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Number of items at this level: 130.

A

Ashford, D. (2011). Gorillas in the House of Light. Cambridge Quarterly, 40(3), pp. 201-223. doi: 10.1093/camqtly/bfr018

Ashford, D. (2017). The Mechanical Turk: Enduring Misapprehensions Concerning Artificial Intelligence. The Cambridge Quarterly, 46(2), pp. 119-139. doi: 10.1093/camqtly/bfx005

Ashford, D. (2013). The Mechanics of the Occult: London’s Psychogeographical Fiction as Key to Understanding the Roots of the Gothic. The Literary London Journal, 10(2),

Ashford, D. (2014). “A New Concept of Egoism”: The Late Modernism of Ayn Rand. Modernism/modernity, 21(4), pp. 977-995. doi: 10.1353/mod.2014.0084

Ashford, D. (2015). Orcs: an epic. London: Veer Books.

Ashford, D. (2017). Sedition Machines. London: Veer Books.

Ashford, D. (2014). The Siberia of the Mind: Egoism in the Writings of Wyndham Lewis. The Journal of Wyndham Lewis Studies, 5, pp. 112-134.

Ashford, D. (2013). Xaragmata: Translations from the Pelasgian. In: Xaragmata: translations from the Pelagsian. . London: Veer Books.

B

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Introduction: The City Always Wins. In: Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (Eds.), Planned Violence: Post/Colonial Urban Infrastructures, Literature and Culture. (pp. 1-25). Cham: Palgrave Macmillan.

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2015). Literature, planning and infrastructure: Investigating the southern city through postcolonial texts. Journal of Postcolonial Writing, 51(4), pp. 395-409. doi: 10.1080/17449855.2015.1033813

Boehmer, E. & Davies, D. ORCID: 0000-0002-3584-5789 (2018). Planned Violence: Post/Colonial Urban Infrastructure, Literature, and Culture. In: Boehmer, E. & Davies, D. (Eds.), Planned Violence. (pp. 1-25). Cham, Switzerland: Springer.

Brienza, C. (2014). Rev. of Digital Humanities Summer Institute. University of Victoria, British Columbia, June 2-6, 2014. SHARP News, 23(4), pp. 21-22.

Brienza, C. (2014). Review of Comics Unmasked: Art and Anarchy in the UK. British Library, London. SHARP News, 23(3), article number 0.19.

D

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Against the System: Postcolonialism, Humanism, and the Humanities. Moving Worlds: a journal for transcultural writings, 20(2), pp. 113-128.

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Graphic Capitaloscenes: Drawing Infrastructure as Historical Form. Critique: Studies in Contemporary Fiction, pp. 1-16. doi: 10.1080/00111619.2023.2231845

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Green unpleasant land: Creative responses to rural England's colonial connections. Journal of Postcolonial Writing, 58(2), pp. 286-287. doi: 10.1080/17449855.2022.2066520

Davies, D. ORCID: 0000-0002-3584-5789 (2022). "The Gutters of History" Geopolitical Pasts and Imperial Presents in Recent Graphic Nonfiction. In: Alexander, D. L., Goodrum, M. & Smith, P. (Eds.), Drawing the past. (pp. 56-78). University Press of Mississippi.

Davies, D. ORCID: 0000-0002-3584-5789 (2022). Infrastructural Forms: Comics, Cities, Conglomerations. In: The Routledge Companion to Literary Urban Studies. (pp. 163-176). London, UK: Routledge. doi: 10.4324/9781003124931-14

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Witnesses, graphic storytellers, activists: an interview with the KADAK collective. Journal of Graphic Novels and Comics, 12(6), pp. 1399-1409. doi: 10.1080/21504857.2021.2017310

Davies, D. ORCID: 0000-0002-3584-5789 (2022). All that is solid falls from the sky: Modernity and the volume of world literature. Cambridge Journal of Postcolonial Literary Inquiry, 9(1), pp. 1-25. doi: 10.1017/pli.2021.33

