Items where Schools and Departments is "Music" and Year is 2019
A
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
Two Canons for Kathryn
Huddersfield Contemporary Records.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
The in-between of line and surface: A line alongside itself.
Paper presented at the Bendigo International Festival of Exploratory Music, 6-8 September 2019, Bendigo, Australia.
Armstrong, N. ORCID: 0000-0002-1927-7371 (2019).
A line alongside itself
B
Browning, J. ORCID: 0000-0001-7013-7959 & Davidson, J. W. (2019).
Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon.
Parergon, 36(2),
pp. 17-38.
doi: 10.1353/pgn.2019.0053
C
Cottrell, S.J. ORCID: 0000-0003-4019-798X & Howell, J. (2019).
Reproducing Musical Instrument Components from Manufacturers’ Technical Drawings using 3D Printing: Boosey & Hawkes as a Case Study.
Journal of New Music Research, 48(5),
pp. 449-457.
doi: 10.1080/09298215.2019.1642362
Cottrell, S.J. (2019). Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies. Musical Quarterly, 101(2-3), pp. 216-243. doi: 10.1093/musqtl/gdy013
E
Einbond, A. ORCID: 0000-0003-1734-6641 (2019).
Disembodiment: Reproduction, Transcription, And Trace.
Tempo, 73(287),
pp. 83-90.
doi: 10.1017/s0040298218000694
L
Lingas, A. ORCID: 0000-0003-0083-3347 (2019).
Canonising Byzantine Chant as Greek Art Music.
In: Tambakaki, P., Vlagopoulos, P., Levidou, K. & Beaton, R. (Eds.),
Music, Language and Identity in Greece: Defining a National Art Music in the Nineteenth and Twentieth Centuries.
(pp. 31-53). Abingdon, UK: Routledge.
Lingas, A. ORCID: 0000-0003-0083-3347 (2019).
In the Byzantine Empire.
In:
Grove Music Online.
. UK: Oxford University Press.
Lingas, A. ORCID: 0000-0003-0083-3347 (2019).
Venice in the East: Renaissance Crete and Cyprus.
Portland, USA: Cappella Romana.
Lingas, A. ORCID: 0000-0003-0083-3347, Pentcheva, B., Abel, J. , Cappella Romana, Eruçman, D., Antonopoulos, S. & Canfield-Dafilou, E. (2019).
Lost Voices of Hagia Sophia: Medieval Byzantine Chant Sung in the Virtual Acoustics of Hagia Sophia. The Feast of the Exaltation of the Holy Cross in Constantinople.
Cappella Romana.
N
Nooshin, L. ORCID: 0000-0001-8737-5224 (2019).
Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema.
Music and the Moving Image, 12(3),
pp. 25-57.
doi: 10.5406/musimoviimag.12.3.0025
Nystrom, E. ORCID: 0000-0003-3628-540X (2019).
Portrait Concert: Alchimie
Musiques et Recherches.
Nystrom, E. ORCID: 0000-0003-3628-540X (2019).
Technological Listening and Intra-faces of Sound.
Paper presented at the 11th Beyond Humanism Conference: Critical Posthumanism and Transhumanism : The posthuman paradigm shift,, 9-12 July 2019, Catholic University of Lille, France.
Nystrom, E. ORCID: 0000-0003-3628-540X, Kokoras, P., Gviniashvili, M. , Vasquez, J. C. & Kosecka, M. (2019).
CECIA (Collaborative Electroacoustic Composition with Intelligent Agents).
[Audio]
R
Rennie, T. ORCID: 0000-0001-8937-2780 (2019).
Muscle memory: The inimitable feel of the record.
Tempo, 73(287),
pp. 76-79.
doi: 10.1017/s0040298218000670
S
Smith, J. ORCID: 0000-0002-5198-4076 (2019).
Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt, Transistor and Divinity: Original Sin II.
Soundtrack, The, 11(1),
pp. 75-97.
doi: 10.1386/ts_00006_1