi: 10.1080/14797585.2019.1665892

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Editor’s note. Journal of Postcolonial Writing, 55(5), pp. 585-588. doi: 10.1080/17449855.2019.1657696

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009). Journal of Graphic Novels and Comics, 11(3), pp. 325-340. doi: 10.1080/21504857.2019.1575256

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Infrastructural Violence. In: Hague, I., Horton, I. & Mickwitz, N. (Eds.), Contexts of Violence in Comics. . Abingdon, Oxford: Routledge.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Introduction: Documenting Trauma in Comics. In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. (pp. 1-26). Cham: Palgrave Macmillan.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership. Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design for graduate outcomes. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design in graduate outcomes: City's BA English. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study. Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.

Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019). Apocalypse yesterday: Posthumanism and comics in the Anthropocene. Environment and Planning E: Nature and Space, 3(3), pp. 663-687. doi: 10.1177/2514848619883468

Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019). New Approaches to Medieval Water Studies. Open Library of Humanities, 5(1), article number 35. doi: 10.16995/olh.443/

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“The result can scarcely fail to amuse even the most gloomy of war pessimists”: The Strand Magazine and the First World War'. Victorian Periodicals Review, 52(2), pp. 389-418. doi: 10.1353/vpr.2019.0023

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'. Victorian Popular Fictions Journal, 1(2), pp. 3-32. doi: 10.46911/qptd4864

Vuohelainen, M. ORCID: 0000-0002-9369-8190 & Liggins, E, (2019). 'Introduction: Reassessing the Strand Magazine, 1891–1918'. Victorian Periodicals Review, 52(2), pp. 221-234. doi: 10.1353/vpr.2019.0015

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2019). Poisoned Honey: The Myth of Women in Espionage. Queen’s Quarterly, 100(2), pp. 291-309.

2018

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Introduction: The City Always Wins. In: Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (Eds.), Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture. (pp. 1-25). Cham: Palgrave Macmillan.

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, 55(1), pp. 94-107. doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing, 54(3), pp. 411-430. doi: 10.1080/17449855.2018.1461986

Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018). Postcolonialism and South-South Relations. In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.), Routledge Handbook of South-South Relations. . Abingdon, UK: Routledge.

Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), 23-.

Jilani, S. ORCID: 0000-0002-0024-4801 (2018). Intimate Epics. Women: A Cultural Review, 29(3-4), pp. 398-400. doi: 10.1080/09574042.2018.1531638

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Seago, K. ORCID: 0000-0002-0010-5836 & Rizzo, A. (2018). The aesthetics of migration: Reversals of marginality and the socio-political turn. InVerbis, 8(1), pp. 7-32. doi: 10.7368/91217

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), article number 66. doi: 10.3390/h7030066

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). University Gothic, c. 1880-1910. In: Heholt, R. & Hughes, W. (Eds.), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. (pp. 118-136). Cardiff, UK: University of Wales Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). "The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories. In: Margree, V., Orrells, D. & Vuohelainen, M. ORCID: 0000-0002-9369-8190 (Eds.), Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle. (pp. 63-84). Manchester, UK: Manchester University Press.

2017

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 7(1), article number 18. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2017). A Review of Threadbare: Clothes, Sex and Trafficking. The Comics Grid: Journal of Comics Scholarship, 7, article number 7. doi: 10.16995/cg.110

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

Myerson, J. ORCID: 0000-0003-2656-1140 (2017). That Was Then Episodes 1 to 5 BBC Radio 4.

Wheelwright, J. (2017). 'The Orgy Nex Door: An Exploration of Ethical Relationships in Gay Talese's 'Thy Neighbor's Wife' and 'The Voyeur's Motel'. Literary Journalism Studies, 9(2), pp. 28-50.

Wheelwright, J. (2017). The other place. History Workshop Journal, 84(84), pp. 257-263. doi: 10.1093/hwj/dbx039

2016

Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4.

Myerson, J. (2016). The Price of Oil BBC Radio 4.

Myerson, J. (2016). Reykjavik BBC Radio 4.

Vuohelainen, M. (2016). Introduction. In: Vuohelainen, M. (Ed.), The Complete Judith Lee Adventures, by Richard Marsh. (pp. vii-xxv). Kansas City: Valancourt Books.

Wheelwright, J. (2016). The Language of Espionage: Mata Hari and the Creation of the Spy-Courtesan. In: Declercq, C. & Walker, J. (Eds.), Languages and the First World War: Representation and Memory. (pp. 164-177). London: Palgrave Macmillan. doi: 10.1057/9781137550361_11

Wheelwright, J. (2016). The ethical turn in considering hidden children's Holocaust testimony as historical reconstruction. Ethical Space: the international journal of communication ethics, 13(4), pp. 4-10.

2015

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2015). Literature, planning and infrastructure: Investigating the southern city through postcolonial texts. Journal of Postcolonial Writing, 51(4), pp. 395-409. doi: 10.1080/17449855.2015.1033813

Davies, D. ORCID: 0000-0002-3584-5789 (2015). Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920). The Journal of Commonwealth Literature, 50(1), pp. 45-58. doi: 10.1177/0021989414555209

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). 'Black' Spaces: Othello and the Cinematic Language of Othering. Literature-Film Quarterly, 43(2), pp. 104-115.

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). Writing Exile: Displacement and Arrival in Eva Hoffman's Lost in Translation and Edward Said's Out of Place. Life Writing, 12(1), pp. 59-73. doi: 10.1080/14484528.2014.970356

Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..