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Braided geographies: bordered forms and cross-border formations in refugee comics. Journal for Cultural Research, 23(2), pp. 124-143. doi: 10.1080/14797585.2019.1665892

Davies, D. ORCID: 0000-0002-3584-5789 (2022). The City of the Missing: Poetic Responses to the Grenfell Fire. Journal of Urban History, 49(3), doi: 10.1177/00961442221127310

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Comics Activism: An Interview with Comics Artist Kate Evans. The Comics Grid : Journal of Comics Scholarship, 7(1), article number 18. doi: 10.16995/cg.114

Davies, D. ORCID: 0000-0002-3584-5789 (2017). ‘Comics on the Main Street of Culture’: Alan Moore and Eddie Campbell’s From Hell (1999), Laura Oldfield Ford’s Savage Messiah (2011) and the politics of gentrification. Journal of Urban Cultural Studies, 4(3), pp. 333-360. doi: 10.1386/jucs.4.3.333_1

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Concrete stories, decomposing fictions: Body parts and body politics in Ahmed Saadawi’s Frankenstein in Baghdad. Interventions, 23(6), pp. 922-940. doi: 10.1080/1369801x.2020.1816851

Davies, D. ORCID: 0000-0002-3584-5789 (2015). Critiquing global capital and colonial (in)justice: Structural violence in Leonard Woolf’s The Village in the Jungle (1913) and Economic Imperialism (1920). The Journal of Commonwealth Literature, 50(1), pp. 45-58. doi: 10.1177/0021989414555209

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Dreamlands, Border Zones, and Spaces of Exception: Comics and Graphic Narratives on the US-Mexico Border. a/b: Auto/Biography Studies, 35(2), pp. 383-403. doi: 10.1080/08989575.2020.1741187

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Editor’s note. Journal of Postcolonial Writing, 55(5), pp. 585-588. doi: 10.1080/17449855.2019.1657696

Davies, D. ORCID: 0000-0002-3584-5789 (2017). From Communism to Postcapitalism: Karl Marx and Friedrich Engels’ The Communist Manifesto (1848). In: Davies, D. ORCID: 0000-0002-3584-5789, Lombard, E. & Mountford, B. (Eds.), Fighting Words Fourteen Books That Shaped the Postcolonial World. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 27-42). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Graphic Katrina: Disaster Capitalism, Tourism Gentrification and the Affect Economy in Josh Neufelds's A.D.: New Orleans After the Deluge (2009). Journal of Graphic Novels and Comics, 11(3), pp. 325-340. doi: 10.1080/21504857.2019.1575256

Davies, D. ORCID: 0000-0002-3584-5789 (2017). Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. In: Davies, D. ORCID: 0000-0002-3584-5789 (Ed.), Imperial Infrastructure and Spatial Resistance in Colonial Literature, 1880-1930. Race and Resistance Across Borders in the Long Twentieth Century. (pp. 1-55). Oxford: Peter Lang Limited, International Academic Publishers.

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Infrastructural Violence. In: Hague, I., Horton, I. & Mickwitz, N. (Eds.), Contexts of Violence in Comics. . Abingdon, Oxford: Routledge.

Davies, D. ORCID: 0000-0002-3584-5789 (2023). Intolerable fictions. In: Kauranen, R., Löytty, O., Nikkilä, A. & Vuorinne, A. (Eds.), Comics and Migration: Representation and Other Practices. . Routledge India. doi: 10.4324/9781003254621-18

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Introduction: Documenting Trauma in Comics. In: Davies, D. ORCID: 0000-0002-3584-5789 & Rifkind, C. (Eds.), Documenting Trauma in Comics: Traumatic Pasts, Embodied Histories, and Graphic Reportage. Palgrave Studies in Comics and Graphic Novels. (pp. 1-26). Cham: Palgrave Macmillan.

