Article

Cottrell, S.J. ORCID: 0000-0003-4019-798X and Howell, J. (2019). Reproducing Musical Instrument Components from Manufacturers’ Technical Drawings using 3D Printing: Boosey & Hawkes as a Case Study. Journal of New Music Research, doi: 10.1080/09298215.2019.1642362

Cottrell, S.J. (2018). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, gdy013. doi: 10.1093/musqtl/gdy013

Cottrell, S.J. ORCID: 0000-0003-4019-798X (2018). Charles Jean-Baptiste Soualle and the Saxophone. Journal of the American Musical Instrument Society, XLIV, pp. 179-208.

Cottrell, S.J. (2017). Performing Civility: International Competitions in Classical Music. By Lisa McCormick. Music and Letters, 98(2), pp. 322-324. doi: 10.1093/ml/gcx032

Cottrell, S.J. (2011). The impact of Ethnomusicology. Ethnomusicology Forum, 20(2), pp. 229-232.

Cottrell, S.J. (2010). Ethnomusicology and the Music Industries: an overview. Ethnomusicology Forum, 19(1), pp. 3-25.

Cottrell, S.J. (2007). ‘Local Bimusicality among London’s freelance musicians’. Ethnomusicology, 51(1), pp. 85-105.

Cottrell, S.J. (2007). Music, Time, and Dance in Orchestral Performance: The Conductor as Shaman. Twentieth-century Music, 3(1), pp. 73-96.

Cottrell, S.J. (2002). Music as Capital: Deputising Among London’s Freelance Musicians. British Journal of Ethnomusicology, 11(2), pp. 61-80.

Book Section

Cottrell, S.J. and Impey, A. (2018). Community Music And Ethnomusicology. In: Bartleet, B-L. and Higgins, L. (Eds.), The Oxford Handbook of Community Music. (pp. 525-543). Oxford University Press. ISBN 9780190219505

Cottrell, S.J. (2017). The creative work of large ensembles. In: Rink, J., Gaunt, H. and Williamon, A. (Eds.), Musicians in the Making: Pathways to Creative Performance. (pp. 186-205). New York: Oxford University Press. ISBN 9780199346677

Littler, J. (2017). Adrift or ashore? Desert Island Discs and celebrity culture. In: Brown, J., Cook, N. and Cottrell, S.J. (Eds.), Defining the Discographic Self: Desert Island Discs in Context. (pp. 93-106). Oxford, UK: Oxford University Press. ISBN 9780197266175

Cottrell, S.J. (2017). Musicianly lives musically told: Oral history, classical music and Desert Island Discs. In: Brown, J., Cook, N. and Cottrell, S.J. (Eds.), Defining the Discographic Self: Desert Island Discs in Context. Proceedings of the British Academy (211). (pp. 257-284). Oxford: Oxford University Press. ISBN 9780197266175

Cottrell, S.J. (2012). Musical Performance in the Twentieth Century: an overview. In: Lawson, C. and Stowell, R. (Eds.), The Cambridge History of Musical Performance. . Cambridge. ISBN 0521896118

Cottrell, S.J. (2010). The rise and rise of phonomusicology. In: Bayley, A. (Ed.), Recorded Music: Performance, Culture and Technology. . Cambridge. ISBN 9780521863094

Cottrell, S.J. (2006). The Clarinet and its Players in Eastern Europe and Greece. In: Heaton, R. (Ed.), The versatile clarinet. (pp. 40-55). Routledge. ISBN 0415973171

Cottrell, S.J. (2004). Smoking and all that Jazz. In: Gilman, S. L. and Zhou, X. (Eds.), Smoke: A Global History of Smoking. (pp. 154-159). Reaktion Books. ISBN 9781861892003

Cottrell, S.J. (2003). The Future of the Orchestra. In: Lawson, C. (Ed.), The Cambridge companion to the orchestra. . Cambridge. ISBN 0521001323

Conference or Workshop Item

Weyde, T., Cottrell, S.J., Dykes, J., Benetos, E., Wolff, D., Tidhar, D., Gold, N., Abdallah, S., Plumbley, M. D., Dixon, S., Barthet, M., Mahey, M., Tovell, A. and Alancar-Brayner, A. (2014). Big Data for Musicology. Paper presented at the 1st International Digital Libraries for Musicology workshop, 12-09-2014 - 12-09-2014, London, UK.