Myerson, J. (2015). Born In The DDR BBC.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2015). ‘The Concentrationary Universe: Primo Levi’s Spatial Consciousness'. In: Vuohelainen, M. & Chapman, A. (Eds.), Interpreting Primo Levi: Interdisciplinary Perspectives. (pp. 129-145). New York: Palgrave US.

Vuohelainen, M. (2015). ‘Exactly Where I Was I Could not Tell’: Panopticism, Imageability and the Gothic City. In: Richard Marsh. (pp. 20-40). Cardiff: University of Wales Press.

2014

Greenberg, S. & Wheelwright, J. (2014). Literary journalism: Ethics in three dimensions. Journalism, 15(5), pp. 511-516. doi: 10.1177/1464884914529210

Jilani, S. ORCID: 0000-0002-0024-4801 (2014). "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye. Postgraduate English, 29(1), pp. 2-24.

Kernan, M.A. (2014). Research into Arts-based Interventions in Organisations and Management Education: Theoretical foundations and methodological implications. In: IFKAD 2014 Knowledge and Management Models for Sustainable Growth. IFKAD 2014 – International Forum on Knowledge Asset Dynamics, 11-06-2014 - 13-06-2014, Matera, Italy.

Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: Carlucci, D. & Spender, J.C. (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.

Vuohelainen, M. (2014). 'From "Vulgar" and "Impossible" to "Pre-Eminently Readable": Richard Marsh's Critical Fortunes, 1893-1915'. English Studies, 95(3), pp. 278-301. doi: 10.1080/0013838x.2014.897087

Wheelwright, J. (2014). Beyond the spooks: The problem of the narrator in literary history. Journalism, 15(5), pp. 561-572. doi: 10.1177/1464884914523237

2013

Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9

Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0

Vuohelainen, M. (2013). Introduction. In: Vuohelainen, M. (Ed.), The Complete Adventures of Sam Briggs, by Richard Marsh. (pp. vii-xxvii). Kansas City: Valancourt Books.

Vuohelainen, M. (2013). '“You Know Not of What You Speak”: Language, Identity and Xenophobia in Richard Marsh’s The Beetle: A Mystery (1897)’. In: Tromp, M., Bachman, M. & Kaufman, H. (Eds.), Fear, Loathing and Victorian Xenophobia. (pp. 312-330). Ohio State University Press.

Wheelwright, J. (2013). Paxman/Adie reviews. The Independent,

Wheelwright, J. (2013). Withering Review. The Independent,

2012

Wheelwright, J. (2012). Gopnik Review. The Independent,

Wheelwright, J. (2012). Livesey review. The Independent,

Wheelwright, J. (2012). Ru Review. The Independent,

2010

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2010). ‘“Cribb’d, Cabined and Confined”: Fear, Claustrophobia and Modernity in Richard Marsh’s Urban Gothic Fiction’. The Journal of Literature and Science, 3(1), pp. 23-36. doi: 10.12929/jls.03.1.03

Vuohelainen, M. (2010). Introduction. In: Vuohelainen, M. (Ed.), The Goddess: A Demon, by Richard Marsh. (pp. vii-xxxiii). Kansas City: Valancourt Books.

2009

Wheelwright, J. (2009). Disappeared Review. The Independent,

2008

Vuohelainen, M. (2008). Introduction. In: Vuohelainen, M. (Ed.), The Beetle: A Mystery, by Richard Marsh. (pp. vii-xxx). Kansas City: Valancourt Books.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2008). “Tales and Adventures”: G.A. Henty’s Union Jack and the Competitive World of Publishing for Boys in the 1880s’. Journal of Popular Narrative Media, 1(2), pp. 183-196.

Wheelwright, J. (2008). Flight review. The Independent,

Wheelwright, J. (2008). Galgut review. The Independent,

Wheelwright, J. (2008). Roma Tearne profile. The Independent,

Wheelwright, J. (2008). Wally Lamb Review. The Independent,

2007

Vuohelainen, M. (2007). ‘Distorting the Genre, Defining the Audience, Detecting the Author: Richard Marsh’s “For Debt” (1902)’. Clues: a journal of detection, 25(4), pp. 17-26. doi: 10.3200/clus.25.4.17-26

2006

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2006). ‘“Oh to Get out of that Room!”: Outcast London and the Gothic Twist in the Popular Fiction of Richard Marsh’. In: Sayer, K. (Ed.), Victorian Space(s). Leeds Centre Working Papers in Victorian Studies, VIII. (pp. 115-126). Leeds: Trinity and All Saints, University of Leeds.

2005

Seago, K. (2005). Aspects of gender in translations of "Sleeping Beauty". Comparative Critical Studies, 2(1), pp. 23-43. doi: 10.3366/ccs.2005.2.1.23

2003

Seago, K. (2003). What's in a title? A bibliographical study of the marketing of Grimms' fairy tales in English translation in the nineteenth century. New Comparison, A Journal of General and Comparative Literary Studies, 35/36, pp. 100-120.

2002

Seago, K. (2002). Constructing the Witch. In: Blayer, I. M. & Sánchez, M. (Eds.), Storytelling: Interdisciplinary and Intercultural Perspectives. (pp. 72-85). Peter Lang Publishing.

2001

Seago, K. (2001). Shifting Meanings: Translating Grimms’ Fairy Tales as Children’s Literature. In: Desblache, L. (Ed.), Aspects of specialised translation. (pp. 171-180). La Maison Du Dictionnaire.

1999

Seago, K. (1999). Let Sleeping Beauties Lie? On the difficulties of revisioning the tale. New Comparison, 27/28, pp. 98-117.

Seago, K. (1999). New Wine in Old Bottles?: Angela Carter’s Bloody Chamber of Revisioned Fairy Tales. Métaphore, 26, pp. 7-98.