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Literary Non-Fiction and the Neoliberal City: Subalternity and Urban Governance in Katherine Boo’s Behind the Beautiful Forevers. Journal of Postcolonial Writing, 55(1), pp. 94-107. doi: 10.1080/17449855.2018.1496468

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Davies, D. ORCID: 0000-0002-3584-5789 (2017). A Review of Threadbare: Clothes, Sex and Trafficking. The Comics Grid: Journal of Comics Scholarship, 7, article number 7. doi: 10.16995/cg.110

Davies, D. ORCID: 0000-0002-3584-5789 (2019). Rudyard Kipling and the networks of empire. In: Kipling and Yeats at 150: Retrospectives/Perspectives. (pp. 192-210). Abingdon, UK: Routledge. doi: 10.4324/9780429283857

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Humanism and the Weight of World Literature: Reading Esi Edugyan’s Washington Black. The Cambridge Journal of Postcolonial Literary Inquiry, 8(1), pp. 1-23. doi: 10.1017/pli.2020.23

Davies, D. ORCID: 0000-0002-3584-5789 (2021). Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines. The Cambridge Journal of Postcolonial Literary Inquiry, 8(3), pp. 301-322. doi: 10.1017/pli.2021.18

Davies, D. ORCID: 0000-0002-3584-5789 (2020). Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams. Critique - Studies in Contemporary Fiction, 63(4), pp. 385-400. doi: 10.1080/00111619.2020.1841724

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Urban comix: Subcultures, infrastructures and “the right to the city” in Delhi. Journal of Postcolonial Writing, 54(3), pp. 411-430. doi: 10.1080/17449855.2018.1461986

Davies, D. ORCID: 0000-0002-3584-5789 (2017). “Walls of Freedom”: Street Art and Structural Violence in the Global City. Rupkatha Journal on Interdisciplinary Studies in Humanities, 9(2), pp. 6-18. doi: 10.21659/rupkatha.v9n2.02

Davies, D. ORCID: 0000-0002-3584-5789 & Boehmer, E. (2018). Postcolonialism and South-South Relations. In: Fiddian-Qasmiyeh, E. & Daley, P. (Eds.), Routledge Handbook of South-South Relations. . Abingdon, UK: Routledge.

E

Egbunike, L. (2018). Set apart. TLS - The Times Literary Supplement, 2018-J(6015), 23-.

G

García De la Cerda, O., Kernan, M. A. ORCID: 0000-0003-4666-5457 & Holtham, C. ORCID: 0000-0002-2497-8455 (2022). Embodied pedagogies, the arts and reflexive systems in enactive management education. In: Espejo, R., Lepskiy, V., Perko, I. & Novikov, D. A. (Eds.), Systems approach and cybernetics, engaging the future of mankind: The significance of systems and cybernetics in the future of societies. Lecture Notes in Networks and Systems. (pp. 263-273). Cham, Switzerland: Springer. doi: 10.1007/978-3-031-08195-8_25

Greenberg, S. & Wheelwright, J. (2014). Literary journalism: Ethics in three dimensions. Journalism, 15(5), pp. 511-516. doi: 10.1177/1464884914529210

J

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Aftermaths Without End. Cambridge Journal of Postcolonial Literary Inquiry, 9(3), pp. 431-434. doi: 10.1017/pli.2021.21

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). 'Black' Spaces: Othello and the Cinematic Language of Othering. Literature-Film Quarterly, 43(2), pp. 104-115.

Jilani, S. ORCID: 0000-0002-0024-4801 (2022). Civic Interaction, Urban Memory, and the Istanbul International Film Festival. In: Schwan, A. & Thomson, T. (Eds.), The Palgrave Handbook of Digital and Public Humanities. (pp. 441-458). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-031-11886-9_23

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). Gender and the politics of war historiography in Buchi Emecheta’s Destination Biafra. The Journal of Commonwealth Literature, 58(3), pp. 645-659. doi: 10.1177/00219894211031803

Jilani, S. ORCID: 0000-0002-0024-4801 (2018). Intimate Epics. Women: A Cultural Review, 29(3-4), pp. 398-400. doi: 10.1080/09574042.2018.1531638

Jilani, S. ORCID: 0000-0002-0024-4801 (2014). "Regarde le nègre!": Race, (In)Visibility and Subjecthood in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye. Postgraduate English, 29(1), pp. 2-24.

