Browse by Schools and Department by Authors
- City, University of London (24160)
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Ashford, D. (2011). Gorillas in the House of Light. Cambridge Quarterly, 40(3), pp. 201-223. doi: 10.1093/camqtly/bfr018
Ashford, D. (2017). The Mechanical Turk: Enduring Misapprehensions Concerning Artificial Intelligence. The Cambridge Quarterly, 46(2), pp. 119-139. doi: 10.1093/camqtly/bfx005
Ashford, D. (2013). The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic. The Literary London Journal, 10(2),
Ashford, D. (2014). “A New Concept of Egoism”: The Late Modernism of Ayn Rand. Modernism/modernity, 21(4), pp. 977-995. doi: 10.1353/mod.2014.0084
Ashford, D. (2015). Orcs: an epic. London: Veer Books.
Ashford, D. (2017). Sedition Machines. London: Veer Books.
Ashford, D. (2014). The Siberia of the Mind: Egoism in the Writings of Wyndham Lewis. The Journal of Wyndham Lewis Studies, 5, pp. 112-134.
Ashford, D. (2013). Xaragmata: Translations from the Pelasgian. In: Xaragmata: translations from the Pelagsian. . London: Veer Books.
Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018).
Introduction: The City Always Wins.
In: Boehmer, E. & Davies, D.
ORCID: 0000-0002-3584-5789 (Eds.),
Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture.
(pp. 1-25). Cham: Palgrave Macmillan.
Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2015).
Literature, planning and infrastructure: Investigating the southern city through postcolonial texts.
Journal of Postcolonial Writing, 51(4),
pp. 395-409.
doi: 10.1080/17449855.2015.1033813
Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018).
Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture.
In: Boehmer, E. & Davies, D. (Eds.),
Planned Violence.
(pp. 1-25). Cham, Switzerland: Springer.
Brienza, C. (2014). Rev. of Digital Humanities Summer Institute. University of Victoria, British Columbia, June 2-6, 2014. SHARP News, 23(4), pp. 21-22.
Brienza, C. (2014). Review of Comics Unmasked: Art and Anarchy in the UK. British Library, London. SHARP News, 23(3), article number 0.19.
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Against the System: Postcolonialism, Humanism, and the Humanities.
Moving Worlds: a journal for transcultural writings, 20(2),
pp. 113-128.
Davies, D. ORCID: 0000-0002-3584-5789 (2023).
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form.
Critique: Studies in Contemporary Fiction,
pp. 1-16.
doi: 10.1080/00111619.2023.2231845
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
Green unpleasant land: Creative responses to rural England's colonial connections.
Journal of Postcolonial Writing, 58(2),
pp. 286-287.
doi: 10.1080/17449855.2022.2066520
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
"The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction.
In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.),
Drawing the past.
(pp. 56-78). University Press of Mississippi.
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
Infrastructural Forms: Comics, Cities, Conglomerations.
In:
The Routledge Companion to Literary Urban Studies.
(pp. 163-176). London, UK: Routledge.
doi: 10.4324/9781003124931-14
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Witnesses, graphic storytellers, activists: an interview with the KADAK collective.
Journal of Graphic Novels and Comics, 12(6),
pp. 1399-1409.
doi: 10.1080/21504857.2021.2017310
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
All that is solid falls from the sky: Modernity and the volume of world literature.
Cambridge Journal of Postcolonial Literary Inquiry, 9(1),
pp. 1-25.
doi: 10.1017/pli.2021.33
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Braided geographies: bordered forms and cross-border formations in refugee comics.
Journal for Cultural Research, 23(2),
pp. 124-143.
doi: 10.1080/14797585.2019.1665892
Davies, D. ORCID: 0000-0002-3584-5789 (2022).
The City of the Missing: Poetic Responses to the Grenfell Fire.
Journal of Urban History, 49(3),
doi: 10.1177/00961442221127310
Davies, D. ORCID: 0000-0002-3584-5789 (2017).
Comics Activism: An Interview with Comics Artist Kate Evans.
The Comics Grid : Journal of Comics Scholarship, 7(1),
article number 18.
doi: 10.16995/cg.114
Davies, D. ORCID: 0000-0002-3584-5789 (2017).
‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification.
Journal of Urban Cultural Studies, 4(3),
pp. 333-360.
doi: 10.1386/jucs.4.3.333_1
Davies, D. ORCID: 0000-0002-3584-5789 (2020).
Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad.
Interventions, 23(6),
pp. 922-940.
doi: 10.1080/1369801x.2020.1816851
Davies, D. ORCID: 0000-0002-3584-5789 (2015).
Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920).
The Journal of Commonwealth Literature, 50(1),
pp. 45-58.
doi: 10.1177/0021989414555209
Davies, D. ORCID: 0000-0002-3584-5789 (2020).
Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border.
a/b: Auto/Biography Studies, 35(2),
pp. 383-403.
doi: 10.1080/08989575.2020.1741187
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Editor’s note.
Journal of Postcolonial Writing, 55(5),
pp. 585-588.
doi: 10.1080/17449855.2019.1657696
Davies, D. ORCID: 0000-0002-3584-5789 (2017).
From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848).
In: Davies, D.
ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.),
Fighting Words Fourteen Books That Shaped the Postcolonial World.
Race and Resistance Across Borders in the Long Twentieth Century.
(pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009).
Journal of Graphic Novels and Comics, 11(3),
pp. 325-340.
doi: 10.1080/21504857.2019.1575256
Davies, D. ORCID: 0000-0002-3584-5789 (2017).
Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930.
In: Davies, D.
ORCID: 0000-0002-3584-5789 (Ed.),
Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930.
Race and Resistance Across Borders in the Long Twentieth Century.
(pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Infrastructural Violence.
In: Hague, I., Horton, I. & Mickwitz, N. (Eds.),
Contexts of Violence in Comics.
. Abingdon, Oxford: Routledge.
Davies, D. ORCID: 0000-0002-3584-5789 (2023).
Intolerable fictions.
In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A. (Eds.),
Comics and Migration: Representation and Other Practices.
. Routledge India.
doi: 10.4324/9781003254621-18
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Introduction: Documenting Trauma in Comics.
In: Davies, D.
ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.),
Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage.
Palgrave Studies in Comics and Graphic Novels.
(pp. 1-26). Cham: Palgrave Macmillan.
Davies, D. ORCID: 0000-0002-3584-5789 (2018).
Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers.
Journal of Postcolonial Writing, 55(1),
pp. 94-107.
doi: 10.1080/17449855.2018.1496468
Davies, D. ORCID: 0000-0002-3584-5789 (2018).
Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town.
Theatre Topics, 28(2),
pp. 89-100.
doi: 10.1353/tt.2018.0018
Davies, D. ORCID: 0000-0002-3584-5789 (2017).
A Review of Threadbare: Clothes, Sex and Trafficking.
The Comics Grid: Journal of Comics Scholarship, 7,
article number 7.
doi: 10.16995/cg.110
Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Rudyard Kipling and the networks of empire.
In:
Kipling and Yeats at 150: Retrospectives/Perspectives.
(pp. 192-210). Abingdon, UK: Routledge.
doi: 10.4324/9780429283857
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black.
The Cambridge Journal of Postcolonial Literary Inquiry, 8(1),
pp. 1-23.
doi: 10.1017/pli.2020.23
Davies, D. ORCID: 0000-0002-3584-5789 (2021).
Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines.
The Cambridge Journal of Postcolonial Literary Inquiry, 8(3),
pp. 301-322.
doi: 10.1017/pli.2021.18
Davies, D. ORCID: 0000-0002-3584-5789 (2020).
Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams.
Critique - Studies in Contemporary Fiction, 63(4),
pp. 385-400.
doi: 10.1080/00111619.2020.1841724
Davies, D. ORCID: 0000-0002-3584-5789 (2018).
Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi.
Journal of Postcolonial Writing, 54(3),
pp. 411-430.
doi: 10.1080/17449855.2018.1461986
Davies, D. ORCID: 0000-0002-3584-5789 (2017).
“Walls of Freedom”: Street Art and Structural Violence in the Global City.
Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2),
pp. 6-18.
doi: 10.21659/rupkatha.v9n2.02
Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018).
