Items where City Author is "Nooshin, L."

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Number of items: 14.

Article

Nooshin, L. (2017). ‘Whose Liberation? Iranian Popular Music and the Fetishisation of Resistance’. Popular Communication, 15(3), pp. 163-191. doi: 10.1080/15405702.2017.1328601

Nooshin, L. (2013). Beyond the Radif: New Forms of Improvisational Practice in Iranian Music. Music Theory Online, 19(2),

Nooshin, L. & Widdess, R. (2006). Improvisation in Iranian and Indian Music. Journal of the Indian Musicological Society, 36/37, pp. 104-119.

Nooshin, L. (2005). Underground, Overground: Rock Music and Youth Discourses in Iran. Iranian Studies (Special Issue: Music and Society in Iran), 38(3), pp. 463-494. doi: 10.1080/00210860500300820

Book Section

Nooshin, L. (2016). Jazz and its Social Meanings in Iran: From Cultural Colonialism to the Universal. In: P. Bohlman, P. Goffredo & T. Jackson (Eds.), Jazz Worlds/World Jazz. (pp. 125-149). USA: Chicago University Press. ISBN 9780226236032

Nooshin, L. (2014). Two Revivalist Moments in Iranian Classical Music. In: C. Bithell & J. Hill (Eds.), The Oxford Handbook of Music Revival. (pp. 275-297). Oxford University Press. ISBN 0199765030

Nooshin, L. (2011). Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices. In: J. Toynbee & B. Dueck (Eds.), Migrating Music. (pp. 92-111). Routledge. ISBN 0415594480

Nooshin, L. (2008). The Language of Rock: Iranian Youth, Popular Music, and National Identity. In: M. Semati (Ed.), Media, culture and society in Iran. (pp. 69-93). Oxford: Psychology Press. ISBN 0415772168

Nooshin, L. (2005). 'Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music. In: A. J. Randall (Ed.), Music, power, and politics. (pp. 231-272). USA: Psychology Press. ISBN 0415943647

Conference or Workshop Item

Nooshin, L. (2017). ‘BME’ Perspectives on Music Higher Education. Paper presented at the ‘BME’ Perspectives on Music Higher Education, 2 May 2017, Cambridge, UK.

Nooshin, L. (2017). Windows onto other Worlds. Musical Exoticism in Iranian Cinema: Between National Imaginary and Global Circulation. Paper presented at the Exoticism in Contemporary Transnational Cinema: Music and Spectacle, 16 Jun 2017, London, UK.

Nooshin, L. (2016). 'Happy Families? Convergence, Antagonism and Disciplinary Identities or "We’re all God knows what now" (Cook 2016)'. Paper presented at the City Debate, 'Are we all Ethnomusicologists now?', City University London.

Nooshin, L. (2014). Re-Imagining Difference: Musical Analysis, Alterity and the Creative Process. Paper presented at the Analysis, Cognition and Ethnomusicology’ Third International Conference on Analytical Approaches to World Music (AAWM 2014)/Annual Conference of the British Forum for Ethnomusicology (BFE 2014), 01-07-2014 - 04-07-2014, London.

Thesis

Nooshin, L. (1996). The Processes of Creation and Recreation in Persian Classical Music. (Unpublished Doctoral thesis, Goldsmiths' College)

This list was generated on Tue Sep 26 06:15:15 2017 UTC.