Jilani, S. ORCID: 0000-0002-0024-4801 (2021). “They Drew an Entire People after Them”. Interventions, 24(4), pp. 586-602. doi: 10.1080/1369801x.2021.1892515

Jilani, S. ORCID: 0000-0002-0024-4801 (2015). Writing Exile: Displacement and Arrival in Eva Hoffman's Lost in Translation and Edward Said's Out of Place. Life Writing, 12(1), pp. 59-73. doi: 10.1080/14484528.2014.970356

Jilani, S. ORCID: 0000-0002-0024-4801 (2020). “The self and the world against which it had to live”: Neocolonialism and the resistant subject in Ayi Kwei Armah’s The Beautyful Ones Are Not Yet Born. Journal of Postcolonial Writing, 56(1), pp. 83-96. doi: 10.1080/17449855.2019.1701067

K

Kernan, M. A. (2015). Transforming identity through arts-informed, collaborative learning and reflection: case study of a Masters programme in innovation, creativity and leadership. In: Spender, J. C., Schiuma, G. & Albino, V. (Eds.), Culture, Innovation and Entrepreneurship: Connecting the knowledge dots. (pp. 2038-2047). Arts for Business Institute, University of Basilicata..

Kernan, M.A. The Arden Shakespeare, 1890 to 2014: A cultural, historical, commercial and technological case study. Paper presented at the By the Book: The book and the study of its digital transformation, 23-05-2014 - 24-05-2014, Florence, Italy.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2018). Learning to Lead through the Arts, Redesigning learning in the age of paradox - solving problems and imagining futures, Cass Business School. Paper presented at the Redesigning learning in the age of paradox - solving problems and imagining futures, 21 Jun 2018, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Narrative, identity and power in an interdisciplinary Masters in Innovation, Creativity and Leadership. Paper presented at the Interstructural Reading, 4 Jun 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design for graduate outcomes. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). Programme and assessment design in graduate outcomes: City's BA English. Paper presented at the Westminster Forum Graduate Employability Conference: Making Employability Everyone’s Business, 29 Oct 2019, London, UK.

Kernan, M.A. (2014). Research into Arts-based Interventions in Organisations and Management Education: Theoretical foundations and methodological implications. In: IFKAD 2014 Knowledge and Management Models for Sustainable Growth. IFKAD 2014 – International Forum on Knowledge Asset Dynamics, 11-06-2014 - 13-06-2014, Matera, Italy.

Kernan, M.A. (2013). Routledge as a global publisher: A case study, 1980-2010. Publishing Research Quarterly, 29(1), pp. 52-72. doi: 10.1007/s12109-013-9304-9

Kernan, M.A. (2013). When is a Publishing Business Truly ‘Global’? An Analysis of a Routledge Case Study with Reference to Ohmae’s Theory of Globalization. Publishing Research Quarterly, 29(4), pp. 344-364. doi: 10.1007/s12109-013-9329-0

Kernan, M.A. ORCID: 0000-0003-4666-5457 (2019). The impact of arts-based management education: Reconciling knowledge frameworks in a questionnaire study. Paper presented at the Arts of Management Symposium 2019, 21-22 May 2019, Lugano, Italy.

Kernan, M.A. (2014). A review of the theoretical foundations of research into arts-based interventions in organisations and management education, and their methodological implications. In: Carlucci, D. & Spender, J.C. (Eds.), Knowledge and Management Models for Sustainable Growth. International Forum on Knowledge Asset Dynamics, 9. (pp. 2222-2233). Matera, Italy: Arts for Business Institute, University of Basilicata.

Kernan, M.A. ORCID: 0000-0003-4666-5457, Holtham, C. ORCID: 0000-0002-2497-8455 & Jones, S. ORCID: 0000-0003-4789-4948 (2021). Accelerating movement across the intentional arc: developing the strategic sensographer. In: Adams, J. & Owens, A. (Eds.), Beyond Text Learning Through Arts-Based Research Practices. (pp. 52-67). Bristol, UK: Intellect Books.