Postcolonialism and South-South Relations.
In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.),
Routledge Handbook of South-South Relations.
. Abingdon, UK: Routledge.
Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), 23-.
García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C.
ORCID: 0000-0002-2497-8455 (2022).
Embodied pedagogies, the arts and reflexive systems in enactive management education.
In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A. (Eds.),
Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies.
Lecture Notes in Networks and Systems.
(pp. 263-273). Cham, Switzerland: Springer.
doi: 10.1007/978-3-031-08195-8_25
Greenberg, S. & Wheelwright, J. (2014). Literary journalism: Ethics in three dimensions. Journalism, 15(5), pp. 511-516. doi: 10.1177/1464884914529210
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Aftermaths Without End.
Cambridge Journal of Postcolonial Literary Inquiry, 9(3),
pp. 431-434.
doi: 10.1017/pli.2021.21
Jilani, S. ORCID: 0000-0002-0024-4801 (2015).
'Black' Spaces: Othello and the Cinematic Language of Othering.
Literature-Film Quarterly, 43(2),
pp. 104-115.
Jilani, S. ORCID: 0000-0002-0024-4801 (2022).
Civic Interaction, Urban Memory, and the Istanbul International Film Festival.
In: Schwan, A. & Thomson, T. (Eds.),
The Palgrave Handbook of Digital and Public Humanities.
(pp. 441-458). Cham, Switzerland: Palgrave Macmillan.
doi: 10.1007/978-3-031-11886-9_23
Jilani, S. ORCID: 0000-0002-0024-4801 (2021).
Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra.
The Journal of Commonwealth Literature, 58(3),
pp. 645-659.
doi: 10.1177/00219894211031803
Jilani, S. ORCID: 0000-0002-0024-4801 (2018).
Intimate Epics.
Women: A Cultural Review, 29(3-4),
pp. 398-400.
doi: 10.1080/09574042.2018.1531638
Jilani, S. ORCID: 0000-0002-0024-4801 (2014).
"Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye.
Postgraduate English, 29(1),
pp. 2-24.
Jilani, S. ORCID: 0000-0002-0024-4801 (2021).
“They Drew an Entire People after Them”.
Interventions, 24(4),
pp. 586-602.
doi: 10.1080/1369801x.2021.1892515
Jilani, S. ORCID: 0000-0002-0024-4801 (2015).
Writing Exile: Displacement and Arrival in Eva Hoffman's Lost in Translation and Edward Said's Out of Place.
Life Writing, 12(1),
pp. 59-73.
doi: 10.1080/14484528.2014.970356
Jilani, S. ORCID: 0000-0002-0024-4801 (2020).
“The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born.
Journal of Postcolonial Writing, 56(1),
pp. 83-96.
doi: 10.1080/17449855.2019.1701067
Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..
Kernan, M.A. The Arden Shakespeare, 1890 to 2014: A cultural, historical, commercial and technological case study. Paper presented at the By the Book: The book and the study of its digital transformation, 23-05-2014 - 24-05-2014, Florence, Italy.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018).
Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School.
Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership.
Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
Programme and assessment design for graduate outcomes.
Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
Programme and assessment design in graduate outcomes: City's BA English.
Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.
Kernan, M.A. (2014). Research into Arts-based Interventions in Organisations and Management Education: Theoretical foundations and methodological implications. In: IFKAD 2014 Knowledge and Management Models for Sustainable Growth. IFKAD 2014 – International Forum on Knowledge Asset Dynamics, 11-06-2014 - 13-06-2014, Matera, Italy.
Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9
Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0
Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019).
The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study.
Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.
Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: Carlucci, D. & Spender, J.C. (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.
Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C.
ORCID: 0000-0002-2497-8455 & Jones, S.
ORCID: 0000-0003-4789-4948 (2021).
Accelerating movement across the intentional arc: developing the strategic sensographer.
In: Adams, J. & Owens, A. (Eds.),
Beyond Text Learning Through Arts-Based Research Practices.
(pp. 52-67). Bristol, UK: Intellect Books.
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022).
Science Fiction and Climate Change: A Sociological Approach.
Green Letters: Studies in Ecocriticism, 26(2),
pp. 190-193.
doi: 10.1080/14688417.2022.2037865
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020).
