Items where Subject is "PN2000 Dramatic representation. The Theater"
- Library of Congress Subject Areas (23738)
- P Language and Literature (1193)
- PN Literature (General) (516)
- PN2000 Dramatic representation. The Theater (12)
- PN Literature (General) (516)
- P Language and Literature (1193)
A
Adams, C. & Cooper, G. 
ORCID: 0000-0003-2367-8626 (2022).
‘I felt I got to know everyone’: how News on Stage combines theatre and journalism for a live audience.
Journalism Practice, 18(3),
pp. 744-761.
doi: 10.1080/17512786.2022.2052345
Are, C. (2020). A “Chosen” Hope with a “Gingerbread” Outcome: Democratization of (Media) Power in Buffy The Vampire Slayer as a Metaphor of Online Abuse on High-Profile Criminal Cases. Slayage, 18.2(Summer), pp. 1-33.
D
Davies, D. ORCID: 0000-0002-3584-5789 (2018).
Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town.
Theatre Topics, 28(2),
pp. 89-100.
doi: 10.1353/tt.2018.0018
Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2019).
Crisis Acting in The Destroyed Room.
Performance Research, 24(5),
pp. 65-73.
doi: 10.1080/13528165.2019.1671720
Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2022).
The Future of Clive Barker and the Alternative Theatre Movement's Legacy in the Context of East London's Cultural Ecology.
In: Freyer, P. & Jones, N. (Eds.),
Clive Barker and his legacy: Theatre Workshop, Theatre Games.
. Palgrave Macmillan.
Dunne-Howrie, J. ORCID: 0000-0001-9831-4195, Ramos, J. L., Maravala, P. J. & Simon, B. (2020).
The Post Immersive Manifesto.
International Journal of Performance Arts and Digital Media, 16(2),
pp. 196-212.
doi: 10.1080/14794713.2020.1766282
F
Findlay, R. ORCID: 0000-0001-8596-6880 (2017).
"Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows.
About Performance, 14/15,
pp. 105-119.
Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018).
Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self.
About Performance, 16(Fashio),
pp. 129-146.
H
Henry, Susannah (2022). Autoscenography: The intersection of a scenographer’s story with her practice. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)
J
James, Adrian (2010). "From Thanatos to Eros": A Phenomenological Case Study of Post-Graduate Drama Students. (Unpublished Doctoral thesis, City University London)
M
McDonagh, L. (2014). Plays, Performances and Power Struggles - Examining Copyright's ‘Integrity’ in the Field of Theatre. The Modern Law Review, 77(4), pp. 533-562. doi: 10.1111/1468-2230.12078
Myerson, J., Grossman, V. & Walker, M. (2011). Life and Fate BBC Radio 4.