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2022). Science Fiction and Climate Change: A Sociological Approach. Green Letters: Studies in Ecocriticism, 26(2), pp. 190-193. doi: 10.1080/14688417.2022.2037865

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). The Burning Core: Using Heraclitus's Concept of an Arche of Fire to Examine Humanity's Connection with Nature in Cormac McCarthy's The Road. The Cormac McCarthy Journal, 18(2), pp. 100-112. doi: 10.5325/cormmccaj.18.2.0100

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Cohesive Plurality. LOGOS: Journal of the World Publishing Community, 31(2), pp. 52-56. doi: 10.1163/18784712-03102005

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Fragments from the history of loss: the nature industry and the postcolony. Green Letters: Studies in Ecocriticism, 25(1), pp. 99-101. doi: 10.1080/14688417.2021.1888480

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2021). Narrating the Mesh: Form and Story in the Anthropocene. Green Letters: Studies in Ecocriticism, 25(4), pp. 441-444. doi: 10.1080/14688417.2021.2012365

Kirkbride, J. ORCID: 0000-0002-1475-1265 (2020). Understanding our place: publishing’s role in the reading ecosystem under neoliberal economics. In: Baverstock, A., Bradford, R. & Gonzalez, M. (Eds.), Contemporary Publishing and the Culture of Books. (pp. 237-252). Abingdon, UK: Routledge. doi: 10.4324/9781315778389

L

Laurindo Da Silva, Stephanie (2021). Children’s crime and detective fiction as a genre: What are its genre-specific features and how do they perform in translation? An analysis of six contemporary texts.. (Unpublished Doctoral thesis, City, University of London)

M

Menga, F. & Davies, D. ORCID: 0000-0002-3584-5789 (2019). Apocalypse yesterday: Posthumanism and comics in the Anthropocene. Environment and Planning E: Nature and Space, 3(3), pp. 663-687. doi: 10.1177/2514848619883468

Moran, P. ORCID: 0000-0002-8694-4701 (2020). Topographies of Caribbean Writing, Race, and the British Country-side. New West Indian Guide | Nieuwe West-Indische Gids, 94(3-4), pp. 351-352. doi: 10.1163/22134360-09403038

Myerson, J. (2015). Born In The DDR BBC.

Myerson, J. (2016). The Clintons: a trilogy BBC Radio 4.

Myerson, J. (2016). The Price of Oil BBC Radio 4.

Myerson, J. (2016). Reykjavik BBC Radio 4.

Myerson, J. ORCID: 0000-0003-2656-1140 (2017). That Was Then Episodes 1 to 5 BBC Radio 4.

P

Puc, R. (2022). An Archive of the New: A Review of Key Terms in Comics Studies. The Comics Grid: Journal of Comics Scholarship, 12(1), doi: 10.16995/cg.8887

S

Seago, K. (2005). Aspects of gender in translations of "Sleeping Beauty". Comparative Critical Studies, 2(1), pp. 23-43. doi: 10.3366/ccs.2005.2.1.23

Seago, K. (2002). Constructing the Witch. In: Blayer, I. M. & Sánchez, M. (Eds.), Storytelling: Interdisciplinary and Intercultural Perspectives. (pp. 72-85). Peter Lang Publishing.

Seago, K. (1999). Let Sleeping Beauties Lie? On the difficulties of revisioning the tale. New Comparison, 27/28, pp. 98-117.

Seago, K. (1999). New Wine in Old Bottles?: Angela Carter’s Bloody Chamber of Revisioned Fairy Tales. Métaphore, 26, pp. 7-98.

Seago, K. (2001). Shifting Meanings: Translating Grimms’ Fairy Tales as Children’s Literature. In: Desblache, L. (Ed.), Aspects of specialised translation. (pp. 171-180). La Maison Du Dictionnaire.

Seago, K. (2003). What's in a title? A bibliographical study of the marketing of Grimms' fairy tales in English translation in the nineteenth century. New Comparison, A Journal of General and Comparative Literary Studies, 35/36, pp. 100-120.