The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road.
The Cormac McCarthy Journal, 18(2),
pp. 100-112.
doi: 10.5325/cormmccaj.18.2.0100
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020).
Cohesive Plurality.
LOGOS: Journal of the World Publishing Community, 31(2),
pp. 52-56.
doi: 10.1163/18784712-03102005
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021).
Fragments from the history of loss: the nature industry and the postcolony.
Green Letters: Studies in Ecocriticism, 25(1),
pp. 99-101.
doi: 10.1080/14688417.2021.1888480
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021).
Narrating the Mesh: Form and Story in the Anthropocene.
Green Letters: Studies in Ecocriticism, 25(4),
pp. 441-444.
doi: 10.1080/14688417.2021.2012365
Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020).
Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics.
In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.),
Contemporary Publishing and the Culture of Books.
(pp. 237-252). Abingdon, UK: Routledge.
doi: 10.4324/9781315778389
Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)
Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019).
Apocalypse yesterday: Posthumanism and comics in the Anthropocene.
Environment and Planning E: Nature and Space, 3(3),
pp. 663-687.
doi: 10.1177/2514848619883468
Moran, P. ORCID: 0000-0002-8694-4701 (2020).
Topographies of Caribbean Writing, Race, and the British Country-side.
New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4),
pp. 351-352.
doi: 10.1163/22134360-09403038
Myerson, J. (2015). Born In The DDR BBC.
Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4.
Myerson, J. (2016). The Price of Oil BBC Radio 4.
Myerson, J. (2016). Reykjavik BBC Radio 4.
Myerson, J. ORCID: 0000-0003-2656-1140 (2017).
That Was Then Episodes 1 to 5
BBC Radio 4.
Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887
Seago, K. (2005). Aspects of gender in translations of "Sleeping Beauty". Comparative Critical Studies, 2(1), pp. 23-43. doi: 10.3366/ccs.2005.2.1.23
Seago, K. (2002). Constructing the Witch. In: Blayer, I. M. & Sánchez, M. (Eds.), Storytelling: Interdisciplinary and Intercultural Perspectives. (pp. 72-85). Peter Lang Publishing.
Seago, K. (1999). Let Sleeping Beauties Lie? On the difficulties of revisioning the tale. New Comparison, 27/28, pp. 98-117.
Seago, K. (1999). New Wine in Old Bottles?: Angela Carter’s Bloody Chamber of Revisioned Fairy Tales. Métaphore, 26, pp. 7-98.
Seago, K. (2001). Shifting Meanings: Translating Grimms’ Fairy Tales as Children’s Literature. In: Desblache, L. (Ed.), Aspects of specialised translation. (pp. 171-180). La Maison Du Dictionnaire.
Seago, K. (2003). What's in a title? A bibliographical study of the marketing of Grimms' fairy tales in English translation in the nineteenth century. New Comparison, A Journal of General and Comparative Literary Studies, 35/36, pp. 100-120.
Seago, K. ORCID: 0000-0002-0010-5836 & Rizzo, A. (2018).
The aesthetics of migration: Reversals of marginality and the socio-political turn.
InVerbis, 8(1),
pp. 7-32.
doi: 10.7368/91217
Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019).
New Approaches to Medieval Water Studies.
Open Library of Humanities, 5(1),
article number 35.
doi: 10.16995/olh.443/
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2020).
‘"[B]etween power and the people": Journalist-investigators in Nordic crime fiction'.
Crime Fiction Studies, 1(1),
pp. 59-78.
doi: 10.3366/cfs.2020.0007
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2015).
‘The Concentrationary Universe: Primo Levi’s Spatial Consciousness'.
In: Vuohelainen, M. & Chapman, A. (Eds.),
Interpreting Primo Levi: Interdisciplinary Perspectives.
(pp. 129-145). New York: Palgrave US.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2010).
‘“Cribb’d, Cabined and Confined”: Fear, Claustrophobia and Modernity in Richard Marsh’s Urban Gothic Fiction’.
The Journal of Literature and Science, 3(1),
pp. 23-36.
doi: 10.12929/jls.03.1.03
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018).
