City Research Online

Items where Schools and Departments is "Music" and Year is 2012

Up a level
Export as [feed] RSS 2.0 [feed] RSS
Group by: Authors | Type | No Grouping
Jump to: A | B | C | E | H | K | L | M | P | W
Number of items: 15.


Armstrong, N. (2012). making one leaf transparent and then another *


Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London)


Cottrell, S.J. (2012). Musical Performance in the Twentieth Century: an overview. In: Lawson, C. and Stowell, R. (Eds.), The Cambridge History of Musical Performance. . Cambridge. ISBN 0521896118


Einbond, A., Trapani, C. and Schwarz, D. (2012). Precise pitch control in Real Time Corpus-Based concatenative synthesis. Paper presented at the ICMC 2012: Non-Cochlear Sound, 9 September - 14 September 2012, Ljubljana, Slovenia.


Hammond, C. (2012). To Conceal or Reveal: left-hand pianism with particular reference to Ravel's Concerto pour la main gauche and Britten's Diversions. (Unpublished Doctoral thesis, City University London)


Khosravi, Peiman (2012). Spectral spatiality in the acousmatic listening context. (Unpublished Doctoral thesis, City University London)


Lingas, A. ORCID: 0000-0003-0083-3347 (2012). Cappella Romana Live in Greece. From Constantinople to California: Renaissance Cretan Chant and Polyphony — Modern Choral Works by Adamis, Bogdanos, Cardiasmenos, Desby, Michaelides and Zes,. Portland, USA: Cappella Romana.


Mera, M. (2012). Outing the Score: Music, narrative and collaborative process in Little Ashes. Music, Sound and the Moving Image, 6(1), pp. 93-109. doi: 10.3828/msmi.2012.8


Pace, I. ORCID: 0000-0002-0047-9379 (2012). CD recording - Lauren Redhead, Robin and Marian Point Engraved Edition. *

Pace, I. (2012). Frank Cox on Richard Taruskin's The Oxford History of Western Music *

Pace, I. (2012). Instrumental performance in the nineteenth century. In: Lawson, C. and Stowell, R. (Eds.), The Cambridge History of Musical Performance. (pp. 643-695). Cambridge University Press.

Pace, I. (2012). Maintaining Disorder: Some Technical and Aesthetic Issues Involved in the Performance of Ligeti's Etudes for Piano. Contemporary Music Review, 31(2-3), pp. 177-201. doi: 10.1080/07494467.2012.717359

Pace, I. (2012). Tempo and its modifications in the music of Brahms from primary sources and evidence of early performers. Paper presented at the Symposium 'Über das Forteilen und Zurückhalten. Zur Tempogestaltung in der Musik des frühen 19. Jahrhunderts', 31-03-2012, Berlin, Germany.


Wiley, C. (2012). Marianna Martines: A woman composer in the Vienna of Mozart and Haydn. Journal for Eighteenth-Century Studies, 35(2), pp. 285-286. doi: 10.1111/j.1754-0208.2011.00404.x

Wiley, C. (2012). Putting the Music Back into Michael Jackson Studies. In: Smit, C. R. (Ed.), Michael Jackson: Grasping the Spectacle. (pp. 101-116). Farnham, UK: Ashgate.

This list was generated on Tue Jan 21 04:26:59 2020 UTC.