Seago, K. ORCID: 0000-0002-0010-5836 & Rizzo, A. (2018). The aesthetics of migration: Reversals of marginality and the socio-political turn. InVerbis, 8(1), pp. 7-32. doi: 10.7368/91217

Smith, J. & Howes, H. ORCID: 0000-0002-7105-0414 (2019). New Approaches to Medieval Water Studies. Open Library of Humanities, 5(1), article number 35. doi: 10.16995/olh.443/

V

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2020). ‘"[B]etween power and the people": Journalist-investigators in Nordic crime fiction'. Crime Fiction Studies, 1(1), pp. 59-78. doi: 10.3366/cfs.2020.0007

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2015). ‘The Concentrationary Universe: Primo Levi’s Spatial Consciousness'. In: Vuohelainen, M. & Chapman, A. (Eds.), Interpreting Primo Levi: Interdisciplinary Perspectives. (pp. 129-145). New York: Palgrave US.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2010). ‘“Cribb’d, Cabined and Confined”: Fear, Claustrophobia and Modernity in Richard Marsh’s Urban Gothic Fiction’. The Journal of Literature and Science, 3(1), pp. 23-36. doi: 10.12929/jls.03.1.03

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). '"Deeds of darkness": Thomas Hardy and murder'. Humanities, 7(3), article number 66. doi: 10.3390/h7030066

Vuohelainen, M. (2007). ‘Distorting the Genre, Defining the Audience, Detecting the Author: Richard Marsh’s “For Debt” (1902)’. Clues: a journal of detection, 25(4), pp. 17-26. doi: 10.3200/clus.25.4.17-26

Vuohelainen, M. (2015). ‘Exactly Where I Was I Could not Tell’: Panopticism, Imageability and the Gothic City. In: Richard Marsh. (pp. 20-40). Cardiff: University of Wales Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2022). '"A Feeling of Space": Margaret Oliphant's Supernatural Short Fiction in Blackwood’s Edinburgh Magazine'. Women's Writing, 29(2), pp. 216-237. doi: 10.1080/09699082.2022.2052458

Vuohelainen, M. (2014). 'From "Vulgar" and "Impossible" to "Pre-Eminently Readable": Richard Marsh's Critical Fortunes, 1893-1915'. English Studies, 95(3), pp. 278-301. doi: 10.1080/0013838x.2014.897087

Vuohelainen, M. (2020). 'From "native rags" to riches? Sartorial aspiration in The Nether World'. Gissing Journal, 54(4 - Su), pp. 35-37.

Vuohelainen, M. (2013). Introduction. In: Vuohelainen, M. (Ed.), The Complete Adventures of Sam Briggs, by Richard Marsh. (pp. vii-xxvii). Kansas City: Valancourt Books.

Vuohelainen, M. (2008). Introduction. In: Vuohelainen, M. (Ed.), The Beetle: A Mystery, by Richard Marsh. (pp. vii-xxx). Kansas City: Valancourt Books.

Vuohelainen, M. (2016). Introduction. In: Vuohelainen, M. (Ed.), The Complete Judith Lee Adventures, by Richard Marsh. (pp. vii-xxv). Kansas City: Valancourt Books.

Vuohelainen, M. (2010). Introduction. In: Vuohelainen, M. (Ed.), The Goddess: A Demon, by Richard Marsh. (pp. vii-xxxiii). Kansas City: Valancourt Books.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2006). ‘“Oh to Get out of that Room!”: Outcast London and the Gothic Twist in the Popular Fiction of Richard Marsh’. In: Sayer, K. (Ed.), Victorian Space(s). Leeds Centre Working Papers in Victorian Studies, VIII. (pp. 115-126). Leeds: Trinity and All Saints, University of Leeds.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2008). “Tales and Adventures”: G.A. Henty’s Union Jack and the Competitive World of Publishing for Boys in the 1880s’. Journal of Popular Narrative Media, 1(2), pp. 183-196.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2021). 'Traveller’s Tales: Rudyard Kipling’s Gothic Short Fiction'. Gothic Studies, 23(2), pp. 181-200. doi: 10.3366/gothic.2021.0093

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). University Gothic, c. 1880-1910. In: Heholt, R. & Hughes, W. (Eds.), Gothic Britain: Dark Places in the Provinces and Margins of the British Isles. (pp. 118-136). Cardiff, UK: University of Wales Press.