'"Deeds of darkness": Thomas Hardy and murder'.
Humanities, 7(3),
article number 66.
doi: 10.3390/h7030066
Vuohelainen, M. (2007). ‘Distorting the Genre, Defining the Audience, Detecting the Author: Richard Marsh’s “For Debt” (1902)’. Clues: a journal of detection, 25(4), pp. 17-26. doi: 10.3200/clus.25.4.17-26
Vuohelainen, M. (2015). ‘Exactly Where I Was I Could not Tell’: Panopticism, Imageability and the Gothic City. In: Richard Marsh. (pp. 20-40). Cardiff: University of Wales Press.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022).
'"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'.
Women's Writing, 29(2),
pp. 216-237.
doi: 10.1080/09699082.2022.2052458
Vuohelainen, M. (2014). 'From "Vulgar" and "Impossible" to "Pre-Eminently Readable": Richard Marsh's Critical Fortunes, 1893-1915'. English Studies, 95(3), pp. 278-301. doi: 10.1080/0013838x.2014.897087
Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4 - Su), pp. 35-37.
Vuohelainen, M. (2013). Introduction. In: Vuohelainen, M. (Ed.), The Complete Adventures of Sam Briggs, by Richard Marsh. (pp. vii-xxvii). Kansas City: Valancourt Books.
Vuohelainen, M. (2008). Introduction. In: Vuohelainen, M. (Ed.), The Beetle: A Mystery, by Richard Marsh. (pp. vii-xxx). Kansas City: Valancourt Books.
Vuohelainen, M. (2016). Introduction. In: Vuohelainen, M. (Ed.), The Complete Judith Lee Adventures, by Richard Marsh. (pp. vii-xxv). Kansas City: Valancourt Books.
Vuohelainen, M. (2010). Introduction. In: Vuohelainen, M. (Ed.), The Goddess: A Demon, by Richard Marsh. (pp. vii-xxxiii). Kansas City: Valancourt Books.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2006).
‘“Oh to Get out of that Room!”: Outcast London and the Gothic Twist in the Popular Fiction of Richard Marsh’.
In: Sayer, K. (Ed.),
Victorian Space(s).
Leeds Centre Working Papers in Victorian Studies, VIII.
(pp. 115-126). Leeds: Trinity and All Saints, University of Leeds.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2008).
“Tales and Adventures”: G.A. Henty’s Union Jack and the Competitive World of Publishing for Boys in the 1880s’.
Journal of Popular Narrative Media, 1(2),
pp. 183-196.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021).
'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'.
Gothic Studies, 23(2),
pp. 181-200.
doi: 10.3366/gothic.2021.0093
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018).
University Gothic, c. 1880-1910.
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Vuohelainen, M. (2013). '“You Know Not of What You Speak”: Language, Identity and Xenophobia in Richard Marsh’s The Beetle: A Mystery (1897)’. In: Tromp, M., Bachman, M. & Kaufman, H. (Eds.), Fear, Loathing and Victorian Xenophobia. (pp. 312-330). Ohio State University Press.
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"The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories.
In: Margree, V., Orrells, D. & Vuohelainen, M.
ORCID: 0000-0002-9369-8190 (Eds.),
Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle.
(pp. 63-84). Manchester, UK: Manchester University Press.
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019).
'“The result can scarcely fail to amuse even the most gloomy of war pessimists”: The Strand Magazine and the First World War'.
Victorian Periodicals Review, 52(2),
pp. 389-418.
doi: 10.1353/vpr.2019.0023
Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019).
'“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'.
Victorian Popular Fictions Journal, 1(2),
pp. 3-32.
doi: 10.46911/qptd4864
Vuohelainen, M. ORCID: 0000-0002-9369-8190 & Liggins, E, (2019).
'Introduction: Reassessing the Strand Magazine, 1891–1918'.
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Book review: Doug Underwood Literary journalism in British and American prose: An historical overview.
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Poisoned Honey: The Myth of Women in Espionage.
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Wheelwright, J. (2016). The ethical turn in considering hidden children's Holocaust testimony as historical reconstruction. Ethical Space: the international journal of communication ethics, 13(4), pp. 4-10.
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