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Number of items at this level: 42.

Auvinen, T. (2000). Unmanageable opera?: the artistic-economic dichotomy and its manifestations in the organisational structures of five opera organisations. (Unpublished Doctoral thesis, City University London)

Bounhiss, M. (2010). Sustainable Development, Cultural Heritage and Community Empowerment: Current Trends and Practices in Moroccan Culture. (Unpublished Doctoral thesis, City University London)

Boylan, P. (2006). Four Handel oratorio libretti published by John Gregory of Leicester, 1759 - 1774. Transactions of the Leicestershire Archaeological and Historical Society, 80, pp. 123-151.

Boylan, P. (2013). Introduction to the theoretical and philosophical basis of modern management. London, UK: City University London, Department of Creative Practice & Enterprise - Centre for Cultural Policy & Management.

Bueno Delgado, P (2014). Towards a Professional Learning Dialogue in Mexican Contemporary Art Museums. (Unpublished Doctoral thesis, City, University of London)

Carroll, E. (2002). Lifelong learning in the arts : policy and practice in Ireland. (Unpublished Doctoral thesis, City University London)

Casaca Figueira, C.S (2010). External Language Spread Policies in Mozambique and Guniea-Bissau at the turn of the 21st Century.. (Unpublished Doctoral thesis, City, University of London)

Chang, B. (2002). Cultural change and identity shift in relation to cultural policy in post war Taiwan, with particular reference to theatre. (Unpublished Doctoral thesis, City University London)

Clements, P. (2003). The arts, culture and exclusion : with reference to New Labour cultural policy 1997-2002 this is a critical examination of the social function and evaluation of the arts in Britain and the extent to which they legitimate social difference or integrate the socially excluded. (Unpublished Doctoral thesis, City University London)

Evans, G.L. (1997). Planning for the arts - an urban renaissance? A critique of arts policy and town planning and their relationship. (Unpublished Doctoral thesis, City University London)

Fopp, M.A. (1988). Museum & gallery management. (Unpublished Doctoral thesis, City University London)

Fuchs, C. & Sandoval, M. (2013). The diamond model of open access publishing: Why policy makers, scholars, universities, libraries, labour unions and the publishing world need to take non-commercial, non-profit open access serious. TripleC: Communication, Capitalism & Critique, 11(2), pp. 428-443.

Gardiner, C.E. (1988). The West End theatre audience 1981-1986. (Unpublished Doctoral thesis, City University London)

Hannesson, H.F. (1998). Symphony orchestras in Scandinavia and Britain : a comparative study of funding, cultural models and chief executive self-perception of policy and organisation. (Unpublished Doctoral thesis, City University London)

Henschen, K. (2002). The Monument: The Shoah and German Memory. (Unpublished Doctoral thesis, City University London)

Hughes, H.L. (1988). The inter-relationship between tourism and opera performances at Buxton Festival, in Derbyshire. (Unpublished Doctoral thesis, City University London)

James, Adrian (2010). "From Thanatos to Eros": A Phenomenological Case Study of Post-Graduate Drama Students. (Unpublished Doctoral thesis, City University London)

Karavida, Aikaterini (2014). The Thessaloniki Biennale: The agendas and alternative potential(s) of a newly-founded biennial in the context of Greek governance. (Unpublished Doctoral thesis, City University London)

Lehman, E.V. (2001). Models of self governance and workplace democracy: a comparison of select orchestras in Germany, the U.S. and U.K. (Unpublished Doctoral thesis, City University London)

Littler, J. (2011). What’s wrong with ethical consumption? In: T Lewis & E Potter (Eds.), Ethical Consumption: A Critical Introduction. (pp. 27-39). Routledge.

Mattocks, Kathleen (2017). Intergovernmental cultural policy coordination in the European Union: the open method of coordination and the 2011-2014 work plan for culture. (Unpublished Doctoral thesis, City, University of London)

Merkel, J. & Oppen, M (2012). Bedeutungsvolle Orte. Eine kultursoziologische Annäherung an kreative Handlungsressourcen in Städten. Wissenschaftszentrum Berlin für Sozialforschung.

Moody, E. (1989). The art market and the state in Britain: a critical examination of the relationship between the contemporary British state subvention system for visual arts and various art markets. (Unpublished Doctoral thesis, City University London)

Oakley, K. (2010). Creative Industries and the Politics of New Labour. (Unpublished Doctoral thesis, City University London)

Quigg, A.M. (2007). Workplace bullying in the arts : when creative becomes coercive. (Unpublished Doctoral thesis, City University London)

Rezazadeh-Khamnei, F. (1990). The administration of the arts in Great Britain, the United States of America and Italy. (Unpublished Doctoral thesis, City University London)

Ridgeway, C.G. (2002). Orchestral training in the United Kingdom. (Unpublished Doctoral thesis, City University London)

Robertson, I.A. (2000). The emerging art markets of greater China : 1989-1999. (Unpublished Doctoral thesis, City University London)

Sandoval, M. (2013). Corporate Social (Ir)Responsibility in Media and Communication Industries. Javnost - The Public: Journal of the European Institute for Communication and Culture, 20(3), pp. 39-57. doi: 10.1080/13183222.2013.11009120

Sandoval, M. (2013). Foxconned labour as the dark side of the information age: Working conditions at Apple’s contract manufacturers in China. TripleC: Communication, Capitalism & Critique, 11(2), pp. 318-347.

Sandoval, M. (2014). Participation (Un)Limited: Social Media and the Prospects of a Common Culture. In: T. Miller (Ed.), The Routledge Companion to Global Popular Culture. (pp. 66-76). USA: Routledge. ISBN 9780415641470

Sandoval, M. & Bjurling, K. (2013). Challenging Labour - Working Conditions in the Electronics Industry. In: S. Garwood, S. Croeser & C. Yakinthou (Eds.), Lessons for Social Change in the Global Economy: Voices from the Field. (pp. 99-124). UK: Lexington Books. ISBN 9780739187753

Sandoval, M. & Fuchs, C. (2010). Towards a critical theory of alternative media.. Telematics and Informatics, 27, pp. 141-150. doi: 10.1016/j.tele.2009.06.011

Saville, I. (1990). Ideas, forms and development in the British workers' theatre, 1925-1935. (Unpublished Doctoral thesis, City University London)

Scales, Roger W (2002). The battle of the stages : the conflict between the theatre and the institutions of government and religion in England 1660-1890. (Unpublished Doctoral thesis, City University)

Sogbesan, Oluwatoyin Zainab (2015). The potential of digital representation: The changing meaning of the Ife ‘bronzes’ from pre-colonial Ife to the post-colonial digital British Museum. (Unpublished Doctoral thesis, City, University of London)

Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain. (Unpublished Doctoral thesis, City University, London)

Summerton, J.L. (1990). Designer crafts practice in context. (Unpublished Doctoral thesis, City University London)

TattersalI, J. (1986). A Strategy for Culture: Five Nation Study of Arts Support Systems. (Unpublished Doctoral thesis, City University London)

Walden, J.C. (2007). Reading art otherwise. (Unpublished Doctoral thesis, City University London)

White, N.J. (1999). In the absence of memory?: Jewish fate and dramatic representation; production and critical reception of Holocaust drama on the London stage 1945-1989. (Unpublished Doctoral thesis, City University London)

de la Rocha Mille, Raymond (2011). Museums without walls: The museology of Georges Henri Riviere. (Unpublished Doctoral thesis, City University London)

This list was generated on Fri Sep 22 06:10:37 2017 UTC.