Vuohelainen, M. (2013). '“You Know Not of What You Speak”: Language, Identity and Xenophobia in Richard Marsh’s The Beetle: A Mystery (1897)’. In: Tromp, M., Bachman, M. & Kaufman, H. (Eds.), Fear, Loathing and Victorian Xenophobia. (pp. 312-330). Ohio State University Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2018). "The most dangerous thing in England"? Detection, deviance and disability in Richard Marsh’s Judith Lee stories. In: Margree, V., Orrells, D. & Vuohelainen, M. ORCID: 0000-0002-9369-8190 (Eds.), Richard Marsh, popular fiction and literary culture, 1890-1915: Rereading the fin de siècle. (pp. 63-84). Manchester, UK: Manchester University Press.

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“The result can scarcely fail to amuse even the most gloomy of war pessimists”: The Strand Magazine and the First World War'. Victorian Periodicals Review, 52(2), pp. 389-418. doi: 10.1353/vpr.2019.0023

Vuohelainen, M. ORCID: 0000-0002-9369-8190 (2019). '“A strange enough region wherein to wander and muse": Mapping Clerkenwell in Victorian Popular Fictions'. Victorian Popular Fictions Journal, 1(2), pp. 3-32. doi: 10.46911/qptd4864

Vuohelainen, M. ORCID: 0000-0002-9369-8190 & Liggins, E, (2019). 'Introduction: Reassessing the Strand Magazine, 1891–1918'. Victorian Periodicals Review, 52(2), pp. 221-234. doi: 10.1353/vpr.2019.0015

W

Wheelwright, J. (2014). Beyond the spooks: The problem of the narrator in literary history. Journalism, 15(5), pp. 561-572. doi: 10.1177/1464884914523237

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2020). Book review: Doug Underwood Literary journalism in British and American prose: An historical overview. Journalism, 21(3), pp. 441-442. doi: 10.1177/1464884920908674

Wheelwright, J. (2009). Disappeared Review. The Independent,

Wheelwright, J. (2008). Flight review. The Independent,

Wheelwright, J. (2008). Galgut review. The Independent,

Wheelwright, J. (2012). Gopnik Review. The Independent,

Wheelwright, J. (2016). The Language of Espionage: Mata Hari and the Creation of the Spy-Courtesan. In: Declercq, C. & Walker, J. (Eds.), Languages and the First World War: Representation and Memory. (pp. 164-177). London: Palgrave Macmillan. doi: 10.1057/9781137550361_11

Wheelwright, J. (2012). Livesey review. The Independent,

Wheelwright, J. (2017). 'The Orgy Nex Door: An Exploration of Ethical Relationships in Gay Talese's 'Thy Neighbor's Wife' and 'The Voyeur's Motel'. Literary Journalism Studies, 9(2), pp. 28-50.

Wheelwright, J. (2013). Paxman/Adie reviews. The Independent,

Wheelwright, J. ORCID: 0000-0002-6982-4476 (2019). Poisoned Honey: The Myth of Women in Espionage. Queen’s Quarterly, 100(2), pp. 291-309.

Wheelwright, J. (2008). Roma Tearne profile. The Independent,

Wheelwright, J. (2012). Ru Review. The Independent,

Wheelwright, J. (2008). Wally Lamb Review. The Independent,

Wheelwright, J. (2013). Withering Review. The Independent,

Wheelwright, J. (2016). The ethical turn in considering hidden children's Holocaust testimony as historical reconstruction. Ethical Space: the international journal of communication ethics, 13(4), pp. 4-10.

Wheelwright, J. (2017). The other place. History Workshop Journal, 84(84), pp. 257-263. doi: 10.1093/hwj/dbx039

This list was generated on Wed May 29 02:45:11 2024 UTC.