City Research Online

Abstract

This project explores an embodied interpretation of György Kurtág’s Kafka Fragments, a modernist musical work that uniquely sets abstract text fragments by Kafka within epigrammatic musical vignettes designed for soprano and violin. Drawing on my formal training in classical vocal performance, as well as my extensive experience with contemporary vocal repertoire, I aim to reconcile the inherent challenges that arise when staging an abstract, text-driven work, all while avoiding the imposition of additional narrative layers that could detract from the original intent. My approach focuses on accentuating the complexity of the score while decoding the cryptic idiom through both a vocal and physical lens, along with the use of reflective diaries. Moreover, my scholarly contribution is in
the area of embodied physical performance of abstract chamber music.

My research traces the intricate creative process involved in learning Kafka Fragments, emphasising the interrelationship between traditional bel canto vocal techniques and the innovative demands of contemporary vocal writing. In addition to achieving vocal mastery, my research incorporates the element of movement, particularly informed by Vsevolod Meyerhold’s biomechanics. This integration is essential for generating an expressive physical language that complements and enhances the vocal interpretation of the piece. By thoughtfully integrating these various elements, I seek to develop a performance practice that remains faithful to the work’s abstract aesthetic while simultaneously offering a unique embodied response to its profound text and music. Through this exploration, I aspire to produce a performance that not only captures the essence of Kafka’s fragmented thoughts but also engages the audience on a deeper level. The combination of vocal techniques and physical movement aims to illuminate the emotional and intellectual depth of the text, allowing for a richer interpretation that resonates with contemporary audiences. Ultimately, my goal is to contribute to the understanding of how contemporary vocal and physical practices can interact in innovative ways, particularly in works that challenge traditional narrative forms and engage with abstract concepts.

Publication Type:	Thesis (Doctoral)
Subjects:	M Music and Books on Music > ML Literature of music M Music and Books on Music > MT Musical instruction and study N Fine Arts > NX Arts in general
Departments:	Doctoral Theses

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