City Research Online

Items where Subject is "PN2000 Dramatic representation. The Theater"

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Number of items at this level: 12.

A

Adams, C. & Cooper, G. ORCID: 0000-0003-2367-8626 (2022). ‘I felt I got to know everyone’: how News on Stage combines theatre and journalism for a live audience. Journalism Practice, pp. 1-18. doi: 10.1080/17512786.2022.2052345

Are, C. (2020). A “Chosen” Hope with a “Gingerbread” Outcome: Democratization of (Media) Power in Buffy The Vampire Slayer as a Metaphor of Online Abuse on High-Profile Criminal Cases. Slayage, 18.2(Summer), pp. 1-33.

D

Davies, D. ORCID: 0000-0002-3584-5789 (2018). Performing Urban Violence: Protest Theatre and Semi-Public Space in London and Cape Town. Theatre Topics, 28(2), pp. 89-100. doi: 10.1353/tt.2018.0018

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2019). Crisis Acting in The Destroyed Room. Performance Research, 24(5), pp. 65-73. doi: 10.1080/13528165.2019.1671720

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195 (2022). The Future of Clive Barker and the Alternative Theatre Movement's Legacy in the Context of East London's Cultural Ecology. In: Freyer, P. & Jones, N. (Eds.), Clive Barker and his legacy: Theatre Workshop, Theatre Games. . Palgrave Macmillan.

Dunne-Howrie, J. ORCID: 0000-0001-9831-4195, Ramos, J. L., Maravala, P. J. & Simon, B. (2020). The Post Immersive Manifesto. International Journal of Performance Arts and Digital Media, 16(2), pp. 196-212. doi: 10.1080/14794713.2020.1766282

F

Findlay, R. ORCID: 0000-0001-8596-6880 (2017). "Things to be Seen": Spectacle and the performance of brand in contemporary fashion shows. About Performance, 14/15, pp. 105-119.

Findlay, R. ORCID: 0000-0001-8596-6880 & Romagosa, N. (2018). Sartorial Remembrance: Exploring the Weave Between Costume, Memory, and the Performing Self. About Performance, 16(Fashio), pp. 129-146.

H

Henry, Susannah (2022). Autoscenography: The intersection of a scenographer’s story with her practice. (Unpublished Doctoral thesis, Guildhall School of Music and Drama)

J

James, Adrian (2010). "From Thanatos to Eros": A Phenomenological Case Study of Post-Graduate Drama Students. (Unpublished Doctoral thesis, City University London)

M

McDonagh, L. (2014). Plays, Performances and Power Struggles - Examining Copyright's ‘Integrity’ in the Field of Theatre. The Modern Law Review, 77(4), pp. 533-562. doi: 10.1111/1468-2230.12078

Myerson, J., Grossman, V. & Walker, M. (2011). Life and Fate BBC Radio 4.

This list was generated on Sun Feb 25 02:30:36 2024 UTC.